Next Article in Journal
Enhancing Literature Review Efficiency: A Case Study on Using Fine-Tuned BERT for Classifying Focused Ultrasound-Related Articles
Previous Article in Journal
Facial Recognition Using Hidden Markov Model and Convolutional Neural Network
 
 
Font Type:
Arial Georgia Verdana
Font Size:
Aa Aa Aa
Line Spacing:
Column Width:
Background:
Article

Perspectives for Generative AI-Assisted Art Therapy for Melanoma Patients

1
Hannover Centre for Optical Technologies, Leibniz University Hannover, 30167 Hannover, Germany
2
Cluster of Excellence PhoenixD, Leibniz University Hannover, 30167 Hannover, Germany
*
Author to whom correspondence should be addressed.
AI 2024, 5(3), 1648-1669; https://doi.org/10.3390/ai5030080
Submission received: 20 June 2024 / Revised: 2 August 2024 / Accepted: 2 September 2024 / Published: 6 September 2024
(This article belongs to the Section AI Systems: Theory and Applications)

Abstract

:
Digital technologies are making their mark in medicine, and especially also in art therapy, offering innovative therapeutic interventions for patients, including those with melanoma skin cancer. However, the integration of novel technologies, such as AI-generated art, brings along ethical, psychological, and technical challenges that are viewed differently among therapists. We aim to gauge art therapists’ views on the ethical, application, and challenge facets of utilizing AI-generated art from medical images in therapy. The focus is on assessing its applicability and limitations for melanoma patients. Art therapists were surveyed via a questionnaire focusing on their experience, digital tool familiarity, and views on AI in therapy, encompassing ethics, benefits, challenges, and applicability for melanoma. Art therapists have already implemented digital technologies and acknowledged potential therapeutic benefits of creating personalized artworks with generative artificial intelligence. Attention needs to be given to technological hurdles and the necessity for supplementary interventions. Views on the method’s adaptability varied, underscoring a need for tailored, patient-focused applications. Art therapists are welcoming AI-generated art as a promising creative therapeutic tool and acknowledge potential therapeutic benefits. There are ethical, technical, and psychological challenges that must be addressed for application in therapeutic sessions. Therapists should navigate AI integration with sensitivity, adhering to ethical norms around consent and privacy. Future studies should show the therapeutic benefit in practice with emphasis on equipping therapists to manage the technical complexities effectively. Furthermore, it is important to ensure that patients can influence the AI output, allowing for creative moments in the process.

1. Introduction

The COVID-19 pandemic accelerated the adoption of digital technologies in many areas of medicine including art therapy [1], ushering in an era where AI [2] and virtual reality [3] could play significant roles despite existing biases against machine-generated visualization and art [4].
Melanoma accounts for the most deaths from any skin cancer [5] and develops from the pigment-producing cells known as melanocytes [6]. The incidence has been increasing over the past 30 years [7]. While suffering from physical pain, patients are also vulnerable to mental illnesses, as about 30% of all patients diagnosed with melanoma report psychological issues [8]. Follow-up research indicates that mental health problems can reduce the effectiveness of cancer medication [9,10]. Therefore, it is essential to care for the mental health of the patient during treatment. Even after successful treatment, melanoma survivors face psychological problems, as they may feel anxious or depressed due to fear of living with the disease or cancer recurrence [11]. In conclusion, adequate psychological help, such as art therapy, among others, is necessary to achieve better coping with the illness. Art therapy has already proven effective in various medical treatment approaches and shown to improve the patient’s expression, self-consciousness and resilience to pressure [12,13,14]. Visual art appreciation of famous paintings, such as Starry Night or Sunflowers by Vincent Van Gogh, is a common form of art therapy, and cancer patients feel relaxed in their emotional state through visual art appreciation, potentially leading to more in depth and long-standing healing [15,16].
In June 2014, a team led by Goodfellow introduced an advanced deep learning system called the Generative Adversarial Network (GAN) [17]. After that, other experts began creating different versions of GANs to solve a variety of challenges in many areas. For example, Zhu et al. proposed the CycleGAN model utilizing cycle consistency loss to constrain training and achieve cross-domain image transformation with unpaired datasets [18]. In this work, we propose the transformation of melanoma images into art paintings based on a CycleGAN variant. CycleGANs have been broadly applied in various scientific fields, including liver medical image generation [19], synthetic CT generation from MRI [20], road dataset generation for urban mobility [21], virtual immunohistochemical staining image generation [22], and CT synthesis from MRI for head-and-neck radiation therapy [23]. We aim to provide a tool based on generative artificial intelligence to be used in art therapy with melanoma patients. The tool can convert medical images of melanoma into artworks based on certain themes. In this work, a flower theme was used to show the concept. GANs are ideal for this concept since, following the initial network training, image production is safe, as the potential for glitches, such as the generation of unappealing images, is minimized. Digital art therapy has been shown to be effective in improving mental health and well-being by providing a dynamic and contemporary approach to therapeutic intervention. For instance, digital tools enable therapists to share and create images easily, which can be particularly beneficial in distance therapy or hybrid formats that combine in-person and online sessions [24]. Moreover, digital art therapy can address various therapeutic goals, such as emotional expression, stress reduction, and cognitive engagement. The incorporation of digital media allows for a broader range of expressive possibilities, helping clients to explore and process their emotions in innovative ways [24]. The survey conducted in this work, administered to a broad spectrum of art therapists, was designed to gather insights on the integration of AI-generated art, particularly derived from medical images, into therapeutic practice. It encapsulated themes ranging from ethical considerations, therapeutic applications, and challenges to the adaptability of this approach for patients across various medical conditions, offering a panoramic view of prevailing thoughts in the art therapy community.

2. Methods

2.1. Study Design

The study was designed to gain insights into the perspectives of art therapists regarding the integration of AI-generated art in therapy. A survey, hosted on Google Forms, was developed to address the potential applications and challenges associated with this therapeutic approach. The 56 art therapists who participated were affiliated with associations including the British Association of Art Therapists (BAAT), American Association of Art Therapists (AATA), College for Educational and Clinical Art Therapy (CECAT), and Canadian Art Therapy Association (CATA).
Figure 1 shows the array of GAN-generated transformation options applied to three melanoma skin lesions, as included in the survey.
The full survey comprised of 18 questions can be found in the Appendix A. It touched upon ethical considerations, potential therapeutic applications, challenges, and future prospects of AI-generated art in therapy. Additionally, the survey encompassed demographic queries to gather data on the therapists’ years of experience, their familiarity with digital tools, and their experience working with melanoma or cancer patients.

2.2. Participants

Figure 2 shows the analysis of the respondents’ years of experience in art therapy (left), their duration of implementing digital technologies in therapy (center), and their experience in working with melanoma or cancer patients (right).
The experience of the art therapists ranged from novice practitioners to veterans in the field. A significant majority, comprising approximately 55% of the respondents, possessed a decade of experience in practicing art therapy. This underlines the depth of expertise present in the feedback. Furthermore, there was a diverse representation from those in the early and mid-stages of their careers, with 5% having 0–2 years, 9% with 2–4 years, 13% with 4–8 years, and 18% with 8–10 years of experience, respectively. Such a distribution ensures a balanced composition of the study group.
Fortunately, 46% had engaged with cancer patients in their practice, with a subset of 13% even having specialized experience with melanoma patients, offering valuable insights into the needs and therapeutic approaches for melanoma patients.
The results indicate a distinct divide in the integration of digital tools: 59% of participants have not incorporated digital means in their practice. On the other hand, 41% had employed digital art tools, with 16% utilizing them for 0–2 years, 9% for 2–4 years, 7% for 4–8 years, and a notable 9% had over 8 years of experience, suggesting a significant integration of technology in therapeutic art practices.

2.3. Procedures and Ethics

The study was conducted with adherence to ethical standards to ensure the confidentiality and anonymity of the participants. Each art therapist was contacted via email, with an invitation containing detailed information about the study’s objectives, the voluntary nature of participation, and the assurance of data confidentiality. Therefore, we can ensure that they were fully aware of the study’s purpose and their rights as participants.
The questionnaire, hosted on Google Forms, was designed to be straightforward and respectful of the participants’ time and sensitivity to the subject matter. Participants were free to withdraw from the study at any stage without any data being stored. All data collected were anonymized and stored securely to uphold privacy standards. Identifying information was not collected, and the findings were reported in aggregate to further ensure anonymity.

2.4. Data Analysis and Reflexivity

Quantitative data were statistically analyzed using descriptive statistics to comprehend the trends in the responses. Qualitative comments were thematically categorized and analyzed.
The research team engaged in continuous reflection on their assumptions, beliefs, and values to mitigate bias and enhance the integrity of the study. We acknowledged the potential influences of our technical backgrounds, perspectives, and preconceptions on the research and aimed to maintain an objective stance throughout the study. This reflexive approach ensured that the findings were representative of the participants’ perspectives and not influenced by our biases or preconceived notions. Through this balanced methodology, the analysis aimed to provide a balanced and comprehensive understanding of the opportunities and challenges associated with AI-generated art in the therapeutic context of melanoma patients.

