Search Results (304)

In the last decade, as cities increasingly seek sustainable development pathways within the cultural and creative economy, cultural-creative events have gained prominence as strategic instruments for urban transformation. Among them, city design weeks have emerged as complex service systems that connect creative industries, urban governance, and tourism development. This research aims to understand how cultural-creative events (represented by design weeks) facilitate sustainable tourism development from a service design perspective. Adopting a qualitative comparative research design, the study examines 30 design weeks selected through a cross-validated process with the World Design Weeks global network and UNESCO City of Design network. Data from 2020 to 2025 is collected primarily through expert interviews, official reports, and media materials in relation to the United Nations Sustainable Development Goals (SDGs). Grounded in the service design perspective, four Service Design Levels are summarized into 17 assessment dimensions, and experts applied Likert scale to evaluate the relative service intensity of each case. Through cross-case analysis, the findings reveal four distinct models of design weeks, reflecting different configurations of service intensity and strategic orientation. The study contributes theoretically by extending service design theory to cultural-creative tourism research, and practically by providing guidance for the organizers of cultural-creative events seeking to support sustainable city tourism development. Future research may incorporate quantitative impact assessments to further refine these models. Full article

Creative expression is no longer separate from monetization. It is increasingly structured by the business models that platforms provide. Content monetization has evolved rapidly: early models focused on advertising revenue, followed by brand partnerships, and most recently, the integration of commerce-oriented features at the platform level. YouTube, for example, launched its YouTube Shopping service in South Korea in June 2024, enabling creators to sell products directly through their content. This development demonstrates that commerciality has become intrinsic to the creator economy. While prior research has emphasized factors such as authenticity, less focus has been placed on commerciality itself. This study addresses this gap by analyzing how varying levels of content commerciality affect performance, using real-world data from a Korean YouTube beauty creator agency (N = 286 short-form videos). The analysis tests the effects of three revenue models (organic, sponsored, and content-driven commerce) and two content types (context-focused and product-focused) through multiple regression. Results reveal a trade-off between engagement and revenue, as while content-driven commerce generates significantly higher engagement than sponsored content, it yields lower immediate revenue. Regarding content strategy, contrary to expectations, product-focused content consistently outperforms context-focused content in driving engagement, except within sponsored videos where a context-focused approach effectively mitigates the negative impact of overt commercial intent. These findings demonstrate the divergent efficacy of monetization models and content strategies in the short-form ecosystem. By empirically validating the relationship between commerciality and performance, this study advances theoretical discussions on the platform-driven creator economy and offers practical insights for creators, brands, and platforms navigating this evolving environment. Full article

Manufacturing firms face intensifying pressure to achieve sustainability while remaining competitive under environmental stress, rapid technological change, and institutional uncertainty—challenges that are particularly acute in developing economies. Although Industry 5.0 has emerged as a human-centric and sustainability-oriented industrial paradigm, limited research explains how it can be systematically operationalized to enhance sustainable business performance. This study addresses this gap by developing an integrative conceptual framework linking Industry 5.0, Smart Circular Economy (SCE), and Green Human Resource Management (GHRM) within manufacturing contexts. Drawing on resource-based, dynamic capability, and institutional perspectives, the framework conceptualizes Industry 5.0 as a strategic digital orientation that enables circular resource orchestration and sustainability-aligned human capital systems. SCE and GHRM are positioned as complementary operational mechanisms that translate Industry 5.0 principles into organizational capabilities. Innovation capability is introduced as a mediating dynamic capability explaining how technological and human resource investments generate environmental, social, and economic performance outcomes. Digital maturity and policy support are incorporated as contextual moderators shaping transformation pathways in developing economies. The proposed model advances sustainability-oriented industrial transformation theory by integrating previously fragmented research streams into a coherent socio-technical capability architecture. It also offers actionable insights for managers and policymakers seeking to align digital industrial development with long-term sustainability objectives under conditions of institutional heterogeneity. Full article

