Journal Description
Heritage
Heritage
is an international, peer-reviewed, open access journal of cultural and natural heritage science published monthly by MDPI.
- Open Access— free for readers, with article processing charges (APC) paid by authors or their institutions.
- High Visibility: indexed within Scopus, ESCI (Web of Science), and other databases.
- Journal Rank: CiteScore - Q1 (Conservation)
- Rapid Publication: manuscripts are peer-reviewed and a first decision is provided to authors approximately 16.9 days after submission; acceptance to publication is undertaken in 3.4 days (median values for papers published in this journal in the second half of 2023).
- Recognition of Reviewers: reviewers who provide timely, thorough peer-review reports receive vouchers entitling them to a discount on the APC of their next publication in any MDPI journal, in appreciation of the work done.
Impact Factor:
1.7 (2022);
5-Year Impact Factor:
1.6 (2022)
Latest Articles
Evaluating the Quality of Architectural Heritage Reuse Projects Using a Well-Being and NEB Approach: The Case Study of IPIM in Turin (Italy)
Heritage 2024, 7(6), 2834-2865; https://doi.org/10.3390/heritage7060134 (registering DOI) - 29 May 2024
Abstract
International conservation approaches recognise architectural heritage as crucial in promoting sustainable development and enhancing human well-being. This has been highlighted by the recent New European Bauhaus (NEB) movement. As for the reuse of architectural heritage, this debate has led to the formulation of
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International conservation approaches recognise architectural heritage as crucial in promoting sustainable development and enhancing human well-being. This has been highlighted by the recent New European Bauhaus (NEB) movement. As for the reuse of architectural heritage, this debate has led to the formulation of new guidelines that aim to maximise the tangible and intangible values of the assets from a long-term and circular economy perspective. In turning theory into operational practice, it is essential to reuse heritage structures while keeping these principles in mind and remaining within the boundaries of conservation objectives. To achieve this, evaluation tools that can aid in the decision-making process need to be identified. This research presents a novel model of indicators that can monitor and evaluate the quality of architectural heritage reuse projects, proposing a perspective that considers both the concept of well-being and the NEB principles. The proposed model is tested on Turin’s IPIM (Provincial Institute for Childhood and Maternity). This structure has been transformed from an uncomfortable heritage into a cultural centre for contemporary art called Flashback Habitat. The case study tests the model’s practical applicability and demonstrates its effectiveness in identifying the most challenging principles to apply in practice.
Full article
(This article belongs to the Special Issue Adaptive Reuse of Heritage Buildings)
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A Characterisation of the Protrusions on Liu Kang’s Boat scene (1974) from the National Gallery Singapore
by
Damian Lizun and Teresa Kurkiewicz
Heritage 2024, 7(6), 2811-2833; https://doi.org/10.3390/heritage7060133 (registering DOI) - 29 May 2024
Abstract
This paper investigates the oil on canvas painting Boat scene (1974) by Liu Kang (1911–2004), belonging to the National Gallery Singapore (NGS). The focus is on disfiguring paint protrusions in a specific area and colour in the composition. Moreover, in search of the
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This paper investigates the oil on canvas painting Boat scene (1974) by Liu Kang (1911–2004), belonging to the National Gallery Singapore (NGS). The focus is on disfiguring paint protrusions in a specific area and colour in the composition. Moreover, in search of the possible factors responsible for the creation of the protrusions, the structure and composition of the paint layers were determined. Three possible reasons were put forward to explain this phenomenon: deliberate textural effects, the expansion of metal soaps and unintentional paint contamination during the artistic process. Investigative techniques such as technical photography, digital microscopy, optical microscopy (OM), polarised light microscopy (PLM), field emission scanning electron microscope (FE-SEM-EDS) and attenuated total reflectance micro-Fourier transform infrared spectroscopy (ATR μ-FTIR) were employed to analyse paint layers, including protrusion samples. The analyses revealed that the protrusions resulted from an unintentional contamination of the oil paint during the artistic process by dry fragments of different pigment mixtures bound in drying oil. Zinc soaps were found in significant concentrations within the protrusions and other parts of the painted scene. Nevertheless, the metal soaps do not pose a direct risk to the integrity of the paint layers at the time of this research. The analyses highlight the potential challenges caused by the protrusions that conservators may face while caring for the painting. The research contributes to our ongoing comprehension of the artist’s working process.
