Conceptualising Creativity and Innovation in the Role of Primary Sector Headteachers
Abstract
:1. Introduction
2. Materials and Methods
2.1. Systematic Literature Review
- concerning Cr&Inn of headteachers within the primary sector?
- to define Cr&Inn regarding primary sector headteachers?
- to determine the key characteristics of Cr&Inn regarding primary sector headteachers?
- (1)
- Peer-reviewed journal articles published between 1 January 2010 and 31 December 2019 (inclusive) so that we capture an entire decade and reflect contemporary thinking and practice;
- (2)
- Related to Cr&Inn;
- (3)
- Includes primary sector headship.
- Original, empirical studies;
- Relevance to the discipline/sector;
- Relevance to the search theme of creativity and its associated characteristics recognised from the wider literature, e.g., risk and collaboration.
- Methodological quality;
- The justification for decisions taken, evidence of reliability and/or validity measures;
- Research questions stated alongside relevant methodology.
2.2. Semi-Structured Interviews
- Could you please tell me how you would define creativity in school leadership?
- Do you think that certain skills/behaviours/attributes are required to be considered as creative?
2.3. Data Analysis
3. Results and Discussion
3.1. Defining Creativity and Innovation in Primary Sector Headship
- Action-oriented, e.g., problem-solving;
- Emotion-oriented, e.g., freedom of expression;
- Skills-oriented, e.g., the producing something unique;
- Thinking-oriented, e.g., alternative thinking.
I suppose I come to it in terms of your thinking, your own personal skills; creative thinking around what you feel fits into your school environment, what you think will fit into your school community, and what you think will ultimately fit to meet the needs of your young people. (Jim)
I suppose in the definition of creativity, I would be looking for ways to just being open to new ideas and looking for new things that we can adapt and change to suit our context. (Gayle)
…an imaginative and thought-through response to opportunities and to challenging issues that inhibit learning at all levels. It is about seeing, thinking, and doing things differently in order to improve the life chances of all students. Creative leaders also provide the conditions, environment, and opportunities for others to be creative.
I think it’s about leading other people so that they can be creative if they come up with an idea. Also, if it’s one that opposes the one that you were thinking, you think, well would their idea work better? And going with it and seeing what works. (Kirsty)
I think that you’re looking at as many different ways to get people on board with you. So, for instance, I have one of my staff who was previously an art teacher, so she’s very interested in expressive arts. She’s done a creativity summer school, and this is something that she really wants to take forward, and I feel that she’s got better knowledge than anybody, so she’s actually going to put on an input for the school. So, for me, as a leader of the school, it’s me allowing her that opportunity and encouraging her to take that forward. (Kate)
I wouldn’t necessarily be creative in the sense of beautiful displays and artistic things… but I would be quite good at spotting people who could do things well and then allowing them the freedom to do that. (Mark)
I always think that when I hear the word creative, I’m not terribly creative and I’m not artistic or musical, and I always think about it being in expressive arts, but it’s not. (Kirsty)
3.2. Emerging Characteristics
3.2.1. Networking and Collaboration
You have to put trust in your own ideas of what you’re going to put forward and really know the aim of what you’re trying to achieve and being true to that. (Kate)
3.2.2. Problem Solving
I suppose it’s been able to think outside the box a little bit to ensure that whenever we’re planning as school leaders... we wouldn’t necessarily stick to templates which have been used and tried and either thought to be successful or unsuccessful before regardless. (Don)
I suppose going back to that question at the beginning about what I thought creativity is, it’s a bit of problem-solving; we’re going to try something, and if it doesn’t work, we’re going to change it, we’re going to look at it, we’re going to move forward, and we’re going to learn from it. (Gayle)
3.2.3. Risk-Taking, Experimenting, and Failure
It’s a risk to try and do something new or try and do something else unless you can be absolutely certain that it’s not going to affect attainment... I think the biggest barrier to creativity is, what if it’s a mistake? What if it doesn’t work? What if this has a detrimental effect? But in fact, we should be thinking, but what if this has a positive effect? (Gayle)
I think from a leadership point of view, I think you’ve got to be prepared to let your people do things differently, and you’ve got to have the confidence to allow people to do that, and you’ve got to have the willingness to allow the potential for failure and success. So, I think from a leadership perspective; it definitely means that you have got to take a risk and have the confidence to accept it if it goes well or if it doesn’t go well. (Mark)
3.2.4. Openness
I think that it’s that open-minded and flexibility that is quite key and central for creativity in school leadership’ (George)
Being open-minded, adaptable, and willing to try are good things… In my particular area, we tend to jump on the bandwagon though, somebody says it’s good in one school, so we’ll all try it... I think that you need to be willing to be adaptable because we can’t take something that works in one school and completely replicate it in another because the staff and the pupils and the context are different. (Gayle)
Being open to new ideas and being able to think ‘well actually we thought we were going to go on this track and through our development, it’s actually going off on a different tangent because that’s what people have either wanted it or it’s what best fits the school’. So, having that kind of flexible approach but being well planned with it. (Eve)
3.2.5. Disrupting the Status Quo
4. Conclusions
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Acknowledgments
Conflicts of Interest
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Education Phase | Author/s and Date of Publication | Location |
---|---|---|
Primary | Moolenaar et al. (2010) | Netherlands |
Pegg (2010) | UK | |
Anderson and White (2011) | Australia | |
Hameiri, Nir, and Inbar (2014) | Israel | |
Moolenaar and Sleegers (2015) | Netherlands | |
Heiβenburger (2016) | Austria | |
Samriangjit, Tesaputa, and Somprach (2016) | Thailand | |
Wang, Chen, and Neo (2019) | Singapore | |
Primary Plus | Anderson-Butcher et al. (2010) | USA |
Thomson and Sanders (2010) | UK | |
Thomson et al. (2013) | UK | |
Beabout (2014) | USA | |
Sider and Jean-Marie (2014) | Haiti | |
Daly et al. (2015) | USA | |
Mifsud (2015) | Malta | |
Keamy (2016) | Australia | |
Kershner and McQuillan (2016) | USA | |
Toytok (2016) | Turkey | |
Vennebo (2017) | Norway | |
Leithwood (2019) | Canada | |
Lemos and Liberali (2019) | Brazil | |
Mayayo et al. (2019) | Spain | |
Wang (2019) | China |
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Beresford-Dey, M.; Ingram, R.; Lakin, L. Conceptualising Creativity and Innovation in the Role of Primary Sector Headteachers. Educ. Sci. 2022, 12, 70. https://doi.org/10.3390/educsci12020070
Beresford-Dey M, Ingram R, Lakin L. Conceptualising Creativity and Innovation in the Role of Primary Sector Headteachers. Education Sciences. 2022; 12(2):70. https://doi.org/10.3390/educsci12020070
Chicago/Turabian StyleBeresford-Dey, Marie, Richard Ingram, and Liz Lakin. 2022. "Conceptualising Creativity and Innovation in the Role of Primary Sector Headteachers" Education Sciences 12, no. 2: 70. https://doi.org/10.3390/educsci12020070
APA StyleBeresford-Dey, M., Ingram, R., & Lakin, L. (2022). Conceptualising Creativity and Innovation in the Role of Primary Sector Headteachers. Education Sciences, 12(2), 70. https://doi.org/10.3390/educsci12020070