Search Results (7)

Medieval writers designated Siena as a “new city”. Seemingly confirming this assessment, the Sienese Church possessed no hagiographic tradition of early bishops that would prove that their urban settlement was a true civitas in late antiquity. As part of their effort to verify that their city had not only Roman but also early Christian origins, the Sienese, primarily spearheaded by lay officials, refashioned the image of their martyr-saint, Ansanus (d. 296). By the thirteenth century, the implication that the lay martyr had baptized the citizens was added to his second Latin passion narrative. Yet, only beginning in the fifteenth century do vernacular passions and images of Ansanus baptizing the Sienese appear, revealing that the baptismal event emerged as a defining point in the sacred history of the city and was communicated to citizens both textually and visually. These were produced at the behest of lay institutions, such as the Opera del Duomo and the communal government. By performing the sacrament of baptism, Ansanus fulfilled a crucial function of a proto-bishop, namely the transformation of the pagan Sienese into a true community of the baptized. Though some Sienese humanists sought to identify the earliest bishops, no episcopal cult was ever established. Considering that the default for other major cities in Italy was to identify and venerate their early bishops, Ansanus’s transformation into “the Baptizer” presents a case study of how saints could be adapted in unconventional ways to fix a problematic civic past. Full article

Slavic folk culture is a fusion of Christian and of pre-Christian, pagan beliefs based on magic. This article is devoted specifically to ancient pre-Christian ideas about death and posthumous existence and the associated magical rituals and prohibitions, which persist to our time. It considers the following interactions between the living and the dead: 1. the measures taken and prohibitions observed by the living to ensure their well-being in the other world; 2. the measures taken by the living to ensure the well-being of their dead relatives in the other world (including funeral rites; memorial rites; cemetery visits; providing the dead with food, clothes, and items necessary for postmortem life; and sending messages to the other world); 3. communication between the living and the dead on certain days (including taking opportunities to meet, see, and hear them; treat them; prepare a bed for them; and wash them); 4. fear of the dead and their return and the desire to placate them to prevent them from causing natural disasters (hail, droughts, floods, etc.), crop failures, cattle deaths, diseases, and death; 5. magical ways for protecting oneself from the “walking dead”; 6. transforming the dead into mythological characters—for example, house-, water-, or forest-spirits and mermaids. The material presented in the article is drawn from published and archival sources collected by folklorists and ethnographers of the XIX and XX centuries in different regions of the Slavic world, as well as from field recordings made by the author and his colleagues in Polesie, the borderland of Belarus and Ukraine, in the 1960–1980s, in the Russian North and in the Carpathian region in the 1990s. It shows that the relationship between the living and the dead in folk beliefs does not fit comfortably within the widespread notion of an “ancestor cult”. It argues that the dead are both venerated and feared and that the living feel a dependence on their ancestors and a desire to strictly observe the boundary between the two worlds. Full article

Typically, scholars view/read the enigmatic apostle Paul monolithically—that is, through either a Greco-Roman or Jewish socio-cultural lens. The traditional Lutheran (Greco-Roman/Western) lens was criticized in the mid-/late-twentieth century by scholars highlighting Paul’s Jewishness—resulting in the so-called “New Perspective on Paul” and “Paul within Judaism” movements. This paradigmatic post-Shoah shift of Pauline interpretation begs the questions, “Should we abandon Greco-Roman readings of Paul?” and “Should we continue to read Philippians and Paul through a singular (Jewish) lens?” Building upon the work of Markus Bockmuehl, Abraham Malherbe et al., I argue for an “eclectic and pragmatic” approach. I explain how “monocular” (Greco-Roman or Jewish) and even “binocular” (Greco-Roman and Jewish) approaches flatten Paul’s complex thought world and Sitz im Leben as an in-Christ church-planting missionary. The purpose of this study is to read Philippians and Paul “kaleidoscopically”—considering the distinct Romanitas, juxtaposed and colliding cultures, worldviews, and religions that Paul likely encountered in the cosmopolitan colonia of first-century Philippi. This article transcends the Greco-Roman/Jewish debate surrounding Paul—highlighting the literary and archaeological evidence of competing pagan, Jewish, and Pauline Christ cults in first-century Philippi—and thus encouraging scholars to read Philippians and Paul through a “kaleidoscopic” rather than a monolithic lens. Full article

