Search Results (153)

Buber’s analysis of Job, offering four responses to the theodical questions that innocent suffering raises, has been highly influential since its publication in 1942, as has been Steven Kepnes’s more recent application of Buber’s analysis to the Nazi Holocaust. Each of Buber’s specific responses has been, at various points in history and today, taken up by sufferers and by those pondering suffering’s theodical implications. Yet each response retains troubling features. This article, building on Buber and Kepnes, offers an alternate reading of the Book of Job, centering on two points: (i) a possible covenantal, rather than retributive, nature of the God-Job relationship and (ii) an understanding of God’s response to Job as covenantal. This is not to suggest that such a response “solves” suffering, but it is comprehensible to Job from his own knowledge and experience of the world—an important aspect of the covenantal relationship—and is in some measure helpful. The article first reviews Kepnes’s reading of Buber, discusses four aspects of it that remain theodically troubling, and then sketches a covenantal reading of Job, drawing on the work of Edward Greenstein, Moshe Greenberg, David Burrell, Bill McKibben, Susannah Ticciati, and other more recent Jobian scholars. This discussion explores the following: (i) covenant in the Wisdom literature, (ii) a universalist reading of covenant entailing human integrity, reasoned dialogue, and the validity of human knowledge within natural, human capacity, (iii) why Job’s request to God is covenantal, and (iv) why God’s response is as well. Full article

The purpose of this research is to examine how the Church of Jesus Christ of Latter-day Saints and its members have responded to anti-Jewish theological tropes, especially in the post-Holocaust era. The thesis of this research is that, while the Church of Jesus Christ of Latter-day Saints has not formally canonized any twentieth-century statements on antisemitism, its sacred texts—including the Book of Mormon—along with prophetic teachings and institutional actions before, during, and after World War II, reflect a consistent and distinctive theological perspective on the Jewish people as God’s covenant people with a positive eschatological role in his plan. Unique among its Christian cousins in that era, the Latter-day Saint perspective includes a general rejection of anti-Jewish tropes and—while imperfect—a general pattern of respectful engagement with Jews at both institutional and individual levels. This research is significant in an era of rising antisemitism as it promotes understanding of a religion that has historically maintained, though not perfectly, a more philosemitic approach both institutionally and individually. A deeper understanding of ideas and attitudes that discourage anti-Jewish tropes and combat antisemitism is desperately needed in the modern world. Full article

This article examines how gender shapes Holocaust memory through close analyses of two canonical women’s memoirs: Charlotte Delbo’s Auschwitz and After and Ruth Klüger’s Still Alive (2001), a considerably rewritten and culturally reinterpreted version of her earlier German book Weiter leben (1992). Delbo, a French political deportee, and Klüger, an Austrian Jewish survivor, provide testimonies that challenge the male-centered paradigms that have long dominated the Holocaust literature. Although pioneering feminist scholars have shown that women experienced and remembered the Holocaust differently, gender-based analysis remains underused—not only in Holocaust studies but also in broader memory studies, where it is often assumed to be already complete or exhausted. This view of theoretical saturation reflects a Eurocentric bias that equates critical maturity with Western academic prominence, thereby masking the ongoing influence of gender on the production, circulation, and reception of testimony worldwide. Drawing on trauma theory, concepts of multidirectional memory and postmemory, systems theory of media, and ethical approaches to testimony, this article argues that gender is not merely descriptive of Holocaust experience but also constitutive of how trauma is narrated, circulated, and archived. Testimony, as a cultural form, is inherently mediated, and that mediation is fundamentally gendered. This analysis illustrates how Delbo and Klüger create gendered testimonial forms through unique aesthetic strategies. Delbo’s writing focuses on seeing by invoking a feminist aesthetics of voir as imagined and ethical visualization, while Klüger’s narrative emphasizes voice, utilizing rhetorical sharpness and ambivalent narration to challenge postwar silencing. Instead of equating gender with femininity, the article understands gender as a relational and intersectional system—one that includes masculinity, non-binary identities, and structural power differences. It also questions Eurocentric assumptions that feminist critique has been fully explored within memory studies, urging renewed engagement with gender in transnational contexts, such as the often-overlooked testimonies from wartime Shanghai. Ultimately, this article argues that feminist approaches to Holocaust testimony expose the gendered structures of grievability that determine which kinds of suffering are preserved—and which remain unspoken. Full article

