**Miguel Muñoz-Garnica**

Department of Audiovisual Culture and Communication, Universidad de Navarra, 31009 Pamplona, Spain; mmunozg@alumni.unav.es

Received: 31 August 2018; Accepted: 25 September 2018; Published: 1 October 2018

**Abstract:** Suwa Nobuhiro, often called "the most French of Japanese directors", has a complex relationship with European cinematic modernity. His two feature films *H Story* (2001) and *A Perfect Couple* (2005) can provide useful case studies, as they were created in dialogue with two key references of that modernity: *Hiroshima mon amour* (1959, Alain Resnais) and *Journey to Italy* (Viaggio in Italia, 1954, Roberto Rossellini), respectively. Both films tend to confront and gloss their previous pairs, but they are also continuations of their concerns and their aesthetical discoveries. The presence of intertextuality elements connecting those films, as well as the use of myse en abyme structures are deeply analyzed in this article to attain a greater understanding on how this process of transcultural dialogue works. Besides, both films exemplify different ways of developing the references on which they are built, namely deconstruction for *H Story* and reconstruction for *A Perfect Couple*.

**Keywords:** contemporary Japanese cinema; cultural blending; intertextuality; mise en abyme; Nobuhiro Suwa; transculturality; (trans)national cinema