The Cultural and Creative Industries (CCIs) are dynamic contributors to the global economy but face inherent vulnerabilities due to their structure of small enterprises and project-based nature. This study quantifies the economic resilience of CCIs in Mexico across multiple economic cycles from 1994 to 2023, aiming to fill a gap in quantitative evidence regarding sectoral performance during shocks. Using quarterly Gross Domestic Product (GDP) data, the research applies a counterfactual analytical framework based on resistance and recovery indices. The methodology assesses how specific subsectors—arts and entertainment, research and development (R&D), and services—deviate from national growth patterns during recessions and subsequent expansions. Empirical results indicate that while CCIs generally exhibited weak resistance during the 1994 and 2000 crises, they demonstrated robust recovery capacities. Notably, the 2008 crisis saw resilient performance in the services sector, and the COVID-19 pandemic induced exceptional recovery indices (exceeding 2.0) in arts and services, likely facilitated by rapid digitalization. The study concludes that CCI resilience is contingent on the nature of the crisis. Future sustainability requires a shift from emergency survival to “ecological resilience,” supported by public policies that address financial precariousness and foster digital adaptation. Full article

This study proposes a novel theoretical synthesis, bridging the sociology of lived religion with economic club good theory to explore the high-commitment dynamics in domestic spheres in the analysis of “Amen meals”, a rapidly spreading ritual among Jewish women. Using a qualitative–ethnographic methodology based on 23 participant observations and 53 in-depth interviews with a diverse spectrum of Jewish women in Israel, the research examines the ways this ritual functions as a gendered religious economy. The findings identify emotional stringency as a key mechanism for communal cohesion: unlike traditional religious clubs that filter out free riders through external prohibitions, this economy demands a tariff of emotional exposure and vulnerability, where public tears serve as costly signals of commitment. These enable the participants to gain access to exclusive club goods such as social insurance and spiritual agency. The study concludes that Amen meals challenge the binary between institutional–rational and private–emotional spheres, positioning women’s ritual creativity as a mutual insurance system for risks that formal institutions fail to cover. It reveals the powerful economies operating within the lived religion of women. Full article

The management of invasive alien species (IAS) generates large amounts of plant waste biomass that is commonly disposed of by burning or destruction, leading to environmental and economic drawbacks. At the same time, the production of synthetic dyes and pigments used in printing and graphic applications remains a significant source of pollution. In this context, the valorization of IAS biomass as a source of natural colorants represents a sustainable alternative aligned with circular economy principles. Here, biocompounds and natural dyes were extracted from four invasive or non-native plant species—Arundo donax, Phytolacca americana, Tradescantia fluminensis, and Eucalyptus globulus—using five solid–liquid extraction methods: infusion, infusion with heat, thermal agitation, Soxhlet extraction, and ultrasonic-assisted extraction. Extraction efficiency and color preservation were comparatively evaluated. Although Soxhlet extraction provided the highest extraction yield (up to 30.5%), infusion with heat proved to be the most suitable method for preserving color integrity and minimizing oxidation. Liquid dyes obtained by the selected extraction method were converted into solid pigments through a lake pigment precipitation process using aluminum potassium sulfate and sodium bicarbonate. The resulting pigments were characterized in terms of chemical composition, particle size, and chromatic properties, and subsequently formulated into oil-based inks using linseed oil as binder. Scanning electron microscopy revealed pigment particle sizes ranging from approximately 2.1 to 8.3 µm, depending on the plant source, and confirmed adequate ink penetration and distribution on commercial printmaking paper. The obtained pigments exhibited color tones ranging from yellow to brown and grey, mainly associated with the phenolic and tannin content of the original biomass. Printing tests demonstrated the suitability of the developed inks for manual printmaking techniques, highlighting the potential of IAS-derived pigments as sustainable alternatives for artistic and printing applications. Full article

