French Art and Culture from the 1780s to the 1900s
A special issue of Arts (ISSN 2076-0752).
Deadline for manuscript submissions: 30 June 2024 | Viewed by 286
Special Issue Editor
Interests: history of eighteenth- and nineteenth-century European art with emphasis on the art and culture of France from the 1780s to the early 1900s. She is interested in the history of ideas and issues of political and social ideologies as they intersect with aesthetic and critical responses, and in the interaction between artistic production and popular, folkloric, and mass culture
Special Issue Information
Dear Colleagues,
The aftermath of the Enlightenment and the 1789 Revolution saw an impressive revival of intellectual, scientific, and artistic activity in France that spanned the entire nineteenth century. Philosophy in particular was one of the fields that attracted the interest of both the elites and the educated middle classes. Philosophy's main appeal was its broad interdisciplinary range, especially its partnership with a simultaneous development of sciences.
This Special Issue of Arts invites articles that explore the relation between the arts and the period's hybrid cultural context of philosophy interwoven with science. Its impact has opened new avenues for artistic creativity, as breakthroughs in the natural and medical sciences from anatomical scrutiny to evolutionism have transformed artists' perception of man and nature. New materialist creeds, both monist and pantheistic, have reevaluated the sensorial in unity with the spiritual, which has led to an artistic overhaul of themes, aesthetics, and factures. Linked geological, paleontological, and anthropological theories prompted a temporal and spatial revision of the history of humankind, of the earth, and of the universe, spurring new imaginary realms of visual production. Delving into the roots of existence, the fascination with primeval microscopic organisms in the ocean's depths as analogous to the dark recesses of the human unconscious has compelled artists to fuse the biological, the psychological, and the aesthetic.
Prof. Dr. Nina Athanassoglou-Kallmyer
Guest Editor
Manuscript Submission Information
Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.
Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed open access semimonthly journal published by MDPI.
Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.
Keywords
- philosophy
- biology
- geology
- paleontology
- psychology
- matter and spirit
- nature
- unity