Full article
(This article belongs to the Special Issue Latest Trends and Challenges in the Study of Pigments and Dyes and Their Degradation in Cultural Heritage Objects)
Open AccessArticle
Virtual Reality Applied to Heritage in Higher Education—Validation of a Questionnaire to Evaluate Usability, Learning, and Emotions
by
Mario Corrales-Serrano, Pilar Merchán, María José Merchán and Emiliano Pérez
Heritage 2024, 7(6), 2792-2810; https://doi.org/10.3390/heritage7060132 - 28 May 2024
Abstract
Cultural heritage is one of the areas where Extended Reality is having a significant impact nowadays. Although often associated with entertainment, this technology has enormous educational potential when applied to heritage. Therefore, it is essential to implement monitoring tools in educational practice to
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Cultural heritage is one of the areas where Extended Reality is having a significant impact nowadays. Although often associated with entertainment, this technology has enormous educational potential when applied to heritage. Therefore, it is essential to implement monitoring tools in educational practice to assess its actual effectiveness. This article presents the process of generating and validating a statistical data collection instrument developed to evaluate a virtual reality experience created using the archaeological heritage of the ancient Roman city of Augusta Emerita (Mérida, Spain). It can be easily adapted to evaluate similar experiences. The aim is to gauge the effectiveness of these experiences as a didactic resource. The questionnaire was subjected to an evaluation of its three dimensions. Content validity was analyzed through expert judgments, while applicability was tested by students. Finally, a series of statistical tests were conducted to verify construct reliability and internal consistency. Based on the results obtained and cross-referenced with the data provided by the literature, the suitability of this tool for collecting data on usability, learning, and emotions in virtual reality experiences is confirmed.
Full article
Open AccessArticle
“Codex 4D” Project: Interdisciplinary Investigations on Materials and Colors of De Balneis Puteolanis (Angelica Library, Rome, Ms. 1474)
by
Eva Pietroni, Alessandra Botteon, David Buti, Alessandra Chirivì, Chiara Colombo, Claudia Conti, Anna Letizia Di Carlo, Donata Magrini, Fulvio Mercuri, Noemi Orazi and Marco Realini
Heritage 2024, 7(6), 2755-2791; https://doi.org/10.3390/heritage7060131 - 28 May 2024
Abstract
This paper sheds light on the manufacturing processes, techniques, and materials used in the splendid illuminations of the oldest surviving copy of De Balneis Puteolanis, preserved at the Angelica Library in Rome (Ms. 1474). The codex is one of the masterpieces of mid-13th-century
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This paper sheds light on the manufacturing processes, techniques, and materials used in the splendid illuminations of the oldest surviving copy of De Balneis Puteolanis, preserved at the Angelica Library in Rome (Ms. 1474). The codex is one of the masterpieces of mid-13th-century Italian-Southern illumination, traditionally referred to as the commission of Manfredi, son of Frederick II. The findings reported in the article result from the interdisciplinary study conducted in 2021–2023 in the framework of “Codex 4D: journey in four dimensions into the manuscript”, a multidisciplinary project involving many competences and dealing with art-historical studies on manuscripts, diagnostic and conservative analyses, scientific dissemination, storytelling, and public engagement. The considerations we present aims at increasing the knowledge of book artefacts while respecting their extraordinary complexity; data from non-invasive diagnostic investigations (X-ray fluorescence, Vis-NIR reflectance and Raman spectroscopies, hyperspectral imaging, and multi-band imaging techniques as ultraviolet, reflectography, and thermography), carried out in situ with portable instruments on the book, have been integrated with observations resulting from the historical-artistic study, and the reading of some ancient treatises on the production and use of the pigments and dyes employed in illumination.
