Smartphone-Based Participatory Soundscape Mapping for a More Sustainable Acoustic Environment
Abstract
:1. Introduction
2. Participatory Sensing
3. Smartphone-Based Sound Measurement
3.1. Example of a Smartphone Application
3.2. Metrological Issues
- The hardware of the microphone, based on Micro-Electro-Mechanical System (MEMS) technology in the smartphone and on the condenser principle (capacitors microphones) in the sound level meter
- The specific algorithms, filters, and the sound application programming interfaces (API) that are used to process the sensed values.
- Apps seem to be more consistent and perform better on iOS than on Android-based systems [48], most likely because iOS smartphones share the common audio architecture “Core Audio” and are produced by a single firm and high quality hardware components are used for all its models; in contrast, Android smartphones are produced by different firms, causing a wide variability of hardware quality and leading to a greater variability in accuracy
- A research showed that smartphones of different brands and models behave differently from each other but smartphones of the same model behave in the same way [49]. This could lead to the idea that once a specific correction function is defined for each smartphone with respect to the sound level meter, then this can be valid for all the smartphones of the same brand and model
- The use of external calibrated microphones greatly enhances the accuracy and precision of smartphone-based noise measurements, provided that in outdoor usage, an appropriate windshield is mounted on the microphone to reduce the influence of wind and the effects of motion [50]
- Concerning stability over the time, in the study described in [51] several types of microphones were placed outdoors for a period of 6 months to investigate their responses under extreme temperatures and their aging in a humid environment. The best type of consumer microphone reading deviated less than 2 dB(A) from the reference equipment and a limited meteorological dependence was observed
- The age of the smartphone seems to influence the measurement accuracy; on average, younger phones provide more accurate readings than older ones, but with greater unsteadiness. Whether this outcome is due to the deterioration of microphone hardware over time or due to contemporary versions of noise apps, which are coded more accurately for microphones in newer smartphones, is unclear and requires more extensive testing [48].
4. Smartphone-Based Noise Mapping
- The considered noise sources are limited to transport infrastructures or industrial sites and, therefore, noise maps do not reflect the real whole sound environment (e.g., cultural or festive activities, markets, etc.) to which people are exposed during their daily activity
- Noise emission models are simplified (for example, urban road traffic is considered to be constant on a road section, without considering traffic dynamics), leading to “frozen” noise maps, with the exception of dynamic noise maps
- Sound propagation models are based on approximations, which become larger as the environmental settings become more complex
- Noise maps require high computational capabilities and long calculation times at the scale of an agglomeration due to the large amount of the entailed data
- Numerical simulations at an agglomeration scale require a large amount of information concerning the investigated area (e.g., the buildings, the topography, the nature of soils and of the road pavements, the yearly probabilities of occurrence of meteorological conditions, etc.) and the noise sources (e.g., road, railway and air traffics, noisy industries and activities, etc.); unfortunately, some of these simulation inputs are sometimes missing, incomplete, or difficult to estimate.
5. Smartphone-Based Soundscape Assessment
- Soundscapes often vary considerably over time and space: an urban square can be a market in the morning, a quiet pedestrian area in the afternoon, and a gathering place for “movida” at evening and night. Thus, long-term average values have little or no meaning, while it is necessary to describe the situation for specific time periods and, if necessary, also for different listening locations
- The type of perceived sound sources influences the assessment of soundscape quality: sources that are appropriate or expected to be present in an environment are evaluated as being less unpleasant and more acceptable than others that are not expected or not consistent with the environment (i.e., road traffic noise heard in an urban park). Many surveys, e.g., [76], have indicated the validity of grouping sounds into the broad categories of “natural” (i.e., birdsongs, water fountain), “anthropic” (i.e., steps, shouting, voices), and “mechanical, technological or man-made” (i.e., transport, machines) [77].
- The extent at which the sound sources have been perceived (i.e., appraisal given on a 5-point ordinal category-scale from “not at all perceived” to “predominant”), for instance the sources can be divided into the broad categories of natural, anthropic, and technological sources
- Appraisal of some attributes of the soundscape, for instance pleasant, chaotic, vibrant, uneventful, calm, annoying, eventful, and monotonous [81]; translation from English to other languages should be carefully done to preserve the original meaning of the attribute
- The assessment of the perceived quality of the surrounding acoustic environment, given on a 5-point ordinal category-scale, for instance from “very good” to “very bad” with a neutral point in the middle
- An appraisal of the perceived appropriateness of the surrounding acoustic environment, given on a 5-point ordinal category-scale, for instance from “not at all appropriate” to “perfectly appropriate”
- The assessment of the perceived quality of the surrounding environment as a whole, also including its visual aspect, again given on a 5-point ordinal category-scale, for instance from “very good” to “very bad” and neutral point in the middle
- The motivation of the participant to record and send her/his data, such as being a resident of the place, either a frequent or occasional visitor, and if she/he is a naive or has experience in soundscape appraisal.
5.1. Outline of Experimental Protocols
5.1.1. Traditional Guided Soundwalk (GUIDE): Very Detailed, High Accuracy, Short-Term
5.1.2. Unattended Noise Monitoring System (MONITOR): Detailed, High/Medium Accuracy, Medium-Term
5.1.3. Smartphone-Based Protocol (SMART): Limited Details, Low Accuracy, Medium/Long-Term
5.2. Examples of Smartphone-Based Soundscape Assessment
6. Conclusions
Author Contributions
Funding
Acknowledgments
Conflicts of Interest
References
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Brambilla, G.; Pedrielli, F. Smartphone-Based Participatory Soundscape Mapping for a More Sustainable Acoustic Environment. Sustainability 2020, 12, 7899. https://doi.org/10.3390/su12197899
Brambilla G, Pedrielli F. Smartphone-Based Participatory Soundscape Mapping for a More Sustainable Acoustic Environment. Sustainability. 2020; 12(19):7899. https://doi.org/10.3390/su12197899
Chicago/Turabian StyleBrambilla, Giovanni, and Francesca Pedrielli. 2020. "Smartphone-Based Participatory Soundscape Mapping for a More Sustainable Acoustic Environment" Sustainability 12, no. 19: 7899. https://doi.org/10.3390/su12197899
APA StyleBrambilla, G., & Pedrielli, F. (2020). Smartphone-Based Participatory Soundscape Mapping for a More Sustainable Acoustic Environment. Sustainability, 12(19), 7899. https://doi.org/10.3390/su12197899