Hearing Beyond Words: Advancements in Music Perception and Enjoyment for the Hearing-Impaired Population

A special issue of Audiology Research (ISSN 2039-4349).

Deadline for manuscript submissions: 31 August 2025 | Viewed by 461

Special Issue Editors


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Guest Editor
Maxillofacial Surgery Unit, Department of Medical Biotechnologies, University of Siena, 53100 Siena, Italy
Interests: audiology; music perception
Special Issues, Collections and Topics in MDPI journals

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Guest Editor
i-SENSE Group, Institute of Communication & Computer Systems (ICCS), Athens, Greece
Interests: health technologies; cochlear implants; hearing loss; patient reported outcomes; ehealth; public policy

Special Issue Information

Dear Colleagues,

Music perception plays a fundamental role in social connection, cultural engagement, and personal well-being. For the hearing-impaired population, music appreciation is often hindered by various degrees of hearing loss, limiting their overall quality of life. While advancements in hearing technologies, including hearing aids and cochlear implants (CIs), have significantly improved speech perception, the ability to perceive and enjoy music remains a challenge. This underscores the importance of targeted auditory rehabilitation strategies that focus on enhancing non-verbal auditory skills, particularly music perception. Among hearing-impaired individuals, those with cochlear implants face specific challenges due to the limitations of current CI technology in encoding the fine spectral and temporal details of music. Recent evidence highlights the potential of auditory music training (AMT) programs, both in-person and home-based, in improving music perception and enjoyment in CI users. Studies have demonstrated that structured music rehabilitation can lead to notable improvements in quality of life and subjective auditory satisfaction.

This Special Issue seeks to provide a platform for innovative research and multidisciplinary perspectives on advancing music perception and enjoyment in the hearing-impaired population. We encourage submissions on topics including but not limited to novel hearing prosthesis technologies focused on music perception, AMT methodologies including tele-rehabilitation applications, patient-reported outcome measures, and the development of standardized protocols. Contributions that explore the intersection of technology, audiology, and music rehabilitation are particularly welcome. The ultimate goal of this Special Issue is to foster interdisciplinary collaboration and inspire future research aimed at improving the holistic auditory experience for hearing-impaired individuals.

Dr. Andrea Frosolini
Dr. Giorgos Dritsakis
Guest Editors

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Keywords

  • cochlear implants
  • music perception
  • quality of life
  • auditory rehabilitation
  • tele-rehabilitation
  • patient-reported outcome measures (PROMs)
  • non-verbal auditory processing
  • home-based training programs
  • music enjoyment
  • advanced hearing technologies

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Published Papers (1 paper)

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Review

20 pages, 914 KiB  
Review
The Music-Related Quality of Life Measure (MuRQoL): A Scoping Review of Its Validation and Application
by Giorgos Dritsakis, Andrea Frosolini and Cynthia Lam
Audiol. Res. 2025, 15(2), 26; https://doi.org/10.3390/audiolres15020026 - 7 Mar 2025
Viewed by 254
Abstract
Background: The Music-Related Quality of Life (MuRQoL) was launched in 2017 as a valid psychometric measure of Cochlear Implant (CI) users’ music experience and its impact on Quality of Life (QoL). This scoping review aimed to explore the implementation and effectiveness of the [...] Read more.
Background: The Music-Related Quality of Life (MuRQoL) was launched in 2017 as a valid psychometric measure of Cochlear Implant (CI) users’ music experience and its impact on Quality of Life (QoL). This scoping review aimed to explore the implementation and effectiveness of the instrument since its introduction. Methods: PubMed and Google Scholar databases were searched for publications written in English reporting a translation, validation or application of the MuRQoL. Results: Eleven publications were found, including three validated versions and eight studies that applied the MuRQoL in Italy, Turkey, Spain and the US in research and clinical settings for various purposes. The review showcases the reliability, validity and potential clinical utility of the tool underscoring its growing adoption and integration with other assessment tools. Based on the findings, we make recommendations and provide a roadmap for optimizing the use of MuRQoL globally, including naming and terminology conventions. Anecdotal evidence, such as forthcoming or non-English publications offer further insights into the tool’s future potential. Conclusions: The MuRQoL is currently available in four languages and applicable across diverse cultural contexts, populations and settings. It is a versatile, patient-centered tool providing a deep understanding of CI users’ music experiences. As research and validation efforts continue, the instrument has the potential to set a benchmark for assessing the broader impacts of CIs beyond speech perception, emphasizing the significance of music in enriching the lives of individuals with Hearing Loss (HL). Full article
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