Full article
(This article belongs to the Special Issue The Stories That Colours Tell: Historical Paintings, Dyes and Varnishes)
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Integrating Fuzzy Cognitive Maps and the Delphi Method in the Conservation of Transhumance Heritage: The Case of Andorra
by
Lluís Segura, Rocío Ortiz, Javier Becerra and Pilar Ortiz
Heritage 2024, 7(6), 2730-2754; https://doi.org/10.3390/heritage7060130 - 28 May 2024
Abstract
Transhumance and its associated heritage are extremely complex and dynamic systems, and their conservation requires the analysis of interdisciplinary factors. To this end, fuzzy cognitive maps (FCMs) and Delphi surveys were applied for the first time in the field of heritage conservation. The
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Transhumance and its associated heritage are extremely complex and dynamic systems, and their conservation requires the analysis of interdisciplinary factors. To this end, fuzzy cognitive maps (FCMs) and Delphi surveys were applied for the first time in the field of heritage conservation. The model was applied to the tangible and intangible transhumance heritage of Andorra to determine its current state of conservation and to evaluate strategies for its preservation. Two panels of experts worked on the development of the model. Five experts with profiles related to conservation and transhumance heritage formed the first panel, which designed the preliminary FCMs, while seven experts in Andorran cultural heritage (panel 2) adapted the preliminary FCM model to Andorran transhumance heritage using Delphi surveys. The FCM model allowed us to analyze the influence of different variables on the conservation of transhumance heritage and to assess policy decisions. Further studies will focus on the implementation of this model in other countries to establish common recommendations for the conservation of the cultural heritage of transhumance.
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Open AccessArticle
Archaeological and Archaeometric Insights into a Roman Wall Painting Assemblage from the Blanes Dump (Mérida)
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Gonzalo Castillo Alcántara, Daniel Cosano Hidalgo, Alicia Fernández Díaz and José Rafael Ruiz Arrebola
Heritage 2024, 7(6), 2709-2729; https://doi.org/10.3390/heritage7060129 (registering DOI) - 27 May 2024
Abstract
In this paper we describe the archaeological and archaeometric analysis of a Third Pompeian Style assemblage from the Blanes dump in Mérida (Spain). Based on the pottery context, the material would have been part of the decoration of a public or private space
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In this paper we describe the archaeological and archaeometric analysis of a Third Pompeian Style assemblage from the Blanes dump in Mérida (Spain). Based on the pottery context, the material would have been part of the decoration of a public or private space remodelled towards the end of the 1st century AD. Several samples from to the middle area of the assemblage, including panels, inter-panels and a frieze, were selected and studied using X-ray diffraction (XRD), X-ray fluorescence (XRF), Raman, gas chromatography and petrographic analysis. The results revealed the use of hematite, cinnabar, minium and goethite in different panels, as well as goethite, Egyptian blue, calcite, glauconite and carbon for the decorative motifs. They allowed us to define the painting techniques used and how they have affected the degradation of the pigments.
Full article
(This article belongs to the Special Issue Latest Trends and Challenges in the Study of Pigments and Dyes and Their Degradation in Cultural Heritage Objects)
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An Assessment of the Impact of the Protection Zone Regime for Cultural Heritage Sites on the Value of Land for Individual Housing Construction in the Context of a Low-Activity Market
by
Irina Dyachkova, Elena Bykowa, Vlada Dudina and Tatyana Banikevich
Heritage 2024, 7(6), 2682-2708; https://doi.org/10.3390/heritage7060128 - 26 May 2024
Abstract
The preservation of cultural heritage plays a key role in the development of society. To preserve cultural heritage, protection zones are established, which represent an encumbrance on land plots and, therefore, should be taken into account in the valuation process. Currently, there is
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The preservation of cultural heritage plays a key role in the development of society. To preserve cultural heritage, protection zones are established, which represent an encumbrance on land plots and, therefore, should be taken into account in the valuation process. Currently, there is a problem that mass (cadastral) and individual valuation methods do not necessarily include cultural heritage objects and their zones in cost coefficients. The absence of a mechanism to address their individual characteristics in the real estate valuation system has a significant impact on the value of real estate and leads to unjustifiably inflated market value and, as a consequence, to disputing the results of cadastral valuation. This article is devoted to determining the impact of protection zones of cultural heritage objects on the value of land intended for individual housing construction, using the example of the city of Orenburg. This article considers various methods of identifying patterns of the influence of zones with special conditions of use of the territory on the market value of land and substantiates the use of the method of comparative sales in the conditions of a low-active land market in Orenburg, a statistical analysis of market information, on the basis of which the type of activity of the real estate market in Orenburg was determined. The patterns of the calculation of corrections for the remoteness of the studied land plots from the objects of the transport and social infrastructure of Orenburg were revealed in this work as well. Through the method of paired sales within the framework of an individual assessment of the land plot intended for individual housing construction, the diminishing impact of the zones of protection of cultural heritage objects on the market value of land plots was revealed. This allows for conclusions to be drawn as to whether objects of cultural heritage have an impact on the value of real estate, and as a result, there is a need to modify the applied methods of mass and individual real estate valuation within the boundaries of historical settlements.
