Learning Processes in the Early Development of Sustainable Niches: The Case of Sustainable Fashion Entrepreneurs in Mexico
Abstract
:1. Introduction
2. Theoretical Background
2.1. Niches and Sustainable Entrepreneurship
2.2. Learning in Niches
2.3. The Potential of Transformative Learning in Understanding Niche Formation and Development
2.4. The Global Niche of Sustainable Fashion
3. Methods
- Consist of small to medium size projects that are independent and locally oriented;
- Generate for-profit services or products;
- Have social and environmental goals;
- Operate on a budget;
- Are active at the time of data collection;
- Can be contacted either electronically or in-person;
4. Study Context: The Sustainable Fashion Niche in Mexico
4.1. Description of the Case Studies
4.2. Group 1: Meta-Level Actors
4.3. Group 2: Material Suppliers
4.4. Group 3: Fashion Clothing Brands
5. Results
5.1. Phase 1: Awareness of the Niche
It shocked me a lot (…) to know how a multibillion industry that involves absolutely every political, economic, developmental, social, international, commercial topic…how it was possible that (the textile industry) had such a big impact at the social and environmental level. (entrep-1, direct and translated quote).
I found out what I wanted to undertake with this project, with this business, and to make a change in the industry, something positive with impact, and this is what I want to do for my whole life. It doesn’t matter how long I take; it doesn’t matter how much it costs me … this is my life and my professional project. (entrep-1, direct and translated quote).
Where I used to live there are jeans factories (that)… pollute horribly…the water, the environment; the people who work there inhale all these chemicals, and there are a lot of diseases (…) (Then) I started to investigate and found out that in order not to pollute, one must reuse waste. So, it occurred to me (that) with all the clothes I had, to start reselling clothes again with the mended and also with the remnants (that) my mom had. (entrep-6, direct and translated quote).
5.2. Phase 2: Entrance into the Niche
5.2.1. External Barriers
(Innovating) interests me, but I am not applying it because I do not know how to, and no one can tell me how to do it. (entrep-1, direct and translated quote).
I realised during this project that it is very hard to find materials that are more natural, more ecological (or) recycled, I mean, it is really very difficult if you want to work with a material that is 100% recycled, 100% natural, you have to bring it from other countries. (So), the cost is very high for that reason, because (such material) is not sold here. (entrep-7, direct and translated quote).
In the end, people still prefer the trend, (and even though) they begin to consider to consume locally, (something) made in their own country, it is still attractive the idea of “(well), but I already know this brand, it is an international brand, so it cannot fail me, and this (other) brand I don’t know it.” (entrep-7, direct and translated quote).
There are no studies to raise awareness of how the textile industry works in Mexico as a sector at the national level. Therefore, if you do not understand it, you cannot link one to the other, so there cannot be public policies or regulations, because each industry is seen on its own and not as part of a value chain. That is the big problem. (entrep-1, direct and translated quote).
5.2.2. Strategies to Overcome the Barriers
The last event was 100% sponsored, (but) there wasn’t any (economic) support. I mean, the governmental support was only for the facilities and the marketing of the event; however, the business sector has contributed, because, in a certain way, they see this as an area of opportunity. It is interesting when the business sector invests in this topic of fashion. (Entrep-2, direct and translated quote).
Two companies, with which we have worked on this matter of social entrepreneurship, have helped us a lot in aspects of visibility and that has catapulted us to achieve more things. Otherwise, it would have been more difficult to gain recognition (in the textile sector). (entrep-5, direct and translated quote).
I think that the greatest thing, and what I most appreciate, is the people who have joined the project for nothing in return. I mean, without a financial pay-back, because sometimes I haven’t (the financial) capital to pay people (…) The fact that someone believes in you is retribution that you can’t pay with money. (entrep-1, direct and translated quotation).
5.2.3. Individual Learning Outcomes
I have improved the quality of the processes and the backpacks. I have also tried to optimise certain processes to avoid wasting fabric (...) I have learned a lot about Mexican embroidery and the entire textile culture in indigenous communities. (entrep-7, direct and translated quotation).
