Journal Description
Heritage
Heritage
is an international, peer-reviewed, open access journal of cultural and natural heritage science published monthly by MDPI.
- Open Access— free for readers, with article processing charges (APC) paid by authors or their institutions.
- High Visibility: indexed within Scopus, ESCI (Web of Science), and other databases.
- Journal Rank: CiteScore - Q1 (Conservation)
- Rapid Publication: manuscripts are peer-reviewed and a first decision is provided to authors approximately 16.9 days after submission; acceptance to publication is undertaken in 3.4 days (median values for papers published in this journal in the second half of 2023).
- Recognition of Reviewers: reviewers who provide timely, thorough peer-review reports receive vouchers entitling them to a discount on the APC of their next publication in any MDPI journal, in appreciation of the work done.
Impact Factor:
1.7 (2022);
5-Year Impact Factor:
1.6 (2022)
Latest Articles
Cadmium Yellow Pigments in Oil Paintings: Optical Degradation Studies Utilizing 3D Fluorescence Mapping Supported by Raman Spectroscopy and Colorimetry
Heritage 2024, 7(5), 2426-2443; https://doi.org/10.3390/heritage7050115 - 02 May 2024
Abstract
The degradation of cadmium yellow in paintings is influenced by various factors, primarily environmental conditions and light exposure. Applying a thin protective layer of linseed oil on the surface could help mitigate these processes. Linseed oil, being a natural material, acts as a
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The degradation of cadmium yellow in paintings is influenced by various factors, primarily environmental conditions and light exposure. Applying a thin protective layer of linseed oil on the surface could help mitigate these processes. Linseed oil, being a natural material, acts as a barrier against harmful atmospheric agents like moisture and oxygen, which contribute to the degradation of pigments including cadmium yellow. Additionally, linseed oil reduces direct light exposure, thereby lowering the risk of fading and color alteration. In this study, we explored the degradation of cadmium pigments mixed with oil and applied on canvas. We elucidated how the use of a binder prevents the direct oxidation of the pigment, inducing artificial degradation by irradiating samples with UVA (365 nm) and UVC (250 nm) sources. By employing various spectroscopic techniques such as three-dimensional fluorescence mapping (PLE) and Raman, along with colorimetric analysis, we gained a comprehensive understanding of the degradation process, particularly when linseed oil serves as a protective layer.
Full article
(This article belongs to the Special Issue Exploring Novel Approaches to Preserve and Monitor the Cultural Heritage Materials)
Open AccessReview
Cultural Routes as Cultural Tourism Products for Heritage Conservation and Regional Development: A Systematic Review
by
Xinyue Lin, Zhenjiang Shen, Xiao Teng and Qizhi Mao
Heritage 2024, 7(5), 2399-2425; https://doi.org/10.3390/heritage7050114 - 02 May 2024
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Cultural routes are a composite set of heritage sites that refer to historical routes of human communication. As key products of cultural tourism, they provide visitors with rich cultural experiences across regions. We systematically review reports and studies related to the tourism development
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Cultural routes are a composite set of heritage sites that refer to historical routes of human communication. As key products of cultural tourism, they provide visitors with rich cultural experiences across regions. We systematically review reports and studies related to the tourism development of 38 cultural route cases worldwide, with a special focus on their distribution, typology, planning patterns, and tools for cultural tourism. We summarized eight tools and found some differences in how often these eight tools are used by the different types of routes and different planning patterns for route tourism. This study also developed an evaluation system based on the conservation principles of cultural routes to determine how different tourism tools affect the conservation and development of historical regions. Although tourism decision-makers have made numerous efforts to protect and develop cultural routes, there are still many problems and challenges in the process of tourism development along cultural routes. We conclude the paper by making recommendations for decision-makers and researchers concerning future route tourism planning and study.
