Search Results (6)

Research has shown that nostalgia can have psychological benefits, for example, by recreating comforting memories from the past. These memories often unfold in mental space, where one recreates events, people, objects, etc. Therefore, individual differences in nostalgic experience may relate to the ability to process spatial information. The aim of the current study was to investigate the links among spatial ability, imagery, nostalgia, and well-being. In total, 521 participants (Mage 27.7 years; SD = 12.14; 400 women) completed the following measures: Well-Being Inventory (WHO5), Neuroticism scale from BFI-2-S, Generalized Anxiety Disorder Inventory (GAD7), Southampton Nostalgia Proneness test, Nostalgia Content test, and Paper Folding—a spatial visualization test (SV). The SV did not correlate with nostalgia proneness. However, when only spatially related items were selected from the Nostalgia Content Questionnaire, the “Spatial Nostalgia Score” was positively linked with the SV and nostalgia proneness. This measure is also positively linked with well-being after controlling for anxiety (but not neuroticism). The current study provided new insights into the links between nostalgia and well-being by incorporating spatial visualization as an important element of nostalgia. Taken together, the results suggest that individual differences in the SV may be linked to spatial aspects of nostalgic experiences. This study identified directions for further measurement development and future experimental studies. Full article

Aging and elderly health issues have always been the focus of attention, both within and outside the industry. With the introduction of the national “14th Five-Year Plan” for healthy aging, it is urgent to address how to implement this plan. Among them, the restorative environment is an important part of implementing healthy aging. For older adults, “nostalgia” is a common emotional experience, and “nostalgia therapy” is also commonly used for mental health recovery, which has important significance for healthy aging. However, although existing research on “nostalgia” has already involved local attachment and the environment, there are few studies that use space as a carrier in the context of environmental restorative effects. Therefore, from the perspective of healthy aging, combined with structural equation modeling, this study took four parks in Changchun City as examples to explore the role of “nostalgia” in the restorative effect of the park environment. It found that, firstly, both the “nostalgia inclination” influenced by individual conditions and the “landscape perception” influenced by landscape quality had a positive impact on the “nostalgia affection”; secondly, nostalgia affection and place attachment were important mediating factors for environmental restorative effects, and the pathways of “landscape perception → nostalgic affection → environmental restorative effects”, “landscape perception → place attachment → environmental restorative effects”, and “landscape perception → nostalgic affection → place attachment → environmental restorative effects” all existed. Based on the above path exploration, corresponding spatial optimization ideas for effectively improving the health level of older adults have been provided. Full article

Radical/extremist Islamist actors use social media to disseminate uncompromising stories of monist religious political orders and identities. As a reaction, counter-movements to online Islamist radicalism/extremism emerged in Western societies (and beyond), while uncertainty about effective outcomes remains widespread. In a bid to understand how inclusionary and exclusionary discursive spaces are created, we ask: How do some Muslim actors create discursive spaces open to self-reflection, pluralism and liberal-democratic principles, while others construct illiberal, particularistic and non/anti-democratic spaces? To respond to this question, we compare two contrasting storytellers, one who agitates for exclusionary Islamist radicalism/extremism (Generation Islam) and one who offers inclusionary prevention and deradicalization work against that (Jamal al-Khatib). We draw on novel narrative approaches to the Discourse Historical Approach (DHA) in Critical Discourse Studies (CDS), via which we compare text-level and context-level narratives disseminated about three Muslim-related crises: the racist terrorist attacks/genocide to represent the national, European and global level. Our two-layered, DHA-inspired narrative analysis illustrates that, at the level of text, narrative persuasion varies between both contrasting actors. While Jamal al-Khatib disseminates persuasive stories, Generation Islam is much less invested in narrative persuasion; it seems to address an already convinced audience. These two text-level strategies reveal their meaning in two antagonistic narrative genres: Jamal al-Khatib’s “self-reflexive savior” creates an inclusionary discursive space represented in a self-ironic narrative genre, while Generation Islam’s ”crusading savior” manufactures an exclusionary discursive space represented in a romance featuring a nostalgic return to the particularistic Islamic umma. Full article

There is usually an agenda behind the rewriting of history. As an acclaimed Hong Kong director, Wong Kar-wai has made several nostalgic films set in 1960s Hong Kong, namely, Days of Being Wild (1990), In the Mood for Love (2000), and 2046 (2004). Relating to Hong Kongers’ anxiety over the 1997 handover, Wong’s films are part of a wider symptomatic cultural phenomenon in Hong Kong cinema. In his nostalgic films, time is often spatialized. With his constant interest in mobile space, such as hotels and trains, he creates an alternative perspective to question the grand narrative of history. In his reconstruction of the past, there is never any cultural purity or origin to revisit. Rather, the past is presented with itinerant characters, mobile space, and cultural ambivalence, enabling multiple narratives of history. Focusing on the use of space, this paper analyzes how Wong’s films engender a reflective form of nostalgia, and challenge both official history and the linear concept of time. Wong’s nostalgia, I argue, is not only a response to Hong Kong politics, but also a paradigmatic text illustrating nostalgic writing’s resistance to official historical discourses. Full article

The Egyptian government displaced all Nubian villages to build the High Dam. New generations of Egyptian Nubians still identify as displaced and live in a nostalgic virtual space that carries a rendition of a paradise-like old Nubia. I investigate this spatial phenomenon by surveying Nubian literary and oral tradition, which displays signs of belonging to a geography that is no longer material. This paper lays out a conceptualisation of this space of nostalgia perpetuated in a metanarrative of a utopian lost land, that poses it as a disembodied territory while nostalgia is territoriality. From my position as a Nubian woman and a scholar, I use auto-ethnographic tools to methodically decode and layout this territory. The paper offers empirical evidence of the effect of these virtual territories on materialised spatial production and, therefore, argues that Nubians remain space makers by carving their own virtual territory and that Nubia still exists. Full article

With the advent of the Progressive Writers Movement, Urdu Literature was marked with a heightened form of social realism during the Partition of British India in 1947. Joginder Paul, once a part of this movement, breaks away from this realist tradition in his Urdu novella, Khwabrau (Sleepwalkers), published in 1990. Sleepwalkers shifts the dominant realist strain in the form and content of Urdu fiction to open a liminal “third space” that subverts the notion of hegemonic reality. Sleepwalkers is based on a time, many years after the Partition in the city of Karachi, and focuses on the “mohajirs” from Lucknow who construct a mnemonic existential space by constructing a simulacrum of pre-Partition Lucknow (now in India). This paper examines the reconceptualization of spaces through the realm of political nostalgia and the figure of the refugee subject “performing” this nostalgia. This nostalgic reconstruction of space, thus, becomes a “heterotopia” in Foucauldian terms, one that causes a rupture in the unities of time and space and the idea of nation-hood. The refugee subjects’ subversion of the linearity of time opens a different time in the narration of a nation that necessitates that the wholeness of the “imagined” physical space of a nation be questioned. Full article