Search Results (270)

This article focuses on the model of a sailing ship from the collection of the Maritime Museum in Orebić, Croatia, whose sails conceal material, visual, and symbolic enigmas that have raised a number of new research questions. Particular attention was paid to the analysis of the sail substrate material, which was previously incorrectly catalogued as leather, while research has revealed that it is, in fact, impregnated canvas. Prolonged exposure to inadequate storage conditions led to material deterioration and visible changes that severely compromised the visual integrity of the model. A synthesis of laboratory analyses, conservation, and restoration studies, as well as historical and archival research in an interdisciplinary framework, made it possible to identify materials and manufacturing techniques in detail. The painted decorations on the sails and flags become clearly legible after cleaning, providing new information about the ship’s name and royal affiliation and opening up new avenues for investigating the symbolism behind the motifs of this model. Full article

This study focuses on buildings in the Chinese–Baroque Historic Shopping District in Harbin. In view of global climate change and high carbon emissions from the construction industry, this study aims to quantify carbon emissions during the decoration process and explore low-carbon decoration strategies that suit the local characteristics. This research adopts a four-stage framework of “data collection–quantitative analysis–strategy design–verification and optimization” and integrates Life Cycle Assessment (LCA) and multi-objective optimization theory. Data are collected through questionnaires and field investigations, and simulations and analyses are carried out using Grasshopper and Honeybee. The results show that there are differences in carbon emissions between different decoration schemes. The chosen scheme of raw concrete and paint results in relatively low carbon emissions over the 10.12-year usage cycle. Based on this, design strategies such as extending the service life of decorations, rationally renovating windows, and preferentially selecting local low-carbon materials are proposed and applied to practical projects. This study not only fills a gap in the research on the low-carbon renovation of historical commercial blocks from the perspective of LCA but also provides practical solutions for the sustainable development of historical shopping blocks in Harbin and similar regions, promoting the low-carbon transformation of cities. Full article

Human skin pigmentation is one of the most visible and variable traits among populations and has been shaped primarily by natural selection in response to ultraviolet (UV) radiation. This review synthesizes the current understanding of the genetic and evolutionary mechanisms that underlie pigmentation differences across the globe. The roles of key pigmentation-related genes, such as MC1R, SLC24A5, TYR, and OCA2, are examined in terms of how different versions of these genes have been favored in different UV environments to balance the need for photoprotection and vitamin-D synthesis. Evidence of convergent evolution in lighter skin pigmentation is explored among populations in Europe and East Asia, along with the relatively stable presence of darker pigmentation alleles in equatorial regions. We also highlight how recent research has integrated ecological, anthropological, and genomic data to paint a fuller picture of these adaptive patterns. Finally, we discuss the biomedical implications of these evolutionary processes, including how historical adaptations influence current differences in skin cancer risk, vitamin-D metabolism, and pigmentary disorders. By tracing the evolutionary history of skin color, this review emphasizes the intricate interplay between our genetics, environment, and health. Full article

The great megalithic sites reveal an extended use of their monuments. In Late Prehistory, in Protohistory, and even in historical times, dolmens remained visible references on the landscape and were central for navigating it. The megaliths of Menga, Viera, and Romeral provide quality data to confirm their continued relevance. Our aim here is to understand whether menhirs also played that role, using the area of Tierras de Antequera, which is connected to the sea, as a case study. With that goal in mind, a research project has been initiated through intensive archaeological field surveying, combined with the collection of testimonies from oral tradition and other archaeological tools such as GIS, geophysical prospection, photogrammetry and RTI, for the detection of engravings and paintings on some of the located landmarks. We present in this paper the first geological analyses in the megalithic territory of Antequera to determine the raw material of the menhirs that are studied and the geological outcrops from which they come. Full article

This article traces the historical evolution of mural painting as a medium of cultural expression from prehistoric cave art to contemporary street interventions. Adopting a diachronic and interdisciplinary approach, it investigates how muralism has developed across civilizations in relation to techniques, symbolic systems, social function, and its embeddedness in architectural and urban contexts. The analysis is structured around key historical periods using emblematic case studies to examine the interplay between materiality, iconography, and socio-political meaning. From sacred enclosures and civic monuments to post-industrial walls and digital projections, murals reflect shifting cultural paradigms and spatial dynamics. This study emphasizes how mural painting, once integrated into sacred and imperial architecture, has become a tool for public participation, protests, and urban storytelling. Particular attention is paid to the evolving relationship between wall painting and the spaces it inhabits, highlighting the transition from permanence to ephemerality and from monumentality to immediacy. This article contributes to mural studies by offering a comprehensive framework for understanding the technical and symbolic transformations of the medium while proposing new directions for research in the context of digital urbanism and cultural memory. Full article

