**Bill Mihalopoulos**

School of Language and Global Studies, University of Central Lancashire, Preston PR1 2HE, UK; BMihalopoulos@uclan.ac.uk

Received: 10 February 2019; Accepted: 24 March 2019; Published: 28 March 2019

**Abstract:** The paper focuses on Imamura Shohei's ¯ *History of Post-War Japan as Told by a Bar Hostess* (*Nippon Sengoshi—Madamu Onboro no Seikatsu*), a documentary released for general viewing in 1970. The subject of the documentary was Azaka Emiko, the uninhibited middle-aged owner of the bar *Onboro* in the port city of Yokosuka, home to a U.S. naval base. Emiko embodied the phantasmagoric (*chimimory ¯ o¯*) lowlifes who inhabited the nooks and crannies of Japanese cities and went about their lives without resentment or guilt, unburdened by familial responsibility and social norms that fascinated Imamura. While other intellectuals and film makers were obsessing about the status of Japanese democracy, Imamura chose to focus on people such as Emiko to identify the psychological and moral changes undergone by the Japanese people during three decades of post-war recovery and growth.

**Keywords:** Imamura Shohei; ¯ *History of Post-War Japan as Told by a Bar Hostess*; fiction and documentary; history; memory; experience