Full article
(This article belongs to the Section Cultural Heritage)
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Technology of Dyeing beyond Text
by
Anete Karlsone
Heritage 2024, 7(6), 2668-2681; https://doi.org/10.3390/heritage7060127 - 24 May 2024
Abstract
A major source in the research on Baltic cultural history (Latvia, Estonia), including studies dedicated to the clothing of local inhabitants, are the drawings and descriptions of Johann Christoph Brotze (1742–1823), which date back to the turn of the 18th and 19th centuries.
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A major source in the research on Baltic cultural history (Latvia, Estonia), including studies dedicated to the clothing of local inhabitants, are the drawings and descriptions of Johann Christoph Brotze (1742–1823), which date back to the turn of the 18th and 19th centuries. They contain references to dyes and dyeing methods used by local peasants. The information recorded by J. C. Brotze, although fragmentary, is valuable because researchers lack documentary sources about the dyeing methods used in the 18th century in the territory of present-day Latvia. Additional research yields more extensive information about the contents of the descriptions. The current article will describe the experimental method that enabled the establishment of the specific dyeing technique, which, using Bixa orellana L., was employed to obtain the particular orange color referred to in the descriptions.
Full article
(This article belongs to the Special Issue Dyes in History and Archaeology 42)
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Community Attachment to AlUla Heritage Site and Tourists’ Green Consumption: The Role of Support for Green Tourism Development
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Ibrahim A. Elshaer, Mansour Alyahya, Alaa M. S. Azazz and Sameh Fayyad
Heritage 2024, 7(6), 2651-2667; https://doi.org/10.3390/heritage7060126 - 23 May 2024
Abstract
This study explores the interrelationship between community attachment in AlUla Heritage City (located in Saudi Arabia) and tourists’ green consumption practices, testing support for green tourism development as a mediator. The old historical city of AlUla, a significant city experiencing ongoing preservation and
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This study explores the interrelationship between community attachment in AlUla Heritage City (located in Saudi Arabia) and tourists’ green consumption practices, testing support for green tourism development as a mediator. The old historical city of AlUla, a significant city experiencing ongoing preservation and tourism development, represents an adequate context for exploring the link between community attachment and green tourism practices. This study employs a quantitative approach, including surveys with 328 local residents of AlUla. A structural equation modeling partial least square (PLS-SEM) analysis is conducted to explore the indirect influence of community attachment on tourists’ green consumption through the mediating role of support for green tourism development. The findings indicated a positive path from community attachment in AlUla to tourists’ tendencies toward green consumption behavior. Moreover, the mediating effects of support for green tourism development suggested that a deep sense of community attachment improves tourists’ support for green practices in the tourism sector. This study adds to the extended body of the literature on place attachment and green tourism by emphasizing the significance of community place attachment in stimulating tourists’ green consumption practices. Several practical implications for policymakers seeking to promote green tourism practices in heritage cities like AlUla are explored from the study results.
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(This article belongs to the Special Issue Heritage Tourism and Sustainable City Dynamics)
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Seventeenth-Century Barniz de Pasto Objects from the Collection of the Hispanic Society Museum & Library: Materiality and Technology
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Elena Basso, Alicia McGeachy, Maria Goretti Mieites Alonso, Federica Pozzi, Roxanne Radpour and Monica Katz
Heritage 2024, 7(5), 2620-2650; https://doi.org/10.3390/heritage7050125 - 18 May 2024
Abstract
The Hispanic Society Museum & Library (HSML) holds a collection of nine viceregal barniz de Pasto objects, made by Indigenous artisans in the 17th and 18th centuries. Designed to imitate Asian lacquers and intended for European aesthetic tastes, barniz de Pasto is an
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The Hispanic Society Museum & Library (HSML) holds a collection of nine viceregal barniz de Pasto objects, made by Indigenous artisans in the 17th and 18th centuries. Designed to imitate Asian lacquers and intended for European aesthetic tastes, barniz de Pasto is an example of Indigenous technique and knowledge that has survived to the present day. An in-depth analysis of five of these barniz de Pasto objects, dated to the first half and last quarter of the 17th century based on their iconography, was carried out through a combination of non-invasive and micro-invasive techniques, including portable X-ray fluorescence (pXRF) spectroscopy to investigate the possible presence of inorganic pigments, and fiber-optics reflectance spectroscopy (FORS) and reflectance imaging spectroscopy (RIS) to provide molecular information on colorants and their distributions across the objects. Dyes and pigments were also identified using Raman spectroscopy, Fourier-transform infrared (FTIR) spectroscopy, and liquid chromatography/mass spectrometry (LC/MS). The nature of the resin was determined by FTIR and pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS), while the decoration stratigraphy and composition were analyzed by scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDS). This paper confirms the use of mopa mopa, the resin used in the barniz de Pasto technique, in two objects not previously analyzed, and identifies indigo, insect-based red, calomel, lead white, and an unknown flavonol-based yellow dye, and challenges the use of calomel as a temporal marker for these works. Taken together, these results expand our understanding of the material use and explorations undertaken by artists during this time period to create such elaborate and enduring objects.
