The Soundscape of Neonatal Intensive Care: A Mixed-Methods Study of the Parents’ Experience
Abstract
:1. Introduction
2. Method
2.1. Participants
2.2. Materials
- (i)
- The sound in the NICU questionnaire—Soundscape of NICU Questionnaire (henceforth SON-Q)—was developed through the consultation with parents and relevant professionals. The questionnaire was designed to cover the following areas: (1) About your baby (demographics about infants, collected at the start of the questionnaire); (2) You and sound: Going to an NICU; (3) Your baby and sound in the NICU; (4) At home after being in the NICU; (5) About the NICU in general; and about you (demographics about parents, collected at the end of the questionnaire). Overall, the SON-Q included 32 questions articulated in 204 items evaluated on a 5-point Likert scale. Given that the SON-Q was long, due to its exploratory nature, we deemed it important to include some negatively worded items (e.g., “I did not notice vocalisations”) to introduce some “checks” of respondents’ sincerity and avoid acquiescence bias, thus increasing reliability [89]. Section (4) also presented one open question (optional), in which parents could share a memory they had from their experience in NICUs, which was associated with sound.
- (ii)
- The PPQ was used to investigate the presence of PTSD symptoms in the parents. The PPQ comprises of 14 items scored on a five-point scale, ranging from 0 = not at all to 4 = often, more than a month (e.g., Did you have bad dreams of giving birth or of your baby’s hospital stay?). Higher scores are indicative of more severe PTSD symptomatology. There are also three subscales measured: intrusion symptoms, avoidance symptoms and hyperarousal symptoms.
2.3. Procedure
2.4. Data Analysis
2.5. Ethics
3. Results
3.1. SON-Q Quantitative Analyses Results
3.2. Open Question Qualitative Analysis
- Theme 1: Sounds of machines and various inanimate objects: What’s a “beep”?
“The soft beeping of the monitors is overwhelmingly etched in my memory” (P92).
“I’ll never forget the high pitch patterned beep if the UV light for jaundice and the alarm when heart rate went to low or oxygen went low” (P213).
“The sound of the doors opening; the sound of shoes on the highly buffed floors” (P100).
- Constant “beeping” as a symbol of the parents’ ceaseless worrying.
“The relentlessness of the sounds was overwhelming, but I think more than the sounds alone, was what they represented-danger; sickness; probable death. And it was that combination that I found torturous” (P176).
“During my son’s NICU stay his condition deteriorated rapidly. His belly was swollen and his oxygen saturation’s suddenly dropped whilst on bipap breathing support. The machines were getting louder and louder, doctors were running around taking turns to try and stabilise him. Another doctor was on the phone to a higher level NICU hospital for an emergency transfer. No one could tell me what was going on. Between the noisy machines, not being able to be near my son as there were four doctors working on him, the noise from doctors & nurses rushing. I was completely overwhelmed” (P34).
“I remember that every time the emergency alarm was on I felt that my world is breaking. I would let anything behind, run to my babies’ nursery and pray that they were well, and the alarm was not on because they needed help” (P1).
“Beeping. Incessant beeping. Of different tones and pitches but beeping. One time my baby’s oxygen monitor went off whilst I was feeding her but I couldn’t differentiate this as urgent, compared to all the other beeps that we going on” (P78).
“Alarms going off is associated with my babies desats. I think I have PTSD according to my reaction to alarms” (P58).
“The Asystole and bradycardia and Apnea alarms haunt me” (P74).
“The low loud “boom boom” sound that the monitors made will stay with me forever. Whenever I look back at recordings of my son and I hear that noise in the background it makes me well up. It’s a haunting sound” (P117).
“Once a very sick baby crashed 3 times in 25 min in our ICU room. It was terrifying. I still have nightmares almost 2 yrs later. The crash alarm rings in my ears so loud. I’ll never forget it as long as I live” (P232).
“Regular beeping noise still create feelings of stress and anxiety for me” (P210).
“I just remember that for many years my son was terrified of sudden high pitches noises. He could go from floor straight into my arms at one leap if he heard something like a monitor sound. But could sleep through a Hoover next to his cot!” (P174).
“Sounds are scary to start with but become reassuring” (P192).
“For a while after coming home, I’d have to put the radio on quietly in the bedroom. Bings and bongs were somewhat reassuring” (P149).
“My son used to suffer from desats where the monitor used to alarm if it happened which was quite frequent. When it was being discussed he could go home they turned off this monitor just a few days before discharge which I felt gave me anxiety because I got into a habit of relying on the noise to tell me when it was happening” (P124).
