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Abstract

Challenges in Detecting Delamination in Lined Oil Paintings Using Pulsed Phase Thermography: Considering the Effects of Paint Variations †

1
Tokyo National Research Institute for Cultural Properties, Taito 110-8713, Tokyo, Japan
2
Department of Conservation, Tokyo University of the Arts, Taito 110-8714, Tokyo, Japan
3
Department of Mechanical Engineering, Kobe University, Kobe 657-8501, Hyogo, Japan
*
Author to whom correspondence should be addressed.
Presented at the 18th International Workshop on Advanced Infrared Technology and Applications (AITA 2025), Kobe, Japan, 15–19 September 2025.
Proceedings 2025, 129(1), 52; https://doi.org/10.3390/proceedings2025129052
Published: 12 September 2025

Abstract

This study investigates the effect of paint-related properties on the accuracy of delamination detection in lined oil paintings using pulsed phase thermography (PPT). Mock-ups of lined oil paintings were examined by PPT under both normal and angled illumination to induce apparently localized heating. Spectral characteristics in the excitation and detection wavelength ranges were analyzed and related to phase contrast variations in the resulting images. While paint-dependent energy absorption under localized heating may blur phase contrast and lead to misidentification of delamination, emissivity properties appear to contribute to stabilizing phase signals. These findings underscore the importance of accounting for paint properties in conservation diagnostics.

1. Introduction

Lining is a conservation technique applied to damaged paintings to enhance structural stability. Among the various methods, wax–resin lining—applied by impregnating canvas with wax-based adhesives—was widely used in the 20th century. Although no longer common today, many such treated paintings remain in collections. Partial delamination in these linings has been a concern, highlighting the need for simple, accessible, and nondestructive methods to assess this issue in conservation practice.
Pulsed phase thermography (PPT) has proven effective for detecting delamination in wax–resin linings; however, non-delaminated areas sometimes exhibit grayscale patterns resembling those of delaminated areas in phase images [1]. This is likely due to localized thermal variations under suboptimal lighting, which often arise in constrained on-site environments. Previous studies have noted that non-uniform heating, even on flat surfaces, can occur due to factors such as heat source position or ambient conditions and compromise detection accuracy [2]. One hypothesis is that certain paints possess properties that make them more susceptible to such interference, resulting in misleading phase images.
To investigate this phenomenon, mock-ups of wax–resin-lined oil paintings with different paint types and simulated delamination within the linings were examined using PPT under both normal and angled illumination setups intended to induce apparently localized heating. Spectral characteristics of the paint were analyzed through imaging and spectroscopy in two key wavelength ranges—Mid-infrared (MWIR; camera detection) and Ultraviolet–Visible–Near-Infrared (UV–Vis–NIR; excitation illumination)—to explore their potential influence on phase image interference in PPT. This study aims to clarify paint-related properties affecting the reliability of lining delamination detection in in-situ conservation contexts.

2. Materials and Methods

2.1. Mock-Ups of Wax–Resin-Lined Oil Paintings

Mock-ups were prepared using F0-sized commercial primed linen canvases. Oil paints (YUICHI, Holbein, Osaka, Japan) were applied with an applicator to separate canvases for each type of paint, in two thicknesses (50 and 200 µm); this present abstract focuses only on the 200 µm-thick paint layers. After drying, wax–resin lining was applied to each canvas, leaving an unbonded region in the center to simulate delamination (see Figure 1). The canvases were then re-stretched onto wooden frames.

2.2. Experimental Methods

2.2.1. PPT in Reflection Mode with Normal and the Angled Illumination (See Figure 2)

  • System: PTvis (Ken Automation Inc., Yokohama, Japan), equipped with DisplayImg Professional software, version 7.8.0.3 (EDEVIS GmbH, Leinfelden-Echterdingen, Germany);
  • Camera: Noxcam640 (Noxant, Palaiseau, France), InSb detector, 3–5 µm, 640 × 512 pixels;
  • Acquisition rate: 100 Hz;
  • Excitation: Xenon flash lamp Tria 6000s (HENSEL-VISIT GmbH & Co. KG, Würzburg, Germany), 6 kJ, 10 ms pulse;
Figure 2. Experimental setup with angled illumination intended to create apparently localized heating, particularly in the focus area shown in Figure 1. The red arrows show the illumination direction from the lamps and the main reflected light paths toward the camera.
Figure 2. Experimental setup with angled illumination intended to create apparently localized heating, particularly in the focus area shown in Figure 1. The red arrows show the illumination direction from the lamps and the main reflected light paths toward the camera.
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2.2.2. Diffuse Reflectance Infrared Fourier Transform Spectroscopy (DRIFTS) *