Now, I have to learn legal terms, financial terms, to think how an administrator would do it, to imagine myself talking about accounting related things… (entrep-3, direct and translated quote).
Now I think more before purchasing anything, and I repeat it, it is not only what you eat, but also what you wear, it is to be coherent with myself, from sorting the garbage at home to buying things that are worth it for which I can pay a bit more. But it has helped me a lot to change my perspective and to value what I have around me. (entrep-2, direct and translated quote).
5.3. Phase 3: Development of the Niche
There is some sort of a network; we almost know each other (…). Actually, the issue of sustainable fashion in Mexico is still very small. I mean, almost everyone knows each other, we have talked for a few minutes. There is an informal network. Many of them (collaborations) are marketing support, of ideas; we support one another in different ways. (entrep-5, direct quotation).
I think that in terms of communication of knowledge, the development and knowledge, or the development of research, of material, I think that is the biggest impact and the accessibility to it. The fact that people today have access to this material because they have had a sensitisation about the topic (of sustainable fashion), which didn’t exist 13 years ago. (entrep-1, direct and translated quote).
Many people have been interested in donating garments for the production of backpacks (…) So, they make this shift in their thinking: “Well I am not going to throw away all of the clothes that I am not wearing; (I would better) give them a second use, and from there, to begin to consider my way of consuming”. (entrep-7, direct and translated quote).
So, we have had an impact on big companies, on the discourse of big companies, not only in the ideas but also in the way they are communicating their objectives. (entrep-5, direct and translated quote).
6. Discussion
7. Conclusions
Author Contributions
Funding
Acknowledgments
Conflicts of Interest
Appendix A
Tema | Preguntas |
---|---|
Información del emprendedor y del projecto | ¿Cuál es tu nombre? ¿Cuál es tu edad? ¿Cuál es tu ultimo grado académico obtenido y en qué campo? ¿Cuál es tu actividad profesional actual? ¿Cuál es el nombre de tu projecto o start-up? ¿Cuál es tu rol en él? |
¿Qué actividades lleva a cabo tu proyecto? | |
¿Cuántas personas trabajan para/en tu proyecto? | |
¿Cómo surgió la idea de crearlo? (Cómo se fundó, quien y cuando) | |
¿Cómo se ha financiado hasta el momento? | |
Trayectoria de aprendizaje individual antes del comienzo del empredimiento en el nicho | ¿Cómo llegaste a interesarte en el campo de la sustentabilidad en la moda y textiles? |
¿Hubo algún evento decisivo en tu vida que te haya motivado a emprender en este campo de la sostenibilidad y la moda? | |
¿Has tenido algún apoyo de personas durante este proceso de emprendimiento? | |
Antes de que te interesaras en esto, ¿ya tenías alguna preocupación, conocimiento o predisposición hacia los temas ambientales y de sustentabilidad? ¿Cómo lo aprendiste? | |
¿Ya tenías conocimientos previos sobre moda y textiles? ¿Cómo lo aprendiste? | |
¿Pertenecías o trabajaste en alguna organización con fines altruistas, ambientales o de justicia social? | |
Percepción/conocimiento individual sobre sostenibilidad del sector textil | ¿Cómo percibes el estado actual del campo de la moda y textiles sostenibles en México? ¿Qué problemas identificas? |
Resultados de aprendizaje durante el funcionamiento del proyecto | ¿Qué has aprendido en cuestión de conocimientos y habilidades durante todo este tiempo trabajando en tu organización? |
¿Has redefinido tus valores y normas personales al estar trabajando en esto? | |
¿Te consideras como un agente de cambio para contribuir a un cambio hacia la sustentabilidad en el sector de la moda y textiles? | |
¿Cuál consideras que ha sido el mayor impacto positivo que con tu organización has logrado en este campo de la sostenibilidad y la moda en México? | |
Apoyos y barreras en el funcionamiento y potencial crecimiento del nicho | ¿Qué apoyos/incentivos has encontrado para seguir funcionando/expandirte o en el campo? |
¿Qué limitantes/barreras has encontrado para seguir funcionando/expandirte o en el campo? | |
¿Tienes planes de que tu organización crezca más? ¿Cuáles son? | |
¿Qué necesitarías (apoyos/incentivos) para que tu organización tenga un mayor impacto para la transición hacia la sostenibilidad textil? | |
Colaboración de redes entre niches y otros actores y grupos | ¿Podrías mencionar los nombres de cinco proyectos con los más colaboración has tenido en cuestión de moda sostenible? |