“When returning home in the evenings, I would constantly hear all the beeping from the machines in the NICU, on occasion I would wake up after hearing the urgent call response (although I was at home) prompting me to ring the NICU throughout the night. The noises from the machines were so reassuring yet so traumatic” (P138).
“The sounds of the monitors became familiar & strangely comforting, especially when I visited our daughter alone” (P118).
- Theme 2: Sounds from human sources.
- The sounds of medical staff.
“My daughter was very sensitive to sound. Even with signs reminding staff to talk softly they would talk very loudly, and her stats would drop” (P62).
“Staff talking too loud/laughing” (P11).
“Staff talking loudly and often about non-work-related matters” (P115).
- The sounds of other hospitalised families.
“Visitors of one of the babies were regularly very loud with children running and screaming which visibly affected my baby” (P132).
“Staff (rightly) weren’t in control of the volume of other parents, some at times were loudly derogatory about staff and I felt so torn about leaving my baby and felt so guilty knowing I was leaving her in such a toxic environment (thankfully this was the minority (but loudest!) of parents” (P 99).
“Other parents were loud” (P146).
- Theme 3: Unheard parents’ sounds: “we couldn’t vocalise!”.
- Parents’ feelings of transparency and incapability.
”I found it difficult to connect with my baby as it was too quiet, and I didn’t want to disturb the rest of the unit at times.” (P82).
“So quiet around us that we preferred not to talk rather than have everyone hear us. I was embarrassed and overwhelmed and just went into myself. I didn’t want to be there and I didn’t know what I was doing” (P88).
“I hadn’t held my baby and didn’t let myself feel anything for him so there was no questions of me singing or chatting to him in that situation. I had to wait until I was at home alone with him for that” (P88).
“… the fear of speaking too loud and/or making noise. Feeling like you had to be silent” (P166).
“My baby was taken off me by the NICU nurse and rubbed and manitoulated (sic) until the oxygen levels were restored. I’ve thought about that moment a lot that I could and should have done more but I didn’t because I didn’t know what this beeping was telling me” (P78).
- Parents’ perplexity towards other babies’ cry.
“The most heart-breaking noise for me was the crying of other babies when nobody was around to attend to them. I worried that when my daughter started to cry, she would be left in the same way. I really didn’t mind the alarms, but I hated hearing the other babies cry” (P204).
“…staff would often not have time meaning babies next to mine sat crying or their monitors went off and nobody appeared to look at them, it made me anxious did they ignore my baby when I wasn’t there?“ (P194).
“The crying of other people’s babies made me feel frustrated that we could not be at home enjoying each other’s company in our own bubble. As a first-time parent, you expect to enjoy a certain time of calm and to be used to your new arrival, the NICU attacks all your senses and everything you have prepared your baby for. The sounds are as unfamiliar to baby as they are to you” (P188).
- Theme 4: The sound of music as balancing the NICU’s cacophony.
- Music as a supporting agent for parents and babies in the NICU.
“I remember my baby’s night nurse would sing and hum as she did her rounds. It seems like when she hummed during feedings, the babies would take to the bottles better. When she hummed my baby would turn in her direction, or her heart rate would even out while she was being held and hummed to by her (much like she did being held by her parents). Sound is very important to babies, especially those in loud NICUs, in order to maintain a peaceful demeanor” (P68).
“Special care unit towards the end of our stay started to play music in the corridors between the nursery and it made all the difference to the parents as it made it feel less like a hospital setting” (P38).
“Whilst pregnant, I played piano everyday (I play to a high standard) and got heavily into a particular composer. His work will be forever associated with that time as after my daughter’s birth, I downloaded an album of his played work and played it to her throughout NICU and beyond. Her experience of NICU was very calm-she slept through it. Literally. I believe it was aided by as much kangaroo care as I could give, and music. Non-stop music that the nurses let me play to her” (P43).
“It seems like when she hummed during feedings, the babies would take to the bottles better” (P68).
- Music as a transitional object for families when entering their home environments.
“My husband and I slept with music on for two months after bringing our daughter home” (P197).
“There is a song by a band Athlete called ‘Wires’ written about their experience in NICU. Every time I hear it, I bawl my eyes out. Certain noises or in this instance songs bring back the vivid memories” (P154).
“I loved being able to sit in a rocking chair with my son with my worship music playing. He was the most active while I was pregnant listening to that music and the most relaxed in the NICU and once home” (P61).
4. Discussion
5. Conclusions
- (i)
- It is important to address parents’ needs in order to support their mental health. For instance, being delivered in a family-centred approach in combination with Kangaroo Care, music therapy in NICUs has been shown to be beneficial, helping to reduce parents’ anxiety and stress and improve their mood, restfulness and motivation [136]. Additionally, it improves breastfeeding [137], relaxation [138] and parent–infant bonding [100,139], which is supported by emerging parental identity [140].