As first-hand testimonies and accounts of the Holocaust fade, scholars and artists alike have struggled to depict and contextualize the genocide’s monumental violence. But depicting violence and its aftermath poses several problems, including the question of how to recall loss without artificially filling in or effacing the absence so central to its understanding. In essence, remembering the Holocaust is a paradox: the preservation of an absence. Marianne Hirsch’s influential concept of postmemory addresses this paradox and asks questions about memorial capacity in the twenty-first century. This essay considers Hirsch’s postmemory in the context of W.G. Sebald’s 2001 novel Austerlitz, which uses a combination of prose and photography to engage the difficulties inherent in memory work without access to eyewitnesses. Through the interaction of printed text and images, Austerlitz subtly references Lurianic mysticism’s concept of tikkun and Tree of Life (ilanot) diagrams. The result is a depiction of memory that is both process-based and embodies absence. My reading of Austerlitz traces a Jewish heritage within the work of a non-Jewish German author by attending to a tradition of mystical thought embedded in the novel. This situates Sebald’s fiction in a much longer Jewish history that stretches out on either end of the event of the Holocaust. Structurally, Sebald develops a tikkun-like process of (re)creation which relies on gathering material scraps of the past and imaginatively engaging with their absences in the present. Images, just as much as text, are central to this process. Reading Austerlitz in the context of Kabbalah reveals an intellectual and artistic link to a Jewish history that, while predating the Holocaust, nonetheless sheds light on post-Holocaust memories of loss. Full article

This paper examines a previously unknown anonymous Hebrew letter inserted into a postwar edition of Shem HaGedolim, found in the library of the Jewish University in Budapest. The letter, composed in Győr in 1947, consists almost entirely of passages copied from Tiferet Chayim, a hagiographic genealogy of the Sanz Hasidic dynasty. Although derivative in content, the letter’s form and placement suggest it was not meant for transmission but instead served as a private act of mourning and historiographical preservation. By situating the letter within the broader context of post-Holocaust Jewish and Hasidic memory practices, including yizkor books, rabbinic memoirs, and grassroots commemorative writing, this study proposes that the document constitutes a “micro-yizkor”: a bibliographic ritual that aimed to re-inscribe lost tzaddikim into sacred memory. Drawing on theories of trauma, religious coping, and bereavement psychology, particularly the Two-Track Model of Bereavement, the paper examines the letter as both a therapeutic and historiographical gesture. The author’s meticulous copying, selective omissions, and personalized touches (such as modified honorifics and emotive phrases) reflect an attempt to maintain spiritual continuity in the wake of communal devastation. Engaging scholarship by Michal Shaul, Lior Becker, Gershon Greenberg, and others, the analysis demonstrates how citation, far from being a passive act, functions here as an instrument of resistance, memory, and redemptive reconstruction. The existence of such a document can also be examined through the lens of Maurice Rickards’ insights, particularly his characterization of the “compulsive note” as a salient form of ephemera, materials often inserted between the pages of books, which pose unique challenges for interpreting the time capsule their authors sought to construct. Ultimately, the paper argues that this modest and anonymous document offers a rare window into postwar Ultra-orthodox religious subjectivity. It challenges prevailing assumptions about Hasidic silence after the Holocaust and demonstarates how even derivative texts can serve as potent sites of historical testimony, spiritual resilience, and bibliographic mourning. The letter thus sheds light on a neglected form of Hasidic historiography, one authored not by professional historians, but by the broken-hearted, writing in the margins of sacred books. Full article

