1. Introduction
In the past twenty years, the attention paid to the lighting sector has increased [
1,
2,
3,
4] and, in particular, the attitude towards lighting of outdoor spaces has changed during this time. More attention has been paid to improvement programs for cities and different ways to experience urban areas: the identity of cultural and architectural heritage sites has been promoted in order make cities more pleasant and livable during the night. Nowadays, the number of people performing outdoor activities in the nighttime is higher, and the proper lighting of outdoor spaces is one of the factors that has led to this widespread phenomenon. Proper lighting, besides creating a safer environment, must also enable a spectator to enjoy the atmosphere while revealing shapes and features of the city. Several times it has been underlined how illumination can affect personal sensations [
5,
6,
7].
Such influence is even more significant when dealing with monuments, which has been more of a focus of study in recent years [
8,
9,
10,
11,
12]. They represent works of art and architecture and, from an artistic perspective, monuments are now part of the collective consciousness for many reasons (e.g., historical, memorial,
etc.): they symbolize historical moments describing something that has happened or give form to the emotions of the artist who created them. For these reasons, monuments pay homage to an historical period, an idea or opinion.
However, while referring to monuments and works of art, the analysis and discussion is often limited to museums and exhibition spaces. For example, Iliadis [
13] studied the lighting of exhibits in museum showcases and developed a method to optimize the design for a free-standing showcase in the form of a rectangular parallelepiped with a wooden base and glass cover. However, in these spaces the lighting design is determined by the architect and curator who makes decisions regarding lighting while trying to create a balance between vision and preservation [
14,
15,
16]. Therefore, the experience of the visitor is controlled by those who organized the lighting, usually preferring to give a certain effect from a certain spot, and the visitor does not have any power to change this condition [
17]. This is something that does not happen in outdoor spaces: if someone observes and walks around a monument, in an archaeological site or in a historic centre properly illuminated, he/she can appreciate the extraordinary effects and the sensations given by its lighting. From this point of view, Tural and Yener [
18] suggested the need for monument lighting, taking it as an essential architectural and outdoor lighting issue, and they evaluated different lighting conditions of the Bilkent University Atatürk Monument. Di Salvo [
19] focused on the importance of respecting the authenticity of sites trying to show both their historical and architectural value, and four different sites were taken into consideration in this study: the archaeological crypt of Notre Dame in Paris, La Ciutadella de Roses in Catalonia, the London’s Roman amphitheater and the archaeological Park of Selinunte. On the other hand, Cevik
et al. [
20] stressed, through the analysis of Kunduracilar Street in Trabzon (Tuekry), how a lighting installation, able to emphasize the characteristics of historic buildings, can play an important role in renovation-revitalization works in historical city centres.
Such issues, and from a more general point of view, the same lighting, should be evaluated while taking into consideration the energy consumption related to the lighting requirements [
21]. According to the US Department of Energy [
22], 7% of total energy consumption is due to lighting and this value increases to 18% taking into consideration electric energy only. In Sweden, observing the data provided by the Swedish Energy Agency, lighting consumption represents 23% of the total value [
23] whereas in Italy it is 16.4% [
24]. This is why several studies have focused their attention on the optimization of lighting systems and on the corresponding energy savings [
25,
26,
27,
28]. For example, the substitution of outdated lamps with light sources characterized by a specific efficiency of 117 lm/W can achieve energy savings of about 55% [
28].
For these reasons, modern technology suggests the use of LED lamps as a solution to these problems [
29]. They allow design engineers to reach high performances both aesthetically and in terms of energy consumption. They also present high specific efficiency values and, for what concerns reliability, they guarantee a higher MTTF (Mean Time To Failure, it describes time to failure for non-repairable components like an integrated circuit soldered on a circuit board and it is expressed in hours) [
30] than other lamps. Finally, even if LED lamps present higher investment costs, their MTTF values lead them to have lower maintenance costs.