- (ii)
- Future research is important to extend this study cross-culturally and to investigate the sonic experience of premature infants and their parents during both their NICU stay and early postdischarge across a variety of cultural and social contexts [141,142,143,144]. The convergent quantitative/qualitative results demonstrated the importance of opening a conversation between parents who have experience in NICUs, medical and nursing staff, psychologists and engineers, to plan strategies for improving the sonic experience in NICUs. This is crucial for both infants and parents, encompassing support for parent–infant vocal interaction and the mitigation of noxious aspects of the NICU soundscape, especially those derived from medical machines.
- (iii)
- In this respect, future research may involve partnerships with technology developers targeting the overall improvement of the NICU soundscape. The present study focuses on the subjective parental experience with the NICU soundscape, but two important points need to be kept in mind. Indeed, different brands of the same equipment may use more/less loud or unpleasantly pitched signals and hence may affect the NICU soundscape in different ways; similarly, the layout and space available in the wards may also increase/diffuse noxious sound effects. Last but not least, the noisy equipment in NICUs in many cases has a life-saving function, and hence, the relevant question is not about having or not having the equipment, but regarding implementing changes in which signals could be designed either based on current understandings of human emotional responses to sounds with different characteristics or based on the exploration of other sensorial modalities (e.g., vibration) or a combination of sensorial modalities allowing for different levels of sensitivity. Objective measures of specific acoustical parameters should be the basis for new standards and future interdisciplinary studies comparing outcomes in both infants (e.g., auditory development) and parents (e.g., perinatal stress affecting their parenting ability and coping) across environments.
Supplementary Materials
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Acknowledgments
Conflicts of Interest
References
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M | SD | Minimum | Maximum | |
---|---|---|---|---|
Age of the respondents (years) | 31.78 | 5.79 | 18 | 53 |
Gestational age at the birth of the infants (weeks) | 30.79 | 4.27 | 22 | 42 |
Days spent in NICUs (N) | 53.03 | 48.78 | 1 | 327 |
Infant birth weight (kg) | 1.614 | 0.839 | 0.420 | 4.490 |
Age of child when the survey was completed (months) | 17.96 | 11.86 | 1 | 46 |
Gender of the Child | Cause of the Birth | Categories of Weight | Categories of Prematurity | Status | Equipment Infants Were Discharged with |
---|---|---|---|---|---|
199 (51.6%) Female | 90 (23.3%) Preterm rupture of membranes | 111 (28.8%) Extremely low birth weight | 113 (29.3%) Extremely preterm | 329 (85.2%) Singleton | 284 (73.6%) None |
187 (48.8) Male | 79 (20.5%) Preeclampsia | 84 (21.8%) Very low birth weight | 113 (34.5%) Very preterm | 51 (13.2%) Twins | 67 (18.4%) Oxygen Concentrator |
16 (4.1%) Elective preterm delivery | 142 (36.8%) Low birth weight | 113 (29.3%) Moderately to late preterm | 1 (0.3%) Triplets | 16 (4.1%) Feeding pump | |
201 (52.2%) Other * | 49 (12.7%) Normal birth weight | 27 (7.0%) Full-term | 5 (1.3%) Other | 5 (1.3%) Saturation monitor | |
3 (0.8%) Optiflow | |||||
3 (0.8%) CPAP |
Gender | Ethnicity | Occupational Groups | Highest Level of Education Achieved | Years Spent in Education |
---|---|---|---|---|
378 (97.9%) Female | 361 (93.5%) White | 111 (28.8%) Intermediate managerial/ professional/ administrative | 193 (50%) College or university | 162 (42%) 14–18 |
7 (1.8%) Male | 8 (2.1%) Asian/Asian British | 101 (26%) Supervisory or clerical/junior managerial | 94 (24.4%) Postgraduate (e.g., Master) | 108 (28%) Over 18 |