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Open AccessArticle
Neverovsky Palaeoreef and Associated Deep-Marine Facies: High-Value Late Devonian Geoheritage from the Rudny Altai
by
Jaroslav M. Gutak and Dmitry A. Ruban
Heritage 2024, 7(5), 2385-2398; https://doi.org/10.3390/heritage7050113 - 01 May 2024
Abstract
The Rudny Altai is a western segment of the Altai orogenic belt. Its geological richness makes its geoheritage exploration an urgent matter. Investigations in the Loktevsky District (Altai Region, Russian Federation) have led to the finding of three notable localities, which are proposed
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The Rudny Altai is a western segment of the Altai orogenic belt. Its geological richness makes its geoheritage exploration an urgent matter. Investigations in the Loktevsky District (Altai Region, Russian Federation) have led to the finding of three notable localities, which are proposed as geosites. Field investigations and both qualitative and semi-quantitative (scoring by criteria) studies were carried out to characterize and value the geoheritage properties of these localities. The Neverovsky palaeoreef is a relatively large geosite, representing a Frasnian reef developed on a volcanic edifice. The Zolotukha section and the Razdolnoe section are smaller geosites representing deep-marine facies of the Giventian–Frasnian transition and the late Frasnian, respectively. Seven geoheritage types are established in the Neverovsky palaeoreef, and four geoheritage types are established in the other two geosites. Examination of rarity, accessibility, vulnerability, and other properties allows the ranking of the Neverovsky palaeoreef globally and the other two geosites regionally. The three proposed geosites need special geoconservation measures (especially regarding their rich fossil content). The palaeoreef can be used for the promotion of local tourism.
Full article
(This article belongs to the Section Geoheritage and Geo-Conservation)
Open AccessArticle
Unraveling a Historical Mystery: Identification of a Lichen Dye Source in a Fifteenth Century Medieval Tapestry
by
Rachel M. Lackner, Solenn Ferron, Joël Boustie, Françoise Le Devehat, H. Thorsten Lumbsch and Nobuko Shibayama
Heritage 2024, 7(5), 2370-2384; https://doi.org/10.3390/heritage7050112 - 01 May 2024
Abstract
As part of a long-term campaign to document, study, and conserve the Heroes tapestries from The Cloisters collection at The Metropolitan Museum of Art, organic colorant analysis of Julius Caesar (accession number 47.101.3) was performed. Analysis with liquid chromatography–quadrupole time-of-flight mass spectrometry (LC-qToF-MS)
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As part of a long-term campaign to document, study, and conserve the Heroes tapestries from The Cloisters collection at The Metropolitan Museum of Art, organic colorant analysis of Julius Caesar (accession number 47.101.3) was performed. Analysis with liquid chromatography–quadrupole time-of-flight mass spectrometry (LC-qToF-MS) revealed the presence of several multiply chlorinated xanthones produced only by certain species of lichen. Various lichen dye sources have been documented in the literature for centuries and are classified as either ammonia fermentation method (AFM) or boiling water method (BWM) dyes based on their method of production. However, none of these known sources produce the distinctive metabolites present in the tapestry. LC-qToF-MS was also used to compare the chemical composition of the dyes in the tapestry with that of several species of crustose lichen. Lichen metabolites, including thiophanic acid and arthothelin, were definitively identified in the tapestry based on comparison with lichen xanthone standards and a reference of Lecanora sulphurata, confirming the presence of a lichen source. This finding marks the first time that lichen xanthones have been identified in a historic object and the first evidence that BWM lichen dyes may have been used prior to the eighteenth century.
Full article
(This article belongs to the Special Issue Dyes in History and Archaeology 42)
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Open AccessArticle
A Townscape in Evolution: Caño Roto Modern Heritage, 1957–2023
by
Angel Cordero Ampuero, Manuela Gil Manso and Marta Muñoz
Heritage 2024, 7(5), 2348-2369; https://doi.org/10.3390/heritage7050111 - 01 May 2024
Abstract
Caño Roto (Madrid) is one of the most relevant Spanish post-war architectures. Its typological contributions have already been studied within the framework of the so-called “Led Settlements”. This paper proposes a systematic analysis of the evolution of the neighborhood townscape, its most singular
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Caño Roto (Madrid) is one of the most relevant Spanish post-war architectures. Its typological contributions have already been studied within the framework of the so-called “Led Settlements”. This paper proposes a systematic analysis of the evolution of the neighborhood townscape, its most singular characteristic as a critical approach to the CIAM city project. It starts with the photographic documentation, studied through the methodology established by Gordon Cullen and developed, in a systematic way, by Nigel Taylor. The comparative study includes the original published photographs, a sample of photographs from the 2010s, and the shots taken in a new exhaustive documentation campaign. The comparison yields relevant results on the evolution of urban space definers: building volumes, facade composition, pavements or vegetation, and the presence of people in public areas. Several paths are studied to allow an understanding of the overall landscape structure. As a result, the key elements of the townscape of the settlement are identified and valued. The aim of this paper is to provide tools for the preservation of both the architectural and landscape heritage of Caño Roto. In short, thorough knowledge will help residents to become aware of the heritage value of their neighborhood.