While considering what has been previously said, this paper makes an evaluation of the lighting of a site characterized by a high historic-artistic value: the cloister of St. Peter in Chains (placed inside the Faculty of Engineering of the “Sapienza” University of Rome) and the exterior monumental façade of the same faculty. Currently, the problem is that the façade (which sees the installation of halogen lamps) is poorly lit and its characteristics are not emphasized. However, the implementation of a scenographic lighting of the façade, while keeping in the cloister the present lighting fixtures (metal halides and compact fluorescent lamps) implies an increase of both the total installed power and the energy consumption because of their specific efficiency values. For this reason, a change in the lighting fixtures of the cloister was made, and the façade and two different lighting installations were compared: a pre-renovation and a post-renovation scenario. The first one reproduces the present lighting configuration of the site whereas the second solution is characterized by LED lamps and the implementation of the aforementioned scenographic lighting of the exterior monumental façade. Thanks to the high values of specific efficiency of LED lamps, the second solution presents a total installed power similar to the one of the pre-renovation scenario. Therefore, thanks to an economic analysis, which considers energy and maintenance aspects [
31,
32,
33,
34,
35], the purpose is to evaluate whether lower maintenance costs, hence lower operation costs of LED lamps, can balance out their higher installation costs and determine the payback period. While comparing both scenarios, it was also taken into consideration the lighting levels regarding different visual tasks. For this kind of evaluation, the software DIALux Evo 4.0 was used, while for the economic analysis the software ecoCALC was used.
2. The Case Study
The Faculty of Engineering of the “Sapienza” University of Rome is placed in what used to be the monastery of the church of St. Peter in Chains. Its high historical and artistic value is determined by the presence of a Renaissance cloister by Giuliano da Sangallo (
Figure 1A) and a monumental façade at the entrance designed in 1916 by Giovanni Battista Milani (
Figure 1B).
Figure 1.
Cloister (A) and exterior facade at the entrance (B) of the Faculty of Engineering of the “Sapienza” University of Rome.
Figure 1.
Cloister (A) and exterior facade at the entrance (B) of the Faculty of Engineering of the “Sapienza” University of Rome.
For what concerns the cloister (
Figure 1A and
Figure 2), the ground floor is characterized by a rectangular portico whose sides present seven or eight arches supported by columns. The facades on the top of the columns delimiting the portico have, according to the side considered, seven or eight rectangular windows characterizing the first floor; the second floor presents a terrace with the same surface of the portico and placed (in terms of space) right above it. In the middle of the yard there is then an octagonal well thought to be a work by Simone Mosca. The upper part of the well is characterized by a tripod formed by two pairs of columns supporting an architrave thought to be a work by Michelangelo Buonarroti. Moreover, the yard, made of Lombard cobblestones, presents a fountain and an orange tree whereas the portico flooring is made of ceramic tiles. The total area of the cloister is about 1800 m
2, where 1152 m
2 form the yard and 648 m
2 the portico.
Figure 2 shows a 3D-model of the cloister and, through the use of letters as ID, all the different surfaces were identified; for each of them
Table 1 reports the materials and the corresponding reflection coefficients.
Table 1.
Material and reflection coefficients of the surfaces characterizing the cloister.
Table 1.
Material and reflection coefficients of the surfaces characterizing the cloister.
Surface Examined | ID | Material of the Surface Examined | Reflection Coefficient [%] |
---|
Cloister | Portico flooring | a | Red ceramic tiles | 12 |
Terrace flooring | b | Red ceramic tiles | 12 |
Vertical walls of the portico | c | White painted lime plaster | 82 |
Yard facades | d | Orange painted lime plaster | 29 |
Columns and bases | e | Marble | 71 |
Yard surface | f | Cobblestone | 28 |
Figure 2.
3D-model of the cloister and identification of the various surfaces.
Figure 2.
3D-model of the cloister and identification of the various surfaces.
On the other hand, the main facade of the faculty is on via Eudossiana (
Figure 1B and
Figure 3), its length is 80 m with a height of 21 m. On the top, there is a banister and it is divided in half by a cornice placed at 11.5 m from the ground. Above and under this cornice there are two types of windows and in the middle three arches representing the entrance. These arches, each supported by two columns, are placed on a staircase formed by 19 steps and both sides are delimited by a banister. The building is then characterized, in addition to the central structure, by two wings. Each wing presents two sides: one towards the entrance overlooking an internal area of 280 m
2 with two high palm trees while the other side overlooks via Eudossiana. The internal side of the left wing presents two types of windows divided by a cornice at 11.5 m from the ground; on the internal side of the right wing, the same cornice separates three orders of windows: two of them are on the lower part whereas the other is on the upper part. Instead, on the sides of the wings overlooking via Eudossiana there are just two arched windows, one on the upper part and the other on the lower part, divided even in this case by a cornice placed at 11.5 m from the ground.