Accurate pigment classification is essential for the analysis and conservation of historical paintings. This study presents a non-invasive approach based on supervised machine learning for classifying pigments using image data acquired under three distinct spectral illumination conditions: visible-light reflectography (VIS), ultraviolet false-color imaging (UVFC), and infrared false-color imaging (IRFC). A dataset was constructed by extracting 32 × 32 pixel patches from pigment samples, resulting in 200 classes representing 40 unique pigments with five preparation variants each. A total of 600 initial raw images were acquired, from which 4000 image patches were extracted for feature engineering. Feature vectors were obtained from visible reflectography, ultraviolet false-color imaging (UVFC), and infrared false-color imaging (IRFC) using statistical descriptors derived from RGB channels. This study demonstrates that accurate pigment classification can be achieved with a minimal set of three illumination types, offering a practical and cost-effective alternative to hyperspectral imaging in real-world conservation practice. Among the evaluated classifiers, the random forest model achieved the highest accuracy (99.30 $\pm 0.15$%). The trained model was subsequently validated on annotated regions of historical paintings, demonstrating its robustness and applicability. The proposed framework offers a lightweight, interpretable, and scalable solution for non-invasive pigment analysis in cultural heritage research that can be implemented with accessible imaging hardware and minimal post-processing. Full article

Lime plaster has historically been a key material in the preservation of architectural heritage in Peru; however, its availability has been restricted by state regulations that limit its production and commercialization. This study evaluates the performance of paints formulated with inorganic pigments extracted from soils in the Cusco valley, combined with natural and synthetic binders, as a sustainable alternative for the protection of heritage buildings in this Andean region characterized by high altitude, wide thermal variations, and high solar radiation. Adhesion, hardness, drying time, and weather resistance tests were conducted according to applicable ASTM standards for architectural coatings. The results show that these formulations exhibit good adhesion to historic surfaces and greater durability against extreme environmental conditions compared to traditional lime plaster. Their potential compatibility with historic substrates and lower environmental impact suggest that these paints represent a viable alternative in sustainable conservation strategies; however, further studies are needed to more accurately characterize the mineralogical composition of the pigments used. Full article

The first book of Kings succinctly evokes—in only thirteen verses—the mysterious figure of a queen who came from the distant land of Sheba to test Solomon’s wisdom (1 Kgs 10.1–13). Who would have predicted that this modest episode celebrating the glory of the ancient kings of Jerusalem would be so popular? The episode has spread far beyond the boundaries of the two Testaments, notably in painting. Piero della Francesca’s fresco cycle in Arezzo is a fine example in this respect. Inspired by the Golden Legend, the Florentine painter recreates the scenes of the discovery of the true Cross. Solomon and the Queen of Sheba meet against the backdrop of the fall of Constantinople in 1453. Whether intra- or extra-biblical, ancient or modern, rereading of the original episode reveals issues that are as much historical as they are theological. Full article

Preserving heritage sites is a complex challenge that requires multidisciplinary approaches, combining scientific accuracy with cultural and historical sensitivity. In alignment with UNESCO’s conservation guidelines, this study investigated the airflow dynamics and wind-induced structural effects within ancient architecture using advanced computational fluid dynamics (CFD). The study site was the Na Phra Meru Historical Temple in Ayutthaya, Thailand, where the shear stress transport $k-\omega$ turbulence model was applied to analyze distinctive airflow patterns. A high-precision 3D computational domain was developed using Faro focus laser scanning technology, with the CFD results being validated based on onsite experimental data. The findings provided critical insights into the temple’s ventilation behavior, revealing strong correlations between turbulence characteristics, wind speed, temperature, and relative humidity. Notably, the small slit windows generated complex flow mixing, producing a large internal recirculation zone spanning approximately 70% of the central interior space. In addition to airflow distribution, the study evaluated the aerodynamic forces and rotational moments acting on the structure based on five prevailing wind directions. Based on these results, winds from the east and northeast generated the highest aerodynamic loads and rotational stresses, particularly in the lateral and vertical directions. Overall, the findings highlighted the critical role of airflow and wind-induced forces in the deterioration and long-term stability of heritage buildings. The study demonstrated the value of integrating CFD, environmental data, and structural analysis to bridge the gap between conservation science and engineering practice. Future work will explore further the interactions between wall moisture and the multi-layered pigments in mural paintings to inform preservation practices. Full article

In this study, we developed a game related to Palaeoloxodon huaihoensis to enhance public interest in learning about its ecology. The game integrates education and entertainment elements at four interactive levels “See Sea Bones,” “Assembling Organs,” “Bacterias Cleaner,” and “Painting Elephant” to allow players to explore the fossil structure, internal organs, and historical background of Palaeoloxodon huaihoensis. In the design process, we incorporated the design–play–experience framework and the gameplay–purpose–scope (GPS) model to balance entertainment and education. To evaluate the effectiveness of the developed game, a questionnaire survey on a Likert scale was conducted with 180 participants visiting the National Museum of Natural Science, Taiwan. The results indicated that the majority of the players were satisfied with the game’s design and content, particularly in terms of its ability to stimulate creativity. This research demonstrated the potential of games in museum education and provides insights for future optimization. Full article

