Out of Time, Out of Space, Out of Species: Deictic Displacement of the Exiled Self in Hans Sahl’s “Der Maulwurf” (The Mole)
Abstract
:1. Introduction
2. Shifts in Space, Time, and Physiology
- 1
- Hügel aufwerfend,nicht wissend, was draußen vorgeht,wo das Unbeständige beginnt,das Verdorren und Verdursten,
- 5
- das Verblühen—Aber hier, im Reich der Regenwürmer,in das ich mich zurückziehen mußte,ist alles noch Keim, Hoffnung, Ahnung,Urzustand der Dinge, darauf wartend,
- 10
- Gestalt anzunehmen, sich selbstzu formulieren—Da liegen die Larven und träumen von dem Gesicht,das sie annehmen werden,die Körper von den Gliedern, die sie
- 15
- fortbewegen sollen, die Wurzelnvon den Baumstämmen, die siefesthalten müssen—Hier unten werden die wunderbaren Blumenentworfen, die Säfte für die
- 20
- Äpfel und Birnen und Pflaumen vorgeschmeckt.Hier gibt es nur Anfänge,und wehe mir, wenn ich sie nichterkenne, wehe mir, wenn der Hügel,den ich mir errichtet habe,
- 25
- zusammenstürzt—Wenn ich von den Launen und Einfällen, die mirzur Verfügung stehen, keinen Gebrauchmachen kann,das Schlummernde nicht aufwecken,
- 30
- dem Schweigen nicht einmal das Zirpeneiner Grille entlocken kannoder der Einöde den blauenRausch der Fliederbäume—Wehe, wenn ich das mir selbst auferlegte,
- 35
- unterirdische Tun nicht mehr zu ertragenvermag, wenn ich des Treibens unter Tagemüde werde und die Gesellschaft der Menschen,der ich entlief,zu entbehren beginne,
- 40
- wenn ich aus dem Reich des Werdensin das Gewordene,aus dem noch Ratendenin das Ungeratenedesertiere,
- 45
- entschlossen, nicht mehr zurückzukehren,es nicht noch einmal zu versuchen,mit dem Kopf unter der Erde,Hügel aufwerfend,kratzend, grabend, wühlend,
- 50
- blind in der blendendenHelligkeit desNochnicht. (Sahl 1991b)9
2.1. Spatial Structure
2.2. Temporal Structure
Within the poem, on the level of events, the speaker is cut off from the present in a pre-linguistic state and is thus outside of the symbolic order and also outside of a logocentric order of humankind. This is the case even though the speaker is a textual subject on the level of presentation, as it is voicing the poem and presents itself in language.The symbolic order—the order of verbal communication, the paternal order of genealogy—is a temporal order. For the speaking animal, it is the clock of objective time: it provides the reference point, and, consequently, all possibilities of measurement, by distinguishing between a before, a now, and an after. If I don’t exist except in the speech I address to another, I am only present in the moment of that communication.
2.3. Physiological Structure
3. The Mole Across Texts and Time
One can see the revolutionary potential of the mole metaphor, which stands for radical change that is yet to come and that is in the process of becoming, inside of the existing world, mostly unnoticed. This understanding aligns with the mole in the poem, who has a self-imposed task (Sahl 1991b, l. 44) that might be dangerous (Sahl 1991b, ll. 23–25) and that works towards an event that is to come (Sahl 1991b, l. 52).It goes ever on and on, because spirit is progress alone. Spirit often seems to have forgotten and lost itself, but inwardly opposed to itself, it is inwardly working ever forward as Hamlet says of the ghost of his father, ‘Well done, old mole’—until grown strong in itself it bursts asunder the crust of earth which divided it from its sun, its Notion, so that the earth crumbles away.