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(This article belongs to the Special Issue Lacquer in the Americas)
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An Innovative System for Enhancing Archaeological In Situ Excavation through Geospatial Integration
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Asimina Dimara, Sotirios Tsakiridis, Doukas Psarros, Alexios Papaioannou, Dimitrios Varsamis, Christos-Nikolaos Anagnostopoulos and Stelios Krinidis
Heritage 2024, 7(5), 2586-2619; https://doi.org/10.3390/heritage7050124 - 17 May 2024
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The field of archaeological excavation has seen enormous developments as a result of the quick development of digital technologies. It is critical to acknowledge the long-term benefits of new approaches. In this regard, this study intends to suggest a system that provides archaeologists
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The field of archaeological excavation has seen enormous developments as a result of the quick development of digital technologies. It is critical to acknowledge the long-term benefits of new approaches. In this regard, this study intends to suggest a system that provides archaeologists with digital tools that allow them to fully and effectively document their excavations in real time while in the field, which is specifically designed for classical and Byzantine archaeology. The system not only facilitates traditional documentation practices but also integrates advanced geospatial technologies and augmented reality, enhancing the accuracy and depth of archaeological research and preservation. This dual functionality enables both the efficient recording of excavation data as experienced by excavators on-site and the detailed documentation processed by researchers post-excavation. The objective of the application is to generate a sophisticated system that will enable the excavation data and experience that the excavator gains on the site of work to be recorded in real time, as well as the documentation that is subsequently processed and accomplished by the researcher or by other researchers. The system saves detailed images and 3D models of artifacts and excavation sites. This ensures that every detail is recorded while preserving the data for future analysis and reference. Lastly, the application was tested in realistic use case scenarios and real-world settings, which increased the system’s credibility and demonstrated its capability to enhance the procedures involved in archaeological excavation and documentation.
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Towards FAIR Data Management in Heritage Science Research: Updates and Progress on the INFRA-ART Spectral Library
by
Ioana Maria Cortea
Heritage 2024, 7(5), 2569-2585; https://doi.org/10.3390/heritage7050123 - 16 May 2024
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The heritage science sector is facing a critical need for accessible and comprehensive data resources to facilitate research, preservation efforts, and interdisciplinary collaboration. The concept of FAIR data management involves embracing principles and practices that ensure that data are Findable, Accessible, Interoperable, and
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The heritage science sector is facing a critical need for accessible and comprehensive data resources to facilitate research, preservation efforts, and interdisciplinary collaboration. The concept of FAIR data management involves embracing principles and practices that ensure that data are Findable, Accessible, Interoperable, and Reusable. This work presents an overview of the latest updates on the INFRA-ART Spectral Library, an open access spectral database of cultural-heritage-related materials that was designed as a digital support tool for heritage research specialists that work with (portable) non- or minimally invasive spectroscopic techniques such as X-ray fluorescence (XRF), attenuated total reflectance–Fourier transform infrared (ATR-FTIR) spectroscopy, or Raman spectroscopy, among others. The database is an ongoing compilation of high-quality curated data that currently incorporates primary ATR-FTIR and XRF spectra and a preliminary dataset of Raman and short-wave infrared (SWIR) reflectance spectra on over 900 different materials typically found in painted works of art. For increased and sustainable accessibility, the database follows the European Commission’s recommendations on access to scientific information, as well as the FAIR guiding principles on research data that result from publicly funded research. The INFRA-ART Spectral Library is registered as a resource within the Open Science Cloud (EOSC) Portal and is among the services offered by the Romanian hub within E-RIHS (European Research Infrastructure for Heritage Science) DIGILAB.
