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22 pages, 30260 KB  
Article
Earthly Beasts and Heavenly Creatures: Animal Realms in Early Medieval Chinese Tombs and Cave Temples
by Heather Clydesdale
Arts 2023, 12(1), 14; https://doi.org/10.3390/arts12010014 - 16 Jan 2023
Cited by 2 | Viewed by 6172
Abstract
This analysis of the fabricated worlds in tombs and cave temples of China’s Hexi Corridor shows that animals are integral to concepts of earthly and heavenly realms. Changes in animal imagery from the third through sixth centuries connect to the region’s social, cultural, [...] Read more.
This analysis of the fabricated worlds in tombs and cave temples of China’s Hexi Corridor shows that animals are integral to concepts of earthly and heavenly realms. Changes in animal imagery from the third through sixth centuries connect to the region’s social, cultural, and demographic transformations, including an embrace of pastoralism followed by increasing cosmopolitanism with the spread of Buddhism. A profusion of domestic animals in Wei-Jin tombs establish microcosms, while otherworldly creatures on entrances and coffins play supernatural roles. Western Jin tombs emphasize fantastic beasts over familiar ones and fuel the mysticism of this era. A Sixteen Kingdoms tomb represents the synthesis of the celestial and terrestrial, setting the stage for Buddhist cave temples. In these, real-world animals are all but expunged while imaginary beasts adapt easily to the new habitat. The proliferation of human figures in the form of buddhas and bodhisattvas not only crowd out animals but indicates that the introduction of Buddhism ushers in an anthropocentric view of earthly life and paradise. Full article
(This article belongs to the Special Issue The Zoomorphic Arts of Ancient Central Eurasia)
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