**About the Editors**

**Robert J. Wallis** is a Staff Tutor and Lecturer in Art History at the Open University. He is interested in the archaeology and anthropology of art and religion, focusing on prehistoric rock art; the re-presentation of the past in the present, especially by today's Heathens, Pagans, and neo-Shamans; and the art and archaeology of falconry. His books include *Shamans/neo-shamans* (Routledge 2003), *Sacred Sites, Contested Rites/Rights: Contemporary Pagan Engagements with Archaeological Monuments* (with Jenny Blain, Sussex Academic Press 2007), and Historical Dictionary of Shamanism (with Graham Harvey, Rowman & Littlefield 2016). His articles have been published in such journals as *Antiquity, Cambridge Archaeological Journal, Folklore, Time and Mind, World Archaeology*, and *World Art*. He is currently co-authoring a book on contemporary racist and anti-racist Heathenry and editing an anthology with Bloomsbury entitled *The Art and Archaeology of Human Relations with Birds of Prey*.

**Max Carocci** is Adjunct Professor of Art History and Visual Culture at Richmond the American International University in London. Over the past twenty years he has been teaching anthropology, art, and visual and material culture in a variety of universities across the UK. During this time, he has been working on the interface between art and anthropology, with particular attention to Indigenous American societies. His first book, *Warriors of the Plains: the Arts of Plains Indian Warfare* (McGill Queens and British Museum Press, 2012), introduced many of the issues developed in the present project. He is currently focusing on North American Indian masks as technologies of transformation. His new co-authored book with Dr. Stephanie Pratt, *Reciprocal Visions*, explores the ontological implications of visual representation and self-representation for Indigenous North American peoples during the colonial period.
