Using Virtual Choreographies to Identify Office Users’ Behaviors to Target Behavior Change Based on Their Potential to Impact Energy Consumption
Abstract
:1. Introduction
2. Background
2.1. Role of Individual Behaviors in Energy Consumption
2.2. Virtual Choreographies: Concept and Representation
2.2.1. Human Behavior Representation
- Considering that the human behavior has a purpose, besides modelling that behavior, there should always be associated a SMART (specific, measurable, acceptable, realistic, and timed) objective;
- The associated goal should represent the optimal behavior;
- In a simple way, to model a behavior, it should be necessary to determine the initial value(s), the process that leads to the result, and the change to achieve the goal;
- One should represent behaviors that are relevant to one’s analysis needs;
2.2.2. Onthologies
- They allow unique identification of entity types (objects, attributes, processes), thus eliminating ambiguity;
- They enable the precise definition and classification of these identifiers;
- They also help organize the relationships between these identifiers.
2.2.3. Understanding Virtual Choreographies
- Actors: characters that perform the behaviors in a choreography. This includes both human-controlled and computer-controlled actors, and might include non-embodied concepts;
- Action: this is a specific interaction within the environment; for instance, actors walking, gesturing, talking, manipulating, etc., and also automatic doors opening or machines running, or a conceptual element emerging or fading;
- Objects: elements that are not actors but can be acted upon by actors;
- Roles: higher-order semantic context of an actor or object, providing meaning for their actions, location, and overall features;
- Scenario: the stage where a choreography takes place. It may include objects and general characteristics (such as daytime, gravity, etc.);
- Space-time: dynamic changes and evolution of the choreography, as actors and objects have specific roles and interact with each other in the scenario over time.
3. Behavior Identification with Virtual Choreographies
- Direct observation (Section 3.1);
- Computer software that registered when the computers were consuming energy (Section 3.2);
- Electricity meters that showed the exact actual consumption (Section 3.3).
3.1. Field Observation
- What are the usual energy-related behaviors of office users?
- How often do the energy-related behaviors occur during the day?
- Actor: the characters interacting with the environment;
- Activity: the acts that the characters carry out;
- Object: the things that are present in the scenario;
- Act: the individual actions of the characters;
- Time: the time at which the action begins.
3.2. Electric Power Outlet Meters
3.3. Computer Log
3.4. Identification of Choreographies
4. Identifying Energy Consumption with Virtual Choreographies and Final Results
5. Discussion
- Choreography 7 corresponds to the use of the computer during work, concerning which, despite representing enormous consumption, in terms of behavioral change, no significant changes can be made;
- Considering the consumption presented in choreography 5, there is space to act in terms of behavioral change during lunchtime;
- It is also possible to address users’ behavior at the end of the working day, since choreography 6 indicates a relevant consumption rate, besides the fact that its optimization will certainly correspond to a considerable reduction in consumption due to what was presented before;
- There is also a behavior that did not translate into choreography (although it is included in choreography 6), but that was observed through the analysis of meters and computer logs, which corresponds to the fact that during the weekend many of the equipment items are not turned off.
