Search Results (43)

This study examines two proximate yet theologically and spatially disparate religious spaces in Seoul: the Jeoldusan Martyrs’ Shrine (Korean: 절두산 순교 성지; hereafter “Jeoldusan Martyrs’ Shrine”) and the Yanghwajin Protestant Cemetery (Korean: 양화진 묘원; hereafter “Yanghwajin Cemetery”). We propose the concept of isomorphic heterotopias and discuss the logic of intersecting memories. Drawing on Foucault’s concept of heterotopia and cultural memory theory, the study finds that the Jeoldusan Martyrs’ Shrine, through architectural enclosure, the exhibition of relics, and pilgrimage rituals, foregrounds the vertical redemption of martyrs’ flesh and faith, reinforcing ecclesiastical discourse and collective salvation narratives. In contrast, at Yanghwajin Cemetery, through dispersed tombstone layouts, egalitarian epitaph inscriptions, and public commemorative activities, the study finds that the site presents the dialectic of the martyr spirit within a secular spiritual space and individual testimonies. Despite their spatial heterogeneity, their geographic proximity generates a dialogical memory field: the vertical sacrality of the shrine is refracted through the cemetery’s horizontality, while the cemetery’s public spirit resonates with the shrine’s liturgical framework. This dialogical memory field, shaped by shared physical environments and common public narrative platforms—generates a long-term coexistence without convergence, producing a spatial relationship of “non-integrative entanglement” born of antagonism. At the same time, these sites are not isolated spatial fragments; rather, through urban governance, they are woven into the same memory politics network, forming an “isomorphic heterotopia.” Through politically inflected discursive narratives, both sites facilitate multidirectional flows of memory, preserving their respective “canons” while re-contextualizing each other within the same urban memory network. In doing so, they engage in an ongoing process of mutual rereading and co-construction, producing a re-contextualization of spatial memory and shaping a “composite historical sensibility” that, in turn, contributes to the city’s character. Full article

Martyrdom in the sixteenth-century French and Swiss Reformations has long been an exciting area of research for scholars. However, the subject has almost exclusively been studied through large collections called the “martyrologies” or through Jean Calvin’s writings, at the expense of other sources. The article first examines these historiographical trends and then addresses some critical issues of a martyrology—or a Calvin-centered approach. It provides some methodological tools to overcome such issues and advocates for considering alternative source bases that have been neglected thus far. The introduction to an ongoing survey around the figure of the poet and reformer Théodore de Bèze illustrates the range of possibilities. Decentering Reformed martyrdom would allow scholarship to better acknowledge its complexity and its corrigibility. Full article

This essay is about the uses of martyrdom works in Spain and among Elizabethan English Catholics with special reference to their beatification cause by the Dicastery for the Causes of Saints. There are two related points in this essay. First, Spanish martyrdom was more about fighting the Turks than fighting the Protestant English; secondly, hagiographic texts were more about submitting evidence to Rome for classification as a martyr than overthrowing the English government. We need to consider these two issues together if we are to better understand that the story of Spanish Catholic martyrs is really not about a larger narrative of Catholics v. Protestants, especially English Protestants. I argue, first, that late sixteenth-century European works about martyrdom reflected competing definitions of the experience. This diversity cannot be summarised in Protestant vs. Catholic definitions of martyrdom, as has been argued so far. I will show that, within Catholicism, there were two main definitions of martyrdom: first, that which focused on Christian martyrs in relation to other faiths, especially Islam; and, secondly, that which focused on Catholic martyrs in relation to Protestant heretics. I will use Spanish evidence about the former and English and Italian evidence about the latter. Further, I will demonstrate that, within Counterreformation Catholicism, Canon law definitions and beatification procedures impacted the production and uses of martyrdom works both in Spain as well as among English Catholics who were implicated in the Impresa d’Inghilterra during Philip II’s reign. Secondly, I argue that the historiographical debate about whether Elizabethan English Catholics who were tried for treason died for their faith or, indeed, for treason, has been missing the point. I will show, first, that it is reasonable to state they died as martyrs according to Canon law and for treason according to common law; secondly, that most Catholic works about their martyrdom have been wrongly regarded as either hagiographical or aimed at keeping the old faith alive among exiles. New research about the Elizabethan Catholic martyrs conducted in previously ignored Roman archives reveals the importance of martyrdom literature for legal reasons. This essay begins to fill the gap about some of the legal uses of martyrdom literature which the Dicastery for the Causes of Saints needs in order to instruct and rule on beatification causes. Full article