Conflicts of Interest
References
- Bies, Werner. 2006. Vom Maulwurf erzählen: Von der Unerbittlichkeit der Natursage zu den Tröstungen der Kinder- und Jugendliteratur. Fabula 47: 44–64. [Google Scholar] [CrossRef]
- Bischoff, Doerte. 2015. ‘Sprachwurzellos‘: Reflections on Exile and Rootedness. In On the Intersection between Philosophy of Language and Political Theory: German-Jewish Thought between 18th and 20th Centuries. Edited by Sabine Sander. Berlin: Hentrich & Hentrich, pp. 195–213. [Google Scholar]
- Borgards, Roland. 2016. Tiere und Literatur. In Tiere: Kulturwissenschaftliches Handbuch. Edited by Roland Borgards. Stuttgart: Metzler, pp. 225–45. [Google Scholar]
- Brackmann, Karl-Heinz, and Renate Birkenhauer. 1988. NS-Deutsch. “Selbstverständliche” Begriffe und Schlagwörter aus der Zeit des Nationalsozialismus. Straelen: Straelener Manuskripte. [Google Scholar]
- Burkhardt, Armin. 2001. Wühler, wühlen, Wühlerei. Anmerkungen zu einer ‘Schreckwort‘-Familie der 48er Revolution. In Die Deutsche Sprache in der Gegenwart: Festschrift für Dieter Cherubim zum 60. Geburtstag. Edited by Stefan J. Schierholz. Frankfurt am Main: Peter Lang, pp. 57–67. [Google Scholar]
- Deußer, Andreas, and Marian Nebelin. 2009. Einleitung: Die Vieldimensionalität der Vierten Dimension. In Was ist Zeit? Philosophische und Geschichtstheoretische Aufsätze. Edited by Marian Nebelin and Andreas Deußer. Berlin: LIT, pp. 7–18. [Google Scholar]
- Einstein, Carl. 1986. Fragment from BEB II. In Avantgarde—Weltkrieg—Exil: Materialien zu Carl Einstein und Salomo Friedlaender/Mynona. Edited by Klaus H. Kiefer. Frankfurt am Main, Bern and New York: Lang, pp. 13–28. [Google Scholar]
- Einstein, Carl. 1996a. Braque der Dichter. In Carl Einstein: Werke. Berliner Ausgabe. Edited by Hermann Haarmann and Klaus Siebenhaar. Berlin: Fannei & Walz, vol. 3, pp. 246–50. [Google Scholar]
- Einstein, Carl. 1996b. Georges Braque. In Werke. Berliner Ausgabe. Edited by Hermann Haarmann and Klaus Siebenhaar. Berlin: Fannei & Walz, vol. 3, pp. 251–516. [Google Scholar]
- Elias, Norbert. 1988. Über die Zeit. Frankfurt am Main: Suhrkamp. [Google Scholar]
- Englmann, Bettina. 2001. Poetik des Exils: Die Modernität der deutschsprachigen Exilliteratur. Tübingen: Niemeyer. [Google Scholar]
- Freud, Sigmund. 1975. Zur Einführung des Narzißmus (1914). In Studienausgabe. Edited by Alexander Mitscherlich, Angela Richards and James Strachey. Frankfurt am Main: Fischer, vol. 3, pp. 37–68. [Google Scholar]
- Hebel, Johann Peter. 1961. Der Maulwurf (1807). In Schatzkästlein des Rheinischen Hausfreundes: Poetische Werke. Munich: Winkler, pp. 64–66. [Google Scholar]
- Hegel, Georg W. F. 1974. Lectures on the History of Philosophy. Translated by Elizabeth S. Haldane, and Frances H. Simson. New York: Humanities Press, vol. 3. [Google Scholar]
- Hess, Tim. 2006. Der Begriff des Exils im Werk von Hans Sahl. Marburg: Tectum. [Google Scholar]
- Hühn, Peter. 2011. Lyrik und Narration. In Handbuch Lyrik. Theorie, Analyse, Geschichte. Edited by Dieter Lamping. Stuttgart: Metzler, pp. 58–62. [Google Scholar]
- Hühn, Peter. 2015. Unreliability in Lyric Poetry. In Unreliable Narration and Trustworthiness. Intermedial and Interdisciplinary Perspectives. Edited by Vera Nünning. Berlin, Munich and Boston: De Gruyter, pp. 173–88. [Google Scholar]