1 (0.3%) Prefer not to say | 6 (1.6%) Mixed | 48 (12.4%) Skilled manual Worker | 69 (17.9%) Higher/ secondary | 59 (15%) 12–14 |
3 (0.8%) Black British | 36 (9.3%) Higher managerial/ administrative | 26 (6.7%) Secondary up to 16 years of age | 40 (10.4%) 9–12 | |
6 (1.6%) Other | 24 (6.2%) Homemaker | 3 (0.8%) Postgraduate (e.g., doctorate) | 9 (2.3%) 6–9 | |
2 (0.5%) Prefer not to say | 48 (17.3%) Other | 1 (0.3%) Primary school | 8 (2.1%) Less than 6 |
Birth Weight | NICU Soundscape | Infant Reactions | Singing-Recordings | Interacting-Bonding with Baby | Parenting Confid. | Home Environ. | |
---|---|---|---|---|---|---|---|
Child Age | −0.04 | 0.01 | 0.00 | −0.06 | −0.09 | −0.02 | |
Parent Age | −0.06 | −0.05 | −0.15 ** | −0.04 | 0.08 | 0.26 ** | 0.09 |
Birth Weight | - | −0.12 * | −0.16 ** | −0.22 ** | 0.15 ** | 0.04 | 0.01 |
NICU Soundscape | 0.31 ** | 0.08 | 0 | −0.03 | −0.04 | ||
Infant Reactions | 0.26 ** | 0.10 | 0.31 ** | −0.05 | |||
Singing-Recordings | 0.31 ** | 0.29 ** | 0.16 ** | ||||
Bonding with Baby | 0.14 ** | 0.22 ** | |||||
Parenting Confidence | 0.10 * |
Birth Weight | PPQ-Total Score | PPQ-Intrusiveness | PPQ-Avoidance | PPQ-Arousal | |
---|---|---|---|---|---|
Child Age | 0.01 | 0.03 | 0.04 | −0.02 | |
Parent Age | −0.05 | −0.12 * | −0.12 * | −0.10 * | −0.10 * |
Birth weight | - | 0.05 | −0.03 | −0.05 | −0.05 |
PPQ-Total Score | - | 0.81 ** | 0.92 ** | 0.90 ** | |
Intrusiveness | - | 0.64 ** | 0.66 ** | ||
Avoidance | - | 0.74 ** |
PPQ Total Score | PPQ-Intrusiveness | PPQ-Avoidance | PPQ-Arousal | |
---|---|---|---|---|
NICU soundscape | 0.46 ** | 0.42 ** | 0.43 ** | 0.39 ** |
Infant Reactions | 0.12 * | 0.19 ** | 0.05 | 0.13 * |
Singing-Recordings | 0.01 | 0.07 | −0.04 | 0.04 |
Interacting-Bonding with Baby | 0.03 | 0.06 | −0.02 | 0.07 |
Parenting Confidence | −0.04 | 0.00 | −0.05 | −0.05 |
Home Environment | −0.28 ** | −0.19 ** | −0.30 ** | −0.24 ** |
β | t | p | R2 | F | p | |
---|---|---|---|---|---|---|
Final model | 0.30 | 42.45 | <0.001 | |||
NICU Soundscape | 0.45 | 10.60 | <0.001 | |||
Home Environment | −0.28 | −6.54 | <0.001 | |||
Bonding with Baby | 0.10 | 2.35 | <0.05 | |||
Parent Age | −0.08 | −1.9 | =0.05 |
Themes | Subthemes |
---|---|
Sounds of machines and various inanimate objects: What’s a “beep”? | Constant “beeping” as a symbol of the parents’ ceaseless worrying |
The role of “beeps” as traumatic reminders | |
Sounds from human sources | The sounds of medical staff |
The sounds of other hospitalized families | |
Unheard parents’ sounds: “we couldn’t vocalize!” | Parents’ feelings of transparency and incapability |
Parents’ perplexity towards other babies’ cry | |
The sound of music as balancing the NICU’s cacophony | Music as a supporting agent for parents and babies in the NICU |
Music as a transitional object for families when entering their home environments |
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Chifa, M.; Hadar, T.; Politimou, N.; Reynolds, G.; Franco, F. The Soundscape of Neonatal Intensive Care: A Mixed-Methods Study of the Parents’ Experience. Children 2021, 8, 644. https://doi.org/10.3390/children8080644
Chifa M, Hadar T, Politimou N, Reynolds G, Franco F. The Soundscape of Neonatal Intensive Care: A Mixed-Methods Study of the Parents’ Experience. Children. 2021; 8(8):644. https://doi.org/10.3390/children8080644
Chicago/Turabian StyleChifa, Maria, Tamar Hadar, Nina Politimou, Gemma Reynolds, and Fabia Franco. 2021. "The Soundscape of Neonatal Intensive Care: A Mixed-Methods Study of the Parents’ Experience" Children 8, no. 8: 644. https://doi.org/10.3390/children8080644
APA StyleChifa, M., Hadar, T., Politimou, N., Reynolds, G., & Franco, F. (2021). The Soundscape of Neonatal Intensive Care: A Mixed-Methods Study of the Parents’ Experience. Children, 8(8), 644. https://doi.org/10.3390/children8080644