This article explores the historical and contemporary evolution of turbat al-ḥusayn, the sacred soil of Karbala, as a central element in shaping Shīʿī identity and ritual practices. From the early Islamic centuries, turbat al-ḥusayn has served not only as a symbol of healing and blessing but also as a key component of Shīʿī collective memory. The paper examines the development of turbat rituals across three significant periods: pre-Safavid, post-Safavid, and post-revolutionary Iran. During the pre-Safavid period, including the medieval Islamic centuries, the sanctification of turbat evolved through the efforts of Shīʿī Imams such as al-Bāqir and al-Ṣādiq, who integrated it into the theological framework of wilāyah (guardianship) and Shīʿī ritual practices. This period also witnessed the gradual codification of its ritualistic and medicinal uses in foundational Shīʿī texts. During the Safavid era, turbat became institutionalized as a marker of Shīʿī identity, with its economic significance expanding through the production of prayer tablets and rosaries. Following the 1979 Islamic Revolution in Iran, turbat was reinterpreted as a symbol of martyrdom and resistance, aligning with revolutionary ideologies and narratives that paralleled the sacrifices of Karbala with contemporary struggles. The COVID-19 pandemic introduced new dimensions to turbat’s role, with its promotion as a medicinal remedy by religious figures, despite lacking historical precedent in traditional Shīʿī teachings. These developments illustrate how turbat al-ḥusayn continues to be dynamically recontextualized in response to modern challenges. The study concludes that turbat al-ḥusayn transcends its ritualistic and spiritual origins, serving as a flexible and enduring symbol of Shīʿī identity. Its evolving interpretations underscore the interplay between tradition and modernity, highlighting its ongoing relevance in both devotional life and socio-political discourse. Full article

The death of Russian dissident Alexey Navalny in a far-northern colony after three years of imprisonment was declared a martyrdom by the Russian opposition, reflecting the sentiments of a part of Russian society. This unexpected reference to martyr narrative by a largely secular and anti-clerical opposition has set a significant precedent when religious discourse is instrumentalized not only by official propaganda but also by its critics. The authors posit that the construction of a martyr narrative is deeply political, being a part of contemporary ideological war. This article argues that Alexey Navalny’s death and its subsequent sacralization by opposition figures represent a significant moment in contemporary Russian politics. By adopting religious narratives and symbols, the opposition not only mobilizes support but also challenges the regime’s monopoly on ideological and religious discourse. However, this strategic use of martyrdom carries inherent contradictions, reflecting the opposition’s ambivalent relationship with religion and the Russian Orthodox Church. Full article

In this paper, I provide a close examination of early Christian biographical sources through the heuristic lens of “home studies”, tracing a thread from the New Testament Gospels to martyrdom texts, the apocryphal Acts literature, Eusebius’ biography of Origen in his Church History, and finally, Athanasius’ Life of Antony. I demonstrate that the lens of home allows us to see that in each of these discrete groups of texts, Christ’s call to discipleship is understood to redefine and reconstitute the meaning of home and relatedly, family: to be “home” required a great deal of displacement and mobility as one forsook one’s biological family and household for the sake of obedience to the call of Christ. I argue that three topics, typically examined separately, are fruitfully brought together through the lens of home: (1) the shaping of ancient Christian identity formation, as expressed by the characters’ use of familial language to identify other members of the early Christian movement; (2) the mobile nature of the person who joins the movement, providing insights about the mobility and travel of many of its members; and (3) ancient Christian eschatological thought concerning the final dwelling of Christ-believers in some form of otherworldly home after death. Full article

This article studies different forms of martyrdom in secular contexts, tracing their roots back to Western European Christian traditions. The article argues that distinct trajectories of martyrdom have emerged: (a) the more passive martyr, who refuses to acknowledge sovereign power and dies for a transcendent truth, and (b) the more assertive martyr, who sacrifices their life fighting for God and the sovereign. In secular contexts, this assertive martyr fights for secular ideals such as ‘freedom’ or ‘nation’ and represents the symbolic body of the sovereign. The historical distinction between divine truth and state falsehood has been turned into differentiations between democratic rule and threats like terrorism. To further study this transition, this article studies discourses following the deaths of Pim Fortuyn and Jaques Hamel, as both were strongly labeled as martyrs. This results in the final part of the article that examines the cult of commemoration surrounding soldiers in the US and the Netherlands. It argues that the assertive martyr has reached its fully secularized form in these contexts. The transcendent imagery of state sovereignty is evident in the sacrificial discourses around fallen soldiers. At this point of death, the state’s power is reinforced as a transcendent norm and reveals itself in those who ‘sacrifice’ their lives for the freedom of many. Full article