- Hühn, Peter, and Jörg Schönert. 2005. Introduction: The Theory and Methodology of the Narratological Analysis of Poetry. In The Narratological Analysis of Lyric Poetry. Studies in English Poetry from the 16th to the 20th Century. Edited by Peter Hühn and Jens Kiefer. Translated by Alastair Matthews. Berlin: De Gruyter, pp. 1–13. [Google Scholar]
- Hühn, Peter, and Roy Sommer. 2014. Narration in Poetry and Drama. In Handbook of Narratology, 2nd ed. Edited by Peter Hühn, Jan Christoph Meister, John Pier and Wolf Schmid. Berlin and Boston: De Gruyter, pp. 419–34, Fully revised and expanded. [Google Scholar]
- Kellenter, Sigrid. 1982. Hans Sahls “Die Wenigen und die Vielen”. Der Roman des Exils überhaupt? EXIL: Forschung, Ergebnisse, Erkenntnisse 1: 26–38. [Google Scholar]
- Krauss, Heinrich, and Max Küchler. 2003. Erzählungen der Bibel. Das Buch Genesis in Literarischer Perspektive. Die Biblische Urgeschichte (Gen. 1–11). Fribourg and Göttingen: Paulusverlag and Vandenhoeck & Ruprecht, vol. 1. [Google Scholar]
- Krell, David Farrell. 1981. Der Maulwurf: Die philosophische Wühlarbeit bei Kant, Hegel und Nietzsche. Boundary II 9/10: 155–67. [Google Scholar] [CrossRef]
- Kristeva, Julia. 2000. About Chinese Women. In Psychoanalysis and Woman: A Reader. Edited by Shelley Saguaro. Translated by Seán Hand. New York: New York University Press, pp. 254–60. [Google Scholar]
- Martini, Fritz. 1976. Fritz Martini: Nachwort. In Wir Sind die Letzten. Heidelberg: Lambert Schneider, pp. 79–83. [Google Scholar]
- Marx, Karl. 2009. Der achtzehnte Brumaire des Louis Bonaparte. In Marx Engels Werke. Berlin: Karl Dietz, vol. 8, pp. 111–207. [Google Scholar]
- McHale, Brian. 2009. Beginning to Think about Narrative in Poetry. Narrative 17: 11–27. [Google Scholar] [CrossRef]
- Opitz, Alfred, and Ernst-Ulrich Pinkert. 1979. Der alte Maulwurf: Die Verdammten (unter) dieser Erde. Geschichte einer revolutionären Symbolfigur. Berlin: Klaus Guhl. [Google Scholar]
- Reiter, Andrea. 1998. ’Gast in fremden Kulturen’—Die Lyrik Hans Sahls. In Deutschsprachige Exillyrik von 1933 bis zur Nachkriegszeit. Edited by Jörg Thunecke. Amsterdam and Atlanta: Rodopi, pp. 307–23. [Google Scholar]
- Reiter, Andrea. 2004. Die Identität des ‘exterritorialen Menschen’. Hans Sahl zwischen Exil und Diaspora. TRANS. Internet-Zeitschrift für Kulturwissenschaften Nr. 15. Available online: http://www.inst.at/trans/15Nr/05_02/reiter15.htm (accessed on 18 January 2018).
- Reiter, Andrea. 2007. Die Exterritorialität des Denkens. Hans Sahl im Exil. Göttingen: Wallstein. [Google Scholar]
- Ryan, Judith. 2012. The Cambridge Introduction to German Poetry. Cambridge: Cambridge University Press. [Google Scholar]
- Sahl, Hans. 1959. Die Wenigen und die Vielen. Frankfurt am Main: S. Fischer. [Google Scholar]
- Sahl, Hans. 1964. Gast in fremden Kulturen. In Ich Lebe Nicht in der Bundesrepublik. Edited by Hermann Kesten. Munich: List, pp. 144–46. [Google Scholar]
- Sahl, Hans. 1985. Memoiren eines Moralisten. Darmstadt: Luchterhand. [Google Scholar]
- Sahl, Hans. 1987. Das Exil nach dem Exil. EXIL: Forschung, Erkenntnisse, Ergebnisse 2: 14–16. [Google Scholar]
- Sahl, Hans. 1990. Das Exil im Exil (Memoiren eines Moralisten II). Frankfurt am Main: Luchterhand. [Google Scholar]
- Sahl, Hans. 1991a. Hans Sahl in an Interview with Fritz J. Raddatz. Man Lebt Immer‚ als ob‘: Über die Lehren aus Einem Langen Leben in Einem Jahrhundert der Gewalt und die Heimkehr nach Deutschland. ZEIT. March 1. Available online: http://www.zeit.de/1991/10/man-lebt-immer-als-ob (accessed on 18 January 2018).
