Reprint
Optical Technologies Applied to Cultural Heritage
Edited by
July 2022
228 pages
- ISBN978-3-0365-4636-0 (Hardback)
- ISBN978-3-0365-4635-3 (PDF)
This book is a reprint of the Special Issue Optical Technologies Applied to Cultural Heritage that was published in
Chemistry & Materials Science
Social Sciences, Arts & Humanities
Summary
A short book about different issues in optical technologies. The importance of optical technologies for artwork charaterization is well known, in this book we show some examples where different optical technologies are applied in real cultural heritage artworks.
Format
- Hardback
License
© 2022 by the authors; CC BY-NC-ND license
Keywords
digital archaeology; image classification; stratigraphy; landscape archaeology; sediment analysis; spectroscopy; proximal sensing; porcelain; enamels; China; 18th century; Raman microspectroscopy; pXRF; pigments; arsenic; cobalt; Naples yellow; Dzi bead; agate; X-ray diffraction; X-ray fluorescence; X-ray absorption near edge structure; X-ray imaging; colour; art; visual; accommodation; binocular vision; silver nanostars; surface enhanced Raman spectroscopy; cross-sections; copper phthalocyanine; blue pigment; analytical diagnostics; National Gallery of Parma; Madonna della Misericordia; pigment identification; preliminary drawing; gilding; Byzantine; projection mapping; calibration; lighting; cultural heritage; light damage; colour difference; ageing; monitoring; imaging spectroscopy; spectral imaging; exhibitions; preventive; quantitative; books; paper; conservation; exhibitions; archive; library; art conservation; cultural heritage; spectral optimization; color quality; LEDs; light intensity; illuminance; exposure; energy efficiency; damage; daguerreotype; tarnish; chemical cleaning; electrocleaning; synchrotron; X-ray fluorescence imaging; non-invasive investigations; portable/reflectance spectroscopy; portable Raman spectroscopy; lead antimonate; enamel blue; caput mortuum; hyperspectral imaging; 18th century painting; FORS; XRF; cultural heritage; photogrammetry; workflow; Alhambra’s Tower of the Captive; n/a