In the wings of the structure, there are then fake columns, used to separate each window from one another. Finally, the areas in front of the internal sides of the wings are delimited, on two sides, by the same building, whereas the other two are delimited by steps and an enclosure constituted by small columns. The case study also considers the entrance hall placed at the end of the entrance staircase. As for the cloister,
Figure 3 shows the surfaces of the structure and for each of them
Table 2 reports the materials and the corresponding reflection coefficients.
Figure 3.
3D-model of the façade and the entrance hall and identification of the various surfaces.
Figure 3.
3D-model of the façade and the entrance hall and identification of the various surfaces.
Table 2.
Material and reflection coefficients of the surfaces characterizing the façade and the entrance hall.
Table 2.
Material and reflection coefficients of the surfaces characterizing the façade and the entrance hall.
Surface Examined | ID | Material of the Surface Examined | Reflection Coefficient [%] |
---|
Monumental facade at the entrance | Facade | g | Bricks | 42 |
Light orange painted lime plaster | 46 |
Staircase | h | Marble | 71 |
Entrance hall | Vertical walls | i | White painted lime plaster | 82 |
Floor | l | Marble | 71 |
To complete the characterization of the case study, the lighting configurations of both scenarios examined are then described.
Therefore, with reference to the pre-renovation scenario,
Table 3 provides information about the devices currently installed to light the cloister, the façade and the entrance hall: it reports the number of devices, the power of each device and the corresponding total power, correlated colour temperature (CCT) and colour rendering index (CRI).
The lighting fixtures reported in
Table 3 include recess spotlights for the portico, the entrance hall and the yard, whereas they are wall devices for the terrace and exterior lights for the façade. The total power for the pre-renovation scenario is 4735.2 W.
On the other hand,
Table 4 reports some information concerning the lighting configuration of the post-renovation scenario. As previously said, it assumes a substitution of the present lighting fixtures with LED lamps and, due to the scenographic lighting of the monumental façade, it presents a total power of 5128 W.
Table 3.
Current lighting configuration (pre-renovation scenario).
Table 3.
Current lighting configuration (pre-renovation scenario).
| | Type of Lamps | Number of Devices | Power of each Device [W] | Total Power [W] | CCT [K] | CRI |
---|
Cloister | Portico | Metal halides | 34 | 24 | 816 | 2800 | 100 |
Yard | Metal halides | 30 | 24 | 720 | 2800 | 100 |
Compact fluorescent lamps | 4 | 21 | 84 | 2700 | 85 |
Terrace | Compact fluorescent lamps | 38 | 20 | 760 | 2700 | 85 |
Monumental facade at the entrance | Halogen lamps | 8 | 259.4 | 2,075.2 | 2900 | 100 |
Entrance hall | Halogen lamps | 8 | 35 | 280 | 2900 | 100 |
Table 4.
Suggested lighting configuration (post-renovation scenario).
Table 4.
Suggested lighting configuration (post-renovation scenario).
| | Type of Lamps | Number of Devices | Power of each Device [W] | Total Power [W] | CCT [K] | CRI |
---|
Cloister | Portico | LED | 68 | 8 | 544 | 4000 | 84 |
Yard | LED | 34 | 16 | 544 | 2800 | 84 |
Terrace | LED | 38 | 10 | 380 | 2800 | 83 |
Monumental façade at the entrance | LED Type 1 | 26 | 3.5 | 3000 | 4000 | 75 |
LED Type 2 | 28 | 44 | 4000 | 80 |
LED Type 3 | 28 | 27.5 | 6000 | 80 |
LED Type 4 | 13 | 21 | 4000 | 80 |
LED Type 5 | 3 | 22 | 4500 | 80 |
LED Type 6 | 4 | 35 | 4000 | 80 |
LED Type 7 | 2 | 22 | 4000 | 75 |
LED Type 8 | 4 | 5 | 4000 | 70 |
LED Type 9 | 6 | 17.7 | 5500 | 70 |
LED Type 10 | 3 | 5.1 | 6000 | 75 |
LED Type 11 | 2 | 121 | 5000 | 70 |
Entrance hall | LED | 4 | 165 | 660 | 3000 | 84 |
4. Validation of the Model
Once the reproduction of the cloister through the software DIALux Evo 4.0 is done, the next step is the lighting simulation of the pre-renovation scenario to validate the model against the existing lighting installation. The lighting values determined by this simulation were compared with those measured experimentally on the field [
43] by examining the surface of the portico where the standards require a lighting of 5 lux [
40]. This is the reason why 16 measuring points were set on the surface considered (
Figure 4).
