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Keywords = sumptuary arts

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21 pages, 4853 KB  
Article
Outside the Palaces: About Material Culture in the Almoravid Era
by Sophie Gilotte and Yasmina Cáceres Gutiérrez
Arts 2025, 14(2), 26; https://doi.org/10.3390/arts14020026 - 3 Mar 2025
Viewed by 1638
Abstract
The material legacy of the Almoravid dynasty is evident in a limited number of public and military works promoted by the authorities, reflecting their policies on territorial expansion and urban planning. Other aspects, such as its integration into the Mediterranean economy, its ideological [...] Read more.
The material legacy of the Almoravid dynasty is evident in a limited number of public and military works promoted by the authorities, reflecting their policies on territorial expansion and urban planning. Other aspects, such as its integration into the Mediterranean economy, its ideological spread, and the vitality of its productive sectors, are well represented through coinage, inscriptions, and sumptuary arts. However, understanding everyday material culture beyond aristocratic circles remains elusive. This paper explores the influence of the Almoravid period on al-Andalus’s material culture, identifying antecedents and impacts on later periods. We analyze artifacts from the Albalat site (Romangordo, Cáceres, Spain), contextualized in the first half of the 12th century, comparing them with contemporary and earlier examples across the Almoravid empire. Emphasis is placed on ceramics, highlighting their diverse nature with inherited traits from the Taifa period, and innovations that persisted into Almohad culture, considering the role of production centers in disseminating these models. The transition from Almoravid to Almohad is also examined through everyday items like a casket adorned with bone inlays, representing a link in Andalusian ivory handicraft evolution. This analysis aims to deepen understanding of Almoravid heritage in the Iberian Peninsula. Full article
(This article belongs to the Special Issue Islamic Art and Architecture in Europe)
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16 pages, 8449 KB  
Article
Reassigning Functionalities: On the Taifa “Perfume Bottle” or Canteen from Albarracin, Teruel
by Noelia Silva Santa-Cruz
Arts 2025, 14(1), 8; https://doi.org/10.3390/arts14010008 - 25 Jan 2025
Viewed by 1272
Abstract
The silver-gilt container discovered in 1964 in the vicinity of Albarracin is currently housed in the Teruel Museum in Spain and represents a pinnacle of Taifa sumptuary arts. It was commissioned by the second monarch of the Kingdom of Albarracin, ‘Abd al-Malik ibn [...] Read more.
The silver-gilt container discovered in 1964 in the vicinity of Albarracin is currently housed in the Teruel Museum in Spain and represents a pinnacle of Taifa sumptuary arts. It was commissioned by the second monarch of the Kingdom of Albarracin, ‘Abd al-Malik ibn Khalaf (r. 1045-?), as a gift to his wife Zahr. The object’s elevated technical sophistication, coupled with its bespoke commemorative inscription, lends credence to the notion that it was crafted in the royal workshops responsible for the production of luxury items. The vessel’s functionality, which has fluctuated between its traditional consideration as a perfume bottle and the more recent identification as a canteen, has been adequately postulated but not sufficiently examined. The aim of this paper is to discuss the primary function of the object in question, particularly in relation to its distinctive flattened spherical shape. To achieve this, the study will delve into the close and well-established historical association between the morphology and function of objects, which tends to endure and perpetuate within the same cultural context over the centuries. By employing this methodology, we can establish a connection between the studied piece and the flasks used for the storage of sacred water (zamzam) that pilgrims brought back from Mecca after performing the Ḥajj. This typology can be traced back to the pre-Islamic period and persisted through the Ottoman matara model. Full article
(This article belongs to the Special Issue Islamic Art and Architecture in Europe)
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