2.5. Basic Cycle-Consistent Generative Adversarial Network (GAN) Principle

The style transfer model used in this work is based on the cycle-consistent GAN framework proposed by Zhu et al. [18]. The structure consists of two GANs, as shown in Figure 3.
X and Y represent images from two different domains. In this work, the source domain X is the melanoma image, and the target domain Y is the flower image. G and F are the two generators. Here, G converts the melanoma image to the flower image, and F is the opposite conversion. In addition, there are two discriminators, D X and D Y , employed to determine whether an image belongs to a specific domain. In this work, D Y is utilized to judge whether an image is an image of the flower, whether it is a fake flower image generated from G or a real flower image that is already in the flower dataset Y . The real flower images as well as the synthetically generated flower images were judged by D Y . Both generators have the same network structure.
Like cycleGAN, many residual blocks are built in the generator network to avoid degradation in deep networks [25]. Differently from other discriminators, which map the input to a real number as a representation of the probability of belonging to the real image, the patchGAN used in this work maps the input to a matrix of size N × N, i.e., the patch [26]. Each value in the matrix represents the discriminative result of a small receptive field of the image. Finally, the global average pooling layer reduces the large number of parameters [27], making the model more robust and resistant to overfitting.
We adjusted the cycleGAN network structure with the integration of a sub-pixel convolution, an attention mechanism, and a spectral normalization.
The flower-based GAN model utilized in this work is based on the CycleGAN framework, featuring two generators and two discriminators. The generators transform melanoma images into flower images and vice versa. Each generator starts with a convolutional layer (64 channels, 7 × 7 px kernel) followed by two downsampling layers and nine residual blocks to maintain image quality. Upsampling is done using sub-pixel convolution, which offers a larger receptive field and generates detailed, high-resolution images. An attention mechanism is incorporated after downsampling and residual blocks to capture global dependencies. The discriminators use a PatchGAN structure with a receptive field of 70 × 70 px, employing spectral normalization to stabilize training and the discriminator activator function leaky ReLU activation to prevent gradient disappearance [28]. Further details on the model architecture can be found in Jütte et al. [29].
We employ sub-pixel convolution for the upsampling in the generator to generate multiple channels by convolution and then reshape them [30]. Sub-pixel convolution has a large receptive field, providing more contextual information, and can generate more details [31]. This is useful for obtaining high-resolution results.
The attention mechanism [32] is utilized to obtain distant dependencies. In image-related tasks, the distant dependencies are the receptive fields formed by convolutional operations. Wang et al. proposed a self-attention mechanism for the problem in which traditional convolutional operations can only process local information to coordinate the details of the image relatively globally [33]. The softmax operation is performed on the attention matrix, which is derived from the query and the key, and then the resulting attention is applied to the value to obtain the attention feature [32].
It is challenging to train a GAN because, occasionally, the discriminator reaches the optimal state extremely quickly, making it impossible to train the generator more effectively. Spectral normalization can stabilize the training of discriminator networks. It can limit the Lipschitz constant of the discriminator to improve control of the discriminative network while limiting the upper gradient to make it less prone to gradient explosion [34].
We employ three loss functions in this work: adversarial loss, cycle-consistency loss, and identity loss. The purpose of using adversarial loss is to ensure that the image generated by the generator resembles the distribution of real data [17]. As opposed to the original CycleGAN proposed by Zhu et al. which used cross-entropy [18], we apply the least squares loss function, which has better robustness for outliers [35]. Cycle consistency ensures that the results generated by the two generators do not contradict each other. A melanoma image X is converted to a flower image Y f by generator G . Afterwards, Y f is converted back to a melanoma image X r by generator F . The contents in the two images of X and X r should ideally be the same. Generator G converts melanoma images to flower images. If we use a flower image Y as input to the generator G , the output Y f should not change. This is the purpose of identity loss.
In this work, we use two public datasets: the SIIM-ISIC Melanoma Classification Challenge 2020 [36] and the Oxford 102 Flower dataset [37]. Considering hardware limitations, we randomly selected 3661 melanoma images and 2079 flower images.

