From Micro to Macro Scientific Investigations of Rock and Rock Art Sites

A special issue of Heritage (ISSN 2571-9408).

Deadline for manuscript submissions: closed (31 October 2019) | Viewed by 8702

Special Issue Editors


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Guest Editor
Avram and Stella Goldstein-Goren Department of Biotechnology Engineering, The Ilse Katz Center for Meso and Nanoscale Science and Technology and NIBN, Ben Gurion University, Beer Sheva 84105, Israel
Interests: environmental microbiology; natural compounds; marine biology and microbiology; biofilm; genomics
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Guest Editor
Environmental Biotechnology Lab, Department of Biotechnology Engineering, Ben-Gurion University, Beer Sheva 84105, Israel
Interests: rock art; microbial rock weathering; biofilm; microscopy; cultural heritage conservation

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National Natural History Collections, Faculty of Life Science, Edmond Safra Campus, The Hebrew University, Jerusalem 91904, Israel
Interests: rock art; archaeology; archaeozoology; cultural heritage conservation

Special Issue Information

Dear Colleagues,

Open-air rock art sites generally comprise engravings (petroglyphs) or paintings of anthropomorphic, zoomorphic, or geometric images that were made on rock faces. Worldwide, such sites are considered as being of outstanding universal value, and there has been increased public interest in the field of rock art research in the past decade. However, many of these sites are in danger of degradation and destruction due to both natural and anthropogenic factors that result in decay and damage to the rock on which the engravings/paintings were made. Therefore, increased efforts are needed to document, conserve, and manage such sites. In this Special Issue, we intend to reflect an interdisciplinary approach spanning the natural sciences (i.e., biology, chemistry, and geology), the humanities (i.e., anthropology, archaeology, and heritage studies), and computerized imaging. Papers are expected to present different approaches to the study of rocks and rock art sites, such that the Special Issue will serve as a venue for sharing novel methods and ideas with researchers from various disciplines. It is hoped that the proposed manuscripts will contribute to scientific-based decisions and a greater understanding of priorities for open-air rock art site management and conservation. Moreover, although the focus of the papers rests specifically on rock art sites, many of the methods and ideas are applicable to other cultural heritage structures built of stone, such as historic buildings and monuments. We believe that such a Special Issue will make an important contribution towards cultural heritage conservation, interpretation, and management.

Prof. Ariel Kushmaro
Ms. Irit Nir
Dr. Liora Kolska Horwitz
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Heritage is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1600 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Published Papers (1 paper)

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Research

13 pages, 3117 KiB  
Article
Protecting Stone Heritage in the Painted Desert: Employing the Rock Art Stability Index in the Petrified Forest National Park, Arizona
by Kaelin M. Groom, Niccole Villa Cerveny, Casey D. Allen, Ronald I. Dorn and Jason Theuer
Heritage 2019, 2(3), 2111-2123; https://doi.org/10.3390/heritage2030127 - 24 Jul 2019
Cited by 6 | Viewed by 8341
Abstract
Located in northeastern Arizona (USA), Petrified Forest National Park (PEFO) presents a unique story of both geologic and human history. Though perhaps most well-known for its abundant petrified wood and being part of the Painted Desert, visitors are often surprised when they discover [...] Read more.
Located in northeastern Arizona (USA), Petrified Forest National Park (PEFO) presents a unique story of both geologic and human history. Though perhaps most well-known for its abundant petrified wood and being part of the Painted Desert, visitors are often surprised when they discover PEFO hosts many ancient petroglyph sites. Over the years, many attempts have been made to record the petroglyph sites, but nothing has been done to assess their geomorphic stability. To address this shortcoming, we employed the Rock Art Stability Index (RASI) to assess geologic stability and (potential) deterioration of rock art sites in PEFO. Used for more than a decade as a triage for researchers assessing which rock art panels/sites are in the most danger of eroding, RASI uses a rank-based system to assess over three-dozen rock decay parameters, resulting in an overall condition analysis of a rock art panel. The findings can then be grouped together by site location to gain a clearer understanding of overall decay processes responsible for (potential) erosion. This study highlights RASI, its use as a low-cost, non-invasive, rapid field assessment technique, and assesses the geomorphic stability of five major petroglyph sites in the Petrified Forest National Park. Full article
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