The depiction of Andean religion in the Comentarios reales de los incas (1609, 1617) has centered on Garcilaso de la Vega’s providential interpretation of Inca pagan governance and the influence of the Christian humanist traditions that he mastered as an adult in Spain. However, scholars have not adequately recognized his attention to the ecclesiastical debates regarding the persistence of Inca cult beliefs and practices in the colonial Andean society of his day. This paper examines a new source for understanding the chronicler’s portrayal of Inca religion, the catechisms and canon decrees of South America’s definitive post-Tridentine assembly, the Third Provincial Council of Lima (1582–1583), which established the Church’s official stance on the fundamental “idolatry” of Inca morality and ritual customs and the need for their extirpation. It will be argued that Garcilaso’s knowledge of natural and canon law provided the basis for his defense of the Incas’ religion and justice system and his criticisms of the anti-Inca tenor of the council’s directives on Andean custom and intercultural dialogue. The chronicler’s response to the council’s pronouncements on the ritual of penance, in particular, offers novel insights about the indigenous reception of the Church’s missionary regime within an orthodox and culturally-integrated vision for Andean Christianity. Full article

In Slavic folk culture, Christianity is a foreign, borrowed cultural model, while the oral tradition is native and familiar. The different areas of folk culture were influenced to varying degrees by the Christian tradition. The most dependent area of Slavic folk culture on Christianity was the calendar. In many cases, it only superficially accepted the Christian content of calendar elements and reinterpreted it in accordance with the traditional mythological notions. The same can be said about the folk cult of saints. The Christian saints replaced pagan gods and over time were included in the system of folk ideas, beliefs and rituals. The mechanism for regulating the balance between man and the world is a system of prohibitions, the violation of which is recognized as sin and is punished by natural disasters, death, disease and human misfortunes. The Slavic folk tradition adapted not only the individual elements, structures and semantic categories of Christianity, but also the whole texts, plots, motifs, and themes developed in various folklore genres. Therefore, the pre-Christian folk tradition of the Slavs was able to assimilate many Christian concepts, symbols, and texts, translate them into its own language and fill them with its own content. Full article

This essay explores Maimonides’ explanation of the Bible’s rationale behind the ritual sacrifices, namely to help wean the Jews away from idolatrous rites. After clearly elucidating Maimonides’ stance on the topic, this essay examines his view from different angles with various possible precedents in earlier rabbinic literature for such an understanding. The essay also shows why various other Jewish commentators objected to Maimonides’ understanding and how Maimonides might respond to those critiques. Additionally, this essay also situates Maimonides’ view on sacrifices within his broader worldview of the Bible’s commandments in general as serving as a counterweight to idolatrous rituals. Full article

Polish Góra ?w. Anny (Saint Anne Mountain), previously German Annaberg, is one of the few places in the world where art was utilized to promote two regimes—fascist and communist. With the use of art, the refuge of pagan gods and then, Christian Saint John’s Mountain with Saint Ann’s church and a calvary site were transformed into a mausoleum of the victims of uprisings and wars—those placed by politics on opposite sides of the barricade. The “sacred” character of the mountain was appropriated in the 1930s by the fascist Thingstätte under the form of an open-air theatre with a mausoleum, erected to commemorate fallen German soldiers in the Third Silesian Uprising. After the Second World War, the same place was “sacralized” by the Monument of the Insurgents’ Deed, which replaced the German object. The aim of both of them was to commemorate those who had perished in the same armed conflicts—uprisings from the years 1919–1921, when the Poles opposed German administration of Upper Silesia. According to the assumptions of both national socialism as well as communism, the commemorative significance of both monuments was subjected to ideological messages. Both monuments were supposed to constitute not only the most important element of the place where patriotic manifestations were intended to be held, but also a kind of counterbalance for the local pilgrims’ center dedicated to the cult of Saint Anne. The aim of the paper is to present the process of transforming a Nazi monument into its communist counterpart, at the same time explaining the significance of both monuments in the context of changing political reality. This paper has not been based on one exclusive research method—historical and field studies have been conducted, together with iconographical and iconological analyses of the monuments viewed from their comparative perspective. The text relies on archive materials—documents, press releases, and projects, including architectural drawings of the monument staffage—discovered by the authors and never published before. They would connect the structure not only to the surrounding landscape but, paradoxically, to the fascist Thingstätte. Full article