  • Instrument: ALPHA II with DRIFTS accessory (Bruker Optics GmbH, Ettlingen, Germany);
  • Measurement range: 4000–400 cm−1 (corresponding to 2.5–25 µm);
  • Resolution: 4 cm−1;
  • Number of scans: 16;
  • * Non-invasive alternative to emissivity measurement to avoid sustained heating

2.2.3. UV–Vis–NIR Reflectography

  • Camera: PENTAX 645D IR (Ricoh Imaging Co., Ltd., Tokyo, Japan), CCD sensor, approx. 380–1100 nm, 7264 × 5440 pixels;
  • Filter configuration: No Vis-cut filter;
  • Excitation: Broncolor Unilite strobes (Bron Elektronik AG, Allschwil, Switzerland);

2.2.4. UV–Vis–NIR Reflectance Spectroscopy

  • Instrument: SolidSpec-3700 (Shimadzu Corp., Kyoto, Japan) with integrating sphere;
  • Measurement range: 200–2600 nm;
  • Resolution: 0.1 nm;
  • Measurement method: double-beam reflectance measurement;

3. Results

3.1. Phase Image Analysis Under Different Heating Conditions

Unbonded areas consistently showed distinct phase delays under normal illumination, indicating reliable detection of delamination in wax–resin linings (Figure 3b). Although phase delays also occurred under the adjusted illumination, the phase difference (Δφ) between sound and unbonded regions became significantly smaller, particularly in paints such as Titanium white and Cadmium yellow (Figure 3c). This reduction in contrast made delaminated areas more difficult to distinguish based on phase contrast and suggests a risk of misidentification. Conversely, in paints like Ivory black and Vermilion, Δφ were relatively stable regardless of illumination conditions, and the detectability of delamination was less affected.

3.2. Correlation with Spectral and Thermal Properties: Analysis by Imaging and Spectroscopy

3.2.1. MWIR Range (3–5 µm; Camera Detection Range)

Thermal images acquired during PPT measurements (Figure 4a), taken at the moment of the surface temperature peak immediately after excitation, are considered to predominantly reflect optical features associated with MWIR reflectance. Compared to the reflectance spectra obtained by DRIFTS in the same wavelength range (Figure 5a), trends in image contrast did not consistently align with spectral intensities. This discrepancy suggests that DRIFTS spectra may have limitations in representing surface reflectivity.
Measured FT-IR transmittance for all paints was negligible (<0.001%), allowing the approximation of absorptance ≈ 1 − reflectance. Based on this, a qualitative estimation of relative emissivity was derived from the reflectance images. In this context, Ivory black appeared to exhibit notably higher emissivity, followed by paints such as Vermilion. White paints and Cadmium yellow showed the lowest.

3.2.2. UV–Vis–NIR Range (Mainly 380–1100 nm; Representative Spectrum of a Typical Xenon Flash Lamp)

Both the reflectance images (Figure 4b) and the corresponding spectra (Figure 5b) in the UV–Vis–NIR range showed paint-dependent variations with similar trends. White paints and Cadmium yellow showed relatively higher reflectance across the range, while Ivory black and Burnt umber showed lower values.

4. Discussion

The reduction in phase contrast (Δφ) caused by changes in illumination angle suggests that strong specular reflection of the excitation light from the paint surface may have suppressed heat absorption. If this assumption holds, paints with particularly high reflectance may undergo less temperature rise, leading to a more significant decrease in Δφ.
However, Vermilion was an exception, exhibiting minimal Δφ reduction, despite belonging to the higher-reflectance group in the excitation wavelength range, alongside white paints and Cadmium yellow. This deviation may reflect the influence of emissivity, suggesting that the relative detectability of thermal emission on the detection side potentially contributed to the stability of the phase signals under non-uniform illumination.

Author Contributions

Conceptualization, S.K.; Methodology, S.K.; Formal analysis, S.K.; Investigation, S.K.; Writing—original draft preparation, S.K.; Writing—review and editing, S.K.; Visualization, S.K.; Supervision, Y.T., D.S. and T.S.; Funding acquisition, S.K. All authors have read and agreed to the published version of the manuscript.

Funding

This research was partially supported by JSPS KAKENHI Grant Number JP22KJ1255.

