Creativity in Recreational Figure Roller-Skating: A Pilot Study on the Psychological Benefits in School-Age Girls
Abstract
:1. Introduction
2. Materials and Methods
2.1. Participants
2.2. Variables and Instruments
- Satisfaction of BPNs. The Spanish version of the BPNs scale [26] was used. Each dimension/need (i.e., autonomy, perceived competence and social relationships) is composed of four items that are answered on a Likert-type scale of 1–5 points, where 1 = strongly disagree and 5 = strongly agree. Cronbach’s alpha of the instrument was excellent for the creative (α = 0.90) and traditional (α = 0.95) interventions.
- Sports adherence. The Spanish version of the measure of intentionality to be physically active (MIFA) instrument [27] was used. It is composed of five items. The type of scale and response range is similar to the one used on the BPNs scale. Cronbach’s alpha of the instrument was good for the creative intervention (α = 0.87) and acceptable for the traditional intervention (α = 0.79).
- Emotions. The games and emotions scale (GES) [25] was used. It assesses the participants’ scores from 0 to 10, corresponding to 13 emotions, after practicing sports activities. Emotions are classified as: four positive emotions (joy, humor, love and happiness), six negative emotions (fear, anger, rejection, sadness, shame and anxiety) and three ambiguous/neutral emotions (hope, compassion and surprise).
2.3. Procedure
2.3.1. Creative Session
- Productive: ability to create choreographies.
- Imaginative: use of imagination in their creation.
- Independent: cooperative work with the guidance of the sports professional.
- Experimentation: practice the choreographies created before the final exhibition in front of peer groups.
- Holism: incorporating all the learning achieved during the training season and new ideas into the choreographies.
- Expression: creativity is manifested.
- Transcendence: participants surpass themselves when executing spins, basic jumps, pirouettes and artistic figures.
- Surprise and amazement: incorporate novel and imaginative variations/elements that generate amazement.
- Generativity: variations / elements are adapted to the participant’s capabilities.
2.3.2. Traditional Session
2.4. Statistical Analysis
3. Results
3.1. Quantitative Results
3.2. Qualitative Results
3.2.1. Participants´ Opinions
“I like it especially when we practice it. (Referring to phase 3 of the session where they have to practice the choreography with their classmates)”
“…because we look like skaters.”
“…because we have discussed among the classmates, we have invented it ourselves and we have performed it ourselves.”
“I like it (traditional session) better than the other (referring to the creative session), because I find it more difficult when we have to do it ourselves.”
“I prefer to design the choreography.”
3.2.2. Sports Professional’s Opinion
“I have observed a similar technical level of the skaters in both choreographies.”
“The artistic figure most executed by the skaters is the “dancer” (of less complexity), and they try to avoid jumps and turns (of greater complexity), despite knowing how to execute them.”
“The choreographies designed by the skaters themselves are usually of short duration and with little variation of elements/sequences.”
“Sometimes, the skaters themselves ask to change activities when they perform choreographies designed by me because they get tired and bored. This aspect does not occur when they are the ones who design their choreography.”