To validate the model, we chose to study this surface because of its position in an enclosed environment. For this reason, lighting values are determined by the contribution of the lighting devices installed (the software is able to reproduce them) and they are not affected by external factors.
To perform the experimental measurements, a luxometer whose metrological properties are reported in
Table 5 was then used.
Table 5.
Metrological properties of the luxometer.
Table 5.
Metrological properties of the luxometer.
| Measurement range | Accuracy |
---|
Luxometer | 0.01 ÷ 99,900 lux | ±2% of recording |
Figure 5 compares the values determined by the simulation performed through DIALux and those measured on the field for each measuring point.
Figure 4.
Disposition of the 16 measuring points on the surface of the portico for the experimental measurements.
Figure 4.
Disposition of the 16 measuring points on the surface of the portico for the experimental measurements.
Figure 5.
Comparison between the values determined by the simulation performed through DIALux and those measured experimentally on the field.
Figure 5.
Comparison between the values determined by the simulation performed through DIALux and those measured experimentally on the field.
It can be noted, while examining
Figure 3, how there is a satisfying correspondence between estimated and observed data. Such correspondence is also confirmed by the value provided by a numerical index: the mean absolute error MAE [
44]. It is defined as follows in Equation (2):
The analysis of this index led to satisfying results and the resulting value was 0.53 lux. The highest absolute error was found in measuring points 4 and 5 and was 0.8; the minimum absolute error was 0.1 characterizing point 10. As a proof of the validity of the model reproduced, it is possible to note how the absolute errors have values always less than 10%.
5. Lighting Results
Through the DIALux software, it was possible to conduct an evaluation of the lighting results determined by the considered solutions. The pre-renovation scenario is characterized by metal halide lamps, compact fluorescent lamps and halogen lamps. On the other hand, the post-renovation scenario uses LED lamps, and thanks to its implementation, the possibility of redirecting the energy and maintenance savings made by the scenographic lighting of the external façade to the entrance can be explored. It is also important to understand whether the post-renovation scenario is able to provide lighting results that can observe, where necessary, the standards.
This is the reason why the results provided by the simulations for each scenario were evaluated by taking into consideration the same visual tasks and hence the same calculation surfaces.
Table 6 reports then the results for every calculation surface for what concerns the average lighting level and the coefficient of uniformity:
Table 6.
Comparison concerning the calculation surfaces between both scenarios.
Table 6.
Comparison concerning the calculation surfaces between both scenarios.
Surface Examined | EAVERAGE [lux] | EMIN/EAVERAGE |
---|
Desired [40,45] | Pre-Renovation Scenario | Post-Renovation Scenario | Pre-Renovation Scenario | Post-Renovation Scenario |
---|
Cloister | Portico | 5 | 12 | 24 | 0.804 | 0.911 |
Terrace | 5 | 6 | 9 | 0.718 | 0.739 |
Entrance hall | Internal steps | 5 | 28 | 196 | 0.741 | 0.765 |
Table 1 | 200 | 40 | 216 | 0.353 | 0.738 |
Table 2 | 200 | 42 | 227 | 0.356 | 0.744 |
Transit zone | 5 | 30 | 188 | 0.451 | 0.718 |
Monumental facade at the entrance | Staircase | 5 | 9 | 24 | 0.561 | 0.648 |
While examining
Table 6, it is possible to note how the post-renovation scenario provides better lighting conditions on each surface considered. Such an improvement is more significant for the entrance hall and its entrance steps. The surfaces of these spaces, regarded as an essential part of the façade, are among those sections that must be valorized. The higher lighting level and uniformity coefficient detailed in both scenarios are therefore important. As a matter of fact, they tend to be used during expositions and promotional events. An improvement, even if less evident, can be detected for the portico and terrace, which are the surfaces of the cloister that can be considered transit zones.