The film Defiance (2008) explores the true story of the Bielski Partisans in the Second World War, led by the brothers Tuvia and Zus Bielski. While the film is in many ways a conventional action-packed war story of resistance to Nazi domination during the war, the filmmakers conscientiously depicted the myriad and sundry ways Jews resisted Nazi racial hatred and the attempted extermination of European Jewry. The Bielski partisans are portrayed as violently opposing the Nazi domination and their Belorussian supporters in armed conflict; as engaging in acts of sabotage and destruction to hamper the Axis war effort; as preserving and engaging in Jewish culture and religion to ensure its propagation, even in the most extreme of circumstances; and as continually struggling for survival against Nazi efforts to murder them. Their struggle for freedom from oppression inspires these acts of resistance. Furthermore, the filmmakers explore the theological problem of understanding the Jews as God’s chosen people as they fight for their lives against Nazi policies of extermination. Full article

In the wake of the Holocaust and the post-war reconstruction of Greece’s historic city centers, many Greek synagogues were demolished, abandoned, or appropriated, erasing centuries of Jewish architectural and communal presence. This study presents a thirty year-long research and documentation initiative aimed at preserving, recovering, and eventually digitally reconstructing these “lost” synagogues, both as individual buildings and within their urban context. Drawing on architectural surveys, archival research, oral histories, and previously unpublished materials, including the recently rediscovered Shemtov Samuel archive, the project grew through the use of technology. Beginning with in situ surveys in the early 1990s, it evolved into full-scale digitally enhanced architectural drawings that formed the basis for further digital exploration, 3D models, and virtual reality outputs. With the addition of these new tools to existing documentation, the project can restore architectural detail and cultural context with a high degree of fidelity, even in cases where only fragmentary evidence survives. These digital reconstructions have informed physical restoration efforts as well as public exhibitions, heritage education, and urban memory initiatives across Greece. By reintroducing “invisible” Jewish landmarks into contemporary consciousness, the study addresses the broader implications of post-war urban homogenization, the marginalization of minority heritage, and the ethical dimensions of digital preservation. This interdisciplinary approach, which bridges architectural history, digital humanities, urban studies, and cultural heritage, demonstrates the value of digital tools in reconstructing “lost” pasts and highlights the potential for similar projects in other regions facing comparable erasures. Full article

This article examines Marcel Janco’s Holocaust drawings, positioning them within the broader discourse of Holocaust representation, trauma, and avant-garde aesthetics. Created in response to the Bucharest Pogrom of January 1941, these works resist both forensic realism and pure abstraction, instead embodying rupture, instability, and fragmentation. Janco’s grotesque distortions neither document events with the precision of testimony nor dissolve into conceptual erasure; rather, they enact the instability of Holocaust memory itself. This essay argues that Janco’s Holocaust works, long overshadowed by his modernist and Dadaist contributions, challenge dominant frameworks of remembrance. Through comparative analysis with artists, such as David Olère, Anselm Kiefer, and George Grosz, it situates Janco’s approach at the limits of witnessing, exploring how his figures embody violence rather than merely depict it. While Olère reconstructs genocide through forensic detail and Kiefer engages with the material traces of memory, Janco’s grotesque forms share an affinity with Grosz’s politically charged distortions—though here, fragmentation serves not as critique but as testimony. Furthermore, the study interrogates the institutional and critical neglect of these works, particularly within Israeli art history, where they clashed with the forward-looking ethos of abstraction. By foregrounding Janco’s Holocaust drawings as both aesthetic interventions and acts of historical witnessing, this article repositions them as crucial yet overlooked contributions to Holocaust visual culture—demanding recognition for their capacity to unsettle, resist closure, and insist on the incompleteness of memory. Full article

