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Keywords = miracle/wonder stories

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21 pages, 421 KiB  
Article
Exploring Miracles and Wonders in Pre-Modern Korean Society through the Samguk yusa
by Sung Ha Yun
Religions 2024, 15(10), 1236; https://doi.org/10.3390/rel15101236 - 11 Oct 2024
Viewed by 1083
Abstract
Samguk yusa 三國遺事 (Memorabilia of the Three Kingdoms), compiled by Iryŏn 一然 (1206–1289), a prominent Buddhist monk in Koryŏ, stands as one of Korea’s most valued historical classics. This classic weaves together a collection of captivating and unconventional narratives—marked by their [...] Read more.
Samguk yusa 三國遺事 (Memorabilia of the Three Kingdoms), compiled by Iryŏn 一然 (1206–1289), a prominent Buddhist monk in Koryŏ, stands as one of Korea’s most valued historical classics. This classic weaves together a collection of captivating and unconventional narratives—marked by their peculiarity, miracles, and wonder—diverging from the usual societal norms. Unlike traditional historical chronicles such as Samguk sagi 三國史記 (Histories of the Three Kingdoms), Samguk yusa presents a diverse mosaic woven with historical anecdotes, legends, and folklore, especially emphasizing connections to Buddhism. The tales of miraculous events hold historical significance, serving as reflective mirrors that not only shaped the beliefs of pre-modern Korean Buddhists but also influenced the wider population of that era in Korea. This paper delves into the cultural significance and societal roles of miracles and wonders within pre-modern Korean society, particularly through a thorough exploration of narratives and accounts within the Samguk yusa. Through these miraculous stories, the Samguk yusa not only validates the spiritual power of Buddhism but also redefines concepts like filial piety and national protection by integrating them into the Buddhist framework. This ensured Buddhism’s enduring significance in Silla society and reinforced the importance of the supernatural as an integral part of a holistic view of history and culture. Full article
16 pages, 923 KiB  
Article
Authority over Death: Two Tales Related to the Lord of Mount Tai in Konjaku Monogatarishū
by Yiwen Shen
Religions 2023, 14(10), 1309; https://doi.org/10.3390/rel14101309 - 18 Oct 2023
Viewed by 1889
Abstract
Tales of Times Now Past (Konjaku Monogatarishū 今昔物語集) is a Japanese setsuwa (anecdotes) collection dating from the early twelfth century. Originally contained in 31 volumes, it includes more than one thousand systematically arranged tales from India, China, and Japan. Despite the fact [...] Read more.
Tales of Times Now Past (Konjaku Monogatarishū 今昔物語集) is a Japanese setsuwa (anecdotes) collection dating from the early twelfth century. Originally contained in 31 volumes, it includes more than one thousand systematically arranged tales from India, China, and Japan. Despite the fact that Daoism was rejected by the Japanese imperial court as an organized religion, Daoist philosophies and practical systems found their ways into Japan, having a significant and profound influence over Japanese esoteric cosmology and folk beliefs. This article takes the Lord of Mount Tai (CN: Taishan Fujun; JP: Taizan Fukun 泰山府君) as the focus and examines two pertinent stories in Tales of Times Now Past. By placing the texts in a broader historical, religious, and comparative Japan–China perspective, I examine the reshaping of Daoist elements and traditional Chinese philosophical principles in these two stories and thus demonstrate how the Daoist fragments transmitted to Japan were transformed into an integral part of the orthodox structure by the time of the late Heian period in the pursuit of a more organized form of government. Full article
(This article belongs to the Special Issue The Supernatural in East Asia)
17 pages, 1707 KiB  
Article
A Tale of Wonders in Performance: The Precious Scroll of Wang Hua in the Storytelling Tradition of Changshu, Jiangsu, China
by Rostislav Berezkin
Religions 2023, 14(5), 670; https://doi.org/10.3390/rel14050670 - 18 May 2023
Cited by 1 | Viewed by 1991
Abstract
Baojuan (precious scrolls) are a type of prosimetric literature in the vernacular language that flourished in the lower Yangzi valley between the late nineteenth and early twentieth centuries. Most baojuan texts are devoted to religious themes, often involving wondrous figures and events which [...] Read more.
Baojuan (precious scrolls) are a type of prosimetric literature in the vernacular language that flourished in the lower Yangzi valley between the late nineteenth and early twentieth centuries. Most baojuan texts are devoted to religious themes, often involving wondrous figures and events which can be characterized as “supernatural”. The Precious Scroll of Wang Hua (Wang Hua baojuan 王花寶卷) is a comparatively late text centered on the marvelous apparitions leading to the salvation of a lay person. It is a widespread text of the southern “scroll recitation” tradition as it survives in Changshu, Jiangsu, but to date, it has not received attention from scholars of Chinese popular literature and religion. Still, it is important for understanding the origins, development, and functions of precious scrolls and their contribution to the field of Chinese popular religion. The original text of the Precious Scroll of Wang Hua formed ca. end of the nineteenth century, but the present research mainly uses the manuscript version of a modern performer from the vicinity of Changshu (ca. 1995). This narrative combines two major topics of the wondrous manifestation of Bodhisattva Guanyin and the descent to Hell. Both topics can be traced back to the early “miracle tales”. Here, they have been adapted to the local life and cultural setting. The figure of the skeptical and egoistic Wang Hua who initially rejected the injunctions of Guanyin is a type well known to the modern audiences of baojuan. Thus, the supernatural elements serve the purpose of reconfirming traditional beliefs and values in the contemporary society. Full article
(This article belongs to the Special Issue The Supernatural in East Asia)
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