4. Discussion
5. Conclusions
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Acknowledgments
Conflicts of Interest
References
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Session Aspects | Creative Intervention | Traditional Intervention |
---|---|---|
Choreography type | Choreographies created by the participants themselves | Choreography created by the sports professional |
Skaters grouping | Sub-groups according to their interests and friendships | One group only (individual work) |
Teaching style(s) [28] | Socializer; cooperative creative; synectics | Traditional: modification of direct control |
Role of the sports professional | Guides, encourages and fosters participants’ creativity, without control and discipline | Plans, explains and demonstrates the activity to be performed, exercising moderate control and discipline |
Role of the skaters | Active: groups work independently, dictating their own rules and acquire a high cognitive participation grade | Passive: execute the activities according to the guidelines set by the sports professional |
Variable | Dimension | Intervention | M | SD | Z | p-Value | ES | Comparison |
---|---|---|---|---|---|---|---|---|
BPNs | Autonomy | Traditional | 3.98 | 1.09 | −1.61 | 0.13 | 0.46 | |
Creative | 4.47 | 0.58 | ||||||
Competence | Traditional | 3.93 | 1.07 | −2.04 | 0.04 * | 0.59 | TI < CI | |
Creative | 4.55 | 0.58 | ||||||
Relationships | Traditional | 4.04 | 0.90 | −2.15 | 0.03 * | 0.62 | TI < CI | |
Creative | 4.52 | 0.78 | ||||||
MIFA (sports adherence) | Traditional | 4.05 | 0.92 | −2.40 | 0.02 * | 0.69 | TI < CI | |
Creative | 4.57 | 0.62 | ||||||
Emotions | Positive | Traditional | 6.79 | 2.56 | −1.54 | 0.13 | 0.45 | |
Creative | 8.08 | 1.74 | ||||||
Negative | Traditional | 1.24 | 1.33 | −0.62 | 0.56 | 0.18 | ||
Creative | 1.04 | 1.17 | ||||||
Ambiguous | Traditional | 6.00 | 1.97 | −1.61 | 0.11 | 0.46 | ||
Creative | 3.84 | 1.90 |
Emotions | Traditional Intervention | Creative Intervention | |||||||
---|---|---|---|---|---|---|---|---|---|
M | SD | M | SD | Z | p-Value | ES | Comparison | ||
Positive emotions | Joy | 8.70 | 1.95 | 9.60 | 1.26 | −1.54 | 0.14 | 0.44 | |
Humor | 4.20 | 4.59 | 7.60 | 3.37 | −2.04 | 0.04 * | 0.59 | TI < CI | |
Love | 5.50 | 4.88 | 5.30 | 4.99 | −0.273 | 0.78 | 0.08 | ||
Happiness | 9.10 | 1.91 | 9.60 | 1.26 | −1.07 | 0.31 | 0.31 | ||
Negative emotions | Fear | 0.60 | 1.35 | 0.50 | 0.97 | −0.36 | 0.74 | 0.10 | |
Anger | 0.40 | 1.26 | 0.30 | 0.95 | −0.29 | 0.77 | 0.08 | ||
Rejection | 1.60 | 3.20 | 0.80 | 2.20 | −0.62 | 0.55 | 0.18 | ||
Sadness | 0.30 | 0.67 | 0.20 | 0.42 | −0.57 | 0.57 | 0.17 | ||
Shame | 2.40 | 3.72 | 2.60 | 3.34 | −0.44 | 0.66 | 0.13 | ||
Anxiety | 2.00 | 4.22 | 1.30 | 2.58 | −0.64 | 0.55 | 0.18 | ||
Ambiguous emotions | Hope | 5.60 | 4.27 | 5.00 | 4.57 | −0.538 | 0.59 | 0.15 | |
Compassion | 3.80 | 4.34 | 0.70 | 1.34 | −0.81 | 0.53 | 0.23 | ||
Surprise | 8.60 | 1.90 | 5.70 | 3.80 | −2.55 | 0.01 * | 0.74 | TI > CI |
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García-Ceberino, J.M.; Feu, S.; Gamero, M.G.; Villafaina, S. Creativity in Recreational Figure Roller-Skating: A Pilot Study on the Psychological Benefits in School-Age Girls. Int. J. Environ. Res. Public Health 2022, 19, 11407. https://doi.org/10.3390/ijerph191811407
García-Ceberino JM, Feu S, Gamero MG, Villafaina S. Creativity in Recreational Figure Roller-Skating: A Pilot Study on the Psychological Benefits in School-Age Girls. International Journal of Environmental Research and Public Health. 2022; 19(18):11407. https://doi.org/10.3390/ijerph191811407
Chicago/Turabian StyleGarcía-Ceberino, Juan Manuel, Sebastián Feu, María Gracia Gamero, and Santos Villafaina. 2022. "Creativity in Recreational Figure Roller-Skating: A Pilot Study on the Psychological Benefits in School-Age Girls" International Journal of Environmental Research and Public Health 19, no. 18: 11407. https://doi.org/10.3390/ijerph191811407
APA StyleGarcía-Ceberino, J. M., Feu, S., Gamero, M. G., & Villafaina, S. (2022). Creativity in Recreational Figure Roller-Skating: A Pilot Study on the Psychological Benefits in School-Age Girls. International Journal of Environmental Research and Public Health, 19(18), 11407. https://doi.org/10.3390/ijerph191811407