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Proceeding Paper

Chinese Traditional Musical Instrument Evaluation Based on a Smart Microphone Array Sensor †

Shanxi Key Laboratory of Signal Capturing and Processing, North University of China, Taiyuan 030051, China
*
Author to whom correspondence should be addressed.
Presented at the 7th International Symposium on Sensor Science, Napoli, Italy, 9–11 May 2019.
Proceedings 2019, 15(1), 40; https://doi.org/10.3390/proceedings2019015040
Published: 15 August 2019
(This article belongs to the Proceedings of 7th International Symposium on Sensor Science)

Abstract

:
For Chinese traditional musical instruments, the general subjective evaluation method by experts is not cost-effective and is limited by fewer and fewer experts, but a clear physical law is very hard to established by physicists. Considering the effectiveness of artificial neural networks (ANNs) for complex system, for a Chinese lute case, a neural network based 8-microphone array is applied to correlate the objective instrument acoustic features with expert subjective evaluations in this paper. The acoustic features were recorded by a microphone array sensor and extracted as the constant-Q transform coefficients, Mel-frequency cepstral coefficients and correlation coefficients between each microphone for ANNs input. The acoustic library establishment, acoustic features extractions, and deep learning model for Chinese lutes evaluation are reported in this paper.

1. Introduction

Chinese traditional music, a living traditional culture, is one of significant parts of worldwide music, which represents the accumulation of national history and ideology. However, with the rapid influx and influence of the mass culture, many traditional techniques related to traditional music are depressed and gradually disappearing, especially on the inheritance and development of traditional musical instruments. Specifically, general method for evaluating musical instruments is the subjective evaluation of expert musicians, where musicians quantify the scores of musical instruments based on national standards, such as the aspects of definition, brightness, smoothness, harmony, etc., and finally get a comprehensive evaluation [1,2]. This method usually requires a synchronous evaluation of several experts to eliminate the personal preferences, which is not cost-effective and easy-achieved due to the presence of fewer and fewer experts. Physicists wish to explore relatively simple laws for correlating with the objective acoustic quality of a musical instrument and the subjective judgments made by experts.
Existing studies of musical instruments evaluation are mainly concentrated on physical characteristics of musical instruments (e.g., materials, component size, etc.) [3,4], and subjective evaluation methods [5]. The literature on correlation with the scientific measurements of acoustic sound of musical instruments and subjective evaluation of experts is quite fewer, since the objective instrument evaluation is a significant challenge [6]. Fritz [7] compared the musical instrument evaluation effectiveness of sound source characteristics and instrument acoustic quality in his review article, and highlighted the later method was closer to instrument evaluation of experts. Although a clear relationship of the subtle and complex quality judgment of experts and the objective instrument acoustic quality is surprisingly hard to establish [5], the artificial neural networks (ANNs) might offer an effective solution for this complex problem since they can mimic the behaviors of human brain.
In this paper, for Chinese lute case, a neural network based 8-microphone array is applied to build the bridge between objective instrument acoustic features and the expert subjective evaluation. The acoustic features were recorded by a microphone array sensor and extracted as the constant-Q transform coefficients (CQTs), Mel-frequency cepstral coefficients (MFCCs) and correlation coefficients between each microphone (CCs) for the ANN input.

2. Materials and Methods

2.1. Microphone Array Sensor

As the acoustic field is a radiation field and reverberated with reflection and refraction, the acoustic signals at different positions vary in the front area of played musical instrument. The microphone array needs to be applied to collect more information of acoustic field since single microphone sensor only collects one-point acoustic signal. Based on spatial sampling theorem, the distance between each two microphones should be shorter than d = λ/2 to avoid spatial aliasing. Here λ is the acoustic wavelength. A non-uniform linear microphone array, as shown in Figure 1, has been proved its good performance for acoustic signal acquisition [8]. The array, being made of 8-AUDIOA4 microphones, is employed for data acquisition in this paper.

2.2. Acoustic Library Establishment and Acoustic Features Extraction

2.2.1. Acoustic Library Establishment

According to the China national musical instruments acoustics standard [1], 144 Chinese lutes almost covering all ranks, and a classic song The Crazy Snake Dancing almost covering all tested music notes are selected for acoustic library establishment. And 6 professional musicians accept to play the Chinese lutes, and 5 lute experts accept to evaluate the quality of Chinese lutes. The quality of Chinese lute is ranked as excellent (E), very good (VG), good (G), fair (F) and poor (P) with respect to the score 8~10, 6~8, 4~6, 2~4 and 0~2. The acoustic signals of playing Chinese lutes are collected by 8-microphone array in a concert hall at North University of China, and the subjective evaluations from 5 lute experts are scored based on national acoustic quality evaluation standard of musical instrument [1]. The established acoustic library is shown in Table 1.

2.2.2. Acoustic Features Extraction

From musician’s perspective [2], the elements of music note are pitch, length, loudness, and timbre, which correspond to the intonation, attenuation, intensity, and dynamic range in acoustic, and correspond to baseband frequency, time domain characteristics, amplitude, and frequency domain characteristics in physical quantities. In order to obtain as much acoustic field information of Chinese lutes as possible, the constant-Q transform coefficients (CQTs), Mel-frequency cepstral coefficients (MFCCs) and correlation coefficients between each microphone (CCs) are ultilised to represent the acoustic features. The CQTs [9] are time-frequency representation of a music signal, which contains 88 elements related to the 88 equal-space frequency bins in this paper. The MFCCs [10] are short-term spectral-based features imitating the human ear system, which contains 12 elements in this paper. The CCs [8] are spatial representation of musical instrument acoustic field, which contains 8 elements in this paper. The different acoustic features of 5 ranks’ Chinese lutes are shown in Figure 2.