3. Results

In this section, we present the findings from the survey, summarizing the perspectives of art therapists regarding the integration of AI-generated artworks in their practice.
Figure 4 shows the distribution of therapists’ experience with digital technologies for art making, the likelihood of AI-generated art integration, and their art media preferences.
The adoption of digital technologies in art therapy remains varied among practitioners. A significant majority (70%) of the art therapists surveyed never or only rarely incorporate digital tools in their therapeutic processes. Of the participants, 12% frequently utilize digital tools for art making in their practice already. However, no therapist claimed to always use digital art tools.
The responses regarding the incorporation of AI-generated artworks into therapeutic practices indicate a spectrum of readiness and acceptance among art therapists. A small minority (2%) are firmly opposed to the idea, expressing a definite inclination not to integrate such technology into their practice. On the other hand, a substantial portion is open to the possibility, with 21% likely and an additional 16% definitely considering the incorporation of AI-generated art. Interestingly, the largest group, comprising 38% of respondents, occupies a neutral stance, suggesting a level of uncertainty or a wait-and-see approach. This could be attributed to a lack of information and experience on this emerging tool. The 23% who are unlikely to adopt AI artworks underscore existing reservations in a sub-group of the respondents.
The survey highlights the intuitive preference for traditional art media among therapists, with drawing (87%) and painting (73%) leading the choices. Sculpture is preferred by 64%, indicating the value of tactile, three-dimensional creative expression. Digital art media has achieved a significant 25% adoption rate, highlighting the growing interest and gradual integration of technology in art therapy. However, only 9% of respondents choose the medium based on individual patient needs and preferences.
Figure 5 shows the study results regarding the expectation of art therapists for therapeutic benefits for patients viewing the presented AI-generated artworks.
Generally, the majority of participants expect positive changes for melanoma patients with the integration of AI-generated artworks. A notable majority (57%) believe that there are therapeutic benefits to be derived from viewing these AI-generated artworks. When examining the potential impact on a patient’s perception of their diagnosis, the majority expects a positive shift. This indicates optimism among therapists about the role of AI artworks in reshaping a patient’s perspective. In terms of aiding patients in coping with their diagnosis, the majority also feels that these artworks can play a constructive role.
The study shows that the majority of participants (51.8%) believe that all age groups would benefit from artificially generated art in therapy. Therefore, the integration of this technology is not limited by age. However, specific age groups were also highlighted, with adolescents (14–21 years) and young adults (21–40 years) receiving the most affirmation, at 33.9% and 32.1%, respectively. This suggests a particular interest in applying AI-generated art in therapy for these demographics. The age groups 7–14 and 40–60 both had a 25% selection rate, indicating that a significant portion of therapists also see the application value for children and middle-aged adults. The least-selected categories were 0–7 years at 5.4% and above 60 years at 14.3%, indicating a lower, yet existing, interest in these age groups. Only a small portion of participants (8.9%) believed that no age group would benefit.
The participants were asked how they would integrate AI-generated artworks into therapy sessions. The great potential of AI-generated digital artworks within traditional art therapy are illuminated through the broad spectrum of methodologies endorsed by art therapists, as detailed in Table 1.
The survey reveals a variety of ways art therapists would integrate AI-generated digital artworks into traditional art therapy sessions. The majority (69.6%) is inclined towards the ‘Storytelling & Symbolism’ approach, where patients are encouraged to construct narratives around the transformation of the melanoma lesion into a flower, facilitating a process of meaning-making and emotional connection to their healing journey. The physical interaction with art is also deemed critical, with ‘Physical Art Creation’ and ‘Digital-Physical Fusion’ chosen by 60.7% and 50% of respondents, respectively, underscoring the importance to maintain a tactile, hands-on experience in therapy. This demonstrates that novel technologies, such as artificially generated art and conventional art therapies are not meant to be used in isolation but can be combined to create successful synergies. Group dynamics and individual reflections are equally valued in the integration process, with 60.7% of participants preferring ‘Group Discussions’ as an option to integrate AI-generated art in therapy sessions. This underscores the significance of collaborative analysis for collective understanding and mutual support. The ‘Projection & Reflection’ and ‘Journaling’ methods, selected by 58.9% and 64.3%, respectively, emphasize the personal, introspective journey enabled by an immediate interaction with the digital artworks. Furthermore, the engagement process is seen as iterative, as indicated by the 48.2% of therapists opting for ‘Feedback & Evolution’, suggesting the adaptability of the therapeutic process based on ongoing patient feedback. The ‘Introduction & Contextualization’ and ‘Closing Reflection’ approaches, each chosen by 41.1% of therapists, frame the therapy session, ensuring a guided entry and reflective conclusion to the emotional exploration.
Art therapists think that the integration of AI-generated artwork yields a spectrum of potential impacts on the patients’ perception of their diagnosis, as shown in Table 2.
The majority (62.5%) of participants highlighted the therapeutic potential of such artworks, referring to their capacity to enable patients to confront, articulate, and cope with emotions associated with their diagnosis. About 60.7% believed that the art could change the patients’ view, focusing on resilience, beauty, or hope. Similarly, 55.4% felt that the AI-generated art might make patients see their illness and perspective in a more positive way.
Nonetheless, art therapists play a crucial role in determining which patients could benefit from incorporating AI-generated art into their treatment. Around 44.6% of respondents pointed out the potential for distress, also shown by the 25% who anticipated a potential rise in anxiety as patients engage with the artistic representation of their illness. Furthermore, 44.6% acknowledged the duality of reactions, where patients might appreciate the artwork’s beauty while also being reminded of their medical condition.
The feedback on the flower-type representation’s psychological significance and therapeutic potential is generally positive. Many participants appreciate its potential advantages, drawing parallels to growth, life, regeneration, and natural beauty. They view the transformation of melanoma into a flower as a positive shift, resonating with themes of rebirth and renewal that flowers embody. Only a few participants suggested being mindful of varying individual reactions, as personal and cultural connections to flowers might differ. Nevertheless, the flower metaphor offers considerable potential as a starting point. In later stages, other metaphors, like fire for anger, could be integrated to better address the patient’s diverse emotional journey.
The therapists were asked to identify the potential challenges they anticipate when introducing artworks, especially those derived from medical images, to patients in a therapeutic setting. The anticipated challenges are shown in Table 3.
Emotional responses are a key consideration among the various challenges associated with presenting medical image-based artworks to patients. Yet, the therapeutic value of these artworks also hinges on their ability to evoke emotions. This reflects the understanding among art therapists that AI-generated artworks have the potential to emotionally engage patients in a significant way.
As expected naturally with the implementation of a novel technology, the art therapists expect some technical barriers. This includes a potential lack of necessary technology competence and infrastructure in therapy settings, which need to be minimized by the tool design. About 64% of the participants believe that some patients, based on their initial expectations of art therapy, may not resonate with digital art and might not feel completely connected to the medium. Moreover, differing cultural perceptions of symbolic representations underscore the nuanced approach required to respect individual patients’ backgrounds and interpretations.
The participants were asked to evaluate accompanying therapeutic discussions or interventions when presenting AI-generated artworks to patients. The responses are displayed in Table 4.
The survey participants see a range of approaches when introducing AI-created art to patients. The most popular choice was combining AI-generated and traditional art (63.8%). Narrative therapy integration (62.1%) and digital art creation sessions (60.4%) were also highly favored, underscoring the importance of personal storytelling and active patient involvement in the creative process. Art interpretation sessions (58.6%) and guided imagery meditation (56.9%) received significant support, indicating a belief in the utility of aiding patients in artwork interpretation and mental imagery for enhanced emotional well-being. Many respondents highlighted the importance of assessing the patients’ experiences and their ability to connect with the artwork to evaluate the success of using AI-generated art. Key indicators of success included an improvement in emotional well-being, a change in the patients’ approach to their diagnosis, and their ability to gain new insights or perspectives on their illness.