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Curved Linear Diode Array Imaging of a Historic Anchor Recovered from East Anglia ONE Offshore Wind Farm
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Brandon Mason, James Finch, Sarah Paynter, Heather Anderson and Lauren Nagler
Heritage 2024, 7(5), 2552-2568; https://doi.org/10.3390/heritage7050122 - 16 May 2024
Abstract
The Industrial Metrology Business Unit of Nikon Corporation, on behalf of ScottishPower Renewables and Maritime Archaeology (MA), Southampton, UK, has employed X-ray CT (computed tomography) to visualise the internal structure of an anchor found in the North Sea. The non-destructive method of internal
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The Industrial Metrology Business Unit of Nikon Corporation, on behalf of ScottishPower Renewables and Maritime Archaeology (MA), Southampton, UK, has employed X-ray CT (computed tomography) to visualise the internal structure of an anchor found in the North Sea. The non-destructive method of internal inspection and measurement has helped to determine approximately when it was made. The results indicate that the artefact, initially thought to be potentially Roman, is probably more recent, likely dating to between the late 16th and early 17th centuries CE. This paper presents the discovery, recovery, analysis and interpretation of a significant find from a UK offshore wind farm and underscores the valuable role that non-destructive X-ray CT played in the investigation.
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(This article belongs to the Special Issue Non-invasive Technologies Applied in Cultural Heritage)
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Metal Fragments of Roman Pipes from Pompeii: Investigations on Copper-Based Alloys, Corrosion Products, and Surface Treatments
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Sofia Schiattone, Carla Martini, Marco Malagodi, Giacomo Fiocco, Eleonora Rocconi, Maria Morisco and Cristina Chiavari
Heritage 2024, 7(5), 2538-2551; https://doi.org/10.3390/heritage7050121 - 14 May 2024
Abstract
This work reports the study of metal fragments from Roman pipes excavated from the archaeological site of Pompeii and currently preserved in the deposits of the National Archaeological Museum of Naples (MANN). The Roman pipe, called the tibia, is a reed wind
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This work reports the study of metal fragments from Roman pipes excavated from the archaeological site of Pompeii and currently preserved in the deposits of the National Archaeological Museum of Naples (MANN). The Roman pipe, called the tibia, is a reed wind musical instrument similar to the Greek aulos. It can be made of wood, bone, and/or metal. Materials consisting of metal Cu-based alloys were excavated from archaeological burial environments. This research aims to identify the composition of the alloys, characterize the corrosion patinas, and identify any ancient surface treatments on the fragments. Non-invasive and micro-invasive techniques were used to achieve this aim, i.e., optical microscopy, Raman spectroscopy, attenuated total reflectance Fourier-transform infrared spectrophotometry, scanning electron microscopy, and energy dispersive spectrometry. This research contributes to a deeper understanding of the materials and manufacturing techniques used for these instruments, as well as the degradation processes occurring over the centuries.
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(This article belongs to the Special Issue Conservation and Restoration of Metal Artifacts)
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Counter-Mapping in Geographic Education: A Novel Approach to Understanding Urban and Cultural Dynamics in Cities
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Seila Soler and Pablo Rosser
Heritage 2024, 7(5), 2507-2537; https://doi.org/10.3390/heritage7050120 - 13 May 2024
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This study assessed the impact of counter-mapping on university students’ perception and knowledge of their cities, focusing on cultural diversity, urban dynamics, and social challenges. Using a quasi-experimental design with pretests and posttests in the province of Alicante, Spain, changes in the understanding
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This study assessed the impact of counter-mapping on university students’ perception and knowledge of their cities, focusing on cultural diversity, urban dynamics, and social challenges. Using a quasi-experimental design with pretests and posttests in the province of Alicante, Spain, changes in the understanding of urban geography, everyday life, and cultural diversity were analyzed among 54 Geography Didactics students. Likert scale surveys and open-ended questions were employed, complemented by statistical and qualitative analyses, to measure knowledge and perceptions before and after the counter-mapping project. The results indicate that although quantitative correlations did not show statistically significant significance, qualitative analysis revealed significant and profound learning. Participants uncovered the hidden layers of their urban environments and gained a better understanding of the complexities and challenges of their cities. The project promoted the development of critical skills such as analytical thinking, active research, and effective communication, proving to be a valuable pedagogical tool that surpasses the limitations of traditional teaching methods and encourages active and committed citizenship. This inclusive and multidimensional approach enriches the diversity of experiences and knowledge, significantly contributing to the teaching of urban subjects, community engagement, and social responsibility and laying the groundwork for the proper tourist, cultural, social, or urban planning of city spaces.