Full article
(This article belongs to the Special Issue Landscapes as Cultural Heritage: Contemporary Perspectives)
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New Perceptions of Ancient Commerce Driven by Underwater Ancient Site Investigations: A Case Study of Xinfeng River Basin
by
Song Zhang, Ming He, Guoliang Dong and Xianying Wang
Heritage 2024, 7(5), 2313-2347; https://doi.org/10.3390/heritage7050110 - 30 Apr 2024
Abstract
In the 1950s and 1960s, to address the flooding issues and power shortage that hindered national construction, the Xinfeng River hydropower plant was planned and built to prevent floods, store water, and generate electricity. Consequently, many ancient ruins in the study area were
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In the 1950s and 1960s, to address the flooding issues and power shortage that hindered national construction, the Xinfeng River hydropower plant was planned and built to prevent floods, store water, and generate electricity. Consequently, many ancient ruins in the study area were drowned, including ancient post roads, channels, villages, towns, bridges, and other relic sites. By checking historical data and adopting integrated underwater acoustic detection, we conducted a comprehensive cultural-relics survey on the flooded area under Wanlv Lake in the Xinfeng River Basin. A side-scan sonar detection of the underwater relics within the flooded area confirmed the spatial distribution of cultural relics in the Xinfeng River Basin. It portrayed ancient people’s production and life scenarios, outlined the migration and trade history within the region and beyond, and contributed to the enrichment of the literature and understanding of ancient shipping and trade in the basin.
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(This article belongs to the Special Issue Advances in Archaeology and Anthropology of the Ancient World)
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Digital Guardianship: Innovative Strategies in Preserving Armenian’s Epigraphic Legacy
by
Hamest Tamrazyan and Gayane Hovhannisyan
Heritage 2024, 7(5), 2296-2312; https://doi.org/10.3390/heritage7050109 - 30 Apr 2024
Abstract
In the face of geopolitical threats in Artsakh, the preservation of Armenia’s epigraphic heritage has become a mission of both historical and cultural urgency. This project delves deep into Armenian inscriptions, employing advanced digital tools and strategies like the Oxygen text editor and
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In the face of geopolitical threats in Artsakh, the preservation of Armenia’s epigraphic heritage has become a mission of both historical and cultural urgency. This project delves deep into Armenian inscriptions, employing advanced digital tools and strategies like the Oxygen text editor and EpiDoc guidelines to efficiently catalogue, analyze, and present these historical treasures. Amidst the adversities posed by Azerbaijan’s stance towards Armenian heritage in Artsakh, the digital documentation and preservation of these inscriptions have become a beacon of cultural resilience. The XML-based database ensures consistent data, promoting scholarly research and broadening accessibility. Integrating the Grabar Armenian dictionary addressed linguistic challenges, enhancing data accuracy. This initiative goes beyond merely preserving stone and text; it is a testament to the stories, hopes, and enduring spirit of the Armenian people in the face of external threats. Through a harmonious blend of technology and traditional knowledge, the project stands as a vanguard in the fight to ensure that Armenia’s rich epigraphic legacy, and the narratives they enshrine remain undiminished for future generations.
