Science Walden: Exploring the Convergence of Environmental Technologies with Design and Art
Abstract
:1. Introduction
1.1. Why “Science Walden?”
1.2. Sa-Wol-Dang Pavilion
1.3. Objectives of the Study
2. Methods
2.1. Survey Study at UNIST
- Inspirational, symbolic, and Earth-friendly toilets and FSM system.
- A place to know about what kind of science and technology is needed for this project.
- An interactive artwork that stimulates.
2.2. Biogas Production from Feces
2.2.1. Beevi Toilet
2.2.2. Biogas Production
2.2.3. CO2 Capture from Biogas Using Semiclathrates
2.2.4. Purification Using a Membrane Technique
2.3. Rainwater Reduction and Treatment
2.3.1. Green Roof and Sand Filter System: Rainwater Reduction
2.3.2. Integrated Adsorption-Disinfection System for Rainwater Treatment
3. Results
3.1. Beevi Toilet
3.2. Biogas Production
3.3. CO2 Capture from Biogas Using Semiclathrates
3.4. Purification Using a Membrane Technique
3.5. Green Roof and Sand Filter System: Rainwater Reduction
3.6. Integrated Adsorption-Disinfection System for Rainwater Treatment
4. Design and Art
4.1. Media Art: Citizen-Friendly Presentation by Info-Blind Technology
- (1)
- Figure 12. The Info-Blind functions as a shading material. Its LED lights are set horizontally on each wing so that it can express the media art connected to the computer in the research center. People can see the media art outside the building through the center’s wall, which is semi-transparent.
- (2)
- The biogas that the lab produces every day is visualized as a tree on the blinds, thereby enabling people who pass by the center at night to recognize how much output is produced on a given day. This is an attempt at motivating interaction between the public and the lab’s engineers. Without this visualization, the public would be unaware of what is going on in the lab. Ultimately, this media art connects and indirectly communicates with the public as an intermediary by attracting interest.
- (3)
- The logos intended to express the characteristics of each lab involved in the project are presented on the architecture. This is an endeavor at easily communicating to the public what kind of engineering departments have been collaborating in the project and how they are harmonized. People have commented that the entire structure resembles an art museum that offers exhibitions of content to the public.
- (4)
- Figure 13. Community engagement and interpretation as an experimental data collection was used. The authors invited community kindergarten students and explained about what this pavilion is and let them draw anything they learned to see their interpretation. They then admirably drew energy symbols, poo-poo shapes, and toilet images. Their interpretation leads to our results that art is an easy communication tool to understand each other.
4.2. Futuristic Toilet Design: User-Centered Approach for Better Convergence
- (1)
- UV lights were installed on the toilet cover not only for a hygienic look but also for actual sanitation of the seating component. As people occupy the seat, the design provides them a sense of freshness.
- (2)
- The lid automatically opens when it detects a user. The unoccupied seat remains at a horizontal angle, similar to a typical toilet, but when people sit on it, the angle is adjusted to a level that most effectively facilitates comfort and bowel movement through the straightening of the rectum. After use, the seat spring gently nudges the user upward, so people, including the elderly, can easily stand up. The toilet features an ergonomic design that helps people avoid constipation and eventually improve their health conditions.
- (3)
- Form-wise, the waterless toilet does not have a cylindrical shape for water centrifugal force. Instead, it has a catenary shape that resembles a wine glass or a vanity table. The shape accords with the idea of a toilette, a French word that roughly translates to “furniture that one can make oneself up”. The white color scheme gives people the sense of increased cleanliness.
4.3. Futuristic Community Design: Hexagon
5. Conclusions: Convergence of Science and Art
Acknowledgments
Author Contributions
Conflicts of Interest
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Lee, H.-K.; Cho, K.H.; Lee, C.; Cho, J.; Yi, H.; Seo, Y.; Cho, G.-H.; Kwon, Y.-N.; Lee, C.; Paek, K.-M. Science Walden: Exploring the Convergence of Environmental Technologies with Design and Art. Sustainability 2017, 9, 35. https://doi.org/10.3390/su9010035
Lee H-K, Cho KH, Lee C, Cho J, Yi H, Seo Y, Cho G-H, Kwon Y-N, Lee C, Paek K-M. Science Walden: Exploring the Convergence of Environmental Technologies with Design and Art. Sustainability. 2017; 9(1):35. https://doi.org/10.3390/su9010035
Chicago/Turabian StyleLee, Hyun-Kyung, Kyung Hwa Cho, Changsoo Lee, Jaeweon Cho, Huiyuhl Yi, Yongwon Seo, Gi-Hyoug Cho, Young-Nam Kwon, Changha Lee, and Kyong-Mi Paek. 2017. "Science Walden: Exploring the Convergence of Environmental Technologies with Design and Art" Sustainability 9, no. 1: 35. https://doi.org/10.3390/su9010035
APA StyleLee, H. -K., Cho, K. H., Lee, C., Cho, J., Yi, H., Seo, Y., Cho, G. -H., Kwon, Y. -N., Lee, C., & Paek, K. -M. (2017). Science Walden: Exploring the Convergence of Environmental Technologies with Design and Art. Sustainability, 9(1), 35. https://doi.org/10.3390/su9010035