Search Results (70)

Economic disinformation causes significant harm, resulting in substantial losses for the global economy. Each year, it is estimated that around USD 78 billion is lost due to the spread of false or misleading information, with a major share stemming from stock market fluctuations and misguided decisions. In Croatia, the rapid spread of economic misinformation further threatens decision-making and institutional credibility. The EkonInfoChecker project was established to address this issue by combining human fact-checking with AI-based detection. This paper presents the project’s AI component, which adapts English-language datasets (FakeNews Corpus 1.0 and WELFake) into Croatian, yielding over 170,000 articles in economics, finance, and business. We trained and evaluated six models—FastText, NBSVM, BiGRU, BERT, DistilBERT, and the Croatian-specific BERTić—using precision, recall, F1-score, and ROC-AUC. Results show that transformer-based models consistently outperform traditional approaches, with BERTić achieving the highest accuracy, reflecting its advantage as a language-specific model. The study demonstrates that AI can effectively support fact-checking by pre-screening economic content and flagging high-risk items for human review. However, limitations include reliance on translated datasets, reduced performance on complex categories such as satire and pseudoscience, and challenges in generalizing to real-time Croatian media. These findings underscore the need for native datasets, hybrid human-AI workflows, and governance aligned with the EU AI Act. Full article

This essay follows the shifting interpretations of Don Quixote from Enlightenment satire to romantic idealism, Nietzschean self-mythmaking, and Camus’s absurdism, to track the growth of a tension between truth and meaning. While Enlightenment readers saw Cervantes’ knight as a pitiable fool at odds with reality, early German romantics recast him as a noble idealist resisting a fact-bound, spiritually thinned modernity. Nietzsche, both engaging with and departing from these romantic views, made Quixote both a warning about cruel disillusionment and a model for life-affirming self-creation—a “self-aware Quixotism” that turns fable into reality. Camus distilled this tradition into two absurd archetypes: La Palisse, embodying meaningless lucidity, and Don Quixote, embracing meaningful illusion. Doubting reconciliation, he urged a modest balance between evidence and lyricism. Today, with scientific lucidity racing ahead and meaning fracturing into curated feeds, the tension between romantic meaning-making and Enlightenment truth-telling endures. Confronting it without surrendering either reality or wonder remains a central philosophical challenge. Full article

Petrarch’s Liber sine nomine is a collection of satirical letters against the Avignon Curia, remarkable for its stylistic refinement. It offered later readers multiple possibilities of interpretation and reuse, serving both as a rhetorical model and as a resource for anti-papal argumentation. While literary application predominated in the fifteenth century, the collection was later repurposed in religious debates between Protestants and Catholics. This paper examines a little-known episode in its afterlife, namely the epistle on the fall of Constantinople in 1453 by Bernhard von Kraiburg, chancellor of the Archbishop of Salzburg and later Bishop of Chiemsee. Close philological analysis shows that Bernhard adapted extensive passages from the Liber sine nomine and, along with a few other authors, established a distinct line of reception by reinterpreting selected letters as prayers. In the second half of the seventeenth century, however, Bernhard’s work met an analogous fate to that of its model. It was read and reframed from a Lutheran perspective by Johann Konrad Dieterich, professor of Greek and history at the University of Gießen, and was subsequently subjected to indirect censorship in the Index librorum prohibitorum. Full article

This article explores Truman Capote’s parodic/reconstructive exploitation of decadent aesthetics in his “Southern Gothic” novel, Other Voices, Other Rooms (1948), as dissident self-distancing from postwar conservatism. Modernist Southern Gothic writers owe European decadent culture for their thematization of the sociocultural decay of the antebellum South and characterization of dandiacal dissidents, while often reiterating the claustrophobic mood of the patriarchal and racist society and excluding/villainizing those dandies. Critically analogizing the nationalist heteronormativity of the early-Cold War American society with the oppressive patriarchy of the South, OVOR playfully deconstructs the tragic narrative of Modernist Southern Gothic by foregrounding the reparative aspect of decadent aesthetics mainly through the pedagogic relationship between a Wildean dilettante, Randolph, and a young protagonist, Joel. Simultaneously, with the ironical self-satire against the potential authoritarianism of white bourgeois decadence, Capote democratizes decadent aesthetics as a non-normative survival method through the exposure of Randolph’s vulnerability and the parodic adaptation of his dilettantism by the non-white characters. I argue that OVOR marks the vacillating but inevitable transition from decadence to camp as a seemingly non-political but necessary survivalist strategy in the Cold War/Pre-Stonewall American society that conducts surveillance of, persecutes, and stigmatizes as “decadence” non-normative genders and sexualities. Full article

