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This study explores spiritual resilience as a mechanism for sustaining cultural landscapes, focusing on the UNESCO World Heritage Site of the Studenica Monastery (Serbia). By analysing the monastery’s sacred network, which includes monasteries, hermitages, and churches, the study demonstrates how material heritage (architecture, art), intangible practices (monastic life, liturgy, traditional crafts), and the natural environment (UNESCO MaB Golija–Studenica Biosphere Reserve) form a cohesive system of resilience. The concept of spiritual resilience is examined as a dynamic process that links sacred architectural structures and enduring religious practices with authentic land use preserved over centuries. We have utilised a methodological framework combining historical mapping, GIS viewshed analysis in spatial planning, and multidisciplinary data synthesis (historical, architectural, artistic, ecological, ethnographic) with resilience indicators aligned with the UNESCO’s Cultural Landscape approach. The findings reveal that Studenica’s sacred network operates as a coupled socio-ecological system. Spiritual practices, including annual processions and land stewardship rituals, have been identified as key factors in enhancing biodiversity conservation while mitigating land-use conflicts. Historical mapping has been used to highlight the overlap between sacred sites and protected ecological zones, reflecting traditional stewardship practices. By reframing heritage as an adaptive process where spirituality serves as a conduit between tradition and innovation, the study proposes replicable strategies for UNESCO sites worldwide. The concept of sacred landscapes as resilience hubs is furthered by alignment with SDG 11 (Sustainable Cities and Communities). Full article

King Stefan Uroš II Milutin Nemanjić (1282—Donje Nerodimlje, October 29, 1321) was a Serbian medieval king, the seventh ruler of the Serbian Nemanide dynasty, the son of King Stefan Uroš I (r. 1243–1276) and Queen Helen Nemanjić (see), the brother of the King Stefan Dragutin (r. 1276–1282) and the father of King Stefan Dečanski (r. 1322–1331). Together with his great grandfather Stefan Nemanja, the founder of the Nemanide dynasty, and his grandson, Emperor Stefan Uroš IV Dušan, King Milutin is considered the most powerful ruler of the Nemanide dynasty. The long and successful military breach of King Milutin, down the Vardar River Valley and deep into the Byzantine territories, represents the beginning of Serbian expansion into southeastern Europe, making it the dominant political power in the Balkan region in the 14th century. During that period, Serbian economic power grew rapidly, mostly because of the development of trading and mining. King Milutin founded Novo Brdo, an internationally important silver mining site. He started minting his own money, producing imitations of Venetian coins (grosso), which gradually diminished in value. This led to the ban of these coins by the Republic of Venice and provided King Milutin a place in Dante’s Divina Commedia. King Milutin had a specific philoktesia fervor: He built or renovated over three dozen Serbian Orthodox churches and monasteries not only in Serbia but also in Thessaloniki, Mt. Athos, Constantinople and The Holy Land. Over fifteen of his portraits can be found in the monumental painting ensembles of Serbian medieval monasteries as well as on two icons. Full article

Studenica marble is the stone used in creating the mediaeval Serbian cultural heritage. This is a historical overview of the importance and use of stone from prehistoric times to the Middle Ages, when the most imposing religious architectural structures were built. The significance of Studenica marble is particularly manifested in the Virgin’s Church at the Studenica Monastery. For its marble façades and artistic architectural elements, among other things, the church was inscribed in the UNESCO World Cultural and Natural Heritage List in 1986. Through centuries, the Virgin’s Church suffered multiple destructions. In order to restore the marble façades properly and its architectural elements, the marble deposits where the stone was once quarried had to be located anew. When the stone material characterisation had been performed, the right stone was selected for the complex conservation works on the churches in Studenica and Sopocani. A practical implementation of the research results raised the awareness of the marble deposits in the Studenica vicinity, being also part of the national heritage. The Studenica Monastery Cultural Landscape Management Plan envisions preservation of the deposits and their sustainable use for restoration purposes in the future. Full article