Search Results (70)

Judging a person’s appearance as beautiful or ugly is not a factual description but an aesthetic act. Kant believed that the human figure is the ideal of beauty, and at the same time, beauty can positively symbolize morality. However, regarding the correlation between aesthetics and morality, the Chapter “De Chong Fu 德充符” in the Zhuangzi offers us a strikingly insightful perspective that is transcendent and religious. The characters depicted in “De Chong Fu 德充符” have incomplete physical forms and ugly appearances, which seemingly do not qualify as symbols of morality in Kant’s sense. Yet, their behavior and demeanor precisely reflect their detachment from external physical forms and their inner virtue being full. This inner virtue embodies a religious ethic that transcends individual and subjective perspectives. This paper posits that there is a deeper and more thought-provoking connection between virtue and physical form in Zhuangzi’s philosophy. The aim of this paper is to explore the issue of self-transcendence in Zhuangzi’s philosophy from the perspective of religious ethics, using the relationship between the body, beauty, and virtue in Lao–Zhuang philosophy as a guiding thread. This paper will be divided into three main parts: the first part introduces the topic through the symbolic relationship between beauty and morality in Kant; the second part discusses the transcendence of aesthetics and physical form in Daoist philosophy and provides a section-by-section analysis of Chapter “De Chong Fu 德充符” of the Zhuangzi; and the third part summarizes the relationship between virtue and form in “De Chong Fu 德充符”. The paper argues that the transcendence of the physical form by virtue, as reflected in Chapter “De Chong Fu 德充符”, is an embodiment of religious ethics. In Lao–Zhuang philosophy, due to their deep understanding of the nature of beauty and the nature of the body, there is no necessary positive connection between beauty and form. Virtue does not necessarily need to rely on beauty as a symbol to be realized, and there can still be a positive connection between a defective physical form and virtue. In conclusions, the paper proposes the modern inspiration of self-transcendence reflected in Zhuangzi’s “De Chong Fu 德充符”. Full article

The significance of forgetting in the Zhuangzi and its methodological significance for living a good life in particular has long been recognized by Zhuangzian scholars. However, with regard to what is really meant by forgetting, scholars are still far from reaching some clear consensus. Thus, with the aim of clarifying what is meant by forgetting in the Zhuangzi, I propose a wholistic understanding of forgetting in terms of the Zhuangzian conception of human self-cultivation. On the one hand, it involves an analysis of how forgetting is used negatively in the Zhuangzi to characterize and explain human fallenness. On the other hand, it also entails a careful analysis of all positive uses of forgetting in the text to mean our elimination of chengxin, orientation to the Dao, and fitness with all things in harmony. Full article

Adopting a comparative philosophical approach and engaging in textual analysis, this paper reveals that the concept of Zhenren 真人—as the embodiment of Zhuangzi’s ideal personality—explicates the dual connotations and axiological foundations of “naturalness” (ziran 自然) as the central paradigm of his spiritual realm theory. In the Daoist context, naturalness encompasses two interrelated dimensions: the ontological “naturalness of the Dao” and the existential “naturalness of the Zhenren”. These dimensions are integrated through the practical principles of “assisting all things” and “accommodating their inherent tendencies.” At the level of realm discourse, Zhuangzi’s Zhenren stands apart from the rational, truth-seeking tradition of Western philosophy by pursuing naturalness-oriented cultivation. This gives rise to a distinctive realm system characterized by a psychological state of “equanimity and clarity”, an axiological orientation toward “primordial simplicity”, and a lived experience marked by “serene non-action”. Rooted in naturalness, this mode of self-cultivation not only offers a new theoretical framework for interpreting the ideal personality of the Daoist but also sheds light on the unique ethical significance of naturalness in Chinese philosophical discourse on morality. Full article

This paper examines the four-stage process of mystical experience in the Huzi and Lady Yu allegories of the Zhuangzi. It begins with a lifeless stage enabled by the mystic’s purgation of the world and the self. It is followed by a revitalization stage in which Oneness is experienced not only as the introvertive experience of the self but also as the extrovertive truth of reality. It is then followed by the mystic’s experience of emptiness that transfigures reality through the reconciliation of things and the cessation of time and motion. Eventually it leads to the deconstruction of the transcendental Dao and the following of the spontaneity of things. The allegories provide a rich variety of mystical experiences, such as the exuberance of vitality, tranquil emptiness, and bliss in reconciliation. As the core theme of mysticism, Oneness is not regarded as the superior and final stage, but rather paves the way for the reconciliation of things in the co-presence of Oneness and multiplicity, and eventually leads to the deconstruction of Oneness and the return to the multiplicity of things. The pursuit of Oneness and the very deconstruction of it constitute the characteristic paradox of the Zhuangzi’s mysticism. Full article