2.3. Deep Learning

The 108 values of acoustic features, including CQTs, MFCCs and CCs, are used as classification features in our lute case. As illustrated in Table 1 and Figure 2, the acoustic features of different ranks lute have significant changes. We ultilise a BP neural network implementation provided by MATLAB Deep Learning Toolbox [11] for classification. Our 144 sets instances are randomly divided into three parts: 110 sets instances for network training, 24 sets instances for trained network testing, and 10 sets instances for network validating.

3. Results and Discussion

We evaluated all testing and validating combinations and averaged the results. For the lute set of 5 ranks, the trained BP neural network achieve a mean accuracy of 92.84%. The classification accuracies and errors of each lute rank are shown in Figure 3. The trained BP neural network has a high identification accuracy for rank VG, G and F, while has a poor identification accuracy for rank E and P.

Author Contributions

Conceptualization, K.L. and Y.H.; methodology and implementation, Y.C. and H.J.; experiment and data processing, Y.C. and H.J.; draft writing, K.L.; draft review, Y.H. All authors have read and agreed to the published version of the manuscript.

Funding

This research received no external funding.

Acknowledgments

The authors would like to thanks the school of Art at North University of China for their selfless help in acoustic library establishment work.

Conflicts of Interest

The authors declare no conflict of interest or state.

References

  1. Method of Evaluation for Acoustic Quality of Musical Instrument. Available online: https://wenku.baidu.com/view/9272a867b42acfc789eb172ded630b1c58ee9b4d.html (accessed on 10 November 2018).
  2. Li, Z. Acoustic Quality Evaluation Method of Musical Instruments. Entertain. Technol. 2013, S1, 16–19. [Google Scholar]
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  4. Yu, Z.; Deng, X.; Yao, W.; Zhou, L. Study on Chinese traditional musical instrument from the perspective of mechanics. Acoust. Found. 2017, 41, 74–79. [Google Scholar]
  5. Schmid, G.M. Evaluation of Musical Instruments from the Musician’s Perspective. Master Thesis, University of Basel, Basel, Switzerland, 2015. [Google Scholar]
  6. Fritz, C.; Dubois, D. On perceptual evaluation of musical instruments: The case of violin put into perspective. Acta Acust. United Acust. 2014, 100, 1–14. [Google Scholar]
  7. Campbell, M. Objective evaluation of musical instrument quality: A grand challenge in musical acoustics. Proc. Mtgs. Acoust. 2013, 19, 1–15. [Google Scholar]
  8. Wang, D. Study on Method for Speech Enhancement Based on Microphone Array. Ph.D. Thesis, Dalian University of Technology, Dalian, China, 2007. [Google Scholar]
  9. Klapuri, A. Constant-Q transform toolbox for music processing. In Proceedings of the Sound and Music Computing Conference, Barcelona, Spain, 24 July 2010. [Google Scholar]
  10. Sturm, B.L.; Morvidone, M.; Daudet, L. Musical instrument identification using multiscale Mel-frequency cepstral coefficients. In Proceedings of the 18th European Signal Processing Conference, Aalborg, Denmark, 23–27 August 2010. [Google Scholar]
  11. Deep Learning Toolbox: Create, Analyze, and Train Deep Learning Networks. Available online: https://ww2.mathworks.cn/en/products/deep-learning.html (accessed on 10 November 2018).
Figure 1. Non-uniform linear microphone array configuration.
Figure 1. Non-uniform linear microphone array configuration.
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Figure 2. The acoustic features of 5 Chinese lutes. (a) Mean CQTs. (b) MFCCs. (c) CCs.
Figure 2. The acoustic features of 5 Chinese lutes. (a) Mean CQTs. (b) MFCCs. (c) CCs.
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Figure 3. Confusion matrix of the lute classification of 5 ranks.
Figure 3. Confusion matrix of the lute classification of 5 ranks.
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Table 1. Acoustic library of Chinese lute.
Table 1. Acoustic library of Chinese lute.
No.Acoustic Signal File 1Score 1Score 2Score 3Score 4Score 5Rank
1ASF_1.dat1.61.31.71.91.5P
2ASF_2.dat8.58.48.78.59.0E
3ASF_3.dat7.37.07.66.97.2VG
143ASF_143.dat2.52.82.82.63.0F
144ASF_144.dat4.95.25.45.65.4G
1 The file contains acoustic signals of 8-channnel microphones.
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MDPI and ACS Style

Li, K.; Chen, Y.; Jiang, H.; Han, Y. Chinese Traditional Musical Instrument Evaluation Based on a Smart Microphone Array Sensor. Proceedings 2019, 15, 40. https://doi.org/10.3390/proceedings2019015040

AMA Style

Li K, Chen Y, Jiang H, Han Y. Chinese Traditional Musical Instrument Evaluation Based on a Smart Microphone Array Sensor. Proceedings. 2019; 15(1):40. https://doi.org/10.3390/proceedings2019015040

Chicago/Turabian Style

Li, Kun, Yanwen Chen, Hao Jiang, and Yan Han. 2019. "Chinese Traditional Musical Instrument Evaluation Based on a Smart Microphone Array Sensor" Proceedings 15, no. 1: 40. https://doi.org/10.3390/proceedings2019015040

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