This study investigates the semiotic and cultural functions of character naming in the Yemeni television series Duroob al-Marjalah (Branching Paths of Manhood) (2024–2025). It applies onomastic theory and Barthesian semiotics to examine how Yemeni screenwriters employ names as narrative and ideological tools. A purposive sample of ten central characters was selected from a Yemeni drama series for qualitative analysis. Each name was examined for linguistic structure, semantic meaning, intertextual associations, and socio-cultural alignment. Semiotic interpretation followed Barthes’ signifier–signified–myth model to decode narrative and cultural symbolism. The findings indicate that character names function as multifaceted semiotic tools, conveying heritage, while occasionally employing stylization for satire or fostering empathy through cultural resonance. However, many lack grounding in Yemeni naming conventions, creating a tension between narrative dramatization and socio-onomastic realism. The results suggest that while Yemeni screenwriters show partial awareness of naming as a cultural and narrative tool, the creative process often privileges thematic resonance over ethnographic accuracy. This research contributes to onomastic theory, Arabic media studies, and semiotic analysis by evidencing how localized naming practices—or their absence—shape identity construction, world-building, and cultural recognition in regional television drama. Full article

Humor is a pragmatic and interdisciplinary phenomenon whose sociocultural relevance has been increasingly recognized by the Academia. Surprisingly, although the anthropo-philosophical theory of homo risu emerged in the 7th century, linguists became interested in the study of the linguistic mechanisms of humor only a few years ago. One of those mechanisms is the use of Anglicisms, because of their pragmatic potential to provide some added value, a halo of prestige and modernity, which creates playful effects of complicity. This paper examines the way Anglicisms crucially contribute to the humorous discourse of the satirical news show El Intermedio, the longest-running program on a Spanish private TV channel. Monitoring of 300 episodes broadcast between April 2022 and December 2024 proves how, in addition to puns and irony, scriptwriters tend to resort to a number of strategies involving the creative use of Anglicisms, which perform different pragmatic functions, while showing sociolinguistic awareness. They also offer an up-to-date sample of the great vitality of Anglicisms in contemporary Spain. Full article

Rahul Sankrityayan, a twentieth-century Indian polymath, is known for his contributions to Buddhism, Marxism, and Hindi literature. While his writing has been analyzed for its engagement with Buddhism and Tibet, he is also credited with inaugurating Hindi travel-writing. Though his contributions to this genre are well-recognized, one crucial work—ghummakaṛa śāstra (1945; lit. The Treatise of a Wanderer)—has received insufficient scholarly attention. This article investigates the intersection of religion, travel-writing, and satire in two chapters of Sankrityayan’s treatise: athāto ghummakaṛa jijñāsā (lit. Thus, the Curiosity of a Wanderer) and dharma aur ghummakaṛī (lit. Religion and Wandering). It argues that Sankrityayan employs the figure of the Wanderer to critique religions, religious ideals, and religious figures in two key ways. First, by framing his work as a śāstra (treatise) in the classical sense, he appropriates authoritative discourse to contest religious ideas. Second, the Wanderer functions as a transcendental subject who pervades history. Blending satire with polemic, the text subverts traditional religious hermeneutics. Through close analysis, this paper demonstrates how Sankrityayan’s unconventional form—a dialogic interplay between treatise and satire—invites readers to interrogate religious authority, offering a model for engaging with religion beyond doctrinal frameworks. Full article

This article examines the use of satire in the song lyrics of two eco-themed pop songs: Talking Heads’s “(Nothing but) Flowers” (1988) and Anohni’s “4 Degrees” (2015). A close listening approach to these songs reveals ironic discrepancies between the experience produced by musical performance and the sentiments expressed in the song lyrics. A rhetorical framework informs how an examination of such discrepancies may enable new perceptions of the environmental theme to come to mind through what Charles A. Knight calls a satiric “frame of mind”. The satire in these songs not only targets attitudes to convey a moral judgment on them but also provokes audiences to undertake the task of self-examination. If successful, satire in popular song lyrics can contribute to the reconfiguration of listeners’ perceptions of the relationship between humans and nonhuman nature. Full article

The Apple TV+ series Severance (2022–present) offers a dystopian portrayal of workplace life that intensifies real-world dynamics of control, boundary management, and identity regulation. This paper analyzes Severance as a speculative case study in organizational theory, treating the show’s fictional world as a site for conceptual reflection. Drawing on critical management studies and labor process theory, we examine how mechanisms of control, the regulation of work–life boundaries, and the fragmentation of autonomy and subjectivity are depicted in extreme form. We argue that fiction—particularly speculative satire—can serve as a tool of theoretical production, not merely illustration. Rather than restating familiar critiques, Severance allows us to see workplace norms with renewed clarity, surfacing the moral and psychological consequences of surveillance, coercion, and instrumentalized consent. A methodological note outlines our interpretive approach to narrative fiction, and a discussion of implications situates the analysis within broader debates about organizational ethics, resilience, and critique. Full article

