A Rationale for Teacher Change from a Bodyfulness Paradigm: An Experience in Higher Education
Abstract
:1. Introduction
1.1. Embodied Learning
1.2. Body Movement Approach
2. Materials and Methods
2.1. Participants
2.2. Procedure
- Check-in (10 min): participants entered the space and were asked about their attitude and expectations regarding the session.
- Warm-up (20 min): preparing the body for the work using different proposals based on body anatomy and physiology.
- Theme development (40 min): a deeper exploration of feelings, thoughts, and the movement patterns of the participants.
- Closure (20 min): supportive closure to provide a sense of release and satisfaction.
- Reflective practice (30 min): individual reflection and verbal group-sharing of feelings, ideas and thoughts regarding the previous movement experience.
2.3. Materials
3. Results
3.1. Worldview
3.2. Self
3.3. Epistemology
3.4. Ontology
3.5. Behavior
4. Discussion
5. Conclusions
Supplementary Materials
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Acknowledgments
Conflicts of Interest
References
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Session 1. Generating Confidence in Oneself and the Group | |
Tools | Anatomic concepts. Play dynamics |
Warm-up | Structured exercises to warm up the different muscle-skeletal structures |
Theme | Structured and unstructured play dynamics to interrelate with others |
Session 2. Knowing One’s Own Body | |
Tools | Body-Mind Centering principles [52]. Dance and creative movement [46] |
Warm-up | Structured exercises to differentiate among anatomic structures, the ranges of joint movement, tension zones and breathing patterns |
Theme | Creative movement proposals working with limits (in space, in touch, in number of supports) |
Session 3. Exploring the Kinesphere, Levels and Space | |
Tools | Anatomical concepts. Play dynamics. Dance and creative movement |
Warm-up | Guided breathing exercises and perception of the reactions in one’s own body. Exercises for understanding condensation/expansion in different parts of the body, and levels. Using one’s own kinesphere |
Theme | Exploring the space, moving to a place, and observing one’s own breathing. Initiating free movement from one’s own breathing |
Session 4. Exploring Contact and Physical Support | |
Tools | Body-Mind Centering principles. Creative dance. Improvisation tools. |
Warm-up | Guided exercises on support, vertical axes and self-contact. Exploring in pairs the different qualities of touch in bones and muscles |
Theme | Free movement with and without companion’s support |
Session 5. The Cycle of Perception and Answer | |
Tools | Body-Mind Centering principles. Dance and creative movement. Play dynamics |
Warm-up | Guided exercises focused on different senses |
Theme | Movement improvisation about perception/answering versus reaction |
Session 6. Tonic States and Emotion Expression | |
Tools | Body-Mind principles. Improvisation. Play dynamics |
Warm-up | Guided exercises: breathing, body scan and joint mobilization. Exploring in pairs the differences among skin, muscles and bones. Analyzing different tonic states in muscles |
Theme | Working in pairs with tonic states. Free improvisation with tonic states and relating to emotional content |
Session 7. Information Processing | |
Tools | Dance and creative movement |
Warm-up | Free warm-up using different exercises learned during previous sessions. Sign-in movement in a circle: each participant makes a movement that represents him/her, and the rest repeat it |
Theme | Role-play in pairs of a communicative situation |
Session 8. Motion Factors (Efforts) | |
Tools | Laban Movement Analysis [54]. Dance and creative movement |
Warm-up | Guided exercises for stretching and activating the different anatomical structures. Explanation and exploration of Laban effort taxonomy |
Theme | Creating a free sequence and exploring it in the space with different motion factors |
Session 9. Actions (Incomplete Efforts) | |
Tools | Laban Movement Analysis [54]. Dance and creative movement |
Warm-up | Guided exercises with efforts. Exploring the actions in pairs, combinations of the different efforts, play-in, using one’s voice with these actions |
Theme | Creating a free choreography with motion factors and actions chosen. Observe and analyze in pairs the motion factors and actions used |
Session 10. Connecting with the Unconscious | |
Tools | Kinesthetic empathy. Authentic movement [49] |
Warm-up | Working in pairs: one leads the movement, the other one observes and follows it. Doing this when walking. Opening the space, following the movement of whomever you want. Mirroring exercises |
Theme | Introducing the concept of authentic movement and working in pairs |
Session 11. Relating with Others | |
Tools | Body-Mind Centering principles. Improvisation |
Warm-up | Working in pairs: free warm-up. Observing the posture of the companion, offering what is needed. Movement in a swarm, changing leader |
Theme | Working in threes with one’s weight and support. Leaving the weight to the floor, having confidence in peers who help in the fall. Observing own behavior patterns, offering and asking for support |
Session 12. Integration (Modulation of Behaviors) | |
Tools | Kinesthetic empathy [46] |
Warm-up | Free individual warm-up. Working in pairs through mirroring. Amplifying and modulating the proposals given to the partner |
Theme | Free exploration in a space of emotional connection with the partner through the tonic states, efforts and actions and rhythm. Opening up to other companions, integrating new information, moving between |
Data Source | Code |
---|---|
Diaries of participants | DS + session number–reference number |
Audio-registers | TAS + session number–r + reference number |
Final interviews | ET + participant’s number–p + paragraph number |
Hoggan’s Themes | Learning Outcomes |
---|---|
Worldview | Assumptions, beliefs, expectations More comprehensive or complex worldview |
Self | Self-knowledge Self-in-relation |
Epistemology | Utilizing extra-rational ways of knowing |
Ontology | Affective experience of life Ways of being Attributes |
Behavior | Professional practices Skills |
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Rodríguez-Jiménez, R.-M.; Carmona, M. A Rationale for Teacher Change from a Bodyfulness Paradigm: An Experience in Higher Education. Educ. Sci. 2021, 11, 460. https://doi.org/10.3390/educsci11090460
Rodríguez-Jiménez R-M, Carmona M. A Rationale for Teacher Change from a Bodyfulness Paradigm: An Experience in Higher Education. Education Sciences. 2021; 11(9):460. https://doi.org/10.3390/educsci11090460
Chicago/Turabian StyleRodríguez-Jiménez, Rosa-María, and Manuel Carmona. 2021. "A Rationale for Teacher Change from a Bodyfulness Paradigm: An Experience in Higher Education" Education Sciences 11, no. 9: 460. https://doi.org/10.3390/educsci11090460
APA StyleRodríguez-Jiménez, R. -M., & Carmona, M. (2021). A Rationale for Teacher Change from a Bodyfulness Paradigm: An Experience in Higher Education. Education Sciences, 11(9), 460. https://doi.org/10.3390/educsci11090460