Acoustics

Virtual acoustics enables the creation and simulation of realistic and ecologically valid indoor environments vital for hearing research and audiology. For real-time applications, room acoustics simulation requires simplifications. However, the acoustic level of detail (ALOD) necessary to capture all perceptually relevant effects remains unclear. This study examines the impact of varying ALOD in simulations of three real environments: a living room with a coupled kitchen, a pub, and an underground station. ALOD was varied by generating different numbers of image sources for early reflections, or by excluding geometrical room details specific for each environment. Simulations were perceptually evaluated using headphones in comparison to measured, real binaural room impulse responses, or by using loudspeakers. The perceived overall difference, spatial audio quality differences, plausibility, speech intelligibility, and externalization were assessed. A transient pulse, an electric bass, and a speech token were used as stimuli. The results demonstrate that considerable reductions in acoustic level of detail are perceptually acceptable for communication-oriented scenarios. Speech intelligibility was robust across ALOD levels, whereas broadband transient stimuli revealed increased sensitivity to simplifications. High-ALOD simulations yielded plausibility and externalization ratings comparable to real-room recordings under both headphone and loudspeaker reproduction.

Trentino, a sparsely populated and almost entirely mountainous region in northeastern Italy, has so far received little attention in linguistic studies on soundscapes, which provide an important cultural ecosystem service. This study analyzes the responses of 68 participants—31 from mountain areas and 37 from urban areas—to an open-ended questionnaire adapted from Guastavino, using a mixed-methods approach to investigate: (1) differences in current and ideal soundscape perception between residents of urban and mountain areas in Trentino; (2) how these findings compare with Guastavino’s study conducted in a purely urban context; (3) the role of Trentino’s multilingual context in shaping the description and understanding of the soundscape. Findings reveal that, in addition to a latent substratum of the dialectal component, differences emerge mainly in the description of ideal soundscapes. Urban participants evaluate human sounds more negatively and use metonymic expressions for mechanical noises. Mountain participants align their ideal soundscape more closely with their lived experience, often identifying the sound source rather than the sound itself. Tranquility and silence are central values across both groups for the ideal soundscape and for the current one, cognitively linked to natural environments, which therefore remains a cultural legacy to be preserved.

Sound reproduction is the electro-mechanical re-creation of sound waves using analogue and digital audio equipment. Although sound reproduction implies that repeated acoustical events are close to identical, numerous fixed and variable conditions affect the acoustic result. To arrive at a better understanding of the magnitude of deviations in sound reproduction, amplitude deviation and phase distortion of a sound signal were measured at various reproduction stages and compared under a set of controlled acoustical conditions, one condition being the presence of a human subject in the acoustic test environment. Deviations in electroacoustic reproduction were smaller than ±0.2 dB amplitude and ±3 degrees phase shift when comparing trials recorded on the same day (Δt < 8 h, mean uncertainty $u$ = 1.58%). Deviations increased significantly with greater than two times the amplitude and three times the phase shift when comparing trials recorded on different days (Δt > 16 h, $u$ = 4.63%). Deviations further increased significantly with greater than 15 times the amplitude and the phase shift when a human subject was present in the acoustic environment ($u$ = 24.64%). For the first time, this study shows that the human body does not merely absorb but can also cause amplification of sound energy. The degree of attenuation or amplification per frequency shows complex variance depending on the type of reproduction and the subject, indicating a nonlinear dynamic interaction. The findings of this study may serve as a reference to update acoustical standards and improve accuracy and reliability of sound reproduction and its application in measurements, diagnostics and therapeutic methods.