On a more general outlook for technology in art therapy, the therapists were asked about their vision for the evolution of digital tools within the field, anticipating developments that could shape the landscape of art therapy in the next five years beyond the AI-generated artworks presented in this work. The preferences are shown in Table 5.
The responses suggest a strong interest in the continued evolution and integration of technology within the field of art therapy over the next five years. Most respondents (78.6%) express a desire for enhanced training and workshops to ensure that art therapists are equipped with the skills and knowledge to utilize emerging digital tools effectively. The findings indicate a strong inclination towards the development of remote art therapy platforms (69.6%), highlighting a trend towards virtual, accessible therapeutic encounters. Additionally, digital art toolkits are favored by 60.7% of respondents, underscoring the perceived benefits of diverse and innovative tools in therapeutic expression and exploration. Moreover, digital storytelling and accessibility features are underscored. Interestingly, a notable portion of respondents is also open to exploring the potentials of virtual reality and AI-guided sessions, pointing towards a future where art therapy is enriched by immersive, personalized, and data-informed digital experiences. Some art therapists (37.5%) even foresee the potential applications of wearable biofeedback devices.
The study design also gave participants the opportunity to provide additional comments. While most respondents express a general excitement about the potential of generative AI, others feel not fully qualified due to limited experience with digital processes. The comments underscore the sensory limitations of digital work and the importance of physical interactions in therapy. Combining technology and therapy is seen as a progressive step and there is a recognition of the utility of online platforms and digital storytelling, especially highlighted during the COVID pandemic, yet in-person interactions offer a richer therapeutic experience. The art therapists appreciate the modern touch, possibly inspiring a novel patient demographic to embrace art therapy, and potential benefits for specific patients, like cancer survivors. Furthermore, there is a belief that this method could aid memory reconsolidation, reducing traumatic responses and enhancing mental well-being. Moreover, AI art making might be particularly engaging for autistic individuals, who sometimes connect better with digital interfaces.
Most responses accept the novel approach but express caution with transforming medical images into art. There is a strong consensus on the necessity of a full understanding of patients about the process and purpose of this transformation. Respondents highlighted potential therapeutic benefits, including narrative reframing and offering new perspectives on illness. However, concerns were raised about the potential for misinterpretation, aestheticization of illness, privacy, and the necessity of ethical guidelines.
In the remainder of this section, we will explore the art therapists’ views on a different technique based on generative AI. Figure 6 presents examples of AI-generated artworks shown in the survey, each crafted via prompt-based image-to-image translation with Runway (2023 Runway AI, Inc., New York, NY, USA). This approach empowers the patient’s creativity by transforming the medical image according to a prompt they craft. For instance, a patient might choose the prompt: “A cinematic bird’s-eye view of a flourishing river delta”, as exemplarily shown in Figure 6 with a prostate cancer scan. In this approach, patients have more agency over their expressions compared to the work introduced above. Figure 6 shows different medical conditions, offering a visual exploration into the adaptability of AI-generated artworks across a range of illnesses.
About half of the respondents envision a potential application of prompt-based image-to-image translations to patients with brain tumors (50.4%) and breast cancer (48.6%), indicating a perceived adaptability of this therapeutic approach. Furthermore, the possible application to lung scans of lung cancer patients is acknowledged by 43.2% of the participating art therapists. However, 14.4% of respondents express uncertainty, marking an area for further exploration. These mixed responses open a dialogue on the universal application of AI-generated art within therapeutic contexts, calling for empirical studies to delineate its boundaries and potentials.

4. Discussion

While the majority of the participating therapists spotlight the innovation’s potential to enrich the therapeutic process, some concerns are raised about the missing physical aspects of art making. However, AI-generated art could assist in art therapy sessions with potential therapeutic benefit, without replacing the traditional sessions. Many therapists express optimism for the application across various types of cancer. The transformation of sensitive medical data into art necessitates a robust framework to safeguard patient dignity, autonomy, and confidentiality. Developing comprehensive guidelines that encompass informed consent protocols, data handling, and sharing practices, and ethical considerations in therapy delivery can help in navigating these challenges. The integration of AI and digital art in therapy is not without its technological hurdles, with challenges such as secure storage, ethical sharing, and intuitive creation interfaces forming critical areas of focus. On the positive side, emerging technologies like AI and Virtual Reality are enabling highly personalized, immersive, and adaptive therapeutic points of contact. The introduction of AI-generated artworks to patients is expected to benefit them but requires thoughtful incorporation of therapeutic discussions or interventions, ensuring a sensitive approach to the unique emotional and psychological dynamics each artwork could evoke. Integrating insights from art therapists, ethical guidelines, and empirical research is vital in developing a dynamic framework that adapts to the evolving nature of AI-generated art in therapy. AI’s role in art therapy is poised to evolve aiming for a balanced integration that upholds the core values of therapy. Future innovations should maintain the sensory and emotional connections intrinsic to traditional art therapy, ensuring that the human touch is preserved amidst the incorporation of digital elements. A possible integration of AI and digital tools in art therapy necessitates a training framework for therapists to ensure that the technology is utilized effectively and ethically. Education should enable therapists to navigate the complex landscapes of digital intervention. Additionally, establishing the infrastructure and support systems is crucial to facilitate the widespread and sustainable incorporation of these innovations, ensuring accessibility, efficiency, and adaptability in diverse therapeutic settings. The infusion of AI-generated art in therapy underscores a pressing need for comprehensive empirical studies to authenticate its efficacy and safety. We identified several key studies that illustrate the potential applications and effectiveness of AI-generated art in art therapy. Lee et al. [38] highlighted the use of AI-generated artwork to reflect emotions, suggesting its value in facilitating creativity and emotional expression in therapy. Yoo et al. [39] developed “Mind Palette”, a mobile app integrating AI and art therapy to foster emotional discussions and self-expression, demonstrating practical application for melanoma patients. Du et al. [40] introduced DeepThInk, an AI-infused art-making system, which, by lowering the expertise threshold for art making, could benefit patients facing physical or emotional barriers. Liu et al. [41] showed how AI can enhance family expressive art therapy by providing diverse materials that facilitate communication. Choe et al. [42] discussed the Expressive Therapies Continuum alongside AI to design interventions addressing the unique creative needs of patients. Finally, Hu et al. [43] examined AI-generated imagery in digital mental health services, emphasizing its potential to aid emotional processing and self-expression.
Incorporating patient involvement in influencing the AI-generated art output can significantly enhance the therapeutic process. Practical strategies for implementing this include developing interactive interfaces that allow patients to input their preferences, facilitating collaborative sessions where patients and therapists co-create AI-generated art, and establishing feedback loops for continuous patient input. This active involvement can lead to increased engagement, a sense of empowerment, and deeper emotional expression. Furthermore, customizing the AI-generated art to reflect individual patient preferences can strengthen the therapeutic alliance and improve overall therapy outcomes. By allowing patients to influence the AI output, therapy becomes more personalized and responsive to their unique needs and experiences.
Future research should focus on diverse methodologies and implementation in sessions to evaluate the therapeutic impact. Therapists should consider the diverse symbolic, emotional, and aesthetic values attached to these artworks across different cultures and individual preferences, employing adaptive strategies to ensure that AI interventions are as resonant and therapeutically effective as possible for each patient.