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Artificial Interpretation: An Investigation into the Feasibility of Archaeologically Focused Seismic Interpretation via Machine Learning
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Andrew Iain Fraser, Jürgen Landauer, Vincent Gaffney and Elizabeth Zieschang
Heritage 2024, 7(5), 2491-2506; https://doi.org/10.3390/heritage7050119 - 10 May 2024
Abstract
The value of artificial intelligence and machine learning applications for use in heritage research is increasingly appreciated. In specific areas, notably remote sensing, datasets have increased in extent and resolution to the point that manual interpretation is problematic and the availability of skilled
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The value of artificial intelligence and machine learning applications for use in heritage research is increasingly appreciated. In specific areas, notably remote sensing, datasets have increased in extent and resolution to the point that manual interpretation is problematic and the availability of skilled interpreters to undertake such work is limited. Interpretation of the geophysical datasets associated with prehistoric submerged landscapes is particularly challenging. Following the Last Glacial Maximum, sea levels rose by 120 m globally, and vast, habitable landscapes were lost to the sea. These landscapes were inaccessible until extensive remote sensing datasets were provided by the offshore energy sector. In this paper, we provide the results of a research programme centred on AI applications using data from the southern North Sea. Here, an area of c. 188,000 km2 of habitable terrestrial land was inundated between c. 20,000 BP and 7000 BP, along with the cultural heritage it contained. As part of this project, machine learning tools were applied to detect and interpret features with potential archaeological significance from shallow seismic data. The output provides a proof-of-concept model demonstrating verifiable results and the potential for a further, more complex, leveraging of AI interpretation for the study of submarine palaeolandscapes.
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(This article belongs to the Special Issue XR and Artificial Intelligence for Heritage)
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Open AccessArticle
User Experience of Virtual Heritage Tours with 360° Photos: A Study of the Chapel of Dolores in Icod de los Vinos
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Cecile Meier, Jose Luis Saorín, Silvia Díaz Parrilla, Alejandro Bonnet de León and Dámari Melián Díaz
Heritage 2024, 7(5), 2477-2490; https://doi.org/10.3390/heritage7050118 - 10 May 2024
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Virtual tours with 360 photos present a quick, easy and accessible way to create immersive experiences. The visualization on diverse devices provides a user experience that can be different. A virtual tour with 360 photos of the Chapel of Dolores (Tenerife) has been
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Virtual tours with 360 photos present a quick, easy and accessible way to create immersive experiences. The visualization on diverse devices provides a user experience that can be different. A virtual tour with 360 photos of the Chapel of Dolores (Tenerife) has been created. Access is limited to specific days, so the creation of a virtual tour allows you to visit it at any time; in addition, a pilot test has been carried out with students of the degree of restoration and conservation of cultural heritage in order to measure the user experience of the virtual tour, depending on the device used. The participants took a virtual tour of the Dolores Chapel, first with a cell phone and then with the virtual reality headset, and then completed a user experience questionnaire. The results obtained comparing both visualization technologies are detailed, highlighting the fact that when using the virtual reality headset no better results are obtained on the immersion subscale; in addition, the visualization on a smartphone is more comfortable and obtains better results for consequences such as dizziness and vertigo. Therefore, it may be an interesting strategy to have simple versions that work quickly on cell phones.
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An Unknown 18th-Century Flemish Dyers Manuscript from Antwerp (1778–1802)
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Emile Lupatini and Natalia Ortega Saez
Heritage 2024, 7(5), 2458-2476; https://doi.org/10.3390/heritage7050117 - 9 May 2024
Abstract
This paper presents a historical analysis of a rare dyer’s manuscript, preserved within the Museum of Industry in Ghent, Belgium. The manuscript, originating from a dyer in late 18th-century Antwerp, includes an extensive collection of recipes. The study will enable researchers to better
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This paper presents a historical analysis of a rare dyer’s manuscript, preserved within the Museum of Industry in Ghent, Belgium. The manuscript, originating from a dyer in late 18th-century Antwerp, includes an extensive collection of recipes. The study will enable researchers to better grasp the practices of traditional dyeing techniques and materials in the region during that time. The manuscript focuses primarily on the dyeing of woolen fabrics. Approximately 90 of the 132 recipes utilize red dyes. Recipes for dying orange, brown, black, blue, and green colors are also described. The document mentions the use of madder, brazilwood, redwood, and cochineal. To create a variety of red shades, the dyer describes how fabrics were treated with different mordanting compounds, with alum and tin as the main ingredients, and how the dyeing solutions were prepared. The resulting colors include ‘madder red’, ‘formal red’, ‘crimson’, ‘scarlet’, ‘Turkish red’, ‘fire color’ and ‘flesh color’. In addition to the dyeing recipes, the manuscript contains various accounting documents and correspondences between the dyer, customers, and suppliers. Lastly, over 100 original, colored samples are attached to the described recipes. In this paper, the artifact’s contents will be disclosed, comprising recipes with attached samples and correspondence. Findings resulting from archive research will be included, contextualizing and placing the dyer in their urban and social context. The paper concludes by discussing its potential limitations and provides avenues for possible future research.