¿Estarías interesado/a en formar parte de una red de otros proyectos innovadores en sustentabilidad del sector de la moda y textiles? | |
Pregunta de cierre | Finalmente, en términos generales ¿cómo has sentido la entrevista? |
Appendix B
Topic | Questions |
---|---|
Information about the entrepreneur and project | What is your name? What is your age? What is your last academic degree obtained and in which field? What is your current professional activity? What is the name of your project/start-up? What is your role in it? |
Which activities does your project carry out? | |
How many people work in/for your project? | |
How did you come up with the idea of your project? (How it was founded, who did it and when. | |
How has your project been financed so far? | |
Individual learning trajectory before the beginning of the venture in the niche | How did you get interested in the field of sustainability in fashion and textiles? |
Was there a decisive event in your life that has motivated you to venture in this field of sustainability and fashion? | |
Have you had any support from people during this venturing process? | |
Before you got interested in this, did you already have any concerns, knowledge or predisposition towards environmental and sustainability issues? How did you learn it? | |
Did you already have previous knowledge about fashion and textiles? How did you learn it? | |
Did you belong or work in any organisation with altruistic, environmental or social justice purposes? | |
Individual perception/knowledge about sustainability in the textile sector | How do you perceive the current state of the field of sustainable fashion and textiles in Mexico? What problems do you identify? |
Learning outcomes during the operation of the project | What have you learned in terms of knowledge and skills during all this time while working in your organisation? |
Have you redefined your personal values and norms while working on this? | |
Do you consider yourself as a change agent that contributes to a change towards sustainability in the fashion and textiles sector? | |
What do you consider to have been the greatest positive impact that your organisation has achieved in this field of sustainability and fashion in Mexico? | |
Drivers and barriers in the operation and potential growth of the niche | Which kind of drivers/ incentives have you found to continue operating/expanding or in the field? |
Which limitations/barriers have you encountered to continue operating/expanding or in the field? | |
Do you have plans for your organisation to grow more? For example? | |
What would you need (support/incentives) for your organisation to have a greater impact on the transition towards textile sustainability? | |
Network collaboration between niches and other actors and groups | Could you mention the names of five projects with the most collaboration you have had in terms of sustainable fashion? |
Would you be interested in being part of a network of other innovative projects in sustainability in the fashion and textile sector? | |
Closing questions | Finally, how did you feel in this interview? |
Appendix C
Section (5. Results) | Original quotation (Spanish) | Translation of the Quotation (English) |
---|---|---|
5.1 Phase 1: Awareness of the Niche | Me impactó mucho (...) el conocer cómo una industria multibillonaria y que involucra absolutamente todo tema político, económico, de desarrollo, social, internacional, comercio... cómo era posible que tuviera un impacto tan grande a nivel social y luego en la parte ambiental (entrep-1, cita directa) | It shocked me a lot (…) to know how a multibillion industry that involves absolutely every political, economic, developmental, social, international, commercial topic…how it was possible that (the textile industry) had such a big impact at the social and environmental level. (entrep-1, direct and translated quote). |
Fue cuando descubrí que quería emprender con este proyecto, con este negocio, y realizar un cambio en la industria positivo con impacto y que pues esto es lo que quiero hacer toda mi vida. No importa cuánto tiempo me tarde, no importa cuánto me cueste... este es mi proyecto de vida y mi proyecto profesional. (entrep-1, cita directa) | I found out what I wanted to undertake with this project, with this business, and to make a change in the industry, something positive with impact, and this is what I want to do for my whole life. It doesn’t matter how long I take; it doesn’t matter how much it costs me … this is my life and my professional project. (entrep-1, direct and translated quote). | |