5. Limitations of the Study

The method of contact so far was via email. It is possible that some art therapists with reservations about the research topic did not participate in the survey after reading the description. Those who responded might be more inclined towards innovative approaches, more receptive to integrating technology in their practice, or simply more proactive in engaging with academic research. Conversely, therapists with reservations or skepticism about the research topic might be underrepresented.

6. Implications for Policy, Practice, and Further Research

The emergence of AI-generated art within therapeutic settings necessitates the establishment of guidelines to address ethical and privacy concerns including informed consent, data protection, and the confidentiality of patients’ medical images and resultant artworks. Moreover, policies should delineate the boundaries between therapeutic and aesthetic objectives, ensuring that the integration of AI does not compromise the core goals of art therapy.
For practice, professionals need to be equipped with appropriate training to effectively incorporate AI-generated artworks in therapy. Specialized training modules can be developed to enhance therapists’ technological capabilities. The inclusion of patients in the creative process is central.
Future adaptations of AI applications in therapy could potentially involve interactive platforms where patients can influence the artistic transformation of their medical images. Offering themes beyond flowers, such as elements representing a broader range of emotions, could enrich the therapeutic experience, making it more responsive to individual emotional landscapes. Further research should explore the therapeutic impacts on patients’ mental and emotional states. Prompt-based image-to-image translations, where specific prompts guide the transformation of medical images to artworks, present a promising direction for exploration. Investigations can focus on how different prompts influence patients’ emotional and psychological responses and how they can be optimized to enhance the therapeutic journey. Experimental studies, incorporating a broader spectrum of diseases and diverse patient demographics, can provide insights into the universal and specific impacts of AI-generated art in therapy.
To effectively integrate AI-generated art into therapy sessions, therapists can employ a variety of strategies that balance digital tools with traditional therapeutic techniques. One approach is to combine AI-generated images with traditional art materials, allowing patients to modify and enhance digital art using paints or pencils, fostering creativity and deeper emotional engagement. Another strategy involves using AI-generated art to visualize abstract concepts, which can then be further explored through traditional methods like sculpting or drawing. Structured sessions that incorporate both AI and traditional techniques can also be beneficial, starting with digital exercises to stimulate discussion followed by hands-on activities. Maintaining a balance between AI and traditional methods, tailoring the approach to individual patient needs, and continuously gathering patient feedback are essential for maximizing therapeutic outcomes.
To measure the therapeutic benefits of AI-generated art, future research could employ a variety of research designs and methodologies. Randomized controlled trials (RCTs) could be conducted to compare the effects of AI-generated art therapy with traditional art therapy or control groups, using standardized assessments such as the Beck Depression Inventory (BDI) [44] and the State-Trait Anxiety Inventory (STAI) [45] to quantify changes in mental health. Qualitative approaches, such as case studies and thematic analysis of patient and therapist interviews, can provide deeper insights into individual experiences and the impacts of AI tools on therapy. These methodologies will help to show the therapeutic potential of AI-generated art and guide its effective implementation in clinical settings.
In addition to CycleGAN, several advanced AI generation technologies, e.g., Video GANs, StyleGAN, DALL-E and CLIP, hold potential for enhancing art therapy. For example, Video GANs (e.g., MoCoGAN [46], VideoGPT [47]) generate coherent video sequences rather than static images, providing a dynamic representation of therapeutic concepts. The ability to generate videos can create more immersive and engaging therapeutic experiences, allowing patients to interact with moving visuals that can better represent emotional journeys or healing processes. However, video generation requires significantly more computational power and data, making it less accessible for many therapeutic settings. Additionally, ensuring the therapeutic relevance and appropriateness of generated content poses challenges.
Furthermore, StyleGAN is known for its ability to generate high-quality, realistic images with fine-grained control over style and content [48]. It offers high flexibility and control over the artistic elements, enabling the creation of highly personalized therapeutic artworks. It can generate diverse styles, which may cater to individual patient preferences more effectively. However, in initial testing, the StyleGAN did not show promising results and was not investigated further. The complexity of StyleGAN may require more advanced technical skills to operate and integrate into therapy sessions. Additionally, the generation process can be slower compared to simpler GAN models.
Finally, DALL-E [49] generates images from textual descriptions, while CLIP [50] can understand and generate images based on natural language inputs. These models enable an intuitive interaction where therapists and patients can describe the desired therapeutic content in natural language, making the process more accessible and engaging. They offer vast creative possibilities, aligning well with narrative therapy approaches. Still, the generated content’s accuracy and relevance depend heavily on the quality of the textual input. Misinterpretations of complex therapeutic concepts can occur, and there may be ethical concerns regarding the representation of sensitive medical images. Future research should aim to evaluate these technologies’ therapeutic impacts, accessibility, and practicality in clinical settings.

7. Conclusions

In this work, we implement the transformation of melanoma images to art images utilizing a GAN which we designed and trained for this purpose. This states, to our knowledge, the first implementation of GANs trying to address patient mental health in melanoma disease management. Furthermore, we also demonstrate a potential application of prompt-based image-to-image translation models in art therapy.
The survey conducted in this work delves into the perspectives of art therapists on the integration of AI-generated art, derived from medical images, into therapeutic practices, particularly for melanoma patients. It explores the potential applications and challenges, and the prospect of extending this innovative approach to other patient demographics and medical conditions, offering a comprehensive insight into this emerging intersection of art, technology, and therapy.
AI-generated art in therapy could help to meet the needs of patients that are unable to perform classical art due to cognitive or physiological restrictions. The process of creating art is considered therapeutic, and AI-assisted art might not fit traditional definitions. While AI can offer innovative means of expression and exploration, the irreplaceable human elements of empathy, understanding, and adaptability must remain at the core of therapeutic practices. The study revealed a diversity of opinions among art therapists regarding the use of AI-generated art in therapy. The participants acknowledged potential therapeutic benefits. Concerns were raised about technological barriers, and the need for complementary therapeutic interventions was stressed. These findings align with existing literature that shows the challenges of integrating technology in therapy. A comprehensive ethical framework is needed to govern the integration of AI-generated art in therapy, ensuring that patient consent and privacy are paramount. Clinically, practitioners are encouraged to implement this innovative approach in accordance with the specific needs of each patient. The responses from therapists prompt a deeper exploration into the psychological impacts and ethical boundaries of incorporating AI-generated art, urging a reevaluation and expansion of existing theories. Future research should explore the incorporation of diverse thematic elements beyond e.g., flowers and include methodologies that enable the creative involvement of patients in the AI-based art creation process. Policy and practice should evolve to establish comprehensive ethical and procedural guidelines, ensuring the sensitive and personalized application of AI in art therapy, while addressing privacy, consent, and the therapeutic integrity of the intervention. To address the ethical and technical challenges associated with AI-generated art therapy, several strategies are recommended. Ensuring patient privacy and consent is paramount; this includes obtaining informed consent through clear communication about the use and implications of AI-generated art, implementing robust data anonymization techniques, and adopting stringent data security measures such as encryption. On the technical side, providing comprehensive training for therapists through online training and hands-on workshops, developing user-friendly AI tools to minimize the technical burden, and establishing a robust technical support system and comprehensive manuals are crucial steps. These strategies aim to empower therapists to effectively integrate AI-generated art into their practice while maintaining high ethical standards and overcoming technical barriers.

Author Contributions

Conceptualization, L.J.; methodology, L.J.; software, N.W.; validation, N.W. and M.S.; formal analysis, N.W. and M.S.; investigation, L.J.; resources, B.R.; data curation, N.W.; writing—original draft preparation, L.J.; writing—review and editing, L.J. and B.R.; visualization, L.J.; supervision, B.R.; project administration, B.R.; funding acquisition, B.R. All authors have read and agreed to the published version of the manuscript.

Funding

This work has received funding from the European Union’s Horizon 2020 research and innovation programme iToBoS under grant agreement No 965221. We also acknowledge funding by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany’s Excellence Strategy within the Cluster of Excellence PhoenixD (EXC 2122, Project ID 390833453).

Institutional Review Board Statement

We confirm that our research was conducted in line with the RESPECT code of ethics.

Informed Consent Statement

All participating therapists were provided with comprehensive information about the study prior to the survey and gave their informed consent by voluntarily entering the study.