This article examines the concept of ming 命 (mandate/command or fate/destiny) in the Analects, Mencius, and Zhuangzi, exploring its relationship to tian 天 (Heaven). Across these works, ming retains an intrinsic connection to tian—an inviolable cosmic force beyond human control. All three texts exhibit profound reverence and submission to tian, acknowledging the boundary between human control and cosmic inevitability, yet, at the same time, advocating active alignment with tian’s ordained patterns. In the Analects, a central tension emerges between tian’s teleological purpose—centered on preserving human culture and ethical cultivation—and the seemingly arbitrary fluctuations of individual fate, particularly regarding lifespan and personal fulfillment. This tension persists in the Mencius, articulated as a conflict between the political disorder of Mencius’ contemporary era and tian’s normative moral order. The Zhuangzi, by contrast, resolves this tension through advocating for withdrawal from the political life, as well as a radical reinterpretation of tian. Stripping tian off the Confucian moral–cultural imperatives, the text deconstructs dichotomies like life and death, championing inner equanimity via flowing with the cosmic transformation. Full article

The phrase shiri bing chu 十日並出 (ten suns rose in the sky at once) from the Qiwu lun 齊物論 can also be interpreted as shiri dai chu 十日代出 (ten suns alternately appearing). Here, “ten suns rose in the sky at once” is not merely a spatial concept but also a temporal one. Thus, the concept of De 德 (virtue), connected to the idea of “ten suns shining together,” is a transcendent force with its own inner sense of time. It acts as the foundation for all things to exist and grow continuously. Under the endless cycle of day and night and the nourishing power of tiande 天德 (heavenly virtue), everything flourishes according to its true nature. Here, De combines two aspects: mingde 明德 (luminous virtue) and xuande 玄德 (inconspicuous virtue). “luminous virtue” focuses on order and building, highlighting the uniqueness within human growth. “inconspicuous virtue” emphasizes harmony and equalizing with all things, revealing our shared connection with the world. These two concepts are not opposites. The highest goal of luminous virtue lies in mysterious virtue, which itself contains the roots of luminous virtue. Both work together to reflect the natural flow of the Dao 道 (the Way), thus demonstrating that Zhuangzi’s philosophy is not merely about criticism or deconstruction—it has a deeply constructive side. Virtue transcends both individuality and universality. Human nature holds both virtues. By balancing the order of growth and equalizing with all things, we can harmonize our uniqueness with our shared bonds, revealing our true value in both action and spirit. Full article

The development of Daoism in Italy is deeply connected to how its classical texts were received and circulated. Although Italian Christian missionaries were among the earliest Western commentators on Daoism, significant Italian engagement with Daoist works only emerged in the 20th century. During the first half of that century, Italian publishers released six translations of the Laozi, three partial translations of the Zhuangzi, and several general works on Daoism. This surge of interest was influenced by two major 19th-century developments: the rise of sinology as an academic field in France, which spurred European scholarly interest in Chinese culture, and the spread of international esoteric and occult movements, which drew heavily from Eastern philosophies. This paper focuses on two important Italian translations of the Laozi from the interwar period—Julius Evola’s 1923 translation and Attilio Castellani’s 1927 version. These translations exemplify the dual influences of academic sinology and esoteric movements on the Italian reception of Daoism. By comparing these works, this paper highlights how Daoist ideas were introduced and interpreted in Italy, shaped both by the translators’ personal backgrounds and their distinct intellectual aims, thus revealing the varied contexts in which Daoism was received in early 20th-century Italy. Full article

This paper explores the role of forgetting in the thought of the Korean Sŏn (Chan in Chin.; Zen in Jpn. 禪) master Chinul (知訥, 1158–1210), situating it within broader East Asian philosophical and Buddhist discourses. While the concept of forgetting has often been treated negatively in Western philosophy—as a cognitive failure or loss—this study draws on recent comparative scholarship, including Youru Wang’s reading of Zhuangzi, to show how forgetting can be reframed as a conscious spiritual and philosophical practice. In particular, this paper examines how Chinul integrates the practice of forgetting into a systematic Buddhist framework grounded in no-self (anātman), emptiness (śūnyatā), and the unity of samādhi and prajñā. In Straight Talk on the True Mind (Chinsim chiksŏl 眞心直說), Chinul outlines ten distinct methods for cultivating no-mind by offering interpretations of teachings from various East Asian Chan masters. Through a detailed analysis of Chinul’s Chinsim chiksŏl, this paper argues that forgetting—when understood as the deliberate letting go of discursive thought, deluded conceptualizations, and habitual dualisms—becomes a powerful method for revealing the true mind. Ultimately, Chinul’s philosophy of forgetting offers a unique account of cognitive transformation—one that challenges conventional epistemologies and calls for a reorientation of perception itself. Therefore, Chinul’s teachings on no-mind and forgetting offer a profound understanding of how deconstructing ingrained cognitive habits can lead to the emergence of enlightened awareness, providing valuable insights into the transformative processes at the heart of East Asian Sŏn Buddhist practice. Full article

