Buddhist Literature and Art across Eurasia

A special issue of Religions (ISSN 2077-1444).

Deadline for manuscript submissions: 30 June 2024 | Viewed by 3926

Special Issue Editor


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Guest Editor
The School of Foreign Languages, Peking University, Beijing 100871, China
Interests: history of Buddhist literature; intercultural study of art

Special Issue Information

Dear Colleagues,

Ever since their emergence in ancient India, Buddhist literature and art across Eurasia have been continuously transmitted both vertically and horizontally, with the localization and self-renewal determined or affected by the translation of Buddhist scriptures, pilgrimages of Buddhist monks and believers, excavation of grottoes, commerce and trade along the Silk Road, construction of buildings and gardens, exchange of crafts and technology, etc. Most existing academic paradigms relating to the transmission of Buddhist culture, however, are limited to the writing of national histories or the discussion on a single medium, leaving the topic of integration and the mutual learning phenomenon of various media which span the Eurasian continent and communicate Buddhist literature and art unhighlighted. Nonetheless, the “material and visual turn”, which has won the attention of international humanities academia in recent years, provides us with an important dimension for observing the generation and change of Buddhist cultural and artistic heritage across Eurasia.

This Special Issue aims not only to fully demonstrate trans-regional, trans-ethnic, and trans-media case studies on Buddhist literature and art, but also, and more importantly, to advocate innovation in methodology and ideology. There are no requirements for a certain age or specific region for the paper. As for the content, it is encouraged to bring into discussion the literary and artistic interaction between Buddhism and other religions such as Christianity, Islam, Hinduism, Jainism, Taoism, Shintoism, etc.; meanwhile, comparative analysis of multilingual texts and in-depth exploration and interpretation of visual and up-to-date field archeological materials are highly welcomed. From the perspective of cultural exchange and mutual learning, the purpose of this Special Issue is to reconstruct the historical context of exchanges and interactions among different regions and different groups of people mediated by Buddhism, thus unveiling the shaping and regeneration of religious cultural landscape in Asia and Europe.

In this Special Issue of Religions, original research articles and reviews are welcome. Research areas may include (but are not limited to) the following:

  • Trans-cultural Buddhist literature;
  • Buddhist images and trans-cultural Buddhist art history;
  • Literary and artistic interactions between Buddhism and other religions;
  • Text–image relationship in Buddhist literature and art;
  • Transformation and transfiguration of Buddhist art as viewed from archeological findings;
  • Trans-media Buddhist literature and art.

We look forward to receiving your contributions. Thank you very much!

Prof. Dr. Ming Chen
Guest Editor

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Keywords

  • Eurasia
  • Buddhist literature
  • Buddhist art
  • trans-media
  • text–image interaction

Published Papers (3 papers)

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Research

30 pages, 5772 KiB  
Article
A Patchwork of Hindu Ritual Practices and Technique Performances? A Re-Examination of the Citrakarmaśāstra, a Vajrayānic Sanskrit Śilpa Text Discovered in Sri Lanka
by Weilin Wu
Religions 2024, 15(2), 146; https://doi.org/10.3390/rel15020146 - 24 Jan 2024
Viewed by 801
Abstract
The Mañjuśrībhāṣita-Citrakarmaśāstra, a Sanskrit śilpa work discovered in Sri Lanka, deals exclusively with Buddhist image making. It provides technical instructions for the fabrication of Buddhist images as well as guidance for initial and final consecrations. This article offers a comparative intertextual study [...] Read more.
The Mañjuśrībhāṣita-Citrakarmaśāstra, a Sanskrit śilpa work discovered in Sri Lanka, deals exclusively with Buddhist image making. It provides technical instructions for the fabrication of Buddhist images as well as guidance for initial and final consecrations. This article offers a comparative intertextual study of the main body of the manuscript, including chapters concerning tree selection, the ratnanyāsa ritual, the techniques of clay modeling in the making of images, and the eye-opening ceremony. This study suggests that the Mañjuśrībhāṣita-Citrakarmaśāstra bears a remarkable resemblance to South Indian Hindu śilpa texts and does not perfectly correspond with actual practices and performances. The main part of the Mañjuśrībhāṣita-Citrakarmaśāstra is probably dated no earlier than the 11th century but no later than the 16th century. Full article
(This article belongs to the Special Issue Buddhist Literature and Art across Eurasia)
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19 pages, 4386 KiB  
Article
Shaka Goichidaiki Zue: Vernacularization and Visualization of Buddha’s Biography in Nineteenth-Century Japan
by Wei Xiang
Religions 2024, 15(1), 99; https://doi.org/10.3390/rel15010099 - 12 Jan 2024
Viewed by 948
Abstract
Since the appearance of Buddha, texts and images depicting his life have circulated across Eurasia, serving as significant mediums for disseminating Buddhist ideology. Japan has historically been influenced by the canon of Chinese Buddhism while concurrently striving to promote the indigenization of Buddhism. [...] Read more.
Since the appearance of Buddha, texts and images depicting his life have circulated across Eurasia, serving as significant mediums for disseminating Buddhist ideology. Japan has historically been influenced by the canon of Chinese Buddhism while concurrently striving to promote the indigenization of Buddhism. This endeavor reached its peak during the Edo period, notably exemplified in the Shaka goichidaiki zue, illustrated by the world-renowned artist Hokusai Katsushika. Originating from Buddhist believers, it presents an adaptation based on the socio-historical context of pre-modern Japan, particularly manifesting evident shifts in emphasizing royal authority, the salvation of females, and ethical relationships. Entering the Meiji era, this pre-modern illustrated manuscript underwent repeated printing, playing an important role in the modernization of Buddhism. Full article
(This article belongs to the Special Issue Buddhist Literature and Art across Eurasia)
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18 pages, 7197 KiB  
Article
Zen in Early Persian Painting—A Study of the 1314–1315 Jāmiʿ al-Tavārīkh Illustrations
by Fei Jia
Religions 2024, 15(1), 75; https://doi.org/10.3390/rel15010075 - 8 Jan 2024
Viewed by 1116
Abstract
Since the establishment of the Ilkhanid Dynasty, Chinese painting has exerted a profound influence on various facets of Persian painting. This influence facilitated the divergence of Persian painting from Arab painting, fostering the gradual formation of an independent style. To explore whether Zen [...] Read more.
Since the establishment of the Ilkhanid Dynasty, Chinese painting has exerted a profound influence on various facets of Persian painting. This influence facilitated the divergence of Persian painting from Arab painting, fostering the gradual formation of an independent style. To explore whether Zen painting, which has been highly influential in contemporary China, also played a role in shaping Persian painting, this article first discusses the possibility that Zen books and Zen paintings were introduced to the Ilkhanid Dynasty. Subsequently, it delves into the illustrations of the Jāmiʿ al-Tavārīkh dating back to 1314–1315, analyzing Zen elements through three lenses: theme, brushwork, and compositional elements. Through this analysis, the article aims to provide insights into the impact of Chinese Zen art on Persian painting, offering a fresh perspective for scrutinizing the broader Chinese influence on Persian art. Full article
(This article belongs to the Special Issue Buddhist Literature and Art across Eurasia)
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