Search Results (10)

This article investigates liuli qinglou (琉璃青樓, blue–green glazed pavilions) of medieval China as architectural manifestations of the trans-Eurasian jeweled paradise ideal. Tracing developments from the Northern and Southern Dynasties (420–589 CE) through the Tang dynasty (618–907 CE), it outlines an evolutionary trajectory in representing sacred space: from the use of genuine gemstones in West Asian traditions, through their imitation in glass and glazed ceramics, with applications before the Tang remaining selective and elite, to the ultimate abstraction into symbolic blue–green palettes in the cave murals of Kucha and Dunhuang, where chromatic choices may at times reflect pictorial convention. Integrating textual, archeological, and visual evidence, the study shows how Chinese rulers appropriated imported glazing technologies, together with painted or coated blue–green finishes that simulated liuli effects, not merely for ornamentation but to materially embody Buddhist cosmology and to legitimize imperial authority by creating a terrestrial Buddha land. The pervasive use of qing (青, blue–green) in religious art thus reflects a profound sensory-theological translation, illustrating how Eurasian flows of materials, techniques, and ideas were adapted to shape localized visions of paradise through innovative processes of material and visual transformation. Full article

This article proposes a methodological framework for the design of a freeform glass pavilion based on surface curvature analysis and systematic panel classification. The research methodology consists of two stages. The first stage is a historical review, presenting the development of glass-bending technologies, panelization strategies, and the significance of transparency in architecture. The analysis of selected freeform realizations aims to identify structural solutions and their limitations. The second stage involves parametric modeling in Rhino/Grasshopper, applying Gaussian and mean curvature analysis to optimize surface subdivision. Finite element method (FEM) calculations and CFD simulations complemented the process by assessing structural and environmental parameters. Based on the study, a panel classification system was developed, distinguishing flat, singly curved, and doubly curved elements. This classification enables the optimization of production costs and serves as a tool for balancing geometric, structural, and economic requirements. The presented theoretical research indicates that the relationship between geometry, structure, and economic efficiency is a key factor in the design of glass architecture. The proposed methodology supports informed decision-making in the design process. Full article

This paper investigates the integration of thermo-responsive materials into bio-inspired structures, combining biomimicry and adaptive technologies in architecture. A problem-based biomimetic approach and a morphological analogy with the plate-type snowflake—known for its lightness, transparency, and crystalline organisation—were adopted to develop the geometry of an architectural pavilion. This research highlights glass as a main constructive material, analysing the potential of thermochromic film and the hydrogel technique, both inserted in the context of thermo-responsiveness. In this regard, the focus is on adaptations to temperature changes, exploring how these materials can alter their properties in response to solar incidence, offering solutions for energy efficiency, thermal regulation, and environmental adaptation. The pavilion demonstrates that this integration is feasible, and this is supported by an interdisciplinary approach that combines materials science, bio-inspired design, and practical experimentation. It also highlights biomimicry’s fundamental role as a tool for guiding the development of innovative architectural geometries, while thermo-responsive materials expand the possibilities for creating structures that are adaptable to temperature variations and solar exposure. The conclusion points to the applicability and relevance of this combination, highlighting the transformative potential of thermo-responsive materials in architectural projects, especially in the development of lightweight, transparent, and environmentally responsive structures. Full article

