“Dance and Abstraction” Special Issue Introduction

Archias, S. Elise; Bellow, Juliet

doi:10.3390/arts9040120

Open AccessEditorial

“Dance and Abstraction” Special Issue Introduction

by

S. Elise Archias

^1,* and

Juliet Bellow

^2,*

¹

Department of Art History, University of Illinois at Chicago, Chicago, IL 60607, USA

²

Department of Art, American University, Washington, DC 20016, USA

^*

Authors to whom correspondence should be addressed.

Arts 2020, 9(4), 120; https://doi.org/10.3390/arts9040120

Submission received: 9 November 2020 / Accepted: 11 November 2020 / Published: 25 November 2020

(This article belongs to the Special Issue Dance and Abstraction)

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In his 2013 book Hating Empire Properly, historian Sunil Agnani helpfully reminds his audience that an emphasis on cultural difference—a perspective that we tend to think of as the postmodern antidote to Enlightenment-era universalizing rhetoric—can in fact be traced back to early modern European thought [...]

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MDPI and ACS Style

Archias, S.E.; Bellow, J. “Dance and Abstraction” Special Issue Introduction. Arts 2020, 9, 120. https://doi.org/10.3390/arts9040120

AMA Style

Archias SE, Bellow J. “Dance and Abstraction” Special Issue Introduction. Arts. 2020; 9(4):120. https://doi.org/10.3390/arts9040120

Chicago/Turabian Style

Archias, S. Elise, and Juliet Bellow. 2020. "“Dance and Abstraction” Special Issue Introduction" Arts 9, no. 4: 120. https://doi.org/10.3390/arts9040120

APA Style

Archias, S. E., & Bellow, J. (2020). “Dance and Abstraction” Special Issue Introduction. Arts, 9(4), 120. https://doi.org/10.3390/arts9040120

Note that from the first issue of 2016, this journal uses article numbers instead of page numbers. See further details here.

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