Institutional Review Board Statement

Not applicable.

Informed Consent Statement

Not applicable.

Data Availability Statement

The data presented in this study are available on request from the corresponding author.

Acknowledgments

We thank Ken Automation Inc. for infrared thermography measurements.

Conflicts of Interest

The authors declare no conflicts of interest.

References

  1. Kunikata, S.; Tsuchiya, Y.; Fukunaga, K. Delamination of Wax-Resin Linings in Oil Paintings: Visualization and Analysis Using Infrared Active Thermography and Terahertz Time-Domain Imaging. J. Cult. Herit. 2025, 73, 295–304. [Google Scholar] [CrossRef]
  2. Ibarra-Castanedo, S.; Maldague, X. Pulsed phase thermography reviewed. Quant. InfraRed Thermogr. J. 2004, 1, 47–70. [Google Scholar] [CrossRef]
Figure 1. Mock-up of wax–resin-lined oil painting. (a) Front view. (b) Back view. The red boxes in (a,b) indicate the PPT measurement focus area. (c) shows a schematic diagram of the red-framed area, subdivided into four regions: painted or unpainted, sound or unbonded.
Figure 1. Mock-up of wax–resin-lined oil painting. (a) Front view. (b) Back view. The red boxes in (a,b) indicate the PPT measurement focus area. (c) shows a schematic diagram of the red-framed area, subdivided into four regions: painted or unpainted, sound or unbonded.
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Figure 3. Comparison of images from the mock-ups, focusing on the selected areas marked in red in Figure 1. (a) Normal lighting photography. (b) Phase images from PPT under uniform illumination (2.0 Hz). (c) Phase images from PPT under the angled illumination (2.0 Hz).
Figure 3. Comparison of images from the mock-ups, focusing on the selected areas marked in red in Figure 1. (a) Normal lighting photography. (b) Phase images from PPT under uniform illumination (2.0 Hz). (c) Phase images from PPT under the angled illumination (2.0 Hz).
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Figure 4. Spectral characteristics of different paints visualized through imaging techniques. (a) MWIR thermal images (3–5 µm) acquired during PPT measurements under uniform illumination. (b) UV–Vis–NIR reflectance images (approx. 380–1100 nm) captured under xenon flash illumination.
Figure 4. Spectral characteristics of different paints visualized through imaging techniques. (a) MWIR thermal images (3–5 µm) acquired during PPT measurements under uniform illumination. (b) UV–Vis–NIR reflectance images (approx. 380–1100 nm) captured under xenon flash illumination.
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Figure 5. Spectra of different paints. (a) MWIR reflectance spectra (3–5 µm) obtained by DRIFTS. (b) UV–Vis–NIR reflectance spectra (mainly 380–1100 nm) obtained by spectrophotometry.
Figure 5. Spectra of different paints. (a) MWIR reflectance spectra (3–5 µm) obtained by DRIFTS. (b) UV–Vis–NIR reflectance spectra (mainly 380–1100 nm) obtained by spectrophotometry.
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MDPI and ACS Style

Kunikata, S.; Tsuchiya, Y.; Shiozawa, D.; Sakagami, T. Challenges in Detecting Delamination in Lined Oil Paintings Using Pulsed Phase Thermography: Considering the Effects of Paint Variations. Proceedings 2025, 129, 52. https://doi.org/10.3390/proceedings2025129052

AMA Style

Kunikata S, Tsuchiya Y, Shiozawa D, Sakagami T. Challenges in Detecting Delamination in Lined Oil Paintings Using Pulsed Phase Thermography: Considering the Effects of Paint Variations. Proceedings. 2025; 129(1):52. https://doi.org/10.3390/proceedings2025129052

Chicago/Turabian Style

Kunikata, Saki, Yuko Tsuchiya, Daiki Shiozawa, and Takahide Sakagami. 2025. "Challenges in Detecting Delamination in Lined Oil Paintings Using Pulsed Phase Thermography: Considering the Effects of Paint Variations" Proceedings 129, no. 1: 52. https://doi.org/10.3390/proceedings2025129052

APA Style

Kunikata, S., Tsuchiya, Y., Shiozawa, D., & Sakagami, T. (2025). Challenges in Detecting Delamination in Lined Oil Paintings Using Pulsed Phase Thermography: Considering the Effects of Paint Variations. Proceedings, 129(1), 52. https://doi.org/10.3390/proceedings2025129052

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