For what concerns the comparison between estimated and desired lighting values, it can be noted how in the post-renovation scenario the results obtained for each surface are satisfying, contrary to the pre-renovation scenario where the results were revealed to be insufficient as detailed in the
Table 6.
In the lighting of the cloister and the façade at the entrance (post-renovation scenario), aesthetic factors were also taken into consideration. So,
Figure 6A and B) shows the ray tracing of the cloister.
Figure 6.
Ray tracing of the cloister in the post-renovation scenario (A) view from above; (B) view from Portico.
Figure 6.
Ray tracing of the cloister in the post-renovation scenario (A) view from above; (B) view from Portico.
The lighting devices characterizing the façade (
Figure 7) were then placed to give prominence to every single element as the columns or friezes; the entrance and other important parts of the building were highlighted as well. Since the building must be observed at a short distance, the number of low power lighting fixtures was increased with respect to the pre-renovation scenario. The small size of the lighting fixtures ensures good optical conditions as does directly installing the lights on the façade. Moreover, this method determines a better flexibility and shadows impression with a higher level of the final lighting effect. To use this type of lighting system, narrow beam spotlights, accentuating the joint of the façade in the vertical direction, were used. Due to their installation position, at a short distance from the façade, the result was a marked grazing light.
Figure 7.
Ray tracing of the façade in the pre-renovation (A) and post-renovation scenario (B).
Figure 7.
Ray tracing of the façade in the pre-renovation (A) and post-renovation scenario (B).
Finally, these choices ensured, for the post-renovation scenario (
Figure 7B), an improvement in the aesthetic qualities of the building with respect to the pre-renovation scenario (
Figure 7A).
6. Comparison Based on Energy and Maintenance Factors
From a general point of view, when dealing with buildings, the energy [
46,
47,
48,
49,
50,
51] and maintenance [
52] analyses are extremely important. For this reason, after discussing all these improvements in lighting due to the development of the post-renovation scenario, the comparison between the two scenarios is performed using the commercial software ecoCALC [
37]. The comparison did not consider just energy savings achieved by the use of the new LED technology, but it also carried out an examination of the corrective maintenance costs.
Costs are then calculated in Euros, and
Table 7 reports some economic and financial parameters that are useful for the estimation and are valid in Italy [
53].
Table 7.
Values of some economic and financial parameters.
Table 7.
Values of some economic and financial parameters.
Economic and Financial Parameters |
---|
Price of the electric energy | 0.063 €/kWh |
Maintenance payment per hour | 25.6 €/h |
Maintenance cost for the repainting of the building | 10 €/m2 |
Maintenance cycle for the building painting | 25 years |
Inflation rate due to the economic calculation | 1.80% year |
Interest rate of the capital | 2.50% year |
While comparing the scenarios, it is necessary to consider that in this case LED devices are supposed to function for 50,000 h (assuming an optimal operating temperature) and, according to the annual operating hours of the devices installed on the structure, it is assumed they have a service life of 26 years.
However, it should not be forgotten that maintenance costs of the LED system characterizing the post-renovation scenario are lower than those of the pre-renovation scenario. In fact, metal halides lamps, compact fluorescent lamps and halogen lamps require a more frequent substitution than LED lamps (
Table 8).
Table 8.
Lifespan and cost of light sources used in both scenarios.
Table 8.