This article examines the evidence for performative prayer in early Roman catacomb painting from the perspective of an art historian. Praying (orant) figures are a dominant theme of third-century painting. Although the orant pose is generally regarded as symbolic, strong evidence connects at least one of the figures with the intercessory prayers offered by the order of widows. Following the “Constantinian turn” in the fourth century, a different form of performative prayer prevailed at the tombs of martyrs, with worshippers lying in prostration (proskynesis) pouring out copious tears. Two much-discussed poems by Prudentius (Peristephanon IX and XI) describe this form of prayer in conjunction with paintings of the gruesome martyrdoms of St. Cassian of Imola and St. Hippolytus. Arguments that the paintings inspired the weeping are incompatible with the nature of catacomb painting at the time, and with testimonies to the power of the tomb itself to compel such displays. The more fruitful suggestion that the ekphrasis in Peristephanon XI reflects a painting of the death of the mythical Hippolytus leads to a grove in the Temple of Diana at Nemi and the legend that the hero was resurrected by Aesculapius. Full article

This article discusses the enculturated Catholic ethics of martyrdom embodied by the Martyrs of Fraternity of Burundi, a group of students whose cause is now before the Vatican’s Congregation for the Causes of Saints for refusing to separate into Hutus and Tutsis during Burundi’s 1993–2005 civil war. Engaging Fratelli Tutti from a local African perspective, it considers how the conviction that all human beings are brothers and sisters is to find concrete embodiment. Its argument develops Emmanuel Katongole’s assertion that the African church provides a living witness of what hope looks like in contexts of violence and war, drawing on Burundian scholarship and more than sixty interviews conducted in Burundi from 2018 to 2024 to develop a thick narrative of fraternal martyrdom and the ethics of Ubuntu. By placing sacrificial solidarity rather than violence at the center of the story of the Martyrs of Fraternity, Burundian Catholics reimagine their civil war in ethical terms. This Burundian embodiment of an ethics of sacrificial solidarity, solidly grounded in its original cultural substratum, stands as a resource for a world increasingly engulfed by war, refusing to let violence have the last word in a story of fraternal love hallowed by sacrifice. Full article

This article seeks to rethink martyrdom, suffering, and resurrection from the perspective of queer theologies within the Latin American context and in dialogue with the praxis of the first faith communities who witnessed Jesus’ martyrdom. Starting from the queer body of Jesus—which incorporates in its praxis an ethos without gender violence and discrimination—the theological reflection contributes to the recovery of the fundamental principles of human experience. To this end, the analysis begins by addressing the feminist contribution to the understanding of violence against women to then rethink the intersection of bodies, sexuality, and violence against queer individuals and communities as a theological locus. It concludes by recognizing that queer theologies configure a resistant theological community that empowers queer bodies as a territory of hope of resurrection and transformative political action that does not disregard the suffering and the injustices perpetrated against them. Full article

This article explores the importance of faith in the Victorian historical novel, with a particular focus on George Eliot’s Romola (1862–1863), and rethinks past secularist approaches to the genre. Romola was arguably the most meticulously researched historical novel of the nineteenth century. Set in Florence from 1492 to 1498, the novel traces the rise and fall of the Dominican friar, Girolamo Savonarola, as he pursued the spiritual and political reform of the city, leading to his excommunication and martyrdom. Despite the religious setting of the novel, Eliot’s painstaking effort to imagine a realistic historical representation of Florentine society has often been approached in secular terms as a tour de force of the author’s humanist vision of a progressive march towards modernity. Building on recent work in postsecular studies, this essay rethinks the novel’s historical realism in terms of Christian faith. Centering on the spiritual journey of the protagonist, Romola de’ Bardi, the novel presents a faithful depiction of Renaissance Florence by imagining historical representation as an act of faith. Drawing on Jacques Derrida’s essay, “Faith and Knowledge”, the article analyzes how Eliot frames the significance of the novel’s historical representation as an act of faith that one’s life is bound meaningfully to those of others. Full article

