Reprint

Encyclopedia of Medieval Royal Iconography

Edited by
November 2022
202 pages
  • ISBN978-3-0365-5369-6 (Hardback)
  • ISBN978-3-0365-5370-2 (PDF)

This is a Reprint of the Special Issue Encyclopedia of Medieval Royal Iconography that was published in

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Summary

Encyclopedia of Medieval Royal Iconography” sets out to be the first extensive collection of data on royal iconography from the Middles Ages (476–1492). In particular, it aims to collect entries about the most important rulers or dynasties that reigned during this period, from the Iberian Peninsula to Levant and from the Scandinavian Peninsula to the Mediterranean Sea. Specifically, “Encyclopedia of Medieval Royal Iconography” focuses on royal official images (namely, those representations that were commissioned at the behest of the ruler) and analyses them not only from an iconographic (namely, ‘static’) point of view but also as parts of a more general political communicative strategy (namely, in a ‘dynamic’ way) in order to better clarify their social functions and, consequently, their iconographic meanings. Thanks to this approach, “Encyclopedia of Medieval Royal Iconography” aims to offer a substantial overview on matters of medieval regal iconography and to be a useful tool for scholars who use royal images for their research.

Format
  • Hardback
License and Copyright
© 2022 by the authors; CC BY-NC-ND license
Keywords
royal images; royal iconography; kings of Sicily; Norman dynasty; William II of Hauteville; royal images; royal iconography; kings of Sicily; Aragonese dynasty; Frederick III of Aragon; royal images; royal iconography; kings of Sicily; Swabian dynasty; Frederick II of Hohenstaufen; royal images; royal iconography; kings of Sicily; kings of Naples; Angevin dynasty; Robert of Anjou; royal images; royal iconography; kings of Aragon; Crown of Aragon; Peter IV of Aragon; royal images; royal iconography; kings of Aragon; Crown of Aragon; Alphonse II of Aragon; royal images; royal iconography; kings of Aragon; crown of Aragon; Fernando II of Aragon; royal images; royal iconography; kings of Aragon; Crown of Aragon; James I of Aragon; Angevin dynasty; Kingdom of Sicily; Naples; Joanna of Anjou; royal iconography; dynastic celebration; Helen of Anjou; Nemanide dynasty; Sopoćani Monastery; Gradac Monastery; Queen Helen’s seal; Vatican icon; Gračanica Monastery; King Milutin; Serbian medieval kingdom; King’s Church Studenica; Monastery of Staro Nagorčino; Monastery of Gračanica; Nemanide’s Genealogical Tree; royal images; royal iconography; king of Castile and Leon; Henry II of Castile; royal images; royal iconography; kings of Poland; rulers of Lithuania; Jagiellonian dynasty; Ladislaus II Jagiełło; royal images; royal iconography; Byzantium; Komnenos; John II Komnenos; royal image; royal iconography; Sasanian Empire; Khosrow II; rock relief; coinage; Louis XI; royal images; liturgical objects; Valois kings; Capetian dynasty; Order of Saint Michael; royal iconography; Kingdom of Georgia; Bagrationi dynasty; Queen T’amar of Georgia; legitimacy; Byzantine imperial costume; gender studies

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