En donde yo vivía hay fábricas de pantalones (que)... contaminan horrible... el agua, el ambiente; la gente que trabaja ahí aspira todos los químicos y hay muchas enfermedades (...) (Entonces) empecé a investigar y ya descubrí que para no contaminar tanto pues hay que usar de residuos. Entonces, se me ocurrió (que) con toda la ropa que tenía ahí empezar a vender ropa otra vez, con la reconstruida y también con los retazos que mi mamá tenía. (entrep-6, cita directa) | Where I used to live there are jeans factories (that)… pollute horribly…the water, the environment; the people who work there inhale all these chemicals, and there are a lot of diseases (…) (Then) I started to investigate and found out that in order not to pollute, one must reuse waste. So, it occurred to me (that) with all the clothes I had, to start reselling clothes again with the mended and also with the remnants (that) my mom had. (entrep-6, direct and translated quote). | |
5.2. Phase 2: Entrance into the Niche (External Barriers) | Me interesa (innovar) pero no lo estoy aplicando porque no sé cómo y no hay nadie que me diga cómo lo hago (entrep-1, cita directa) | (Innovating) interests me, but I am not applying it because I do not know how, and no one can tell me how to do it. (entrep-1, direct and translated quote). |
Me he dado cuenta en esto del proyecto que es difícil encontrar materiales como más naturales, ecológicos (o) reciclados, osea, en realidad es muy difícil si quieres trabajar con un material 100% reciclado, 100% natural, lo tienes que traer de otros países. (Así que) el costo es muy elevado por lo mismo, porque (tal material) no se vende aquí. (entrep-7, cita directa) | I realised during this project that it is very hard to find materials that are more natural, more ecological (or) recycled, I mean, it is really very difficult if you want to work with a material that is 100% recycled, 100% natural, you have to bring it from other countries. (So), the cost is very high for that reason, because (such material) is not sold here. (entrep-7, direct and translated quote). | |
La gente al final de cuentas se sigue yendo por la moda, (y aunque) empieza a considerar ya el consumir de manera local, (algo) hecho en su propio país, sigue siendo atractiva la idea de “(bueno), pero ya conozco esta marca, es una marca internacional, entonces no me pueda fallar, esta (otra) marca no la conozco...” (entrep-7, cita directa) | In the end, people still prefer the trend, (and even though) they begin to consider to consume locally, (something) made in their own country, it is still attractive the idea of “(well), but I already know this brand, it is and international brand, so it cannot fail me, and this (other) brand I don’t know it.” (entrep-7, direct and translated quote). | |
No hay un estudio(s) de cómo hacer consciente cómo funciona la industria textil en México como un sector a nivel nacional. (Entonces) si no lo comprendes, no hilas ninguna con otra, entonces no puede haber ni una política pública ni regulatoria, porque cada industria se ve por separado y no como una cadena de valor. Ese es el gran problema. (entrep-1, cita directa) | There are no studies to raise awareness of how the textile industry works in Mexico as a sector at the national level. Therefore, if you do not understand it, you cannot link one to the other, so there cannot be public policies or regulations, because each industry is seen on its own and not as part of a value chain. That is the big problem. (entrep-1, direct and translated quote). | |
5.2. Phase 2: Entrance into the Niche (Strategies to Overcome Barriers) | El evento pasado fue patrocinado 100%, (pero) no hubo tampoco apoyos (económicos). Osea, el apoyo gubernamental fueron las instalaciones, la difusión (del evento); pero también el sector empresarial se ha sumado, porque pues bueno de cierta manera también lo ven como 1 área de oportunidad. O sea que ya el sector empresarial invierta en este tema de moda está interesante. (entrep-2, cita directa) | The last event was 100% sponsored, (but) there wasn’t any (economic) support. I mean, the governmental support was only for the facilities and the marketing of the event; however, the business sector has contributed, because, in a certain way, they see this as an area of opportunity. It is interesting when the business sector invests in this topic of fashion. (Entrep-2, direct and translated quote). |
