The Circles of Contemporary Irish Poetry
A special issue of Humanities (ISSN 2076-0787). This special issue belongs to the section "Literature in the Humanities".
Deadline for manuscript submissions: closed (30 November 2019) | Viewed by 8283
Special Issue Editor
Special Issue Information
Dear Colleagues,
We are hoping that you will be interested in writing for a forthcoming issue of Humanities on the topic of “The Circles of Contemporary Irish Poetry”. Recent years have seen a proliferation of anthologies of modern and contemporary Irish poetry—among them Wes Davies’s An Anthology of Modern Irish Poetry (2013) and Peggy O’Brien’s The Wake Forest Book of Irish Women’s Poetry—in addition to Gerald Dawe’s edited collection from 2017, The Cambridge Companion to Irish Poets. But each Editor acknowledges the difficulties of selecting and defining ‘Irish poets’ and ‘Irish poetry’ in a shifting, global world; indeed Dawe even begins his volume with what he describes as a ‘prolegomena […] not on an Irish poet but on Edmund Spenser’ because ‘[t]he use of English in Ireland’ offers a ‘lasting and unavoidable challenge’ to Irish poetry. Perhaps because, as a US critic, she is at a geographical distance from Ireland, Peggy O’Brien offers a different spin on such ‘challenges’. ‘Ireland is too small and poetry too greedy’, she argues, ‘to allow such clean binaries as men-and-women, Protestant-and-Catholic, to stand in practice. All the circles overlap; each remains a circle’. For her the presence of the English language, and English poetry, within Irish poetry are further examples of such ‘circles’.
But of course the ‘circles’ of contemporary Irish poetry are wider still, encompassing transnational, global and international issues and opening out its spheres of influence. For this special issue of Humanities, therefore, we are seeking scholarly essays that engage with the ‘circles’ of contemporary Irish poetry (from c.1960 to the present) in imaginative ways: helping to offer a new interpretation of a complex and varied body of writing, which moves beyond traditional English/Irish, Protestant/Catholic, North/South binaries and instead makes a claim for a collective oeuvre which pushes against such boundaries and takes Irish poetry into a global realm.
Dr. Tara StubbsGuest Editor
Manuscript Submission Information
Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All papers will be peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.
Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Humanities is an international peer-reviewed open access semimonthly journal published by MDPI.
Please visit the Instructions for Authors page before submitting a manuscript. Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.
Keywords
- Irish poetry and poetics
- transnationalism
- globalization
- influence theory
- intertextuality