This paper is a follow-up to the research conducted in 2021 titled James Anta: missionary, martyr, and the unsung hero of the Wesleyan Methodist Church in Zimbabwe. The paper was a reconstruction of Anta’s life, ministry, and martyrdom. The research found out that although the blood of Anta was the seed of Methodism in Zimbabwe, the church was reluctant to honour him. The research also noted that the Wesleyan Methodist church created a biased history of African cultural epistemology, which has no place for people who die young and unmarried. The paper concluded with a call for the Wesleyan Methodist church to rewrite its historiography, giving space to its martyrs like Anta. After reading the 2021 publication, the Wesleyan Methodist church leadership made urgent actions towards the re-historicization of Methodism in Zimbabwe with Harare West District dubbing its April 2022 Synod as James Anta Synod. The Synod further resolved to name the school they were intending to build after Anta. Moreover, Kadoma District agreed to rename Banket Circuit (where Anta was assassinated) as James Anta Circuit. The Wesleyan Methodist church further erected a monument of Anta and made the site a pilgrimage shrine. The fast responses by the church to honour Anta in 2022 justify their zeal to rewrite their history after 136 years of reluctancy. This paper used both primary and secondary sources to gather data. The paper concludes by challenging missionary churches to honour African agents whose history and sacrifice were seldomly considered and yet they were the key people in the Christianisation of Africa. Full article

Geospatial technologies enable accurate and detailed documentation of cultural heritage sites. They allow for the creation of digital representations of these sites that can be shared with interested audiences. Given the above, this paper presents the possibility of using archival data to reconstruct the topography of two German labor camps, Dyhernfurth I and II, which operated during World War II. To perform this task, multi-source archival data was obtained and interpreted. These data came from various sources: archives, historical institutes, and museums. The results of the study were presented to the staff of the Gross-Rosen Museum, who anticipated the possibility of using the proposed tools in the management of other labor camps. The proposed methodology can be replicated at other locations and easily implemented by other martyrdom museums involved in the preservation of cultural heritage. Full article

An oeuvre as redolent with the spirit of satire and humor as Percival Everett’s can be said to represent, at the same time, an anthology of humorous devices—a “humorology,” so to speak—and a self-reflexive meditation on the existential, philosophical and/or metaphysical implications of such an attitude to language and life. The Trees (2021) is a book about lynching, in which a series of gruesome murders all allude to the martyrdom of Emmett Till. Even though such subject matter seems antinomic to humor, the novel is rife with it. We propose an examination of the various guises of humor in this text, from wordplay and carnivalesque inversion to the more sinister humour noir, black or gallows humor, and an assessment of their dynamic modus operandi in relation to political satire, literary parody and the expression of the unconscious. The three axes of our analysis of the subversive strategies of the novel will be the poetics of naming, from parody to a form of sublime; the grotesque, macabre treatment of bodies; and the question of affect, the dual tonality of the novel vexingly conjugating the emotional distance and release of humor with a sense of outrage both toned down and exacerbated by ironic indirection. In keeping with the ethos of Menippean satire, humor is, therefore, both medium and message. Full article

After a huge non-invasive diagnostic campaign performed on the corpus of Giovanni Santi’s artworks, three paintings were selected and investigated: the Martyrdom of Saint Sebastian panel, the Visitation altarpiece and the canvas with Tobias and the Archangel Raphael (c. 1487 and 1494). Micro-invasive investigations including optical microscopy, ESEM-EDX, micro-Raman spectroscopy, FTIR and FTIR-ATR spectroscopy and GC-MS were carried out on selected micro samples. The results of the integrated analyses confirmed the use of a Renaissance palette with oil and, only in a few cases, tempera techniques. Some significant peculiarities emerged in Santi’s practice, as he used localized off-white priming and colorless powdered glass with a siccative oil—in red, flesh, pinkish and green hues—confirming the influence of the Flemish painters in Urbino and, possibly, also in western central Italy. This innovative technical expedient compared to the traditional Italian painting technique was identified also in red and bluish samples collected from the Communion of the Apostles panel painted by Justus of Ghent around 1473–1474 for Urbino Corpus Domini Confraternity. The Flemish master was called to the court of Duke Federico to paint in oil and his presence at the ‘Urbino workshop’ probably contributed to the diffusion of this technique. Both in Giovanni Santi’s paintings and the Communion of the Apostles, the glass particles are related to a soda-lime glass typical of the Italian area, widely detected in Italian paintings from the late 15th and 16th centuries. Full article