Humor creation is presented as a modality in human communication involving “double framing”, in which a scenario, understanding, or agreed-upon reality is presented and is suddenly revealed to be something else by being recontextualized during the humorous presentation. This analysis utilizes Ba Theory, as articulated in the philosophy of Kitaro Nishida and Shimizu. Ba is a cognitive space for developing relationships, both interpersonal and in relationships to shared environments. A state of Ba arises in social interaction, requiring the need for pragmemic triggers to initiate creation and sustaining of a Ba state. The creation of humor requires that participants be in a state of Ba with each other, sharing the knowledge and understanding of the frames to which they are exposed. Examples are provided from Japanese, Chinese, German, Persian, Arabic, and English humor creation. Full article

This article looks at the ways in which satirical postcards provided political commentary at a pivotal moment in the Franco-Russian alliance. Often overlooked as a medium of communication, turn-of-the-20th-century postcards reflected contemporary cultural values and were an important art form. Here, the focus is on postcards created by Orens and Mille, two of the best caricaturists of the day, as their work offered scathing critiques of Russia’s constant need for financial assistance from its ally and point to the ways in which the public was growing weary of these demands. Closely examining some of their postcards shows how such sentiments were expressed in visual form while also revealing the power of ephemeral materials as historical sources. Full article

The recent literature highlights the importance of implementing ad hoc media literacy initiatives to counter sexist stereotypical representations in social media, particularly within the political field. To this end, the present study focuses on false and misleading contents (information disorders) about female politicians, since they can reflect gender stereotypes, portraying women as unfit for political roles. Thus, our exploratory study aims to analyze the stereotype content of information disorders targeting Italian female politicians, following classic models of stereotype content. Furthermore, it seeks to explore the role played by the type of information disorder and the political orientation of the targeted leaders. A database of 120 information disorders have been collected, codified, and analyzed. The results highlight that information disorders predominantly target the dimension of communion. Focusing on the types of information disorders, fabricated and misleading content appears to be associated with the professional and private life domains, primarily conveying communion-based stereotypical representations of politicians. Satirical and parodic contents, on the other hand, were associated with the esthetic domain, conveying agency-based stereotypical representations, with a particular focus on politicians’ physical competence. Regarding political orientation, a “Stereotyping from my eyes” effect was observed: communion-based stereotypical content prevails in information disorders targeting conservative leaders, while progressive leaders are stereotyped concerning the agency dimension. This effect may reveal a difference between conservative and progressive audiences in their adherence to traditional gender roles. Full article

This study provides an analysis, text, and translation of satire III.1 from Thomas Naogeorgus’s Satyrarum libri quinque priores (1555), which offers a vivid neo-Latin poetic depiction of the fall of Satan and his followers. It situates Naogeorgus’s work within the tradition of early modern satire and epic, exploring its alignment with theological discourse and its engagement with classical and Biblical motifs. Through a close reading of the text, this article identifies significant thematic and stylistic parallels with John Milton’s Paradise Lost. While acknowledging the limitations of asserting direct literary influence, it highlights Naogeorgus’s unique contributions to the broader literary tradition of Christian epic poetry. The paper calls for greater scholarly attention to Naogeorgus’s oeuvre, emphasizing its value beyond mere comparative analyses, as a distinctive voice in Reformation humanist verse. By providing a translation and commentary, this work aims to promote further studies of neo-Latin literature and its complex interplay with theological and literary traditions. Full article

This text explores the life and legacy of Sergei Kuriokhin, a multifaceted artist who profoundly impacted Soviet and post-Soviet culture. Known for his radical experimentation in music, theater, and film, Kuriokhin defied conventional genres through his groundbreaking project, ‘Pop Mechanics’, which blended jazz, classical music, rock, circus acts, and more. His provocative performances often included surreal elements and bizarre satire, challenging cultural norms and the boundaries of Soviet censorship. Kuriokhin’s influence extended into politics, where his satirical “Lenin was a Mushroom” program questioned historical and ideological narratives, stirring public debate. His charisma, intellectual depth, and penchant for the absurd made him a central figure in Leningrad’s avant-garde scene. Kuriokhin collaborated with prominent artists and philosophers, leaving an indelible mark on Russian art and political discourse. This work, presented through the reflections of his close associates, offers insights into his lasting impact on Russian culture, blending history with personal mythologies. Full article

The Trump era marked a turning point for political satire, where The Daily Show’s coverage of the last two election cycles reveals a dynamic interplay between satire, ideology, and democratic processes. This study examines how The Daily Show has progressively altered its satirical voice and multimodal strategies to capture the changing landscape of U.S. presidential elections, spotlighting the different eras of Trevor Noah in 2020 and Jon Stewart in 2024. It decodes how news satire along with visuals reflect political and cultural moments, and the way social and political representations are depicted in this show. To achieve these aims, a Multimodal Critical Discourse Analysis (MCDA) approach is used to analyze the semiotic and multimodal features of four episodes of The Daily Show, ranging from Noah’s pandemic-era coverage of the 2020 elections to Stewart’s live studio format in 2024. This article reveals both hosts’ role in social and political representation by different means of satirical and multimodal techniques. It highlights how The Daily Show has remained a cultural touchstone, adapting its style and substance to meet the demands of its time. Full article