Designing “Forest” into Daily Lives for Sustainability: A Case Study of Taiwanese Wooden Furniture Design
Abstract
:1. Introduction
- We address the design concept and method of producing Taiwanese negative-carbon wooden furniture using the brand Forest in Living to allow more people to understand the advantages, characteristics, and value of Taiwanese wood and wooden furniture.
- We construct a conceptual model of communication and cognition and apply it to analyze the process of the conceptualization, design, and promotion of domestic wood and furniture production in Taiwan.
2. Literature Review
2.1. The Correlation between Taiwan’s Forestry Background and Furniture Design Concepts
2.2. The Concept of Humanistic Design
2.3. The Transmission and Cognitive Model of Design
3. Materials and Methods
3.1. Forest in Living: An Brief Introduction
3.2. Transformation from Wood to Wooden Furniture: A Conceptual Framework
- On the technical level, the craftsperson must accurately convey the message they intend to transmit so that the decoder can see, touch, and even feel it. (Do you see it?)
- On the semantic level, the decoder needs to appropriately understand the message being transmitted. (Do you understand?)
- On the effectiveness level, the message needs to affect the decoder in such a way as to elicit a particular response or behavior. (Are you touched?)
- Designer: Designers think about how to transform wood into beautiful furniture based on their own life experience, creative thinking, and from the perspective of sustainable development. In this process, designers attach great importance to materials and can integrate creative thinking and cultural connotation into the design process. The furniture completed by the designer must not only have good function, but should also take into account aesthetics and culture.
- Consumer: For consumers, the function of a piece of furniture is the first thing to consider, followed by style. Finally, consumers consider whether the furniture piece itself has a connotation and story. In other words, a piece of furniture can be seen by consumers through the promotion carried out by designers or manufacturers, and consumers can read the designer’s intentions and have the opportunity to recognize the value of the product while interacting with the product.
4. Results: Case Analysis and Discussion
5. Conclusions and Follow-up Research
5.1. Conslusions
5.2. Follow-Up Research
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Acknowledgments
Conflicts of Interest
Appendix A
Category | Name | Photo | Information |
---|---|---|---|
Arts | Roots and soul [A desk specially designed for the President] | Size: W1880 × D950 × H740 Material: Chamaecyparis formosensis and Zelkova serrata. | |
The will of the people [Table] | Size: W1930 × D690 × H750 Material: Swietenia macrophylla, Acacia confusa, Cinnamomum camphora, Taiwania cryptomerioides, Chamaecyparis and Pinus taiwanensis | ||
Blessing of superposition [Stools] | Size: W400 × D400 × H450 Material: Chamaecyparis formosensis, Quercus glauca, Taxus sumatrana, Melia azedarach, Ulmus parvifolia, Calocedrus formosana, Litchi chinensis Sonn, Cinnamomum camphora, Michelia compressa, Acacia confusa, Cryptomeria japonica, Machilus zuihoensis, Taiwania cryptomerioides, Elaeocarpus sylvestris Thermally modified Acacia confusa and Swietenia mahagoni | ||
The beauty of nature [Table] | Size: W1930 × D795 × H695 Material: Taiwania cryptomerioides | ||
Exemplary conduct and nobility [Bench] | Size: W1900 × D380 × H430 Material: Taiwania cryptomerioides | ||
Pleasurable and enjoyable [Table and Chairs] | Size: Desk (W1800 × D800 × H750); Chair (W580 × D460 × H820) Material: Swietenia macrophylla | ||
Pleasurable and enjoyable [Chairs] | Size: W580 × D460 × H820 Material: Swietenia macrophylla | ||
Pleasurable and enjoyable [Stool] | Size: W1550 × D380 × H430 Material: Swietenia macrophylla | ||
Combining vigor and suppleness [Dining Table] | Size: W2100 × D900 × H750 Material: Zelkova serrata | ||
Naturally [Chair] | Size: W1880 × D950 × H860 Material: Zelkova serrata | ||
Freely andcomfortably [Desk] | Size: W1750 × D475 × H690 Material: Ulmus parvifolia | ||
Blinking [Teapoy] | Size: W1830 × D1050 × H460 Material: Zelkova serrata | ||
Rest [Table and Chair for Zither] | Size: Desk (W1100 × D420 × H620); Chair (W500 × D280 × H430) Material: Ulmus parvifolia | ||
Good luck great blessing [Chair] | Size: W1900 × D390 × H830 Material: Cinnamomum camphora | ||
Good-luck of opening [Stools] | Size: W2600 × D350 × H440 Material: Cinnamomum camphora | ||
Design | Respect the material [The Mirror] | Size: Large (1560 × D610 × H50), Medium (W1130 × D490 × H50), Small (W890 × D680 × H50) Material: Taiwania cryptomerioides | |
A blessing of superposition [Backrest chair] | Size: W434 × D431 × H681 Material: Swietenia macrophylla | ||
Five types of wood, double the blessing[Stools] | Size: W400 × D400 × H450 Material: Swietenia macrophylla, Acacia confusa, Melia azedarach, Cinnamomum camphora, and Fraxinus griffithii | ||
Wuxing (Chinese philosophy) [Chest of Drawers] | Size: W1200 × D500 × H850 Material: Acacia confusa, Melia azedarach, Swietenia mahagoni, Cinnamomum camphora, and Formosan Ash | ||
Pleasurable and Enjoyable [Tea Table] | W1250 × D480 × H650 Material: Swietenia macrophylla | ||