Data Availability Statement

Data are available upon reasonable request.

Conflicts of Interest

The authors declare no conflicts of interests.

Appendix A

Questionnaire

1. How many years of experience do you have practicing art therapy?
0–2 | 2–4 | 4–6 | 8–10 | +10
2. For how many years have you been implementing digital technologies for art making during therapy?
I do not use digital technologies for art making | 0–2 | 2–4 | 4–8 | +8
3. Have you worked with melanoma or cancer patients before?
Melanoma patients | Cancer patients | No
4. Which art media do you find most effective in your sessions? (Please select all that apply)
Drawing | Painting | Sculpture | Photography | Digital Art | Other…
5. Which age group could benefit from the utilization of artificially generated art? (select all that apply)
None | All | 0–7 | 7–14 | 14–21 | 21–40 | 40–60 | +60
6. Do you utilize digital art tools in your sessions?
Always | Frequently | Occasionally | Rarely | Never
7. Would you consider incorporating the project artworks into your current therapeutic practices?
Definitely | Likely | Neutral | Unlikely | Definitely not
8. How might you integrate these digital artworks into a traditional art therapy session?
- Introduction & Contextualization: Begin by explaining the source and significance of the digital artworks to the patient. Help them understand the transformative journey of the melanoma lesion into the flower representation.
- Physical Art Creation: Use the digital artwork as an inspiration point. Patients can recreate their interpretations of the digital artwork using traditional art materials. This offers a tactile experience and connects digital and physical artistic processes.
- Storytelling & Symbolism: Encourage patients to weave narratives or stories around the transformation of the lesion into a flower.
- Group Discussions: In group therapy sessions, these artworks can be a focal point for discussion. Different interpretations can lead to insightful conversations about perception, resilience, and healing.
- Projection & Reflection: Project the digital artworks and encourage patients to share their immediate reactions, feelings, and associations. Ask open-ended questions that allow them to explore and reflect upon their emotional responses.
- Journaling: After discussing or creating art based on the digital artworks, patients can journal about their experiences, emotions, and insights. This provides another layer of introspection.
- Digital-Physical Fusion: Print out the digital artwork, and encourage patients to further modify or enhance the printouts using traditional art materials. This creates a fusion of digital and physical art, offering a holistic therapeutic experience.
- Feedback & Evolution: Ask patients for feedback on how the digital-to-physical art process felt. Over time, refine the integration of digital artworks based on patient feedback.
- Closing Reflection: Conclude the session by revisiting the digital artwork. Discuss any changes in perception or emotional responses since the start of the session.
- Other…
9. Do you think that viewing these artworks can have therapeutic benefits for melanoma patients?
Strongly agree | Agree | Neutral | Disagree | Strongly disagree
10. In your opinion, how do you believe these artworks might impact a melanoma patient’s perception of their diagnosis?
- Empowerment: The artwork could empower some patients by allowing them to see their illness in a new, more positive light, potentially changing their narrative about the disease.
- Distress: For some, turning a medical condition into art might be distressing or feel trivializing, making them more conscious or upset about their diagnosis.
- Cathartic Release: Viewing the diagnosis in an artistic form might provide an emotional release, allowing patients to process feelings they hadn’t previously confronted.
- Increased Connection: The artwork might help patients feel more connected to their bodies and their diagnosis, promoting a sense of acceptance and understanding.
- Aestheticizing Illness: There’s a risk that the artworks might be seen as aestheticizing or beautifying a serious medical condition, potentially downplaying its severity.
- Educational Tool: The transformed images can serve as a conversation starter or an educational tool, helping patients discuss their condition with loved ones or even medical professionals.
- Therapeutic Potential: The artwork could be therapeutic, enabling patients to express, confront, or even cope with feelings associated with the diagnosis that they might not have been able to articulate.
- Increased Anxiety: For some, visualizing their diagnosis in any form, even art, might exacerbate anxiety or fears related to their health.
- Reframing Perspective: The artwork can offer a reframing of the diagnosis, shifting focus from illness to resilience, beauty, or hope.
- Mixed Emotions: Patients might have mixed feelings, appreciating the beauty of the art while also grappling with the reality of its origin.
- Sense of Ownership: Transforming their diagnosis into art might give patients a greater sense of ownership and control over their illness.
- Potential for Misunderstanding: Without proper context, some patients might misunderstand the purpose of the artwork, leading to confusion or misconceptions about their diagnosis.
11a. On a scale from 1 (not at all effective) to 6 (extremely effective), do you believe these artworks might impact a melanoma patient’s perception of their diagnosis?
11b. On a scale from 1 (not at all effective) to 6 (extremely effective), how effective do you believe might artificially generated artwork be in assisting melanoma patients in coping with their diagnosis?
1 (very negative shift in perception) | 2 | 3 | 4 | 5 | 6 (very positive shift in perception)
12. Do you believe that the flower-type representation specifically has any psychological significance or therapeutic potential?
No | Yes (if yes, please elaborate below) | Other…
13. What potential challenges or concerns do you foresee in introducing such artworks to patients?
- None
- Emotional Triggers: For some patients, seeing a visual representation derived from their own or a representative melanoma could be distressing or triggering, especially if they’re currently undergoing treatment or have faced complications.
- Misunderstanding: Patients may misunderstand the purpose of the artwork, thinking it’s a diagnostic tool or an indication of treatment progress, which could lead to undue stress or confusion.
- Digital Art Acceptance: Some patients, particularly those who are more traditionally inclined or unfamiliar with digital art, might not resonate with or appreciate the digital medium, feeling disconnected from it.
- Technical Barriers: Not all therapy settings might be equipped with the necessary technological tools or infrastructure to display or interact with the digital artworks. Additionally, any glitches or technical issues during sessions could disrupt the therapeutic flow.
- Integration with Traditional Therapy: Art therapists might face challenges in seamlessly integrating these digital artworks with their conventional therapeutic methodologies.
- Overemphasis on Aesthetics: The therapeutic value could be overshadowed by the aesthetic appeal, with patients focusing more on the ‘beauty’ or ‘ugliness’ of the image rather than its therapeutic intent.
- Differing Cultural Perceptions: Cultural differences can lead to varied interpretations of the symbolic representation of flowers. In some cultures, certain flowers or visual representations might have specific connotations that could either enhance or detract from the therapeutic experience.
- Identity and Personal Connection: While the transformation is from their own melanoma, some patients might not feel a personal connection or may struggle to identify with the resulting artwork, impacting its therapeutic effectiveness.
- Ambiguity in Therapeutic Outcomes: Since this approach is novel, there might be a lack of established therapeutic outcomes or benchmarks to measure its effectiveness.
- Other…
14. Do you feel that there should be any accompanying therapeutic discussions or interventions when presenting these artworks to patients? If so, what might those look like?
- Art History Introduction: A brief overview of art history relating to the representation of flowers, offering patients a broader context of how they have been perceived and symbolized throughout time.
- Art Interpretation Session: An interactive discussion where the patient is encouraged to express what they see, feel, and interpret from the artwork, fostering a deeper personal connection.
- Narrative Therapy Integration: Encouraging patients to construct a story or narrative around the digital artwork, thereby integrating their own experiences with melanoma into a larger narrative of healing or growth.
- Guided Imagery Meditation: A relaxation exercise where patients are guided to visualize the flower blooming, representing their own journey of healing and transformation.
- Comparative Analysis: A session in which the patient compares their emotional responses to the original melanoma image versus the transformed flower artwork, to explore the shifts in feelings and perceptions.
- Digital Art Creation Session: Providing patients with tools to create their own digital art, allowing them to feel empowered and play an active role in their therapeutic journey.
- Group Sharing Sessions: Patients discuss their individual artworks in a group setting, fostering community support, and shared experiences.
- Feedback Loop: A structured discussion where patients can provide feedback on the artwork’s design, suggesting changes or personalizations, thus making them active participants in the art creation process.
- Art and Emotional Journaling: Patients are encouraged to maintain a journal noting their feelings and thoughts each time they view or interact with the artwork, facilitating deeper introspection.
- Integrating Traditional Art: After viewing the digital artwork, patients could be encouraged to recreate or respond to the imagery using traditional art materials, bridging the digital with the tactile.
- Other…
15. How would you measure or evaluate the success of such an approach?
- Patient Feedback: Evaluating the feedback from the patient about their experiences and their ability to connect with the artwork.
- Creative Outlet for Emotions: The artwork has helped the patient find a creative distraction or outlet for their emotions.
- Emotional Well-being: General improvement in the emotional well-being of the patient.
- Change in Approach: Observing changes in the patient’s approach to their diagnosis.
- Gain of New Insights: The patient’s ability to gain new insights or perspectives on their illness through the artwork.
- Other…
16. What changes or advancements would you like to see in the field of art therapy in the next 5 years regarding digital tools?
- None
- Virtual Reality Integration: The incorporation of VR platforms to create immersive therapeutic environments where patients can explore, create, and reflect on their art pieces in a fully immersive space.
- AI-guided Sessions: Using AI to assist in therapeutic sessions by analyzing art and providing real-time feedback or suggestions, allowing therapists to delve deeper into certain therapeutic directions.
- Digital Art Toolkits: Development of more sophisticated and intuitive digital drawing, sculpting, and painting tools tailored specifically for therapeutic applications.
- Remote Art Therapy Platforms: Enhanced platforms that allow therapists and patients to interact in real-time over long distances, facilitating online sessions with digital art creation and analysis capabilities.
- Augmented Reality in Art Therapy: Using AR to overlay digital art onto the physical world, giving patients a new dimension to interact with their creations.
- Therapeutic Gaming: Incorporating therapeutic principles into digital games where patients can engage in art creation as part of their gameplay, providing both relaxation and therapeutic insights.
- Digital Art Display and Storage: Tools that allow patients to store, revisit, and display their digital art progress over time, helping both the therapist and patient see growth and change.
- Wearable Biofeedback Devices: Integration of wearables that measure physiological responses (like heart rate or skin conductivity) to provide data on how the art-making process is impacting the patient in real time.
- Multimedia Integration: Encouraging patients to combine various media forms (video, audio, digital drawing) to create more holistic and multi-sensory artworks.
- Online Art Therapy Communities: Platforms where patients can safely share their digital creations, stories, and experiences, fostering a sense of community and support.
- Training and Workshops: Increased opportunities for art therapists to receive training on the latest digital tools and platforms, ensuring they are effectively integrated into the therapeutic process.
- Accessibility Features: Development of digital tools tailored to those with physical or cognitive disabilities, ensuring art therapy remains inclusive.
- Interactive Digital Installations: In therapeutic settings, using large-scale interactive digital installations that patients can physically interact with, creating a blend of physical and digital therapeutic interventions.
- Digital Storytelling: Platforms that aid patients in creating digital narratives or storyboards, intertwining art and narrative therapy.
- Other…
17. How do you feel about the ethical considerations of transforming medical images into art forms, given that they originate from a patient’s illness?
- Acceptance with Caveats: I believe it’s acceptable as long as patients provide informed consent and fully understand the process and purpose. It shouldn’t be a surprise or be done without their knowledge.
- Therapeutic Potential: If done appropriately, this transformation can be therapeutic, offering patients a new perspective on their illness and a way to confront and process it.
- Requires Sensitivity: It’s crucial to approach this with extreme sensitivity, ensuring that the art doesn’t seem to trivialize or oversimplify the patient’s experience.
- Concerns about Misinterpretation: I’m concerned that some patients might misinterpret the art, feeling that their illness is being aestheticized or diminished.
- Individualized Approach: It heavily depends on the individual patient. Some might find solace and empowerment, while others may feel it’s inappropriate.
- Innovative but Caution Needed: It’s an innovative approach, but ethical guidelines must be established to ensure no harm or misrepresentation.
- Potential for Distress: There’s potential for distress if patients feel that the gravity of their illness is being overlooked or taken lightly.
- Narrative Reframing: This could serve as a means for patients to rewrite or reframe their illness narrative, making them active participants in their healing process.
- Concerns about Privacy: Medical images are private and personal. If they’re transformed into art, there should be clear boundaries and understandings about where and how they’re displayed or shared.
- Depends on Presentation: How the art is presented and discussed is crucial. If framed as a celebration of resilience, it might be received differently than if it appears to romanticize illness.
- Other…
18. In what other therapeutic settings or with what other patient groups (outside of melanoma patients) do you think the project could be applied?
See respective Figure.