6. Conclusions
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Conflicts of Interest
References
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Actor | Activity | Object | Act | Time |
---|---|---|---|---|
a3 | Work | Computer | Use keyboard & Mouse | 08:31 |
a39 | Work | Computer | Use keyboard & Mouse | 08:31 |
a42 | Work | Computer | Use keyboard & Mouse | 08:31 |
a54 | Work | Computer | Use keyboard & Mouse | 08:31 |
a1 | Enter the office | Door | Open | 08:38 |
a1 | Sitting on chair | Desk | Sit | 08:38 |
a1 | Work | Computer | Use keyboard & Mouse | 08:38 |
a39 | Leave the office | Door | Exit | 08:40 |
Activity | Object | Act |
---|---|---|
Sitting on chair | Monitor | Turn on |
Work | Computer | Use keyboard & mouse |
Leave the office | Door | Open |
Turn lights | Lights switch | Interact |
idMeter | datetimeMeasure | valueMeasure (Wh) |
---|---|---|
PT58ABEM1253_2 | 1 January 2020 00:01 | 282,679 |
PT58ABEM1248_1 | 1 January 2020 00:01 | 357,781 |
PT58ABEM1249_2 | 1 January 2020 00:01 | 330,716 |
PT58ABEM1255_2 | 1 January 2020 00:02 | 1,333,449 |
PT58ABEM1254_3 | 1 January 2020 00:02 | 30,686 |
PT58ABEM1251_1 | 1 January 2020 00:02 | 47,373 |
PT58ABEM1250_2 | 1 January 2020 00:03 | 616,117 |
PT58ABEM1252_1 | 1 January 2020 00:03 | 507,408 |
PT58ABEM1253_1 | 1 January 2020 00:03 | 269,181 |
PT58ABEM1251_2 | 1 January 2020 00:04 | 248 |
PT58ABEM1250_1 | 1 January 2020 00:04 | 540,724 |
PT58ABEM1248_2 | 1 January 2020 00:04 | 412,985 |
PT58ABEM1249_1 | 1 January 2020 00:05 | 1098 |
PT58ABEM1249_3 | 1 January 2020 00:05 | 33,697 |
Date Time | Computer State |
---|---|
09:53 | unlock |
09:57 | lock |
09:58 | unlock |
11:35 | lock |
11:38 | unlock |
11:54 | lock |
12:47 | unlock |
12:49 | lock |
13:09 | unlock |
15:02 | lock |
15:06 | unlock |
16:01 | lock |
17:00 | unlock |
18:45 | lock |
18:48 | unlock |
20:35 | lock |
Choreography | Characteristics to Identify This Choreography (Extracted from the Observational Registry Log) |
---|---|
01 Enter the office (morning) |
|
02 Small break (less than 15 min|short meeting, coffee, toilet, snack, smoking, etc.) |
|
03 Medium break (between 15 min and 45 min|meeting, snack, etc.) |
|
04 Long break (more than 45 min|meeting, etc.) |
|
05 Lunchtime break |
|
06 Leave the office (end of the day) |
|
07 Working |
|
08 Turn on the lights |
|
09 Lunchtime break with shutdown |
|
10 Leave the office with shutdown (end of the day) |
|
11 Small break with shutdown (less than 15 min | short meeting, coffee, toilet, snack, smoking, etc.) |
|
12 Medium break with shutdown (between 15 min and 45 min | meeting, snack, etc.) |
|
13 Long break with shutdown (more than 45 min | meeting, etc.) |
|
Actor | Activity | Object | Act | Time | Computerlog Action |
---|---|---|---|---|---|
a8 | Leave the office | Door | Exit | 16:10 | lock |
a52 | Leave the office | Door | Exit | 16:24 | lock |
a50 | Work | Computer | Use keyboard & Mouse | 16:34 | unlock |
a8 | Work | Computer | Use keyboard & Mouse | 16:34 | unlock |
a52 | Work | Computer | Use keyboard & Mouse | 16:34 | unlock |