This study investigates the spatiotemporal dynamics of urban informal spaces through a rhythmanalytical lens, offering critical insights for sustainable urban governance and the development of inclusive night-time economies. Drawing on Michel de Certeau’s theory of everyday life practices and Henri Lefebvre’s rhythmanalysis, this study interprets the night market as a rhythmic assemblage. This assemblage is interwoven with the strategic, disciplinary rhythms imposed by managers and the tactical, subsistence-oriented rhythms crafted by the vendors. The research finds that urban managers impose a strategic rhythm aimed at order and controllability through the standardization of time, homogenization of space, and institutional clearance. In response, vendors, driven by a subsistence logic shaped by survival pressures develop a repertoire of sophisticated tactical variations. These tactics manifest as flexible uses of time and space to disrupt the established disciplinary framework. Furthermore, based on strong relational networks of “blood, professional, and geographical ties”, dispersed individual tactics can coalesce into a powerful collective rhythm, thereby gaining the capacity for dialog and negotiation in spatial games. The most constructive interactions embody a creative cadence, where vendors proactively integrate local cultural elements into their operations, transforming their practice from resistance into symbiosis, achieving a form of rhythmic harmony with urban development strategies. By integrating rhythmanalysis with the theory of everyday practice, this study constructs the “rhythm game” analytical framework. Its main contribution lies in revealing that the core of power interactions in urban informal spaces is not perpetual confrontation, but rather the contingent possibility of evolution from resistance to rhythmic harmony. This provides crucial theoretical and empirical grounding for understanding the source of vitality in informal spaces and for building a flexible, coordinated, and sustainable governance model. Full article

This paper introduces the Sextuple Helix Innovation Model as an extension of the Quintuple Helix Innovation Model by Carayannis and Campbell. The epistemic perspective considers the understanding of generative AI (GenAI) as a sixth helix of knowledge production in sustainable innovation ecosystems. Accordingly, the knowledge economy of GenAI will be discussed in the context of the innovation processes of cultural and creative industries. While GenAI is largely described in social discourses as a disruptive tool that potentially replaces human creativity and thus destroys jobs, this paper discusses GenAI as an entity with a specific knowledge economy that contributes to creative innovation processes in exchange with the five established helices of science, politics, economy, the media- and culture-based public, and the natural environment of societies. With the help of a scoping review, a comprehensive evaluation of academic literature from the fields of creative industries, cultural policy, and innovation research, based on a constructivist epistemological approach and knowledge economy theory, confirmed that the positioning of GenAI as an epistemic actor in the Sextuple Helix Innovation Model reframes and redefines discourses beyond the prevailing narratives of disruption and regulation. Full article

As the world grows more and more out of kilter with wars and fake news, the climate crisis is being ignored, leaving eco-media scholars striving to uncover new ways of keeping it firmly in the spotlight. This paper draws on extensive scholarship across eco-film studies, using narratives I have not analysed before—The Age of Stupid and Zone of Interest—to speak to contrasting ways of representing and communicating the crisis. While in the academy and within particular strands of environmental communications (EC), eco-textual analysis is often sidelined and replaced with a focus on empirical audience and behavioural research, together with more political economy types of investigations. Nevertheless, there remains a central place for understanding and appreciating how stories and images function, both in stylistic and thematic terms, while deploying new creative imaginaries to represent the climate crisis and provoke debate over future, more sustainable models of living. These readings will be analysed through an ethics of care lens while being underpinned by environmental media literacy, which can be argued to drive pro-active engagement and consideration. Full article

Background: This study presents a bibliometric analysis of key performance indicators (KPIs) for sustainable supply chain management (SSCM) in small- and medium-sized enterprises (SMEs). Despite growing academic attention, particularly after 2020, important gaps remain in how sustainability performance is measured and assessed in SME contexts. Methods: Using the Scopus database, we identified 169 relevant studies published between 2004 and 2025. The dataset was obtained through sustainability- and SME-related keyword filtering, followed by manual screening based on predefined eligibility criteria. Results: The findings reveal a research landscape dominated by economic and technological KPI dimensions, with Italy, India, and Indonesia emerging as leading contributors. However, the results also indicate limited research attention to social sustainability, organizational capabilities, and governance within SME supply chains. Overall, eight underexplored KPI domains are identified as opportunities for future research and practical development. Conclusions: This analysis clarifies the intellectual landscape of SSCM KPI research and provides evidence-based insights for researchers and practitioners regarding which KPI dimensions are emphasized and which remain underdeveloped for practical application in SME supply chains, without developing or validating a new KPI framework. Full article

Bamboo, renowned for its rapid growth, high carbon sequestration capacity, and superior mechanical properties, has become a strategic sustainable material in product design. Through bibliometric and content analysis, this study systematically examines its current applications across multiple sectors, including furniture, consumer electronics, transportation interiors, fashion, and cultural and creative products. It further proposes four core innovation strategies: material-driven optimization, digital manufacturing process innovation, cultural narrative design, and circular economy system transformation. Despite its potential, bamboo faces several challenges, such as inconsistent material properties, precision processing limitations, and biased market perceptions. To address these issues, future research should prioritize the development of standardized material databases, functional bamboo-based composites, integration of digital technologies, and enhanced interdisciplinary collaboration. By framing bamboo not merely as an alternative but as a preferred material, this study provides theoretical foundations and strategic directions for sustainable design and green industrial advancement. Full article