Both Ralph Waldo Emerson and Zhuangzi lived in eras of profound social transformation. They both reconstruct virtue to respond to the meaning crisis in this social transformation. However, for the reason that their metaphysical foundations of virtue differ, there is a significant difference between them. Emerson’s concept of virtue promotes aesthetic appreciation of nature. Emerson regards nature as the best meaning of life. Meanwhile, Zhuangzi’s concept of virtue promotes the aesthetic appreciation of harmony between humanity and the Dao. He does not have Emerson’s sense of aesthetic appreciation of nature, including wilderness. In this paper, I will conduct a comparative study between Emerson and Zhuangzi based on the core categories in research on meaning in life, which are self-transcendence, value, and power. I aim to reconstruct Zhuangzi’s virtue through intercultural dialogue by absorbing Emerson’s virtue. Through this dialogue, we can deepen our understanding of Emerson and Zhuangzi in their efforts in the reconstruction of the self and value through virtue, which gives them enormous spiritual power to cope with the meaning crisis in their lifetimes. The new virtue is an integrated environmental virtue, which will give us a new understanding of the self, value, and power. The new self is an ecological aesthetic self, which is integrated with value in nature. The new self and value have the potential to shape new practices in the era of new transformation, which is generated by AI. Full article

This paper examines the challenges of our hyperconnected society through the lens of Daoist philosophy, specifically drawing on the thoughts of Laozi and the Zhuangzi. This study begins by analyzing the broad implications of hyperconnectivity in contemporary society, highlighting how unprecedented levels of interconnection shape modern human experience. The analysis identifies three critical challenges in our hyperconnected world: the individual cognitive level (where connected subjects experience confirmation bias and cognitive dissonance); the structural level (where systemic forces diminish individual autonomy and create unpredictable outcomes); and the amplified social level (where the interaction between individual and structural factors intensifies social division, isolation, systemic risks, and cascading failures). This paper approaches these challenges through three key Daoist concepts: Dao as the foundational principle of reality, Qi as the underlying logic of interconnection, and the complementary principles of Wu-wei (non-action) and Ziran (self-so-ness) as frameworks for managing desire. These concepts yield two crucial insights: the need to deepen our understanding of connectivity’s practical dimensions and the importance of maintaining critical distance between means and ends through persistent questioning of fundamental principles. As technological advancement and material concerns increasingly dominate society, Daoist philosophy offers both a warning about the potential loss of human essence and practical guidance for maintaining purposeful awareness through Wu-wei and Ziran. The concept of Qi further illuminates humanity’s fundamental embeddedness in universal interconnection. This paper concludes by proposing ways to bridge theory and practice, emphasizing expanded awareness of connectivity, philosophical inquiry into essence, and the enduring relevance of humanistic wisdom. Full article

In this article, I begin with the topic of “circulations”, conducting a comparative analysis of the similarities and differences in Emerson’s and Zhuangzi’s philosophies regarding “circulations” as the mode of cosmic generation and operation, as well as the relationship between “circulations” and self-transcendence. Furthermore, I explore the practical paths to achieve self-transcendence via circulations based on these two aspects. Specifically, both Emerson and Zhuangzi regard “circulations” as the fundamental way of cosmic generation and operation. However, Emerson emphasizes the directionality of “circulations”, where God generates all things through “emanation”, and all things return to God through “ascent”. In contrast, Zhuangzi emphasizes the characteristics of the Dao in generating all things, including its “cyclic repetition” (xun huan wang fu 循环往复) and “creating myriad forms” (zhi qi wan shu 制器万殊). The “Dao” that generates these “circulations” itself does not possess morality or divinity. Both of them believe that individuals can achieve self-transcendence by aligning with “circulations”. Regarding the specific practical paths, Emerson suggests that we can return to God through revelation, specifically via nature, poets, art, and vocation. On the other hand, Zhuangzi believes that we can achieve unity with the Dao by “following the Dao”, specifically through the life-nurturing method of “following the Du as a principle” (yuan du yi wei jing 缘督以为经) and the spiritual cultivation methods of “emptiness of mind-heart and selflessness” (xinzhai 心斋) and “sitting in oblivion” (zuowang 坐忘). Full article