Dos empresas con las que hemos trabajado en este asunto del emprendimiento social, (nos) han ayudado mucho en aspectos de visibilidad y eso nos ha catapultado a poder lograr más cosas. Si no, sería muy difícil realmente lograr una fama (en el sector textil). (entrep-5, cita directa). | Two companies, with which we have worked on this matter of social entrepreneurship, have helped us a lot in aspects of visibility and that has catapulted us to achieve more things. Otherwise, it would have been more difficult to gain recognition (in the textile sector). (entrep-5, direct and translated quote). | |
Yo creo que el más grande, y que es lo que más agradezco, es gente que se ha sumado al proyecto a cambio de nada; osea, sin valor económico, porque no he tenido a veces (el) capital (financiero) para pagar (a la) gente (...) Que alguien crea en ti es una retribución que no la puedes pagar con dinero. (entrep-1, cita directa). | I think that the greatest thing, and what I most appreciate, is the people who have joined the project for nothing in return. I mean, without a financial pay-back, because sometimes I haven’t (the financial) capital to pay people (…) The fact that someone believes in you is a retribution that you can’t pay with money. (entrep-1, direct and translated quotation). | |
5.2. Phase 2: Entrance into the Niche (Individual Learning Outcomes) | He mejorado mucho la calidad de los procesos y de las mochilas. He intentado también como optimizar ciertos procesos para evitar el desperdicio de telas (...) He aprendido mucho sobre el bordado mexicano y como toda esta cultura de textiles en las comunidades indígenas. (entrep-7, cita directa). | I have improved the quality of the processes and the backpacks. I have tried also to optimise certain processes to avoid wasting fabric (...) I have learned a lot about Mexican embroidery and the entire textile culture in indigenous communities. (entrep-7, direct and translated quotation). |
Ahora he de tener que aprenderme ahora términos legales, términos financieros, de pensar como lo pensaría un administrador, de imaginarme hablando cosas contables. (entrep-3, cita directa) | Now, I have to learn legal terms, financial terms, to think how an administrator would do it, to imagine myself talking about accounting related things. (entrep-3, direct and translated quote). | |
Ahora pienso más antes de comprar cualquier cosa, y vuelvo a repetir, no nada más es lo que comes sino lo que vistes, pero también a ser coherente conmigo misma, desde separar la basura en casa o de hacer compritas que valen la pena, no importa, lo pago un poquito más. Pero si me ha ayudado bastante a cambiar mi perspectiva y a valorar más lo que tengo alrededor. (entrep-2, cita directa) | Now I think more before purchasing anything, and I repeat it, it is not only what you eat, but also what you wear, it is to be coherent with myself, from sorting the garbage at home to buying things that are worth it for which I can pay a bit more. But it has helped me a lot to change my perspective and to value what I have around me. (entrep-2, direct and translated quote). | |
Básicamente soy financiero, entonces el aspecto de la prioridad del dinero, osea, del negocio era prioridad. En este momento estamos tomando ya decisiones basadas en más variables (por ejemplo, el) impacto que para nosotros es muy importante. Esta es una de las variables más importantes a la hora de tomar decisiones en (el proceso de) producción. (entrep-5, cita directa) | Basically, I am a finance person, so the aspect of prioritising money, I mean, the business was the priority. At this moment we are already making decisions based on more variables, for instance, the impact of what we do, which for us is very important. This is one of the most important variables when we make decisions in the production (process) (entrep-5, direct and translated quote). | |
5.3. Phase 3: Development of the Niche | Existe como una red, casi todos nos conocemos. Realmente es muy pequeño el asunto todavía de moda sustentable aquí en México. Osea te digo, casi todos nos conocemos, hemos platicado algunos minutos. Existe la red informal. Muchas (colaboraciones) son apoyos de mercado, de ideas, nos apoyamos entre nosotros de diversas formas. (entrep-5, cita directa). | There is some sort of a network; we almost know each other (…) Actually, the issue of sustainable fashion in Mexico is still very small. I mean, almost everyone knows each other, we have talked for a few minutes. There is an informal network. Many of them (collaborations) are marketing support, of ideas, we support one another in different ways. (entrep-5, direct quotation). |