This study examines the architectural ceramic corpus—comprising azulejos (tiles) and alicatados (tiling mosaics)—preserved in the Alhambra Museum, with the aim of elucidating its historical, artistic, and technical significance. Through a systematic methodology combining visual analysis, documentary research, and typological classification, a representative selection of ceramic artefacts was assessed. This article explores the artistic characteristics and technological principles of pieces produced using painted, relief, metallic lustre, incrustación, alicatado, cuerda seca, and arista techniques and reconstructs the historical trajectory of these decorative practices, tracing their origins in the pre-Islamic world to their adaptation within the Alhambra Palatine City. This diachronic perspective contextualises the innovations observed in the citadel, where production strategies reflect both inherited traditions and local adaptations across different historical phases. The findings highlight the richness and diversity of the Nasrid (mediaeval era) and Christian (modern era) ceramic legacy in the Alhambra and contribute to a more nuanced understanding of manufacturing processes and conservation challenges associated with these architectural elements. This preliminary characterisation establishes a basis for future material analysis and supports broader initiatives in documentation and heritage management. Full article

Hatchett’s Brown, also known as Van Dyck Rose, was a unique pigment used in the 19th century, discovered and described by Charles Hatchett in 1803. This article presents the results of research on the identification of this pigment in the works of Henryk Siemiradzki and a 17th-century painting that was overpainted in the 19th century. Advanced analytical techniques, such as XRF, SEM-EDS, and Raman spectroscopy, were used to analyze pigments from the painter’s palette and the paint layers. This study sheds light on the use of Hatchett’s Brown in painting and its potential impact on the interpretation of historical overpainting. Full article

In the central Mesa Verde region, rock art occurs on canyon walls and on boulders that are frequently associated with other archaeological remains. Moreover, rock art, together with architecture and pottery, is actually a primary source of archaeological information about the presence of various cultures in the area. It includes paintings and petroglyphs of Ancestral Pueblo farming communities, images and inscriptions made by post-contact Ute and possibly Diné (Navajo) people as well as historical inscriptions of the early Euro-Americans in this area. This paper presents the results of archaeological investigations at four large rock art sites from Sandstone Canyon, southwestern Colorado, within the Canyons of the Ancients National Monument (CANM). Methods of rock art recording included advanced digital photography, photogrammetry, terrestrial laser scanning (TLS), hand tracing, and consultations with members of indigenous societies and rock art scholars. Geophysics and sondage excavations were conducted at one site revealed important information about archaeology, environment, and geology of the area. Analysis of rock art and other material evidence aims to help reconstruct and understand the mechanisms and nature of cultural changes, migrations, and human–environmental interactions and later cross-cultural contacts between indigenous peoples and Anglo-American ranchers and settlers in southwestern Colorado and the US Southwest. Full article

In late imperial China, a type of painting known as “panoramic maps” (shengjing tu 聖境圖, literally “sacred realm maps”) depicted Buddhist sacred sites. Often surviving as woodblock prints, examples from Mount Wutai and Mount Putuo are particularly representative. Previous research has often viewed these images as pilgrimage guides or focused on the relationship between pictorial perspectives and actual geography. This study centers on panoramic maps of Mount Wutai and Mount Putuo, examining both vertical and horizontal layouts, to offer a preliminary understanding of this genre. This study argues that: (1) Unlike urban maps, panoramic maps emphasize significant monasteries and landscape features, incorporating local legends and historical narratives, thus possessing strong narrative qualities. (2) These images likely functioned as pilgrimage souvenirs. Diverging from practical roadmaps, their primary goal was not strict realism but rather to convey the site’s sacredness and associated information through landscape painting conventions, allowing viewers to perceive its sacredness. (3) The woodblock print medium facilitated affordable reproduction, accelerating the circulation of the sacred site’s significance among the populace and aiding in its promotion. This research contends that the panoramic maps primarily function as folk landscape paintings reflecting the sacred site, capable only of approximating the relative positions of features. The widespread adoption of late-period woodblock printing enabled the low-cost reproduction and dissemination of the sacredness inherent in these Buddhist landscapes, constructing idealized spatial representations shaped by religious belief and geomantic principles. Full article

The conservation of cultural heritage requires advanced analytical tools to assess historic materials. In the context of the IPERION-CH project, a mobile multi-spectroscopic characterisation system for the analysis of cultural heritage materials, designated SYSPECTRAL, has been developed. This system integrates Laser-Induced Breakdown Spectroscopy (LIBS), Laser-Induced Fluorescence, Raman spectroscopy, and reflectance spectroscopy. The first application of SYSPECTRAL in a real-world setting was carried out at Müstair Monastery (UNESCO World Heritage Site since 1983) for wall paintings. In this study, stratigraphic analysis using LIBS revealed lead- and iron-based pigments in black and red hues, suggesting pigment degradation and restoration interventions. The presence of titanium in white hues indicated possible retouching. Furthermore, the presence of Egyptian blue in blue hues was identified through a combination of elemental and reflectance spectral analysis, underscoring the potential of SYSPECTRAL for heritage conservation. This approach offers comprehensive material characterization with minimal impact, a finding that is of particular significance in the context of heritage conservation. The subsequent phase of research will extend the application of SYSPECTRAL to a wider range of heritage sites, with the objective of enhancing the spectral databases and refining the analytical techniques for the purpose of improving cultural heritage conservation. Full article