Full article
(This article belongs to the Special Issue Cultural Heritage at Risk - Perspectives on Technologies, Materials, Modelling and Digitalization)
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Recent Applications of Unilateral NMR to Objects of Cultural Heritage
by
Valeria Di Tullio and Noemi Proietti
Heritage 2024, 7(5), 2277-2295; https://doi.org/10.3390/heritage7050108 - 29 Apr 2024
Abstract
Although nuclear magnetic resonance (NMR) is recognized as a powerful tool in many areas of research, among the investigative techniques used in the field of cultural heritage its application is still largely unknown. One of the reasons for this is that artifacts are
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Although nuclear magnetic resonance (NMR) is recognized as a powerful tool in many areas of research, among the investigative techniques used in the field of cultural heritage its application is still largely unknown. One of the reasons for this is that artifacts are complex heterogeneous systems whose analysis requires a multi-disciplinary approach. In addition, major drawbacks in the analysis of objects belonging to cultural heritage are their limited quantity, number of samples collected from the artifact, and their immovability. Consequently, a methodological approach where non-destructive, and possibly non-invasive techniques are used, is advisable. In recent years, thanks to the development of portable instruments, there has been an increasing use of the NMR methodology in the cultural heritage field. The use of portable NMR has allowed us to study several materials in the cultural heritage, such as frescoes, stones, wood, paper, and paintings, to address the challenges in monitoring dampness in historical masonries, to evaluate the penetration depth of a hydrophobic treatment into a porous material, and to study of the effect of cleaning procedures on artifacts. In this paper, recent studies illustrating the potential of NMR portable methodologies in this field of research are reported.
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(This article belongs to the Special Issue Non-invasive Technologies Applied in Cultural Heritage)
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Open AccessCommentary
The Stone Skeleton: A Reappraisal
by
Thomas E. Boothby and Dario Coronelli
Heritage 2024, 7(5), 2265-2276; https://doi.org/10.3390/heritage7050107 - 26 Apr 2024
Abstract
Jacques Heyman’s 1966 article “The Stone Skeleton” has been influential in the assessment of masonry arches in general, including masonry bridges and gothic architecture. Heyman’s article relies on limiting assumptions about arch behavior, and concludes that an arch can be declared stable based
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Jacques Heyman’s 1966 article “The Stone Skeleton” has been influential in the assessment of masonry arches in general, including masonry bridges and gothic architecture. Heyman’s article relies on limiting assumptions about arch behavior, and concludes that an arch can be declared stable based on the location of a statically admissible thrust line within the arch. In the following commentary, we assess the validity of the assumptions made by Heyman and the uses that have been made of his application of the lower bound theorem of plasticity. We conclude that Heyman’s methods have enduring value, but that the user needs to recognize the limitations of the assumptions made and the limits on the validity of conclusions imposed by these assumptions.
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(This article belongs to the Section Architectural Heritage)
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Conservation and In Situ Enhancement of Earthen Architecture in Archaeological Sites: Social and Anthropic Risks in the Case Studies of the Iberian Peninsula
by
Sergio Manzano-Fernández, Camilla Mileto, Fernando Vegas López-Manzanares and Valentina Cristini
Heritage 2024, 7(5), 2239-2264; https://doi.org/10.3390/heritage7050106 - 25 Apr 2024
Abstract
Archaeological sites constitute one of the main tourist attractions in the heritage offerings of most populations. Their ability to convey the ways of life and construction techniques of past societies through physical remains positions them as a culturally significant alternative for visitors. However,
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Archaeological sites constitute one of the main tourist attractions in the heritage offerings of most populations. Their ability to convey the ways of life and construction techniques of past societies through physical remains positions them as a culturally significant alternative for visitors. However, their physical conservation, essential for efficiently ensuring information with precision, poses a serious challenge for the various professionals involved, as numerous social and anthropic risks threaten long-term preservation for the enjoyment of future generations. Of all traditional building materials, earth is undoubtedly one of the most fragile and sensitive to loss in the absence of the original protection systems, so that a precise assessment of its threats is essential to minimizing the destruction of these non-renewable assets. The objective of this study is to evaluate the most determining human risk factors within the territorial scope of the Iberian Peninsula, including aspects such as its musealization, suitable interpretation, visit planning, agricultural land use, vandalism and rural depopulation. This is achieved through a literature review and on-site data collection from 85 archaeological sites, as well as the development of an analysis tool to assess the degree of vulnerability, aiming to develop prevention measures.
