Politics in Literature and Film

A special issue of Humanities (ISSN 2076-0787).

Deadline for manuscript submissions: 30 June 2024 | Viewed by 2488

Special Issue Editor


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Guest Editor
Department of Languages and Cultures, West Chester University, West Chester, PA 19383, USA
Interests: psychology and literature/film; post-war and post-wall German and Austrian literature and film; trauma narrative

Special Issue Information

Dear Colleagues,

What is the relationship between politics and art? How does one influence the other? Novels such as Charles Dickens' Hard Times and Harriet Beecher Stowe's Uncle Tom's Cabin impacted their respective societies. The former triggered new child labor laws in Great Britain; the latter played a role in the abolitionist movement, which, in turn, contributed to the American Civil War. Conversely, how do political views infiltrate art? Leni Riefenstahl's propaganda film Triumph of the Will glorified Hitler and the Nazi party. Some view her film as the best propaganda film ever made, while others extol it for aesthetic qualities such as her innovative cinematic techniques. What is the distinction between propaganda and art, and is it always a clear distinction? 

Papers for this Special Issue should analyze modern literary or cinematic works that explicitly or implicitly contain a political message or have had a significant political impact on 20th or 21st century society. Analyses of these works through feminist, queer theory, post-colonial, or post-modernist lenses are especially welcome. Please submit a paper abstract of about 250 words by December 31, 2023. The abstract should include a brief summary of the work and its political/social context, as well as the approach (feminist or queer theory, etc.) that is used to investigate its political context and its message, its reception among contemporary readers/viewers, and any political or social changes that it triggered in society.

Dr. Margarete J. Landwehr
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Humanities is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Published Papers (1 paper)

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Research

15 pages, 288 KiB  
Article
The Language of Manipulation and Control: Operational Methods of the Securitate in A. Belc’s Film Metronom
by Ecaterina Pavel
Humanities 2023, 12(6), 137; https://doi.org/10.3390/h12060137 - 19 Nov 2023
Viewed by 1858
Abstract
The objective of the present study is to analyze the operational methods employed by the secret police agency (Securitate) in exerting influence and control over individuals within the Romanian communist society, as depicted in the film Metronom directed by Alexandru Belc. Through an [...] Read more.
The objective of the present study is to analyze the operational methods employed by the secret police agency (Securitate) in exerting influence and control over individuals within the Romanian communist society, as depicted in the film Metronom directed by Alexandru Belc. Through an analysis of the dialogue between the protagonist and a Securitate officer, this research explores the tactics used by the Romanian secret police to manipulate and deceive citizens, preserve power, and maintain social control. Drawing on critical discourse analysis and theories of power, this study reveals the subtle and insidious ways in which the Securitate operated within the Romanian society to silence opposition, spread propaganda, and maintain a stranglehold on society. In this line of work, a set of elements has been delineated, aimed at evaluating the manipulative nature of communist discourse strategies. The findings provide insights into the cinematic portrayal of the Securitate in Romanian communist society, highlighting the use of language and discourse as tools for controlling and manipulating both the population and individuals. Full article
(This article belongs to the Special Issue Politics in Literature and Film)
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