Jacob Gens, the head of the Vilnius Ghetto Police Force, and eventually the entire Ghetto during the Holocaust, was murdered on 14 September 1943 by the head of the Vilnius Gestapo. Historical documents and Holocaust survivor testimonies indicate that he was killed at a site that became known as the Rasu Street Prison, and not the Gestapo Headquarters, as it is widely believed. In 2016, research was completed at the Rasu Street Prison site using ground penetrating radar (GPR) and electrical resistivity tomography (ERT) to locate subsurface reflection patterns that possibly indicate the location of where Jacob Gens is buried. Intersecting GPR and ERT reflection patterns were discovered and a plan was put in place to excavate that location. The excavation revealed the presence of human remains at 1.45 m below the surface. A skull and upper torso were exposed, and two teeth were collected for DNA and radiocarbon analysis. The DNA from the tooth was compared to Jacob Gens’ daughter’s DNA, and this comparison yielded a negative result, so the human remains were not those of Jacob Gens. The radiocarbon analysis provided a date between 1685 and 1735. In 1705, a plot of land was donated to the Visitation Monastery, which used this plot, and which coincides with the location of the Rasu Street Prison, as a cemetery for the poor. In 1709 and 1710, a plague epidemic was prevalent in Vilnius, as was turmoil and famine associated with the Great Northern War (1700 to 1721). Based on these discoveries, rather than finding the remains of Jacob Gens, it is likely that we found human remains that are part of a forgotten 18th century cemetery associated with the Visitation Monastery. Full article

In Edith Stein’s thinking, there is a gradual transition from the discovery of Christianity in her phenomenological studies to the mystical realization of her own role as a Christian. The present paper explores the historical, cultural, and personal circumstances of Stein’s approach to Christianity and reveals how philosophical insights contributed to her Christian commitment and supported her receptivity to mysticism. My thesis is that Stein’s philosophical reflection and the deepening of her personal religiosity are mutually evolving. The thesis of this paper is based on a letter written by Edith Stein to Roman Ingarden in 1927, at a time when she had not yet entered the Carmelite Order in Cologne but was already living as a monk. In this sense, the letter represents a zigzag reflection between past and present events, describing events in the apocalyptic horizon of eternity. Through recurrent reflection on the letter, I argue for the parallel development of mystical insights and philosophical achievements in Stein’s life, and finally, I show that the two are inextricably linked and contribute to a philosophical understanding of her own holocaust. Full article

The non-destructive geophysical testing method ground penetrating radar (GPR), along with satellite image and air photo assessment, a review of the existing literature sources, and Holocaust survivor testimony, was used to document the location of potential mass graves in Alytus, Lithuania. In World War II, six million Jews were murdered, as were as many as five million other victims of Nazi Germany’s orchestrated persecution. In the summer of 1941, 8030 Jews (4.70 percent of Lithuania’s Jewish population) lived in Alytus County, where the town of Alytus is located. It is estimated that over 8000 Jews were murdered in Alytus County, including nearly the entire Jewish population of the town of Alytus. The murder of Jews from Alytus County accounts for approximately 4.2% of the total number of Lithuanian Jews killed in the Holocaust. Survivor testimony indicates that several thousand Jews from both the town and county were murdered and buried in the Vidzgiris Forest about 1000 m from the town center. In 2022, field reconnaissance at locations in the forest, which appeared to be disturbed in a 1944 German Luftwaffe air photograph, indicated that these disturbances were associated with natural geomorphic processes and not the Holocaust. Analysis of GPR data that was collected using a pulseEKKO Pro 500-megahertz groundpenetrating radar (GPR) system in 2022 in the vicinity of monuments erected in the forest to memorialize mass graves indicates that no mass graves were directly associated with these monuments. The 1944 air photograph contained two roads that traversed through and abruptly ended in the forest, which was the impetus for detailed field reconnaissance in that area. A segment of a 150 m long linear surface feature found in the forest was assessed using GPR, and based on the profile that was generated, it was determined that this feature is possibly a segment of a much more extensive mass grave. Testimony of a Holocaust survivor stated that as many as three burial trenches exist in this portion of the forest. Additional research using non-destructive GPR technology, air photograph and satellite image assessment, and the existing literature and testimony-based data are required for the Vidzgiris Forest to better define these and other potential mass graves and other Holocaust-related features. Full article