Interreligious engagement (IE) has been experienced and theorized mainly as the pursuit of a shared respectful awareness of the beliefs, practices, and social experiences of multiple religious communities. In rare instances, it has been possible to create architecture specifically to foster IE, as in the “tri-faith” Abrahamic campus in Omaha and the Berlin House of One. The theme is: Here we are, accepting that we share the world. Another form of IE that deserves to attract more interest is multireligious collaboration in civic work (addressing homelessness, urban blight, illiteracy, etc.). Some adherents of the intrinsically cosmopolitan “world” religions are actively cosmopolitan to the extent of seeking this engagement. The theme is: Let us share the work of the world, including sharing our religiously inflected processing of what the practical issues facing us are. There is a new initiative of this sort in my city, Jackson, Mississippi, named (from M. L. King) the “Beloved Community”. An architectural thought experiment may prove helpful in articulating the ideals for such an endeavor. What would be the physical desiderata for its headquarters? Let us imagine a new downtown building, The Meeting, dedicated to housing meetings where mixed religious groups learn about civic issues and coordinate efforts to address them. Full interreligious sharing of a space seems to require a neutral design lacking any definite religious inspiration. But there are nonsectarian ways to create an appreciably special, non-ordinary space, as in courtrooms and classrooms. Could a civic IE headquarters be special, expressive of practical optimism, and contain a sufficient religious allusion to qualify as a “next-to-sacred space” in which religious actors felt supported in the civic extension of their religious lives? I offer suggestions for discussion, including (1) a pavilion-style building suggestive of being set up for a special purpose—not soaringly grandiose but with a vertical feature such as a central roof lantern; (2) at least one major porch, with benches and tables; (3) an outside water fountain with public water supply (a historical allusion to the Islamic sabil); (4) inside, right-sized meeting rooms around the glass-walled periphery; (5) a big “living room” lounge in the center, usable for larger meetings, with access to a kitchen, and with a big project board for tracking work completed and work in hand next to a large map of the city; (6) a moderate descent of several steps into each meeting room so that there is a feeling of commitment in attending a meeting and a sense of challenge in going forth from one; (7) otherwise a main floor levelness and openness facilitating movement in and out, as in a train station; and (8) upstairs small offices for religious and other qualifying organizations. Answering the aesthetic and practical questions these suggestions raise takes us into imagining civic IE more concretely. Full article

Robotic coreless filament winding using alternative material systems based on natural fibers and bio-based resin systems offers possible solutions to the productivity and sustainability challenges of the building and construction sector. Their application in modular, prefabricated structures allows for material-efficient and fast production under tightly controlled conditions leading to high-quality building parts with minimal production waste. Plant fibers made of flax or hemp have high stiffness and strength values and their production consumes less non-renewable energy than glass or carbon fibers. However, the introduction of natural material systems increases uncertainties in structural performance and fabrication parameters. The development process of coreless wound composite parts must thus be approached from the bottom up, treating the material system as an integral part of design and evaluation. Existing design and fabrication methods, as well as equipment, are adjusted to emphasize material aspects throughout the development, increasing the importance of material characterization and scalability evaluation. The reciprocity of material characterization and the fabrication process is highlighted and contributes to a non-linear, cyclical workflow. The implementation of extensions and adaptations are showcased in the development of the livMatS pavilion, a first attempt at coreless filament winding using natural material systems in architecture. Full article

It is well known that finite element analysis (FEA) is a powerful tool when it comes to the design and analysis of complex structures for various load combinations, including light steel curve members. This abstract provides an overview of the FEA simulation process for designing such members (cure members), which involves constructing a 3D model, discretising the member into small elements, assigning material properties, defining boundary conditions, conducting the simulation, analysing the results, and making any necessary modifications to the design. FEA simulations can provide valuable insights into the behaviour of light steel curved members under different load combinations. This enables designers to optimise designs for strength, safety, and cost-effectiveness. This article proposes using two commercial 3D software programs, Rhino 7 and Strand7, to complete the FEA simulation of light steel curved members. The 3D model is created in Rhino 7, and the individual elements are discretised into more minor elements using Strand7 for assigning material properties, defining boundary conditions, running simulations, and analysing the results. The paper presents five case studies of steel–glass façades and applies the proposed methodology to each. Examples include Phoenix International Media Center in Beijing, Kazakhstan Pavilion and Science Museum in Astana, Moynihan Train Hall in New York City, Chadstone Shopping Centre in Melbourne, and the central light rail station in The Hague. Full article