- Sahl, Hans. 1991b. Der Maulwurf. In Wir sind die Letzten/Der Maulwurf, 2nd ed. Frankfurt am Main: Luchterhand, pp. 74–75. First published 1988 in the column “Noch einmal den Kopf zurücklegen … Neue Gedichte“ Kaffeehausblätter 5: 71–72. [Google Scholar]
- Sahl, Hans. 1991c. Strophen. In Wir Sind die Letzten/Der Maulwurf, 2nd ed. Frankfurt am Main: Luchterhand, p. 169. [Google Scholar]
- Sahl, Hans. 1991d. Die Zeit. In Wir Sind die Letzten/Der Maulwurf, 2nd ed. Frankfurt am Main: Luchterhand, p. 76. [Google Scholar]
- Sahl, Hans. 1991e. Das tägliche Pensum. In Wir Sind die Letzten/Der Maulwurf, 2nd ed. Frankfurt am Main: Luchterhand, p. 82. [Google Scholar]
- Sahl, Hans. 1991f. Der Schnittpunkt. In Wir Sind die Letzten/Der Maulwurf, 2nd ed. Frankfurt am Main: Luchterhand, p. 135. [Google Scholar]
- Sahl, Hans. 1991g. Gedichte schreiben—oder was davon noch übrig blieb. In Wir Sind die Letzten/Der Maulwurf, 2nd ed. Frankfurt am Main: Luchterhand, pp. 69–70. [Google Scholar]
- Sahl, Hans. 1991h. Der Verwundbare. In Wir Sind die Letzten/Der Maulwurf, 2nd ed. Frankfurt am Main: Luchterhand, p. 80. [Google Scholar]
- Sahl, Hans. 1991i. Portrait einer Generation in Überlebensgröße. 50 Jahre ‘Aufbau’. In Wir Sind die Letzten/Der Maulwurf, 2nd ed. Frankfurt am Main: Luchterhand, pp. 152–53. [Google Scholar]
- Sahl, Hans. 2012. Memoiren einer Katze (1957). In Der Mann, der Sich Selbst Besuchte: Die Erzählungen und Glossen. Munich: Luchterhand, pp. 47–56. [Google Scholar]
- Stierle, Karlheinz. 1982. Der Maulwurf im Bildfeld: Versuch zu einer Metapherngeschichte. Archiv für Begriffsgeschichte 26: 101–43. [Google Scholar]
- Streeck-Fischer, Anette. 2014. Trauma und Entwicklung. Adoleszenz—Frühe Traumatisierungen und Ihre Folgen. Stuttgart: Schattauer. [Google Scholar]
- von Beyme, Klaus. 1999. Karl Marx and Party Theory. In Karl Marx’s Social and Political Thought: Critical Assessments of Leading Political Philosophers—Second Series. Edited by Bob Jessop and Russell Wheatley. New York and London: Routledge, vol. 7, pp. 578–91. [Google Scholar]
1 | All German-to-English translations in this article are mine. |
2 | As with many exiled authors, researchers focus much more on Sahl’s biography than his literary output, because the primary goal of scholarship was to track the personal histories and make the writings accessible for a long time. Of those who do consider his writing, most studies concentrate on his novel Die Wenigen und die Vielen (1959; The Few and the Many), written between 1942 and 1945 and on his late autobiographical works Memoiren eines Moralisten (1983; Memoirs of a Moralist) and Das Exil im Exil (1994; Exile in Exile). Only very few scholarly works take Sahl’s poems into account, e.g., Andrea Reiter (Reiter 1998), who also wrote a comprehensive biography (Reiter 2007); especially the late ones are barely recognized, even though they are an essential part of his oeuvre. For more about Sahl’s identity see (Reiter 2004). |
3 | |
4 | For a broader study on exile in Sahl’s work see (Hess 2006). |
5 | E.g., “Denk ich an Deutschland in der Nacht” (Thinking of Germany at Night), “Charterflug in die Vergangenheit” (Charter Flight into the Past), “Befragung des verlorenen Sohnes” (Questioning of the Prodigal Son). |
