Sign in to use this feature.

Years

Between: -

Subjects

remove_circle_outline

Journals

Article Types

Countries / Regions

Search Results (1)

Search Parameters:
Keywords = Misa Criolla

Order results
Result details
Results per page
Select all
Export citation of selected articles as:
12 pages, 278 KB  
Article
Liberationist Perspectives on the Misa Criolla by Ariél Ramírez
by Adán Alejándro Fernández
Religions 2022, 13(3), 189; https://doi.org/10.3390/rel13030189 - 22 Feb 2022
Viewed by 5455
Abstract
The Misa Criolla by Ariel Ramirez is a symbol of liberation theology in South America. Written between 1963–1964, this musical work is the result of the decisions made on the sacred liturgy at Vatican II and the Indigenous Movements of the 1960s and [...] Read more.
The Misa Criolla by Ariel Ramirez is a symbol of liberation theology in South America. Written between 1963–1964, this musical work is the result of the decisions made on the sacred liturgy at Vatican II and the Indigenous Movements of the 1960s and 1970s. It became popular around the world and helped bring attention to the indigenous poor of South America through its indigenization of the Roman Catholic Mass text and music directly after the Second Vatican Council. The Misa Criolla, however, can only be fully appreciated by understanding its process of localization, from its historical context, theological underpinnings to its musical attributes. From a liberationist perspective, it represents the compromise of the openness, liturgically and theologically, of Vatican II and more conservative movements afterwards through the localization of the Catholic Mass liturgy. Full article
(This article belongs to the Special Issue Language Translation in Localizing Religious Musical Practice)
Back to TopTop