The Thailand 4.0 agenda elevates entrepreneurship education (EE) as a lever to escape the middle-income, inequality, and imbalance traps, yet EE remains weakly embedded in basic education—especially in Thai language. We designed and piloted a community-economy context-based learning model integrating EE (CEC-EE) for Grade 12 Thai via a two-cycle R&D process: needs analysis (surveys and focus groups with teachers and students) and prototype development. The model operationalizes six instructional steps (6Cs: connect, comprehend, clarify, construct, carry over, and conclude) anchored in Mae Chan’s community economy and targets entrepreneurial language skills (ELSs) consisting of analytical reading and creative writing. In a one-group pretest–posttest with Grade 12 students (n = 32), academic achievement and ELSs—analytical reading and creative writing—improved markedly. Posttest means exceeded pretests with very large effect. Experts rated the model appropriate, feasible, and useful; teachers and students reported high perceived value alongside concerns about implementation cost, support capacity, and student readiness. The CEC-EE model offers a context-responsive pathway for embedding EE in Thai-language instruction; future work should employ comparative designs, multi-site samples, and cost-effectiveness analyses to assess scalability and sustained impact. Full article

The digital labour economy is a system where work is mediated through digital technologies and online platforms. Work is often also called platform labour or gig work. China has brought out new labour protections to promote and support these new forms of employment (NFE) to address gaps in existing labour rights, personal data protection, and AI governance. However, a new type of work in the digital labour economy is creative digital platform work, which is distinct from other kinds of digital work and gig work that only uses AI and digital platforms to receive work, gigs, and tasks. Visual artists’ work is mediated by multiple digital software, AI programs, platforms, and apps. However, they do not have the usual ‘labour relationship’ like gig workers or platform labourers, as they are not employed by any single platform. Full article

As the global economy and sociopolitical, technological, climate, and international trade contexts continue to shift rapidly, educational goals and aims for skilled employment are changing accordingly. Research on the cognition of relational reasoning provides insight into training youth to handle these types of complex systems and multi-faceted problems. Relational reasoning is the ability to make inferences from the relationships within and between mental representations, and grounds many higher order cognitive actions such as generating solutions to novel problems, transferring insights from one context to another, and making creative leaps of inference that are central to these societal aims. This article synthesizes the theoretical and foundational literature to highlight specific practices that are relevant and implementable in enhancing all students’ access to rich and complex thinking and reasoning skills. These include strategies for training students to notice and attend to relational correspondences, to use visual stimuli and language to draw connections, and to reduce the cognitive resources required to do so. Full article

Generative artificial intelligence (GenAI) is increasingly transforming creative industries through its ability to generate high-quality content, raising critical questions about authorship, ownership, and the future of creative labor. This paper addresses these challenges by conducting a systematic bibliometric review of 119 peer-reviewed articles on GenAI in the creative sectors, published between 2023 and 2025. The study applies PRISMA 2020 guidelines and keyword co-occurrence analysis using VOSviewer to identify thematic clusters and map research trends. The central research question is how the academic literature conceptualizes the role and impact of GenAI within creative industries and how this has evolved over time. Findings reveal nine major thematic areas, ranging from technical implementations to ethical, economic, and institutional perspectives. The analysis shows that recent research emphasizes not only the technological capacities of GenAI, but also its implications for value creation, creative agency, and industry structures. The main contribution of the paper lies in offering a structured overview of current research trajectories, clarifying conceptual ambiguities, and highlighting understudied areas—particularly regarding the intersection of GenAI, platform economies, and labor dynamics. The review also identifies a methodological gap in comparative empirical studies and proposes directions for future research. By mapping the evolving discourse on GenAI in creative industries, this study contributes to both scholarly understanding and policy development. It provides a foundation for interdisciplinary inquiry and a forward-looking agenda for critically assessing GenAI’s role in reshaping creative work. Full article