Dancing [High Table] | Size: W450 × D360 × H750 Material: Swietenia macrophylla | ||
Self-discipline and freedom [cabinet] | Size: W1810 × D460 × H550 Material: Taiwania cryptomerioides | ||
Colorful [Stools] | Size: Large (W315 × D315 × H500), Medium (W265 × D265 × H400), Small (W225 × D225 × H300) Material: Taiwania cryptomerioides | ||
Formosa Flower | The Passing Yea | Size: W610 × D610 × H150 Material: Rosewood, Maple, False cypress, Walnut, Fokienia hodginsii, Purpleheart, Alnus formosana and Metallic paint | |
Abundant Blessings and Happiness | Size: W700 × D485 × H135 Material: Rosewood, Maple, False cypress, Walnut, Fokienia hodginsii, Purpleheart, Alnus formosana and Metallic paint | ||
The Pea | Size: W1530 × D170 × H630 Material: Picea asperata and Alnus formosana |
Appendix B
Category | Name | Photo |
---|---|---|
Conifers | Taiwania cryptomerioides | |
Cryptomeria japonica | ||
Cunninghamia konishii | ||
Calocedrus macrolepis var. formosana | ||
Chamaecyparis formosensis | ||
Chamaecyparis obtusa var. formosana | ||
Taxus sumatrana | ||
Broad-leaved tree | Swietenia macrophylla | |
Acacia confusa | ||
Cinnamomum camphora | ||
Melia azedarach | ||
Machilus zuihoensis | ||
Michelia compressa | ||
Cyclobalanopsis glauca | ||
Ulmus parvifolia | ||
Fraxinus griffithii | ||
Zelkova serrata | ||
Cinnamomum kanehirae |
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Two Theories | Interpretation |
---|---|
Spiral Innovation | Inspired by the Tao Te Ching, in the process of innovation, if designers achieve harmony between yin and yang, new wisdom can be generated and the efficiency of innovation will be improved. In this way, designers can create good products and make corresponding profits. In short, the metaphysical is the Tao, and the physical is the artifact. |
Three “L” of Needs |
|
Three Aspects | Interpretation |
---|---|
Designing | Language of the design: local (30%) + international (70%) |
Manufacturing | Manufacturing mode: handmade (30%) + mechanization (70%) |
Marketing | Proportion of marketing: taste for art (30%) + goods (70%) |
Name | Interpretation | |
---|---|---|
Chamaecyparis formosensis | The tree of a happy life. The most familiar Taiwanese wood for most people. It has a unique fragrance and is most often used to make door and window frames or to make storage cabinet drawers. | |
Swietenia macrophylla | A pleasing tree. Has long been believed to ward off evil spirits, and the color of the wood is close to pink, which has a festive connotation and evokes reassuring and pleasant feelings. | |
Acacia confusa | A tree full of childhood memories. Many people went to acacia woods to catch cicadas as children. Thus, acacia trees evoke memories of the past. | |
Fraxinus griffithii | The unicorn’s favorite tree. Between June and August, it is said that its sap is the favorite food of adult unicorns. A zipper-like strip on the bark is seen as a bite, a unique creation of the unicorn fairy. | |
Melia azedarach | A cursed tree. It is said that the neem tree was cursed by Zhu Yuanzhan (founding emperor of the Ming dynasty in China). When the New Year comes, the whole tree will appear dead and will not grow new shoots until spring comes. | |
Cinnamomum camphora | A tree with a smell from childhood memories. Camphor oil was an important economic industry in early days and was collected by cutting pieces in the tree and extracting it through steam. Because of the poor living environment in the past, people used mothballs and camphor oil to remove insects, often placed in wardrobe drawers; its familiar smell on clothes is a special Taiwanese preference. | |
Taiwania cryptomerioides | The tree that hits the moon. Taiwan cedar has existed on the earth for more than 100 million years, so it has the title of living fossil. It is the only plant of the genus Taiwania. It can grow to 40 to 50 m and higher. Because it is hard to see the canopy from the ground, the Rukai people call it “the tree that hits the moon”. |
Name | Interpretation |
---|---|
Forest | Circle of Life Being generous and kind Step down gracefully and benefit all living being unconditionally Forest giving us a new lease of life. |
In | The beginning of ways, Repeating the way, in every 7 days. Being simple and profound, with skill and ease. Enjoy the life footloosely. |
Our | Circle of Our Life, “TaiChi” Two Forms, Three Powers, Four Divisions The greatest attribute of the amazing world Livelihood, Living, Life. |
Living | Live our own life, Savor our life Woodcraft can represent Taiwan. Show the world a different Taiwan with woodcraft from Taiwan! |
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Sun, Y.; Yen, C.-C.; Chen, T.-L. Designing “Forest” into Daily Lives for Sustainability: A Case Study of Taiwanese Wooden Furniture Design. Sustainability 2023, 15, 7311. https://doi.org/10.3390/su15097311
Sun Y, Yen C-C, Chen T-L. Designing “Forest” into Daily Lives for Sustainability: A Case Study of Taiwanese Wooden Furniture Design. Sustainability. 2023; 15(9):7311. https://doi.org/10.3390/su15097311
Chicago/Turabian StyleSun, Yikang, Ching-Chiuan Yen, and Tien-Li Chen. 2023. "Designing “Forest” into Daily Lives for Sustainability: A Case Study of Taiwanese Wooden Furniture Design" Sustainability 15, no. 9: 7311. https://doi.org/10.3390/su15097311