Creo que, en términos de comunicación de conocimiento, el desarrollo de conocimiento o el desarrollo de investigación de material, creo que es el impacto más grande y la accesibilidad a la misma. El que hoy la gente tenga la accesibilidad a estos materiales porque han tenido una sensibilización sobre el tema (de moda sostenible), no había hace trece años (entrep-1, cita directa) | I think that in terms of communication of knowledge, the development and knowledge, or the development of research, of material, I think that is the biggest impact and the accessibility to it. The fact that people today have access to this material, because they have had a sensitisation about the topic (of sustainable fashion), which didn’t exist 13 years ago. (entrep-1, direct and translated quote). | |
Mucha gente se ha interesado en donar prendas para hacer las mochilas (...) Entonces hacen ese cambio de pensamiento: “Pues no voy a tirar toda la ropa que ya no uso, mejor (voy) darle un segundo uso y pues a partir de ahí a empezar a considerar también mi forma de consumo. (entrep-7, cita directa) | Many people have been interested in donating garments to produce the backpacks (…) So, they make this shift in their thinking: “Well I am not going to throw away all of the clothes that I am not wearing; (I would better) give them a second use, and from there, to begin to consider my way of consuming”. (entrep-7, direct and translated quote). | |
Entonces hemos impactado en grandes empresas, en el discurso de las grandes empresas, no solamente en las ideas sino en la forma en que comunican sus objetivos. (entrep-5, cita directa) | So, we have had an impact on big companies, on the discourse of big companies, not only in the ideas but also in the way they are communicating their objectives. (entrep-5, direct and translated quote). |
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Case Study Code | Entrepreneur Code | Position in the Supply Chain | Year of Foundation | Activities | Number of Workers | Sources of Initial Financing |
---|---|---|---|---|---|---|
CS1 | entrep-1 | Meta-level actors | 2015 | Provision of consultancy, communication, research and training services on topics of sustainability for the textile and fashion industry. | Two permanent people (owner and her partner) and two other people hired by the project. | Personal loans and sponsorship. |
CS2 | entrep-2 | Meta-level actors | 2016 | Linking up (fashion) designers from the state of Morelos with communities of indigenous artisans to produce clothes or accessories with a focus on social justice, conservation and circular economy. | Group of ten brands and five people working in logistics and organisation. | Public resources from the government. |
CS3 | entrep-3 and entrep-4 | Material suppliers | 2018 | Development of organic dyes through nano- and biotechnology. | Nine people of whom five are the founders of the project. | Prize and collaborating with investors. |
CS4 | entrep-5 | Material suppliers | 2014 | Manufacture of fabrics from recycled materials such as PET, cotton, wool, polyester, acrylics. | Six people and a network of local textile workers. | Own capital. |
CS5 | entrep-6 | Fashionclothing brands | 2017 | Design and manufacturing of new but zero waste clothes based on upcycling processes. The products are then retailed online or through various stores. | Owner only. | External funding application and money from another job. |
CS6 | entrep-7 | Fashionclothing brands | 2017 | Design and manufacture of backpacks and accessories (e.g., wallets, purses) from textile waste (i.e., second-hand clothes). They retail their products online, through other retailers or variety stores. | Founder and four other people (those who sew/manufacture the backpacks). | From the sales of previous products. |
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Rodríguez Aboytes, J.G.; Barth, M. Learning Processes in the Early Development of Sustainable Niches: The Case of Sustainable Fashion Entrepreneurs in Mexico. Sustainability 2020, 12, 8434. https://doi.org/10.3390/su12208434
Rodríguez Aboytes JG, Barth M. Learning Processes in the Early Development of Sustainable Niches: The Case of Sustainable Fashion Entrepreneurs in Mexico. Sustainability. 2020; 12(20):8434. https://doi.org/10.3390/su12208434
Chicago/Turabian StyleRodríguez Aboytes, Jorge Gustavo, and Matthias Barth. 2020. "Learning Processes in the Early Development of Sustainable Niches: The Case of Sustainable Fashion Entrepreneurs in Mexico" Sustainability 12, no. 20: 8434. https://doi.org/10.3390/su12208434
APA StyleRodríguez Aboytes, J. G., & Barth, M. (2020). Learning Processes in the Early Development of Sustainable Niches: The Case of Sustainable Fashion Entrepreneurs in Mexico. Sustainability, 12(20), 8434. https://doi.org/10.3390/su12208434