References

  1. Miller, G.; McDonald, A. Online art therapy during the COVID-19 pandemic. Int. J. Art Ther. 2020, 25, 159–160. [Google Scholar] [CrossRef]
  2. Gao, T.; Zhang, D.; Hua, G.; Qiao, Y.; Zhou, H. Artificial Intelligence Painting Interactive Experience Discovers Possibilities for Emotional Healing in the Post-pandemic Era. In HCI International 2023 Posters; Stephanidis, C., Antona, M., Ntoa, S., Salvendy, G., Eds.; Springer Nature: Cham, Switzerland, 2023; pp. 415–425. ISBN 978-3-031-35997-2. [Google Scholar]
  3. Hadjipanayi, C.; Banakou, D.; Michael-Grigoriou, D. Art as therapy in virtual reality: A scoping review. Front. Virtual Real. 2023, 4, 1065863. [Google Scholar] [CrossRef]
  4. Ragot, M.; Martin, N.; Cojean, S. AI-generated vs. Human Artworks. A Perception Bias Towards Artificial Intelligence? In Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems, Proceedings of the CHI‘20: CHI Conference on Human Factors in Computing Systems, Honolulu, HI, USA, 25–30 April 2020; Bernhaupt, R., Mueller, F., Verweij, D., Andres, J., McGrenere, J., Cockburn, A., Avellino, I., Goguey, A., Bjørn, P., Zhao, S., et al., Eds.; ACM: New York, NY, USA, 2020; pp. 1–10. ISBN 9781450368193. [Google Scholar]
  5. Siegel, R.L.; Miller, K.D.; Fuchs, H.E.; Jemal, A. Cancer statistics, 2022. CA Cancer J. Clin. 2022, 72, 7–33. [Google Scholar] [CrossRef] [PubMed]
  6. Uong, A.; Zon, L.I. Melanocytes in development and cancer. J. Cell. Physiol. 2010, 222, 38–41. [Google Scholar] [CrossRef]
  7. Guy, G.P.; Thomas, C.C.; Thompson, T.; Watson, M.; Massetti, G.M.; Richardson, L.C. Vital signs: Melanoma incidence and mortality trends and projections—United States, 1982–2030. MMWR Morb. Mortal. Wkly. Rep. 2015, 64, 591–596. [Google Scholar]
  8. Kasparian, N.A. Psychological care for people with melanoma: What, when, why and how? Semin. Oncol. Nurs. 2013, 29, 214–222. [Google Scholar] [CrossRef]
  9. Yang, H.; Xia, L.; Chen, J.; Zhang, S.; Martin, V.; Li, Q.; Lin, S.; Chen, J.; Calmette, J.; Lu, M.; et al. Stress-glucocorticoid-TSC22D3 axis compromises therapy-induced antitumor immunity. Nat. Med. 2019, 25, 1428–1441. [Google Scholar] [CrossRef] [PubMed]
  10. Schoemaker, M.J.; Jones, M.E.; Wright, L.B.; Griffin, J.; McFadden, E.; Ashworth, A.; Swerdlow, A.J. Psychological stress, adverse life events and breast cancer incidence: A cohort investigation in 106,000 women in the United Kingdom. Breast Cancer Res. 2016, 18, 72. [Google Scholar] [CrossRef]
  11. Blum, A.; Blum, D.; Stroebel, W.; Rassner, G.; Garbe, C.; Hautzinger, M. Psychosoziale Belastung und subjektives Erleben von Melanompatienten in der ambulanten Nachsorge. Psychother. Psychosom. Med. Psychol. 2003, 53, 258–266. [Google Scholar] [CrossRef]
  12. Kim, K.S.; Loring, S.; Kwekkeboom, K. Use of Art-Making Intervention for Pain and Quality of Life Among Cancer Patients: A Systematic Review. J. Holist. Nurs. 2018, 36, 341–353. [Google Scholar] [CrossRef]
  13. Tang, Y.; Fu, F.; Gao, H.; Shen, L.; Chi, I.; Bai, Z. Art therapy for anxiety, depression, and fatigue in females with breast cancer: A systematic review. J. Psychosoc. Oncol. 2019, 37, 79–95. [Google Scholar] [CrossRef]
  14. Boehm, K.; Cramer, H.; Staroszynski, T.; Ostermann, T. Arts therapies for anxiety, depression, and quality of life in breast cancer patients: A systematic review and meta-analysis. Evid. Based Complement. Alternat. Med. 2014, 2014, 103297. [Google Scholar] [CrossRef] [PubMed]
  15. Lin, M.-H.; Moh, S.-L.; Kuo, Y.-C.; Wu, P.-Y.; Lin, C.-L.; Tsai, M.-H.; Chen, T.-J.; Hwang, S.-J. Art therapy for terminal cancer patients in a hospice palliative care unit in Taiwan. Palliat. Support. Care 2012, 10, 51–57. [Google Scholar] [CrossRef] [PubMed]
  16. Lee, J.; Choi, M.Y.; Kim, Y.B.; Sun, J.; Park, E.J.; Kim, J.H.; Kang, M.; Koom, W.S. Art therapy based on appreciation of famous paintings and its effect on distress among cancer patients. Qual. Life Res. 2017, 26, 707–715. [Google Scholar] [CrossRef] [PubMed]
  17. Goodfellow, I.; Pouget-Abadie, J.; Mirza, M.; Xu, B.; Warde-Farley, D.; Ozair, S.; Courville, A.; Bengio, Y. Generative adversarial networks. Commun. ACM 2020, 63, 139–144. [Google Scholar] [CrossRef]
  18. Zhu, J.-Y.; Park, T.; Isola, P.; Efros, A.A. Unpaired Image-to-Image Translation Using Cycle-Consistent Adversarial Networks. In Proceedings of the 2017 IEEE International Conference on Computer Vision (ICCV), Venice, France, 22–29 October 2017; pp. 2242–2251, ISBN 978-1-5386-1032-9. [Google Scholar]
  19. Chen, Y.; Lin, H.; Zhang, W.; Chen, W.; Zhou, Z.; Heidari, A.A.; Chen, H.; Xu, G. ICycle-GAN: Improved cycle generative adversarial networks for liver medical image generation. Biomed. Signal Process. Control. 2024, 92, 106100. [Google Scholar] [CrossRef]
  20. Lei, Y.; Harms, J.; Wang, T.; Liu, Y.; Shu, H.-K.; Jani, A.B.; Curran, W.J.; Mao, H.; Liu, T.; Yang, X. MRI-only based synthetic CT generation using dense cycle consistent generative adversarial networks. Med. Phys. 2019, 46, 3565–3581. [Google Scholar] [CrossRef]
  21. Rajagopal, B.G.; Kumar, M.; Alshehri, A.H.; Alanazi, F.; Deifalla, A.F.; Yosri, A.M.; Azam, A. A hybrid Cycle GAN-based lightweight road perception pipeline for road dataset generation for Urban mobility. PLoS ONE 2023, 18, e0293978. [Google Scholar] [CrossRef]
  22. Liu, S.; Li, X.; Zheng, A.; Yang, F.; Liu, Y.; Guan, T.; He, Y. The Generation of Virtual Immunohistochemical Staining Images Based on an Improved Cycle-GAN. In Proceedings of the Machine Learning and Intelligent Communications; Guan, M., Na, Z., Eds.; Springer International Publishing: Cham, Switzerland, 2021; pp. 137–147, ISBN 978-3-030-66784-9. [Google Scholar]
  23. Liu, Y.; Chen, A.; Shi, H.; Huang, S.; Zheng, W.; Liu, Z.; Zhang, Q.; Yang, X. CT synthesis from MRI using multi-cycle GAN for head-and-neck radiation therapy. Comput. Med. Imaging Graph. 2021, 91, 101953. [Google Scholar] [CrossRef]
  24. Zubala, A.; Kennell, N.; Hackett, S. Art Therapy in the Digital World: An Integrative Review of Current Practice and Future Directions. Front. Psychol. 2021, 12, 595536. [Google Scholar] [CrossRef]
  25. He, K.; Zhang, X.; Ren, S.; Sun, J. Deep Residual Learning for Image Recognition. In Proceedings of the 2016 IEEE Conference on Computer Vision and Pattern Recognition (CVPR), Las Vegas, NV, USA, 27–30 June 2016; pp. 770–778, ISBN 978-1-4673-8851-1. [Google Scholar]
  26. Isola, P.; Zhu, J.-Y.; Zhou, T.; Efros, A.A. Image-to-Image Translation with Conditional Adversarial Networks. In Proceedings of the 2017 IEEE Conference on Computer Vision and Pattern Recognition (CVPR), Honolulu, HI, USA, 21–26 July 2017; pp. 5967–5976, ISBN 978-1-5386-0457-1. [Google Scholar]
  27. Lin, M.; Chen, Q.; Yan, S. Network in Network. arXiv 2013, arXiv:1312.4400v3. [Google Scholar]
  28. Hammad, M.M. Deep Learning Activation Functions: Fixed-Shape, Parametric, Adaptive, Stochastic, Miscellaneous, Non-Standard, Ensemble. arXiv 2024, arXiv:2407.11090. [Google Scholar]
  29. Jütte, L.; Wang, N.; Roth, B. Generative Adversarial Network for Personalized Art Therapy in Melanoma Disease Management. arXiv 2023, arXiv:2303.09232. [Google Scholar]
  30. Shi, W.; Caballero, J.; Huszár, F.; Totz, J.; Aitken, A.P.; Bishop, R.; Rueckert, D.; Wang, Z. Real-Time Single Image and Video Super-Resolution Using an Efficient Sub-Pixel Convolutional Neural Network. arXiv 2016, arXiv:1609.05158. [Google Scholar]
  31. Sun, Y.; Chen, Y.; Liu, Q.; Liu, G. Learning image compressed sensing with sub-pixel convolutional generative adversarial network. Pattern Recognit. 2020, 98, 12. [Google Scholar] [CrossRef]
  32. Vaswani, A.; Shazeer, N.; Parmar, N.; Uszkoreit, J.; Jones, L.; Gomez, A.N.; Kaiser, L.; Polosukhin, I. Attention Is All You Need. arXiv 2017, arXiv:1706.03762. [Google Scholar]
  33. Wang, X.; Girshick, R.; Gupta, A.; He, K. Non-local Neural Networks. arXiv 2017, arXiv:1711.07971. [Google Scholar]
  34. Miyato, T.; Kataoka, T.; Koyama, M.; Yoshida, Y. Spectral Normalization for Generative Adversarial Networks. arXiv 2018, arXiv:1802.05957. [Google Scholar]
  35. Mao, X.; Li, Q.; Xie, H.; Lau, R.Y.K.; Wang, Z.; Smolley, S.P. Least Squares Generative Adversarial Networks. arXiv 2016, arXiv:1611.04076. [Google Scholar]
  36. Rotemberg, V.; Kurtansky, N.; Betz-Stablein, B.; Caffery, L.; Chousakos, E.; Codella, N.; Combalia, M.; Dusza, S.; Guitera, P.; Gutman, D.; et al. A patient-centric dataset of images and metadata for identifying melanomas using clinical context. Sci. Data 2021, 8, 34. [Google Scholar] [CrossRef]
  37. Nilsback, M.-E.; Zisserman, A. Automated Flower Classification over a Large Number of Classes. In Proceedings of the 2008 Sixth Indian Conference on Computer Vision, Graphics & Image Processing. Image Processing (ICVGIP), Bhubaneswar, India, 16–19 December 2008; pp. 722–729. [Google Scholar]
  38. Lee, Y.K.; Park, Y.-H.; Hahn, S. A Portrait of Emotion: Empowering Self-Expression through AI-Generated Art. arXiv 2023, arXiv:2304.13324. [Google Scholar]
  39. Yoo, D.; Kim, D.Y.; Lopes, E. Digital Art Therapy with Gen AI: Mind Palette. In Proceedings of the 2023 11th International Conference on Affective Computing and Intelligent Interaction Workshops and Demos (ACIIW), Cambridge, MA, USA, 10–13 September 2023; pp. 1–3, ISBN 979-8-3503-2745-8. [Google Scholar]
  40. Du, X.; An, P.; Leung, J.; Li, A.; Chapman, L.E.; Zhao, J. DeepThInk: Designing and probing human-AI co-creation in digital art therapy. Int. J. Hum.-Comput. Stud. 2024, 181, 103139. [Google Scholar] [CrossRef]
  41. Liu, D.; Zhou, H.; An, P. “When He Feels Cold, He Goes to the Seahorse”—Blending Generative AI into Multimaterial Storymaking for Family Expressive Arts Therapy. In Proceedings of the CHI Conference on Human Factors in Computing Systems. CHI‘24: CHI Conference on Human Factors in Computing Systems, Honolulu, HI, USA, 11–16 May 2024; Mueller, F.F., Kyburz, P., Williamson, J.R., Sas, C., Wilson, M.L., Dugas, P.T., Shklovski, I., Eds.; ACM: New York, NY, USA, 2024; pp. 1–21. [Google Scholar]
  42. Choe, N.S.; Hinz, L.D. The Role of the Expressive Therapies Continuum in Human Creativity in the Age of AI. Art Ther. 2024, 1–9. [Google Scholar] [CrossRef]
  43. Hu, C.; Lin, Z.; Zhang, N.; Ji, L.-J. AI-empowered imagery writing: Integrating AI-generated imagery into digital mental health service. Front. Psychiatry 2024, 15, 1434172. [Google Scholar] [CrossRef] [PubMed]