This paper attempts to reconceptualize memory as an event from a theological perspective, drawing on the recent dialog between memory studies and Critical Event Studies. To this end, it analyzes the narrative and themes of the 2007 novel Brodeck’s Report by Philippe Claudel, classified as a third-generation Holocaust (narrative) writer in France, within the framework of event studies. The novel has been praised for successfully depicting the tragedy as a universal event transcending spatial–temporal specificity by utilizing the genre of allegory while minimizing references to the historical and geographical specificity of the Holocaust. Extending this evaluation, this paper particularly focuses from a theological perspective on how the protagonist and narrator, Brodeck, simply names the subject of his report—a past event that happened to an unidentified other (Autre) called the ‘Anderer’—as ‘Ereignis’ (event). This is noteworthy because Ereignis is not only the most famous concept representing late Heideggerian philosophy but also holds significant importance in post-Heideggerian modern philosophy as the speculative source of the ‘evental turn’, which, along with the ‘material turn’, constitutes one axis of the ‘ontological turn’ in contemporary humanities and social sciences. In this regard, this work, which narrativizes the universality of the Holocaust, provides interesting implications for the possibility of a disjunctive synthesis between memory studies in the humanities and social sciences and theological event studies. Above all, it stimulates a reconsideration of the conventional dichotomy between memory and event—namely, the commonplace premise of “events that occurred in the past” and “present memories of past events”—as revealed in the definition of memory studies as “naming pasts, transforming futures”. Thus, this paper explores the possibility of reconceptualizing the moment of memory as part of the ongoing event itself from past to present, and the event as a process of symbolic construction of meaning through memory. Full article

Can we think of the legendary Wandering Jew as a monster? The figure does not easily fit the common definition of a monster and yet, the Wandering Jew is extraordinary. In the medieval and early modern sources of the legend, the Wandering Jew, who once sinned against Christ and is therefore doomed to be an immortal eyewitness to the Passion, serves as a model for the faithful. In his 1796 gothic novel, The Monk, Matthew Lewis creates a new strand of the Wandering Jew tradition, a gothic Wandering Jew, a being transformed from wonder to horror through association with centuries of antisemitic accusations against Jews as agents of conspiracy, ritual murder, nefarious magic, and disease. This essay argues that a variation on the representation of the gothic Wandering Jew, which began with Coleridge’s Rime of the Ancient Mariner, further adapts the legend to make the Wanderer not a sign of redemption, but the monstrous cause of catastrophe not only for himself, but for those he encounters. This article, the first scholarly examination of John Blackburn’s 1972 Wandering Jew novel, Devil Daddy, situates it within the strand of the legend that represents the Wandering Jew as a monstrous source of destruction. Blackburn’s novel, written during a time of global concern over the development of biological weapons of mass destruction, portrays the Wandering Jew’s curse as a source of manmade global environmental catastrophe. In this way, the sin of the monstrous Wandering Jew becomes one not against Christ, but against humankind. Even as Devil Daddy explicitly references the horrors of the Holocaust, this representation of a monstrous Wandering Jew haunts the text, undermining its sympathetic representation of Jewish suffering. Full article

In this contribution, through literary content analysis, I examine the novel The Boy From Block 66: A WW2 Jewish Holocaust Survival True Story (2023). I am convinced that it should be included in literature classes dealing with modern historical issues, especially pertaining to the Shoah. For two excerpts from this novel, I present several questions and tasks, the aim of which is to guide pupils to an adequate understanding of the events of the Shoah. I am convinced that this narrative is the one in which the events that relate to the Shoah are presented authentically and in an attractive way for young readers, and whose presentation leads to a certain de-abstracting of these ideas. Full article

In Romans 5, Paul says that prior to law “sin is not counted” (v. 13), and that upon law’s arrival, “the trespass increased” (v. 20). For most interpreters, the law that counted sin and increased the trespass is the law that God revealed to Israel at Sinai. Origen of Alexandria offered significant exegetical objections to this reading and proposed that natural law is in view. I modify Origen’s proposal to align Paul with the early Jewish tradition of Adam’s law, and I argue that “law” in vv. 13a and 20 refers to law’s arrival to Adam. Romans 5:12–21 is Paul’s re-telling of Scripture and chronicles Sin and Death achieving their global reigns. Understood this way, vv. 12–14 and 20–21 tell us what transpired when God’s law came to Adam: Sin and Death united, and they launched and secured their cosmic tyranny. This is Sin and Death’s origin story. Full article