Reprint

Contemporary Nostalgia

Edited by
September 2019
194 pages
  • ISBN978-3-03921-556-0 (Paperback)
  • ISBN978-3-03921-557-7 (PDF)

This book is a reprint of the Special Issue Contemporary Nostalgia that was published in

Social Sciences, Arts & Humanities
Summary

Some of the most pressing contemporary issues (ecological crisis, migration and integration, fragmented worldviews, social media, fake news, extremist politics and terrorism) can be understood more profoundly through how they interact with both individual and collective forces of nostalgia. Nostalgia is politics, but these politics are also interwoven with media and culture. Notwithstanding how nostalgia is used or contextualized in terms of politics and social practices, commodification or personal development, its power is primarily situated within its efficacy as a governing, influential human emotion. The vast and luminous contributions to this special issue on contemporary nostalgia are all investigating the role different aesthetic media formats (film, music, literature, computer games) plays in nostalgic negotiations with style, history, migration, love, nationalism, diaspora, irony, modernity, colonial and postcolonial discourses, and adoption. Mutually, these essays stand out as important, original, critical contributions to the expanding field of nostalgia studies and offer a valued insight on our world.

Format
  • Paperback
License
© 2019 by the authors; CC BY-NC-ND license
Keywords
nostalgia; railways; modernity; modernism; American literature; heritage cinema; Hollywood; reflective nostalgia; restorative nostalgia; metanostalgia; nostalgia; Lars Gustafsson; poetry; tropic reinvention; landscape; childhood; imagery; expatriation; nostalgia; Ian McEwan; Atonement; ethics; responsibility; nostalgia; contemporary nostalgia; nostalgic experience; nostalgic narrative; narrative modes; narrative mediation; reflective nostalgia; idealisation; first-person narrative; Finland-Swedish literature; Second World War; North Africa Campaign; Egypt; cosmopolitanism; imperial nostalgia; colonial nostalgia; collective memory; nostalgia; ostalgia; Czech film; Czech history; normalisation; post-communism; Yugonostalgia; post-Yugoslav music; the concept of love; commodification of feelings and memories; émigré writers; lost ideal; nostalgia; myths; popular literature; nostalgia; video games; independent style; retro aesthetics; historical recreation; simulation; nostalgic dystopias; F. Scott Fitzgerald; “The Rich Boy”; Niklas Salmose; nostalgia; nostalgic strategies; text-image relations; Red Book Magazine; F.R. Gruger; illustrations; advertisements; media; intermediality; transnational adoption; nostalgia; motherhood; autobiography; Naumann; Rickardsson; nostalgia; Richard Ford; pastoral; southern gothic; grotesque; memory; partition; nation-state; Foucault; heterotopia; India; Pakistan; Partition fiction; refugees; Nubia; nostalgic spaces; displacement; territory; disembodied territoriality; spatial production; n/a