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(This article belongs to the Special Issue Heritage Tourism and Sustainable City Dynamics)
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An Archaeometric Study of Lead-Glazed Medieval Ceramics (13th–14th Century) from Santarém, Portugal
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L. F. Vieira Ferreira, T. M. Casimiro, C. Boavida, M. F. Costa Pereira and I. Ferreira Machado
Heritage 2024, 7(5), 2217-2238; https://doi.org/10.3390/heritage7050105 - 25 Apr 2024
Abstract
Ceramic sherds from approximately 20 samples of lead-glazed tableware, recovered from diverse archaeological sites, including three repurposed storage pits transformed into dumpsters within the medieval city of Santarém (13th–14th century), underwent a meticulous examination. This investigation utilised techniques such as micro-Raman, ground-state diffuse
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Ceramic sherds from approximately 20 samples of lead-glazed tableware, recovered from diverse archaeological sites, including three repurposed storage pits transformed into dumpsters within the medieval city of Santarém (13th–14th century), underwent a meticulous examination. This investigation utilised techniques such as micro-Raman, ground-state diffuse reflectance absorption, and X-ray fluorescence spectroscopies, in addition to X-ray diffraction and stereomicroscopy. A parallel study was conducted on contemporaneous European ceramics (glazed sherds) sourced from archaeological sites dating back to the 13th–15th centuries in Saintonge (France), Ardenne, Zomergem, and Bruges (Belgium), as well as Surrey–Hampshire, Kingston, and Cheam (England). The first premise for comparing the Santarem samples with European production locations was their frequent commercial relations with Portugal and the frequency of these productions being found in Portugal. The colour of the ceramic bodies is predominantly white or whitish, with a few exhibiting a vivid red hue. Analyses of the fabric, mineralogical, and elemental composition of the sherds suggest that the majority of Santarém’s glazed ceramics were locally or regionally produced, potentially derived from a Pliocene kaolin-rich sand formation. However, this conclusion is not supported by the absence of discovered lead glaze kilns or workshops in Santarém for the late Middle Ages.
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(This article belongs to the Special Issue Non-invasive Technologies Applied in Cultural Heritage)
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Tourism Development through the Sense of UNESCO World Heritage: The Case of Hegra, Saudi Arabia
by
Sara Sampieri, Abdellah Saoualih, Larbi Safaa, Fernando Martinez de Carnero Calzada, Marco Ramazzotti and Agustín Martínez-Peláez
Heritage 2024, 7(4), 2195-2216; https://doi.org/10.3390/heritage7040104 - 22 Apr 2024
Abstract
This study explores the perception of a “sense of place” among tourists visiting Hegra, an archaeological site in northern Saudi Arabia, through reviews on TripAdvisor. The 267 reviews on TripAdvisor between 2020 and 2023 were analyzed using the VADER sentiment polarity analysis tool
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This study explores the perception of a “sense of place” among tourists visiting Hegra, an archaeological site in northern Saudi Arabia, through reviews on TripAdvisor. The 267 reviews on TripAdvisor between 2020 and 2023 were analyzed using the VADER sentiment polarity analysis tool and object modeling using the NMF machine learning algorithm. The results highlight positive factors linked to the history and uniqueness of the place while showing some critical issues related to isolation, cost, privatization, and competitiveness. The originality of the research lies in the type of case study chosen, an archaeological site of a country that has recently opened its doors to tourism, and in the pragmatic nature of the investigation, oriented towards the search for possible solutions to be adopted in terms of heritage management based on the feedback received for the development of the tourist destination.
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(This article belongs to the Section Architectural Heritage)
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Three-Dimensional Analysis for the Documentation of the Restoration of an Earthquake-Damaged Triptych
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Emma Vannini, Irene Lunghi, Emanuela Grifoni, Petra Farioli, Marina Ginanni, Andrea Santacesaria and Raffaella Fontana
Heritage 2024, 7(4), 2176-2194; https://doi.org/10.3390/heritage7040103 - 17 Apr 2024
Abstract
The 3D digital reproduction of panel paintings is an efficient practice through which to document their state of conservation thanks to the ability to study artwork both at the microscopic level, visualising the craquelure and the detachments of pictorial layers, and at the
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The 3D digital reproduction of panel paintings is an efficient practice through which to document their state of conservation thanks to the ability to study artwork both at the microscopic level, visualising the craquelure and the detachments of pictorial layers, and at the macroscopic level, analysing support structures and their deformations. In recent years, research has focused on new methodologies to handle multiple 3D scans acquired over time and to achieve data fusion to obtain multi-resolution products. In this paper, we present the results of the acquisition of the central panel of an earthquake-damaged triptych using two different 3D techniques (close-range photogrammetry and structured light) before and after its restoration to carry out a multi-temporal analysis of the conservation status and document the effects of the restoration. Furthermore, we performed laser scanning micro-profilometry on a small area of the painting to study the artist’s technique and identify previous restorations. Finally, we merged the two 3D datasets (obtained by structured-light projection and micro-profilometry) to produce a multi-resolution 3D model with the aim of increasing the accuracy and readability of the final product.