Many scholars have claimed that the skills depicted by Zhuangzi can lead to self-transcendence of experiencing and attaining the Dao. However, this view is open to question. Based on a comprehensive reading of the received text of Zhuangzi, this paper attempts a comprehensive reinterpretation of its allegories of skills, including “Cook Ding Butchering an Ox”, “The Hunchback Catching Cicadas”, “The Ferryman Handling a Boat”, “The Man of Lüliang Swimming in the Torrent”, “Woodworker Qing Carving a Bell Stand”, “Artisan Chui Drawing Circles with His Fingers”, “Wheelwright Bian Chiseling Wheels”, “Bohun Wuren Demonstrating Archery”, and “The Old Metalworker Forging Weapons”. This study argues that the emphasis of these skill allegories is not on extolling skills but on pointing towards self-transcendence in a metaphorical way. Just as Mark Twain once likened an apple peel to the Mississippi River, the depiction of skilled performance and its contexts primarily serves as a vivid and illustrative vehicle for explaining self-transcendence rather than constituting self-transcendence itself. Logically speaking, exercising skills requires intentionality, whereas self-transcendence in Zhuangzi’s sense demands complete forgetfulness and a state of non-attachment. Since the states of intentionality and non-attachment are contradictory, the former does not necessarily enable the latter. Thus, the skill in Zhuangzi cannot directly lead to self-transcendence. The skill allegories in Zhuangzi represent the authors’ subjective elaborations, rooted in the focus and tacit understanding inherent in skill activities, and should not be interpreted in an overly mystical light. Full article

In contemporary societies, increasing diversity is often accompanied by intensified conflicts across various public domains. While respecting differences is commonly proposed as a solution, this necessarily narrows the scope of shared values, which correspondingly decreases the chances of developing harmony. Indeed, harmony is frequently criticized for potentially requiring uniformity, which would undermine diversity. This article addresses this challenge by exploring philosophical and religious perspectives drawn from the Zhuangzi. Specifically, we find that a type of dynamic openness can be found in the Zhuangzi which shifts the focus away from embracing a more static “diversity”. Here, openness is understood as emphasizing interconnectedness, mutual influence, and collective transformation, offering a framework for resolving conflicts beyond mere respect for differences. In this article, we argue that one type of philosophical–religious perspective that can be derived from the Zhuangzi advocates for harmonizing openness—a process that achieves consensus while fully allowing for individual differences, rather than enforcing the type of uniformity found in many calls to respect diversity. This perspective offers valuable insights for the navigation of conflict in an increasingly pluralistic world and provides a critique of more popular contemporary approaches. Full article

Modern society, dominated by rationalism, has led to the hollowing out of life’s meaning. In response to this predicament, the question of how to transcend instrumental rationality and reconstruct an understanding of human conditions becomes crucial. Among pre-Qin thinkers, Zhuangzi offers the most profound exploration of life-related issues. His “death-life” thought embodies unique philosophical implications, revealing the fluidity, wholeness, and infinity of life. The word order of “death-life” underscores the idea of the transformation of things (wuhua, 物化), illuminating two practical pathways toward the infinite circulation of life. This understanding of life resonates with Henri Bergson’s life philosophy in their shared reverence for life’s infinite flow through intuition. However, they diverge in their views on time and subjectivity. Despite their differences, their ideas can complement each other. Integrating Bergson’s spirit of creative evolution with Zhuangzi’s carefree and detached mindset may help dissolve modern society’s obsession with utilitarian goals, allowing individuals to engage in active creation while simultaneously embracing the spontaneity and boundless possibilities of each present moment. This synthesis provides valuable insights for reconstructing life’s meaning in contemporary society. Full article

This paper, through a detailed textual analysis of Laozi zhigui 老子指歸, examines Yan Zun’s sophisticated intertextual strategies in elucidating the Daodejing 道德經 and explores the eclectic and inclusive conceptual framework he constructed. First, Laozi zhigui not only directly quotes or adapts phrases from major texts such as the Zhouyi 周易, Zhuangzi 莊子, Huangdi sijing 黃帝四經, and Huainanzi 淮南子, but also incorporates concepts such as yin and yang, qiwu 齊物, and yinxun 因循 from these sources. To a considerable extent, this approach has enriched the ideological connotations of the Daodejing. Second, Yan Zun takes the core ideas of the Daodejing as a foundation to blend the philosophies of the Zhouyi, Zhuangzi, and Huang-Lao Daoism. In this way, he resolves potential conflicts among these diverse textual traditions and preserves the logical coherence and value integration of Laozi zhigui. Third, through his synthesis of these classical texts, Yan Zun develops a more comprehensive cosmological framework, alongside a practical political theory and principles for self-cultivation. Although the primary purpose of the Laozi zhigui is to elucidate the Daodejing, through his remarkable interpretive skills, Yan Zun’s concepts not only clarify the classic text but also generate novel perspectives, innovative concepts, and a distinctive intellectual framework. Full article