A Systematic Review on the Interaction between Emotion and Pseudoneglect
Abstract
:1. Introduction
2. Materials and Methods
2.1. Research Strategies
2.2. Eligibility Criteria
2.3. Data Collection
3. Results
3.1. Study Selection
3.2. Visual Stimuli
3.2.1. Faces
3.2.2. Words
3.2.3. Artwork
3.3. Auditory Stimuli
3.4. Emotional Traits, Hormones, Stress, and Spatial Distance
4. Discussion
Brain Asymmetries in Emotion Processing
5. Conclusions
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Conflicts of Interest
References
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Authors | Sample Size | Gender | Age (Years) | Emotional Stimuli | Emotional Measures | |
Hausman, 2005 | 38 | 24 F; 14 M | females: M = 26.96; SD = 6.19 males: M = 33.93; SD = 10.02 | State-Trait-Cheerfulness Inventory | ||
Mohr et al., 2005 | 24 | 20 F; 4 M | M = 20.9; SD = 4.71 | Lines made of strings of letters with emotional and neutral words | ||
Drake et al., 2006 | 27 | 11 F; 16 M | not reported | The Positive and Negative Affect Schedule (PANAS) | ||
Drago et. al. 2008 | 17 | 8 F; 9 M | M = 66; SD = 9.55 | 5 abstract and 5 impressionistic paintings | Evocative impact of the painting (Likert scale) | |
Tamagni et al., 2009 | 48 | 24 F; 24 M | M = 24.5; SD = 1.3 | Valenced positive and negative words | ||
Lourenco et al., 2011 | 35 | 21 F; 14 M | M = 21.2 | CLQ claustrophofbia questionnaire filled after the experiment | ||
Cattaneo et al., 2013 | 26 | 13 F; 13 M | M = 21.7; SD = 2.13 | Exp.1: Female and male faces: happy, sad, and neutral Exp. 2: Female and male vocal sounds: happy, sad, and neutral | ||
Armaghani et al., 2014 | 20 | 10 F; 10 M | M = 21.61 | 1 Female face: happy, sad, and neutral | ||
Legget et al., 2015 | 25 23 22 19 23 | 21 F; 4 M 11 F; 12 M 16 F; 6 M 9 F; 10 M 18 F; 5 M | M = 22.48; SD = 3.60 M = 26.13; SD = 9.44 M = 24.50; SD = 7.41 M = 22.74; SD = 3.68 M = 24.26; SD = 5.93 | Exp.1, 3, 4, and 5: 5 Female and 5 male faces: happy, angry and neutral Exp. 2: Photographs of animals, scenes, etc.: 10 approach, 10 avoidance, and 10 neutral | ||
Hatin et al., 2016a | 50 | 37 F; 13 M | M = 4.41; SD = 0.52 | Faces and words: positive, negative, and neutral valence | ||
Hatin et al., 2016b | 62 | 49 F; 13 M | M =19.81; SD = 1.90 | 8 paintings from Drago et al. (2008), original and mirrored version | TAS-20 | |
Milhau et al., 2016 | 49 22 | not reported | not reported | Words: positive, negative, and neutral valence | ||
Hausman et al., 2016 | 47 | 21 F; 26 M | M = 20.64; SD = 0.74 | 2 pieces of classic music with positive (happy) and negative (sad) valence | State-Trait Cheerfulness Inventory | |
Somma et al., 2021 | 47 | 41 F; 6 M | M = 20; SD = 1.33 | COVID-19 Pandemic Lockdown Student Stress Scale; Coping Orientation to Problem Experienced-New Italian Version | ||
Ciricugno et al., 2020 | 160 | 82 F; 78 M | M = 23.33; SD = 3.65 | 36 figurative paintings and 36 photographs of natural scenes | ||
Authors | Attentional Task | Results | ||||
Hausman, 2005 | Paper-and-pencil line bisection task. Females were tested twice (during the mentrual phase and midluteal phase) | Mood does not affect the results | ||||
Mohr et al., 2005 | Paper-and-pencil bisection task of strings of letters | Exp. 4: The rightward bisection bias is stronger with emotional as compared to neutral words | ||||
Drake et al., 2006 | Paper-an-pencil line bisection task | Rightward errors in visual line bisecting correlate positively with the Positive Affect subscale. | ||||
Drago et. al. 2008 | Paper-and-pencil line bisection task after painting viewing | Negative correlation between the evocative impact of the paintings and line bisection bias | ||||
Tamagni et al., 2009 | Word detection task and paper-and-penci line bisection task | Recognition advantage for negative words is evident only for participants with a leftward bisection bias | ||||
Lourenco et al., 2011 | Line bisection using a laser pointer at nine distances | Greater claustrophobic fear is linked to rightward shifts in attentional bias over distance | ||||
Cattaneo et al., 2013 | Exp. 1: Computerized line bisection task with flankers (emotional faces with the same valence) Exp. 2: Haptic bisection rods while listening emotional sounds | Prolonged exposition to happy stimuli shifts the bisection bias to the right compared to both sad and neutral stimuli | ||||
Armaghani et al., 2014 | Paper-and-pencil perceptual line bisection task with flankers (emotional faces with the same or different valence) | Emotional faces induce a greater leftward deviation compared to neutral faces. Negative faces tend to induce a greater leftward bias than positive ones | ||||