Full article
(This article belongs to the Special Issue Cultural Heritage at Risk - Perspectives on Technologies, Materials, Modelling and Digitalization)
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Correlation of Visible Reflectance Spectrometry and Portable Raman Data for Red Pigment Identification
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Anna M. Gueli, Rosaria Galvagno, Adriana Incardona, Eleonora Pappalardo, Giuseppe Politi, Giuseppe Paladini and Giuseppe Stella
Heritage 2024, 7(4), 2161-2175; https://doi.org/10.3390/heritage7040102 - 06 Apr 2024
Abstract
The accurate identification of pigments is of principal relevance in the field of cultural heritage conservation and restoration practices. In this preliminary study, a first attempt to set up a procedure for accurate red pigment identification, based on the assessment of the correlations
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The accurate identification of pigments is of principal relevance in the field of cultural heritage conservation and restoration practices. In this preliminary study, a first attempt to set up a procedure for accurate red pigment identification, based on the assessment of the correlations existing between visible reflectance spectrometry (vis-RS) and Raman data, is presented. The proposed approach involved the realization of a library consisting of data acquired on a set of 35 pure red historical pigments supplied by ©Kremer Pigmente. In particular, vis-RS data, collected through a Konica Minolta CM-2600d spectrophotometer, were registered, together with the position of the Extrema Points (E.P.s) encompassing both the maximum and minimum points of the first derivative of the % spectral reflectance factor (SRF%) curves. Portable Raman spectroscopy measurements were collected by a B&W Tek Inc. portable Raman spectrometer equipped with a 785 nm laser. For each tested pigment, the positions and relative intensities of the characteristic Raman peaks were considered. The library was then tested for the characterization of the red/reddish painted areas of the medieval wall painting located within The Norman Castle of Aci Castello (Catania, Italy), and was shown to be essential for the unambiguous identification of the pigment used. It is worth noting that this study represents the first novel attempt to establish a reliable and efficient methodology for pigment identification, offering promising prospects in reducing uncertainties and ambiguities arising from the application of a single stand-alone approach.
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(This article belongs to the Special Issue Pigment Identification of Cultural Heritage Materials)
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Prehistoric and Early Roman Period Goldwork from Northwestern Iberia: An Analytical Study of Artefacts from the Archaeological and Historical Museum of A Coruña
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Óscar García-Vuelta and Xosé-Lois Armada
Heritage 2024, 7(4), 2138-2160; https://doi.org/10.3390/heritage7040101 - 06 Apr 2024
Abstract
This article presents the results of a topographical and analytical study using hh-XRF of 22 gold and gilded objects from the Archaeological and Historical Museum of A Coruña (Galicia, Spain). They are highly representative of the northwestern Iberian goldwork from the Chalcolithic (third
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This article presents the results of a topographical and analytical study using hh-XRF of 22 gold and gilded objects from the Archaeological and Historical Museum of A Coruña (Galicia, Spain). They are highly representative of the northwestern Iberian goldwork from the Chalcolithic (third millennium BC) to the early Roman period (first century AD). This study contributes to our knowledge of the production techniques used in those periods, as well as their evolution over time. The collection includes some of the most representative types in this area, such as Early Bronze Age “sheet collars” and torcs from the Second Iron Age. In the case of torcs, new data are provided on one of the formally best-documented types (the Artabrian type) and on those known as “Baroque torcs” that are characteristic of the final moments of this goldsmith tradition. While pieces from the Chalcolithic and Early Bronze Age were made with alluvial gold, the torcs from the Late Iron Age contain variable amounts of silver and copper. Also detected is the frequent use of cores made of less precious metals, which were subsequently given a golden appearance using gilding techniques. The new data are discussed in light of our current knowledge of NW Iberian goldwork, one of the most representative of this craft tradition in Western Europe for those periods.