  44. Beck, A.T.; Steer, R.A.; Ball, R.; Ranieri, W.F. Comparison of Beck Depression Inventories-IA and-II in Psychiatric Outpatients. J. Personal. Assess. 1996, 67, 588–597. [Google Scholar] [CrossRef]
  45. Spielberger, C.D. PsycTESTS Dataset; APA PsycTests: Washington, DC, USA, 1983. [Google Scholar]
  46. Tulyakov, S.; Liu, M.-Y.; Yang, X.; Kautz, J. MoCoGAN: Decomposing Motion and Content for Video Generation. arXiv 2017, arXiv:1707.04993. [Google Scholar]
  47. Yan, W.; Zhang, Y.; Abbeel, P.; Srinivas, A. VideoGPT: Video Generation using VQ-VAE and Transformers. arXiv 2021, arXiv:2104.10157. [Google Scholar]
  48. Karras, T.; Laine, S.; Aila, T. A Style-Based Generator Architecture for Generative Adversarial Networks. arXiv 2018, arXiv:1812.04948. [Google Scholar]
  49. Ramesh, A.; Dhariwal, P.; Nichol, A.; Chu, C.; Chen, M. Hierarchical Text-Conditional Image Generation with CLIP Latents. arXiv 2022, arXiv:2204.06125. [Google Scholar]
  50. Radford, A.; Kim, J.W.; Hallacy, C.; Ramesh, A.; Goh, G.; Agarwal, S.; Sastry, G.; Askell, A.; Mishkin, P.; Clark, J.; et al. Learning Transferable Visual Models from Natural Language Supervision. arXiv 2021, arXiv:2103.00020. [Google Scholar]
Figure 1. Examples shown in the study. This visualization presents possible transformation options applied to a melanoma skin lesion. Dermoscopy Melanoma: An image of a malignant skin lesion. Flower: An artistic, flower-themed rendering, AI-generated from the melanoma image. Transparent Overlay: A composite where the original skin image is overlaid with the generated flower, highlighting the correlation. Segmented Flower on Skin: The segmented flower art seamlessly integrated onto the original skin image, demonstrating the merger of medical diagnostic scenarios and artistry.
Figure 1. Examples shown in the study. This visualization presents possible transformation options applied to a melanoma skin lesion. Dermoscopy Melanoma: An image of a malignant skin lesion. Flower: An artistic, flower-themed rendering, AI-generated from the melanoma image. Transparent Overlay: A composite where the original skin image is overlaid with the generated flower, highlighting the correlation. Segmented Flower on Skin: The segmented flower art seamlessly integrated onto the original skin image, demonstrating the merger of medical diagnostic scenarios and artistry.
Ai 05 00080 g001
Figure 2. Distribution of art therapists based on years of experience practicing art therapy (left). The survey showcases a diverse range of practitioners, with a notable majority having a decade of experience. Distribution of the participants’ experience with cancer patients (center) and their usage of digital art tools in therapy sessions (right).
Figure 2. Distribution of art therapists based on years of experience practicing art therapy (left). The survey showcases a diverse range of practitioners, with a notable majority having a decade of experience. Distribution of the participants’ experience with cancer patients (center) and their usage of digital art tools in therapy sessions (right).
Ai 05 00080 g002
Figure 3. Cycle-consistent GAN model containing two generators, G and F , and two discriminators, D X and D Y . Melanoma image represents the source domain X , flower image the target domain Y .
Figure 3. Cycle-consistent GAN model containing two generators, G and F , and two discriminators, D X and D Y . Melanoma image represents the source domain X , flower image the target domain Y .
Ai 05 00080 g003
Figure 4. (Left): Distribution of art therapists’ integration of digital technologies into their therapeutic practices. (Centre): Therapists’ likelihood towards utilizing AI-generated art in their sessions. (Right): Art media perceived as most effective by the respondents.
Figure 4. (Left): Distribution of art therapists’ integration of digital technologies into their therapeutic practices. (Centre): Therapists’ likelihood towards utilizing AI-generated art in their sessions. (Right): Art media perceived as most effective by the respondents.
Ai 05 00080 g004
Figure 5. Art therapists’ perceptions on the therapeutic impact of AI-generated artworks for melanoma patients. (Left): Expected therapeutic benefits of viewing AI-generated artworks. (Centre): Expectation of a patient’s shift in perception of their diagnosis after engaging with AI artworks. (Right): Therapists’ views on how these artworks support patients in coping with the diagnosis.
Figure 5. Art therapists’ perceptions on the therapeutic impact of AI-generated artworks for melanoma patients. (Left): Expected therapeutic benefits of viewing AI-generated artworks. (Centre): Expectation of a patient’s shift in perception of their diagnosis after engaging with AI artworks. (Right): Therapists’ views on how these artworks support patients in coping with the diagnosis.
Ai 05 00080 g005
Figure 6. AI-generated artworks (right) based on medical scans of diseases (left) and a bar graph (below) detailing art therapists’ perceptions on the applicability of these transformative art pieces for patients with specific medical conditions, illuminating the potential expansion of this approach beyond melanoma patients. The artworks were created using the Runway platform for prompt-based image-to-image translation.
Figure 6. AI-generated artworks (right) based on medical scans of diseases (left) and a bar graph (below) detailing art therapists’ perceptions on the applicability of these transformative art pieces for patients with specific medical conditions, illuminating the potential expansion of this approach beyond melanoma patients. The artworks were created using the Runway platform for prompt-based image-to-image translation.
Ai 05 00080 g006
Table 1. Distribution of art therapists’ selected possible methods for integrating AI-generated digital artworks into traditional art therapy sessions. An explanation for each answer (e.g., ‘Journaling’) can be found in Appendix A (Q8).
Table 1. Distribution of art therapists’ selected possible methods for integrating AI-generated digital artworks into traditional art therapy sessions. An explanation for each answer (e.g., ‘Journaling’) can be found in Appendix A (Q8).
Integration into Art Therapy SessionCountsPercentage [%]
Introduction & Contextualization2341.1
Physical Art Creation3460.7
Storytelling & Symbolism3969.6
Group Discussions3460.7
Projection & Reflection3358.9
Journaling3664.3
Digital-Physical Fusion2850
Feedback & Evolution2748.2
Closing Reflection2341.1
Table 2. Distribution of art therapists’ anticipated impact of AI-generated artworks on melanoma patients’ diagnosis perception. An explanation for each answer (e.g., ‘Cathartic Release’) can be found in the Appendix A (Q10).
Table 2. Distribution of art therapists’ anticipated impact of AI-generated artworks on melanoma patients’ diagnosis perception. An explanation for each answer (e.g., ‘Cathartic Release’) can be found in the Appendix A (Q10).
Impact on Patients’ Perception of Their DiagnosisCountsPercentage [%]
Empowerment3155.4
Distress2544.6
Cathartic Release2544.6
Increased Connection2544.6
Aestheticizing Illness2035.7
Educational Tool2035.7
Therapeutic Potential3562.5
Increased Anxiety1425
Reframing Perspective3460.7
Mixed Emotions3155.4
Sense of Ownership2748.2
Potential for Misunderstanding2544.6
Table 3. Summary of respondents’ anticipated challenges in introducing artworks derived from medical images to patients. An explanation for each answer can be found in the Appendix A (Q13).
Table 3. Summary of respondents’ anticipated challenges in introducing artworks derived from medical images to patients. An explanation for each answer can be found in the Appendix A (Q13).
Potential Challenges Introducing Artworks to PatientsCountsPercentage [%]
None11.8
Emotional Triggers3257.1
Misunderstanding2137.5
Digital Art Acceptance3664.3
Technical Barriers4275
Integration with Traditional Therapy2442.9
Overemphasis on Aesthetics2442.9
Differing Cultural Perceptions3460.7
Identity and Personal Connection2442.9
Ambiguity in Therapeutic Outcomes2748.2
Table 4. Respondents’ perspectives on accompanying therapeutic interventions when presenting AI-generated artworks to patients. An explanation for each answer can be found in the Appendix A (Q14).
Table 4. Respondents’ perspectives on accompanying therapeutic interventions when presenting AI-generated artworks to patients. An explanation for each answer can be found in the Appendix A (Q14).
Possible Accompanying Therapeutic InterventionsCountsPercentage [%]
Art History Introduction610.3
Art Interpretation Session3458.6
Narrative Therapy Integration3662.1
Guided Imagery Meditation3356.9
Comparative Analysis2237.9
Digital Art Creation Session3560.4
Group Sharing Sessions3356.9
Feedback Loop2644.8
Art and Emotional Journaling3356.9
Integrating Traditional Art3763.8
Table 5. Preferences for future advancements in digital tools within art therapy. An explanation for each answer can be found in the Appendix A (Q16).
Table 5. Preferences for future advancements in digital tools within art therapy. An explanation for each answer can be found in the Appendix A (Q16).
Advancements in Digital Art Therapy Tools (Next Five Years)CountsPercentage [%]
None11.8
Virtual Reality Integration2035.7
AI-guided Sessions610.7
Digital Art Toolkits3460.7
Remote Art Therapy Platforms3969.6
Augmented Reality in Art Therapy1119.6
Therapeutic Gaming1730.4
Digital Art Display and Storage2850
Wearable Biofeedback Devices2137.5
Multimedia Integration2544.6
Online Art Therapy Communities2544.6
Training and Workshops4478.6
Accessibility Features3358.9
Interactive Digital Installations1933.9
Digital Storytelling3053.6
Disclaimer/Publisher’s Note: The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of MDPI and/or the editor(s). MDPI and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.

Share and Cite

MDPI and ACS Style

Jütte, L.; Wang, N.; Steven, M.; Roth, B. Perspectives for Generative AI-Assisted Art Therapy for Melanoma Patients. AI 2024, 5, 1648-1669. https://doi.org/10.3390/ai5030080

AMA Style

Jütte L, Wang N, Steven M, Roth B. Perspectives for Generative AI-Assisted Art Therapy for Melanoma Patients. AI. 2024; 5(3):1648-1669. https://doi.org/10.3390/ai5030080

Chicago/Turabian Style

Jütte, Lennart, Ning Wang, Martin Steven, and Bernhard Roth. 2024. "Perspectives for Generative AI-Assisted Art Therapy for Melanoma Patients" AI 5, no. 3: 1648-1669. https://doi.org/10.3390/ai5030080

Article Metrics

Back to TopTop