6 | The speaker is not gendered. I call him “he” to avoid the pronoun “it” for animals in accordance with the grammatical gender of the mole in German, which is masculine. |
7 | As is often the case in poetry, no distinction between the homo-diegetic first-person speaker and the protagonist is possible because of “the contrived congruence of voice and focalization” (Hühn and Sommer 2014, p. 423). |
8 | For poetic forms, especially the role poem, see (Ryan 2012, pp. 204–5). |
9 | The full poem is printed with permission. No English translation of the poem exists; for the context of this article, all pertinent lines of the poem will be translated throughout the close reading. |
10 | For the potential gain that lyric analysis can derive from narratological theory, see (McHale 2009; Hühn 2011). |
11 | For the motif of plants and roots in exile literature see (Bischoff 2015). |
12 | Hühn and Schönert state that in lyric poetry, as well as in narrative texts, there is a “fundamental distinction between the level of events and the level of presentation—between incidents which we take as the primary, basic material and the way in which they are mediated in the text” (Hühn and Schönert 2005, p. 4). |
13 | In Sahl’s poem “Gedichte schreiben—oder was davon noch übrig blieb” (Writing Poems—or What Was Still Left of It), printed a few pages before “Der Maulwurf”, it says “Ich mache mich selbst zum Gedicht./Ich bin eine Begebenheit./Ich finde statt./Ich passiere.” (I make myself into a poem./I am an occurrence./I am taking place./I am happening. (Sahl 1991g, ll. 61–64)). That seems to be an instruction in and taking the word seriously. |
14 | “Der Maulwurf” is not the only literary piece by Sahl that has an animal as narrator. In Memoiren einer Katze (1957; Memoirs of a Cat (Sahl 2012)), the titular cat is the focalizing subject. |
15 | Englmann refers to Carl Einstein (Einstein 1996b, p. 242). |
16 | For detailed analysis see e.g., (Krell 1981, Kant pp. 157–58, Hegel pp. 158–63, Nietzsche pp. 163–65), and (Stierle 1982, Kant p. 110, Hegel pp. 114–18, Marx pp. 118–20, Nietzsche pp. 121–23). |
17 | For a broader analysis of the mole in Marx’s writings and in the political left see (Opitz and Pinkert 1979, pp. 74–99; von Beyme 1999). |
18 | For a broader analysis of the mole in writings by Kant, Hegel and Nietzsche see (Krell 1981). |
© 2018 by the author. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/).
Share and Cite
Swiderski, C. Out of Time, Out of Space, Out of Species: Deictic Displacement of the Exiled Self in Hans Sahl’s “Der Maulwurf” (The Mole). Humanities 2018, 7, 16. https://doi.org/10.3390/h7010016
Swiderski C. Out of Time, Out of Space, Out of Species: Deictic Displacement of the Exiled Self in Hans Sahl’s “Der Maulwurf” (The Mole). Humanities. 2018; 7(1):16. https://doi.org/10.3390/h7010016
Chicago/Turabian StyleSwiderski, Carla. 2018. "Out of Time, Out of Space, Out of Species: Deictic Displacement of the Exiled Self in Hans Sahl’s “Der Maulwurf” (The Mole)" Humanities 7, no. 1: 16. https://doi.org/10.3390/h7010016
APA StyleSwiderski, C. (2018). Out of Time, Out of Space, Out of Species: Deictic Displacement of the Exiled Self in Hans Sahl’s “Der Maulwurf” (The Mole). Humanities, 7(1), 16. https://doi.org/10.3390/h7010016