Full article
(This article belongs to the Special Issue Advances in Archaeology and Anthropology of the Ancient World)
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Open AccessArticle
X-ray Synchrotron Radiation to Look at Pigments in Antiquities: Overview and Examples
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Alessandra Gianoncelli, Sebastian Schöder, Jasper R. Plaisier, Maura Fugazzotto, Germana Barone, Alfonsina Russo, Paolo Mazzoleni and Simona Raneri
Heritage 2024, 7(4), 2118-2137; https://doi.org/10.3390/heritage7040100 - 05 Apr 2024
Abstract
The recent upgrading of synchrotron radiation (SR) sources has favored, in the last few years, the construction and design of beamlines optimized for the study of cultural heritage materials, which may require ad hoc setups, specific spatial resolutions, and detection limits. In the
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The recent upgrading of synchrotron radiation (SR) sources has favored, in the last few years, the construction and design of beamlines optimized for the study of cultural heritage materials, which may require ad hoc setups, specific spatial resolutions, and detection limits. In the field of cultural heritage, integrated approaches combining different techniques are often required, even at large facilities, where some beamlines offer the possibility of performing different types of measurements at the same point of analysis, complementing preliminary information usually obtained by conventional laboratory and/or portable in situ methods. An overview of the last ten years of synchrotron applications for the study of pigments is given, with discussion of upstream and downstream challenges to methods and techniques. The possibilities offered by the synchrotron techniques are illustrated by a case study of a particular class of painted ceramics, as an example of different research questions that are solved by a combination of SR-based methods.
Full article
(This article belongs to the Special Issue Latest Trends and Challenges in the Study of Pigments and Dyes and Their Degradation in Cultural Heritage Objects)
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Open AccessArticle
Emergency Actions for the Documentation, Stabilization, and Consolidation of the Early Bronze Age Fortifications at Khirbat Iskandar, Jordan
by
Marta D’Andrea, Suzanne Richard, Jesse C. Long, Jr. and Franco Sciorilli
Heritage 2024, 7(4), 2088-2117; https://doi.org/10.3390/heritage7040099 - 05 Apr 2024
Abstract
Khirbat Iskandar is an Early Bronze Age (ca. 3800-1950 BCE) mound in the Madaba Governorate of Jordan. Until a decade ago, it was better known as a key site for the non-urban Early Bronze IV period (ca. 2500-1950 BCE), but is increasingly emerging
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Khirbat Iskandar is an Early Bronze Age (ca. 3800-1950 BCE) mound in the Madaba Governorate of Jordan. Until a decade ago, it was better known as a key site for the non-urban Early Bronze IV period (ca. 2500-1950 BCE), but is increasingly emerging as a signature site for the urban Early Bronze II-III period (ca. 3050-2500 BCE). The contour of the tall site is shaped by the presence of buried fortifications that were investigated in the north-western sector of the mound, where a long sequence of rebuilds was recognized, but were exposed to and impacted by modern construction activities along the southern and south-eastern areas prior to being recorded. There, due to erosion and weathering, the stone fortifications dating to the first half of the Early Bronze III (ca. 2850-2650 BCE) fell down. In this paper, we report on our strategies to assess threats, document damages, sustainably stabilize, and consolidate the collapsed ancient fortifications in the 2023 field season at Khirbat Iskandar. At the same time, we discuss the conceptual/methodological and practical challenges of identifying best practices in the conservation and preservation of antiquities that collapsed prior to being excavated. We conclude with some thoughts on how to build on these actions to efficiently present the archaeology and cultural heritage at protohistoric sites, like Khirbat Iskandar, and to make it accessible for the local and the international communities.
Full article
(This article belongs to the Special Issue Risk Analysis and Preservation Strategies of Architectural Heritage)
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Open AccessArticle
Analysis of the Current Status of Sensors and HBIM Integration: A Review Based on Bibliometric Analysis
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Renan Rolim, Concepción López-González and María José Viñals
Heritage 2024, 7(4), 2071-2087; https://doi.org/10.3390/heritage7040098 - 03 Apr 2024
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This article presents a bibliometric analysis conducted on the implementation of sensor-extracted data in the context of Historical Building Information Modeling (HBIM) with a focus on the conservation of heritage buildings. The study utilized recognized databases, namely, Web of Science (WoS) and Scopus.