Legget et al., 2015 | Exp. 1, 4, and 5: Landmark task primed by an emotional face Exp. 2: Landmark task with a central photo as emotional prime Exp. 3: Same as exp.1 but with mixed trials | Exp. 1: Negative faces shift to the left Exp. 2, 3, and 4: No emotional effect Exp. 5: Happy faces shift to the left—failed to replicate | ||||
Hatin et al., 2016a | Pen-and-paper line bisection and computerized line bisection with the line composed of words or faces; the bisection performed with either the right or left hand | Positive and negative valenced words shift to the left more than do valenced faces. Positive and negative valenced faces shift to the right relative to baseline | ||||
Hatin et al., 2016b | Paper-and-pencil line bisection task after painting viewing | No relationship between line bisection accuracy and painting ratings | ||||
Milhau et al., 2016 | Exp 1 and 2: Landmark task primed by a central valenced word | Exp. 1: Right-handers give less “right” responses after negative words, compared to the positive ones; left-handers give less “right” responses after positive words compared to the negative ones Exp. 2: Similar pattern to exp. 1 | ||||
Hausman et al., 2016 | Exp 2: Listening to valenced music and paper-and-pen line bisection task | No difference in bisection accuracy across groups and music conditions | ||||
Somma et al., 2021 | Computerized cancellation task | The degree of pseudoneglect increment positively correlates with perceived stress, and negatively correlates with Positive Attitude and Problem Solving COPE-NIV subscales | ||||
Ciricugno et al., 2020 | Computerized line bisection task superimposed on a gray background, painting or photograph | More pseudoneglect when the background is a painting |
Authors | Stimuli/Measures | Bisection Bias—Baseline | Bisection Bias—Emotional Modulation | Right Hypothesis | Valence Hypothesis |
---|---|---|---|---|---|
Hausman, 2005 | State-Trait | Leftward bias | No effect | − | − |
Mohr et al., 2005 | Words | Rightward bias | Emotional words shift to the right | no | no |
Drake et al., 2006 | State-Trait | - | Positive emotional traits shift to the right | no | yes |
Drago et. al. 2008 | Paintings | Rightward bias | Emotional paintings attenuates bias to the right (shift to the left) | yes | no |
Tamagni et al., 2009 | Words | 13 leftward bias and 18 rightward bias | Detection of negative words associated to leftward bias | yes | yes |
Lourenco et al., 2011 | State-Trait | Rightward bias | Claustrophobic fear shifts to the right | no | no |
Cattaneo et al., 2013 | Faces and vocal sounds | Leftward bias | Positive faces shift to the right Positive vocal sounds shift to the right | no | yes |
Armaghani et al., 2014 | Faces | Leftward bias | Positive and negative faces shift to the left | yes | no |
Legget et al., 2015 | Faces, photos of animals and scenes | - | Different trends between experiments | no | no |
Hatin et al., 2016a | Faces and words | Leftward bias | Positive words shift to the left Positive and negative faces shift to the right | no | no |
Hatin et al., 2016b | Paintings | Leftward and rightward bias | - | − | − |
Milhau et al., 2016 | Words | Exp. 1: Rightward bias Exp. 2: No bias | Negative words attenuate bias to the right (for the right-handers) Positive words attenuate bias to the right (for the left-handers) | no | yes |
Hausman et al., 2016 | Music | No bias | Positive music shifts to the right | no | no |
Somma et al., 2021 | State-Trait | Leftward bias | Stress shifts to the left and active coping strategies shift to the right | no | yes |
Ciricugno et al., 2020 | Paintings and photos of scenes | Leftward bias | Neutral paintings shift to the left | no | no |
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Strappini, F.; Galati, G.; Pecchinenda, A. A Systematic Review on the Interaction between Emotion and Pseudoneglect. Symmetry 2021, 13, 1531. https://doi.org/10.3390/sym13081531
Strappini F, Galati G, Pecchinenda A. A Systematic Review on the Interaction between Emotion and Pseudoneglect. Symmetry. 2021; 13(8):1531. https://doi.org/10.3390/sym13081531
Chicago/Turabian StyleStrappini, Francesca, Gaspare Galati, and Anna Pecchinenda. 2021. "A Systematic Review on the Interaction between Emotion and Pseudoneglect" Symmetry 13, no. 8: 1531. https://doi.org/10.3390/sym13081531
APA StyleStrappini, F., Galati, G., & Pecchinenda, A. (2021). A Systematic Review on the Interaction between Emotion and Pseudoneglect. Symmetry, 13(8), 1531. https://doi.org/10.3390/sym13081531