a32 | Work | Computer | Use keyboard & Mouse | 16:36 | unlock |
a50 | Leave the office | Door | Exit | 16:41 | lock |
a60 | Leave the office | Door | Exit | 16:49 | lock |
a50 | Work | Computer | Use keyboard & Mouse | 16:54 | unlock |
a47 | Work | Computer | Use keyboard & Mouse | 17:00 | unlock |
a52 | Leave the office | Door | Exit | 17:00 | shutdown |
a32 | Leave the office | Door | Exit | 17:04 | shutdown |
a9 | Leave the office | Door | Exit | 17:21 | lock |
a50 | Leave the office | Door | Exit | 17:29 | lock |
Actor | Activity | Object | Act | Time | Computerlog Action | Chor. ID |
---|---|---|---|---|---|---|
a8 | Leave the office | Door | Exit | 16:10 | lock | 3 |
a52 | Leave the office | Door | Exit | 16:24 | lock | 3 |
a50 | Work | Computer | Use keyboard & Mouse | 16:34 | unlock | 8 |
a8 | Work | Computer | Use keyboard & Mouse | 16:34 | unlock | 8 |
a52 | Work | Computer | Use keyboard & Mouse | 16:34 | unlock | 8 |
a32 | Work | Computer | Use keyboard & Mouse | 16:36 | unlock | 8 |
a50 | Leave the office | Door | Exit | 16:41 | lock | 2 |
a60 | Leave the office | Door | Exit | 16:49 | lock | 7 |
a50 | Work | Computer | Use keyboard & Mouse | 16:54 | unlock | 8 |
a47 | Work | Computer | Use keyboard & Mouse | 17:00 | unlock | 8 |
a52 | Leave the office | Door | Exit | 17:00 | shutdown | 11 |
a32 | Leave the office | Door | Exit | 17:04 | shutdown | 11 |
a9 | Leave the office | Door | Exit | 17:21 | lock | 3 |
a50 | Leave the office | Door | Exit | 17:29 | lock | 2 |
Begin | End | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
08:00 | 08:15 | - | - | - | - | - | - | - | - | - | - | - | - | - |
08:15 | 08:30 | - | - | - | - | - | - | - | - | - | - | - | - | - |
08:30 | 08:45 | 3 | 1 | - | - | - | - | - | 7 | - | - | - | - | - |
08:45 | 09:00 | 1 | 2 | - | - | - | - | - | 2 | - | - | - | - | - |
09:00 | 09:15 | 2 | 1 | 2 | - | - | - | - | 2 | - | - | - | - | - |
09:15 | 09:30 | 1 | - | - | - | - | - | - | 1 | - | - | - | - | - |
09:30 | 09:45 | 2 | - | - | - | - | - | - | 2 | - | - | - | - | - |
09:45 | 10:00 | 3 | - | - | - | - | - | - | 6 | - | - | - | - | - |
10:00 | 10:15 | - | 3 | - | - | - | - | - | 1 | - | - | - | - | - |
10:15 | 10:30 | 1 | 1 | 1 | - | - | - | - | 3 | - | - | - | - | - |
10:30 | 10:45 | 1 | - | 2 | - | - | - | - | 3 | - | - | - | - | - |
10:45 | 11:00 | 2 | 2 | - | - | - | - | - | 5 | - | - | - | - | - |
Begin | End | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
08:00 | 08:15 | - | - | - | - | - | - | - | - | - | - | - | - | - |
08:15 | 08:30 | - | - | - | - | - | - | - | - | - | - | - | - | - |
08:30 | 08:45 | 21.3 | 7.1 | - | - | - | - | - | 42.6 | - | - | - | - | - |
08:45 | 09:00 | 9.9 | 19.8 | - | - | - | - | - | 59.3 | - | - | - | - | - |
09:00 | 09:15 | 17.6 | 8.8 | 17.6 | - | - | - | - | 44.0 | - | - | - | - | - |
09:15 | 09:30 | 10.7 | - | - | - | - | - | - | 64.3 | - | - | - | - | - |
09:30 | 09:45 | 18.4 | - | - | - | - | - | - | 73.6 | - | - | - | - | - |
09:45 | 10:00 | 17.3 | - | - | - | - | - | - | 80.7 | - | - | - | - | - |
10:00 | 10:15 | - | 31.8 | - | - | - | - | - | 127.2 | - | - | - | - | - |