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This article presents a bibliometric analysis conducted on the implementation of sensor-extracted data in the context of Historical Building Information Modeling (HBIM) with a focus on the conservation of heritage buildings. The study utilized recognized databases, namely, Web of Science (WoS) and Scopus. A bibliometric analysis methodology was applied, employing the VOSviewer 1.6.19 software. The results obtained provide a robust overview of the current state and trends in HBIM and sensor research and enabled the identification of emerging trends in the field of preventive conservation. Three promising trends were identified, establishing connections between this field and 4D spatial data management, energy performance, and artificial intelligence. Additionally, relations with climate change were also detected. These trends underscore a significant convergence of technologies and methodologies in the realm of heritage building conservation. The conclusions serve as a valuable contribution to guiding future research in the field of built heritage conservation.
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Open AccessArticle
The Body-Camera Approach: Teacher Identity through Video Elicitation and Video Essay to Create Shared Heritages
by
Ángela Barrera-García and Dolores Álvarez-Rodríguez
Heritage 2024, 7(4), 2055-2070; https://doi.org/10.3390/heritage7040097 - 30 Mar 2024
Abstract
This paper presents an approach to teacher identity heritage as a result of the implementation of a research device created through Arts-Based Research (ABR) methods, specifically with video elicitation and video essays used as research tools. Two main objectives were addressed. The first
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This paper presents an approach to teacher identity heritage as a result of the implementation of a research device created through Arts-Based Research (ABR) methods, specifically with video elicitation and video essays used as research tools. Two main objectives were addressed. The first one was to establish the real relevance of focusing performance on teacher identity. The second one involved testing a new methodological proposal specifically designed for this purpose, but still useful in other contexts where heritage identity is as present as in teaching. The device, a body camera, involves a process that allows new ways to understand the creation of identities using video to encourage the production of new meanings through visual and oral data. The participants were teachers in training during their internship period. Some notions about teachers’ identity heritage were revealed, and also preserved, firstly through personal perspectives by video elicitations, and secondly through collective perspectives by video essays. Both are video structures used in ABR which mix creative experience, memories, life experiences, relationships, and links that shape the teachers’ professional identity.
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(This article belongs to the Special Issue Research in Heritage Education: Transdisciplinary Approaches)
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Proto-Early Renaissance Depictions, Iconographic Analysis and Computerised Facial Similarity Assessment Connections: The 16th Century Mural Paintings of St. Leocadia Church (Chaves, North of Portugal)
by
Eunice Salavessa, José Aranha, Rafael Moreira and David M. Freire-Lista
Heritage 2024, 7(4), 2031-2054; https://doi.org/10.3390/heritage7040096 - 29 Mar 2024
Abstract
The aim of this paper is to analyse facial similarity and apply it to identify the individuals depicted in the mural paintings of the apse of St. Leocadia Church, located in Chaves Municipality (North of Portugal), which were painted during the first quarter
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The aim of this paper is to analyse facial similarity and apply it to identify the individuals depicted in the mural paintings of the apse of St. Leocadia Church, located in Chaves Municipality (North of Portugal), which were painted during the first quarter of the 16th century. This study also compares the portraits of this mural paintings with the oil paintings by the Proto-Renaissance Portuguese painter Nuno Gonçalves. Through this research, the feasibility of face recognition technology is explored to answer many ambiguities about Manueline stylistic identity and iconography. Additionally, it aims to associate historical events, artistic discoveries, and the expansion of portraiture as propaganda of power during the Portuguese Proto-Renaissance and Early Renaissance. On the other hand, it focuses on the prevalence of the religious and devotional over the sacred in Manueline painting. A proposal was made to identify the characters that are fundamental to the meaning of the mural paintings. An experiment was conducted on seven characters from the paintings at St. Leocadia Church, which were then compared to Nuno Gonçalves’ portraits. Facial similarity analysis was conducted on the faces portrayed in the Panels of St. Vincent, a remarkable portrait gallery from 15th-century Portugal, which has been the subject of national and international research for 130 years. Other paintings that were analysed were the oil paintings of St. Peter and St. Paul and of Infanta St. Joana, which were created by the same Quattrocento master. The purpose of the mural paintings of St. Leocadia Church could be catechetical in nature or related to the ritual practices of royal ancestor worship in royal portrait apses of the churches. It could also be associated with the Portuguese maritime expansion and the macro-imperial ideology of D. Manuel I.
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(This article belongs to the Special Issue XR and Artificial Intelligence for Heritage)
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