Performing Religion

A special issue of Religions (ISSN 2077-1444).

Deadline for manuscript submissions: closed (1 March 2019) | Viewed by 3580

Special Issue Editor


E-Mail Website
Guest Editor
College of Arts and Sciences, Syracuse University, Syracuse, NY 13244, USA

Special Issue Information

Dear Colleagues,

What might “performing religion” mean?  What might it look like, embodied?  What might count as “performing religion”?  What performative effects might “performing religion” have?  How might “performing religion,” and/or performances of religion, figure—or refigure—religion as performance?  How might thinking these terms together, “religion” and “performance,” change the ways we imagine—or reimagine—each of them?  How might thinking these terms together change the ways we imagine—or reimagine—corporeality and relationality?

This Special Issue seeks to explore these and related questions, about “performing religion.”  It seeks to cast “religion” and “performance” as broadly as possible and it seeks cross-disciplinary engagements with religious studies, performance studies, and studies from other disciplinary locations, examining all kinds of cultural forms. These forms might include theatre, performance art, storytelling, spoken-word poetry, dance, music, ritual, and liturgy.  They might include other things, too.  Contributors might study these forms theoretically, historically, ethnographically, textually, theatrically, visually, orally, aurally, kinetically (among other possibilities).

Prof. Dr. William Robert
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Religions is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1800 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • religion
  • performance
  • reimagining
  • corporeality
  • relations

Benefits of Publishing in a Special Issue

  • Ease of navigation: Grouping papers by topic helps scholars navigate broad scope journals more efficiently.
  • Greater discoverability: Special Issues support the reach and impact of scientific research. Articles in Special Issues are more discoverable and cited more frequently.
  • Expansion of research network: Special Issues facilitate connections among authors, fostering scientific collaborations.
  • External promotion: Articles in Special Issues are often promoted through the journal's social media, increasing their visibility.
  • e-Book format: Special Issues with more than 10 articles can be published as dedicated e-books, ensuring wide and rapid dissemination.

Further information on MDPI's Special Issue polices can be found here.

Published Papers (1 paper)

Order results
Result details
Select all
Export citation of selected articles as:

Research

16 pages, 220 KiB  
Article
At the Still Point: The Heart of Conversion
by Karmen MacKendrick
Religions 2019, 10(4), 249; https://doi.org/10.3390/rel10040249 - 4 Apr 2019
Viewed by 3118
Abstract
Though religion and performance are often considered together in ritual and liturgy, they may join in other contexts as well. This paper explores the “still point” described in the poet T.S. Eliot’s Four Quartets as playing a role not only in poetry and [...] Read more.
Though religion and performance are often considered together in ritual and liturgy, they may join in other contexts as well. This paper explores the “still point” described in the poet T.S. Eliot’s Four Quartets as playing a role not only in poetry and dance, but equally in moments of religious conversion. Three such moments are explored, framed by theoretical considerations of dance, conversion, and attentiveness to the “here” and “now” in both. These points of space and time are the objects of an intense focus that creates a center to the experience and thus the possibility of the conversionary turn. Full article
(This article belongs to the Special Issue Performing Religion)
Back to TopTop