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(This article belongs to the Special Issue Dyes in History and Archaeology 42)
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Open AccessArticle
Integrated Approach of Historical Landscape Characterisation Techniques and Remote Sensing for the Definition of Predictive Models and Scenario Analysis in the Planning of Archaeological Areas
by
Giuliana Quattrone
Heritage 2024, 7(5), 2444-2457; https://doi.org/10.3390/heritage7050116 - 8 May 2024
Abstract
This study explores the synergistic integration of remote sensing (RS) and Historical Landscape Characterisation (HLC) methodology as an innovative, multi-scalar and holistic approach to enhance archaeological planning. The goal is to maximize the effectiveness of the investigations, optimizing data collection and improving the
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This study explores the synergistic integration of remote sensing (RS) and Historical Landscape Characterisation (HLC) methodology as an innovative, multi-scalar and holistic approach to enhance archaeological planning. The goal is to maximize the effectiveness of the investigations, optimizing data collection and improving the contextual understanding of the sites. In fact, these methodologies can significantly contribute to the documentation, conservation, planning and valorisation of archaeological areas. By integrating RS data with features detected by HLC, a complete picture is obtained that facilitates a deeper understanding of the landscape and historical dynamics. This article will explain the combined approach of RS and HLC, presenting some methodologies key to improving the precision and effectiveness of archaeological planning. This integration facilitates the sustainable preservation of archaeological resources and contributes to the conscious management of cultural heritage in the context of contemporary development. The paper demonstrates, through a case study, how the application of the two methodologies (RS and HLC) in an integrated form can provide an exhaustive interpretation of the territory in which the archaeological area is located, which can represent an exhaustive knowledge base on which to set up effective processes for the strategic territorial planning of archaeological areas.
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(This article belongs to the Section Archaeological Heritage)
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Open AccessArticle
Cadmium Yellow Pigments in Oil Paintings: Optical Degradation Studies Utilizing 3D Fluorescence Mapping Supported by Raman Spectroscopy and Colorimetry
by
Francesca A. Pisu, Carlo Maria Carbonaro, Pier Carlo Ricci, Stefania Porcu and Daniele Chiriu
Heritage 2024, 7(5), 2426-2443; https://doi.org/10.3390/heritage7050115 - 2 May 2024
Abstract
The degradation of cadmium yellow in paintings is influenced by various factors, primarily environmental conditions and light exposure. Applying a thin protective layer of linseed oil on the surface could help mitigate these processes. Linseed oil, being a natural material, acts as a
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The degradation of cadmium yellow in paintings is influenced by various factors, primarily environmental conditions and light exposure. Applying a thin protective layer of linseed oil on the surface could help mitigate these processes. Linseed oil, being a natural material, acts as a barrier against harmful atmospheric agents like moisture and oxygen, which contribute to the degradation of pigments including cadmium yellow. Additionally, linseed oil reduces direct light exposure, thereby lowering the risk of fading and color alteration. In this study, we explored the degradation of cadmium pigments mixed with oil and applied on canvas. We elucidated how the use of a binder prevents the direct oxidation of the pigment, inducing artificial degradation by irradiating samples with UVA (365 nm) and UVC (250 nm) sources. By employing various spectroscopic techniques such as three-dimensional fluorescence mapping (PLE) and Raman, along with colorimetric analysis, we gained a comprehensive understanding of the degradation process, particularly when linseed oil serves as a protective layer.
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(This article belongs to the Special Issue Exploring Novel Approaches to Preserve and Monitor the Cultural Heritage Materials)
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