This article covers the issues of applying structural glass in shaping all-glass architectural objects. Glass, as a transparent material, is a source of inspiration for new architectural solutions. With the development of technology and the increasing knowledge of glass’s mechanical and strength properties, the possibility of using the material for construction purposes has also been acknowledged. Structural elements and building envelope elements can create a uniform material structure of all-glass objects. This observation contributed to the analysis presented in the article. The research was mainly aimed at investigating the architectural and structural-related conditions in shaping all-glass structures in buildings. In this paper, we specify criteria and typology in terms of the applied design solutions. The criteria investigated in the study included functional-spatial aspects, the form, and the structure. All-glass objects were divided into pavilions, extensions, and links in terms of functional and spatial aspects. Architectural forms were specified and characterised as cubic, cuboid, cylindrical, and free-forms. Regarding structural solutions, frames, grillages, beam-wall, and plate-wall systems were indicated as the main load-bearing structures implemented in the buildings under study. The results have been obtained to describe the architectural and structural shaping of all-glass objects. One of the main results of the work is the indication between functional-spatial aspects, the form, and the structure. This correlation confirms the close relationship in architecture between art and engineering. Full article

The aim of the article is to present the remarkable changes in architecture that took place in the 20th century. They can easily be called a revolution regarding the architectural form and the color scheme. Progress was being made through the development of reinforced concrete production methods. In the German Empire (Deutsches Kaiserreich), this material quickly found applications in more and more interesting solutions in architectural structures. In Wrocław (formerly Breslau), then located in the eastern German Empire, exceptional architectural works were realized before and after the First World War using new technology. In 1913, an unusual building was erected—the Centennial Hall, designed by Max Berg (inscribed on the UNESCO World Heritage List in 2006). Berg’s work was inspired by the works of both Hans Poelzig and Bruno Taut. On the one hand, it was a delight with the new material (the Upper Silesian Tower at the exhibition in Poznań, designed by H. Poelzig) and, on the other hand, with the colorful architecture of light and glass by B. Taut (a glass pavilion at the Werkbund exhibition in Cologne). Max Berg left the concrete in an almost “pure” form, not hiding the texture of the formwork under the plaster layer. However, stratigraphic studies of paint coatings and archival inquiries reveal a new face of this building. The research was carried out as part of the CMP (Conservation Management Plan—prepared by the authors of the article, among others) grant from The Getty Foundation Keeping It Modern program. According to the source materials, the architect intended to leave the exposed concrete outside of the building, while the interior was to be decorated with painting, stained glass, and sculpture. The stratigraphic tests showed that the external walls were covered with a translucent yellowish color coating. Thus, the Centennial Hall shows a different face of reinforced concrete architecture. Full article

A hemispherical research demonstration pavilion was presented to the public from April to October 2019. It was the first large-scale lightweight dome with a supporting roof structure primarily made of carbon- and glass-fiber-reinforced composites, fabricated by robotic coreless filament winding. We conducted monitoring to ascertain the sturdiness of the fiber composite material of the supporting structure over the course of 130 days. This paper presents the methods and results of on-site monitoring as well as laboratory inspections. The thermal behavior of the pavilion was characterized, the color change of the matrix was quantified, and the inner composition of the coreless wound structures was investigated. This validated the structural design and revealed that the surface temperatures of the carbon fibers do not exceed the guideline values of flat, black façades and that UV absorbers need to be improved for such applications. Full article

In contemporary buildings, the architectural demand for a complete dematerialisation of load bearing structures can be satisfied only in limited cases with the exclusive structural use of glass. Otherwise, for challenging applications such as long spanned or high-rise structures, the use of hybrid glass-steel systems is mandatory. Glass, fragile but highly compressive resistant, is associated with steel, ductile and tensile resistant. The present research shows the feasibility study for a fully glazed pavilion made of six TVT (Travi Vitree Tensegrity) portal frames longitudinally braced by pre-stressed hybrid glass panels. The frames are about 20 m in span and 8 m in height. Appropriate multiscalar FEM numerical analyses, calibrated on the collapse tests performed on previous TVT large-scale prototypes, stated that the structural performance would be able to withstand heavy static and dynamic loads and stated the observance of the Fail-Safe Design principles. Full article