Lifespan and cost of light sources used in both scenarios.
| | Pre-Renovation Scenario | Post-Renovation Scenario |
---|
| | Type of lamps | Lifespan [h] | Cost [€] | Type of lamps | Lifespan [h] | Cost [€] |
---|
Cloister | Portico | Metal halides | 6000 | 35.00 | LED | 50,000 | 119.62 |
Yard | Metal halides | 6000 | 35.00 | LED | 50,000 | 60.00 |
Compact fluorescent lamps | 8000 | 51.00 |
Terrace | Compact fluorescent lamps | 8000 | 36.00 | LED | 50,000 | 40.30 |
Monumental façade at the entrance | Halogen lamps | 2000 | 430.00 | LED Type 1 | 50,000 | 58.37 |
LED Type 2 | 294.38 |
LED Type 3 | 68.10 |
LED Type 4 | 154.33 |
LED Type 5 | 215.30 |
LED Type 6 | 352.00 |
LED Type 7 | 197.25 |
LED Type 8 | 59.04 |
LED Type 9 | 239.21 |
LED Type 10 | 195.33 |
LED Type 11 | 244.24 |
Entrance hall | Halogen lamps | 2000 | 65.00 | LED | 50,000 | 329.25 |
Table 9 reports then the results from the comparison between the two scenarios.
Table 9.
Comparison of the results of the pre-renovation scenario and post-renovation scenario.
Table 9.
Comparison of the results of the pre-renovation scenario and post-renovation scenario.
| Pre-Renovation Scenario | Post-Renovation Scenario |
---|
Power installed [W] | 4735.2 | 5128 |
Average annual total costs (absolute) [€/year] | 7749 | 4823 |
Average annual energy consumptions [kWh/year] | 9506 | 10,293 |
Total investment costs [€] | 10,387 | 36,839 |
Average annual maintenance [€/year] | 6272 | 2292 |
Average annual operation costs [€/year] | 7301 | 3407 |
It can be noticed how, due to the number of devices installed to create scenographic lighting on the façade at the entrance, the power installed in the post-renovation scenario is about 400 W higher than that characterizing the pre-renovation scenario. As a matter of fact, in the pre-renovation scenario, the cloister only has 912 W more power installed than the post-renovation scenario, despite the better lighting levels reported.
The power installed affects the average annual energy consumption: the results showing the LED devices consumed 10,293 kWh/year, while in the pre-renovation scenario 9506 kWh/year was used.
Installation costs also represent a advantage for the current solution characterized by metal halides lamps, compact fluorescent lamps and halogen lamps. The higher cost of LED devices leads to a value of 36,839 €, which is 26,000 € more than the pre-renovation scenario.
For a complete evaluation of both scenarios, the average annual maintenance and operation costs must be taken into consideration. From this perspective, the service life of LED lamps implies less frequent substitutions than the lamps constituting the pre-renovation scenario, and this affects the average annual maintenance costs (the post-renovation scenario saves 4000 € with respect to the post-renovation scenario). In turn, this aspect affects the average annual operation costs with a value of 4000 € less than the post-renovation scenario.
Keeping in mind what has been previously said, the general trend of the total costs of the solutions can be observed in
Figure 8. Finally, it is possible to note how, even if the investment costs are higher, a lower value of maintenance costs of LED devices makes the post-renovation scenario more advantageous after seven years from the device installation.
Figure 8.
General trend of the total costs for both solutions.
Figure 8.
General trend of the total costs for both solutions.
7. Conclusions
This paper, while taking as a case study the cloister and the monumental façade at the entrance of the Faculty of Engineering of the “Sapienza” University of Rome, examines the possibility to substitute the current lighting fixtures with LED lamps and realize a scenographic lighting of the facade. This is the reason why the site examined was reproduced through the DIALux software and the model was validated against the existing lighting installation through a series of experimental measurements in the field. Then, two different scenarios were implemented: a pre-renovation scenario, reproducing the present lighting configuration characterized by the installation of metal halides lamps, compact fluorescent lamps and halogen lamps and a post-renovation scenario, characterized by the installation of LED devices. For what concerns the power installed, the pre-renovation scenario has a capacity of 4735 W while the post-renovation scenario has a capacity of 5128 W. This increase is due to the scenographic lighting of the façade. In fact, in the cloister only, 912 W more power capacity was found in the pre-renovation scenario as compared to the post-renovation scenario.
The next step was to examine the lighting results, and an improvement in the luminance levels on every surface in the scenario with LED devices was reported; uniformity coefficients were improved as well.
The final analysis was an economic evaluation from an energy and maintenance perspective to examine the feasibility of the post-renovation solution. Installation costs of LED lamps were higher. However, as LED lamps present lower maintenance costs and hence operation costs as well, a payback period of seven years was determined for this solution.