10:15 | 10:30 | 10.0 | 10.0 | 10.0 | - | - | - | - | 130.0 | - | - | - | - | - |
10:30 | 10:45 | 8.0 | - | 16.0 | - | - | - | - | 112.0 | - | - | - | - | - |
10:45 | 11:00 | 16.3 | 16.3 | - | - | - | - | - | 138.4 | - | - | - | - | - |
Choreography ID | Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Total |
---|---|---|---|---|---|---|
01 | 22.7 | 18.3 | 16.8 | 20.9 | 14.7 | 93.3 |
02 | 16.1 | 15.0 | 21.7 | 17.8 | 17.9 | 88.4 |
03 | 15.2 | 25.9 | 23.5 | 24.0 | 20.0 | 108.5 |
04 | 9.5 | 9.6 | 13.4 | - | 8.9 | 41.5 |
05 | 31.6 | 61.1 | 59.7 | 37.2 | 36.6 | 226.2 |
06 | 44.1 | 44.6 | 49.3 | 45.7 | 27.8 | 211.5 |
07 | 155.0 | 154.6 | 151.0 | 154.4 | 154.5 | 769.5 |
08 | 9.0 | - | - | - | - | 8.9 |
09 | 10.4 | - | - | 13.8 | - | 24.2 |
10 | 15.0 | 9.3 | 41.7 | 13.0 | 11.2 | 89.2 |
11 | - | 12.5 | - | 9.5 | - | 21.9 |
12 | - | - | - | 7.5 | - | 7.5 |
13 | - | - | - | - | - | - |
TOTAL | 327.3 | 350.6 | 377.2 | 343.9 | 291.6 | 1690.7 |
Choreography ID | Potential Savings |
---|---|
1 | Very low |
2 | 5 Wh per monitor |
3 | 15 Wh per monitor |
4 | 20 Wh per monitor and 50% consumption per computer |
5 | 20 Wh per monitor and 50% consumption per computer |
6 | 100% consumption per computer |
7 | Very low |
8 | Need more information |
9 | Very low |
10 | Very low |
11 | Very low |
12 | Very low |
13 | Very low |
Target | Description | Choreography |
---|---|---|
A | Turn off the computer during the night period (20:00–7:00) (during weekdays) | 6/10 |
B | Turn off the computer all day (during the weekend) | 6/10 |
C | Stand by the computer during lunch period (12:00–14:00) (during weekdays) | 5/9 |
D | Turn off the lights during the night period (20:00–7:00) (during weekdays) | 8 |
E | Turn off the lights during the lunch period (12:00–14:00) (during weekdays) | 8 |
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Cassola, F.; Morgado, L.; Coelho, A.; Paredes, H.; Barbosa, A.; Tavares, H.; Soares, F. Using Virtual Choreographies to Identify Office Users’ Behaviors to Target Behavior Change Based on Their Potential to Impact Energy Consumption. Energies 2022, 15, 4354. https://doi.org/10.3390/en15124354
Cassola F, Morgado L, Coelho A, Paredes H, Barbosa A, Tavares H, Soares F. Using Virtual Choreographies to Identify Office Users’ Behaviors to Target Behavior Change Based on Their Potential to Impact Energy Consumption. Energies. 2022; 15(12):4354. https://doi.org/10.3390/en15124354
Chicago/Turabian StyleCassola, Fernando, Leonel Morgado, António Coelho, Hugo Paredes, António Barbosa, Helga Tavares, and Filipe Soares. 2022. "Using Virtual Choreographies to Identify Office Users’ Behaviors to Target Behavior Change Based on Their Potential to Impact Energy Consumption" Energies 15, no. 12: 4354. https://doi.org/10.3390/en15124354
APA StyleCassola, F., Morgado, L., Coelho, A., Paredes, H., Barbosa, A., Tavares, H., & Soares, F. (2022). Using Virtual Choreographies to Identify Office Users’ Behaviors to Target Behavior Change Based on Their Potential to Impact Energy Consumption. Energies, 15(12), 4354. https://doi.org/10.3390/en15124354