Symbiosis or Sporting Tool? Competition and the Horse-Rider Relationship in Elite Equestrian Sports
Abstract
:Simple Summary
Abstract
1. Introduction
1.1. Social Relationships in Sport
1.2. Elite Equestrianism and the Horse-Rider Relationship
“They [elite riders] invest a lot of time and money and emotion in these horses. You have to keep in mind that we all started this just because we love horses and that doesn’t change, it[‘s] just, the level at which we compete might change, but at the end of the day, the thing that binds us all together…is just the fact that when we were little kids we just couldn’t stay away from them [horses].”
1.3. The Status and Ethics of Elite Equestrianism
1.4. Performance and Relationships in Equestrian Sports
1.5. Equine Welfare in Elite Sport
2. Materials and Methods
2.1. Study Context
2.2. Theoretical Approach
2.3. Methodological Approach
2.4. Data Collection and Analysis
2.5. Participant Demographics
2.6. Reflexive and Ethical Insights
3. Results
3.1. A Blessing and a Burden: Bonding and Being Competitive
“The thing that stops the sport from becoming commercial though, is that you can’t fake that, like it has to be a partnership in that you have to throw your whole soul into it, you can’t say, “Oh trust me trust me” [to the horse] really to yourself think “No way”. If you say to a horse “Trust me” it’s got to be that you’ve thrown yourself into the…zone without reservation…so it takes part of your life. And so producing horses at the top, it could be a lucrative business, but you only have so much life, you can’t produce it like a sausage factory…that stops the whole industry from becoming commercial because every horse produced out there are little bits of people’s souls.”
“We’re going to go out and jump that World Championship cross-country course out there, you want a pretty jolly good partnership with it and the same with those big jumps [rider’s name] is going to jump; you want a pretty jolly good partnership with your horse.”
“It’s also very difficult to umm compete overseas with us because it’s very difficult to take our horses abroad and then we have to hire horses and it’s not the same, you don’t know the horse and he doesn’t know you, and it’s just…you have to understand each other.”
“It only works if the horse is working with you; if they start to work against you or if, if they are not trusting you I don’t think you’re ever going to look as bright and shiny when you compete.”
“…it’s [the horse] the stronger animal, that’s for sure. It will win once it’s against you so you so you better, don’t have six hundred kilos against you, you better work with them, you know.”
“I think what most of our riders do, talking about para-equestrian[ism], is that we do always see them [the horse] as a partner and we can never ever work against them, because we cannot use any force. If I use force I am sitting beside the saddle usually so that might be, at some point people might think that is a disadvantage but sometimes I think when I look at some other riders it might be an advantage.”
“A relationship with those genius riders is probably less necessary, or it forms instantly…because everything works so perfectly for those good riders you tend to think they’re all automatons underneath but I don’t think they are, they happen to be beautifully trained, which makes them look as if they’re not existing on a relationship. Whereas those of us who are less skilled riders are more needing that relationship, that’s how I look at it.”
“I was never nervous like, I knew from the moment that I stepped onto my horse that we were gonna jump a clean round…there was no focus on placing or results …I only allowed myself to think in terms of…what things I could control…that’s the biggest mistake I see, people thinking “Oh this point, or if I make a mistake it’s this many points or if I jump clean I have this many points and I’ll be in this place or that place” and that is not part of, that has nothing to do with the partnership or the performance.”
“For me it was always about the training, the competition is just the proof of the training…And if it happens that you happen to win, well and good, but you’re not out there to beat this one and that one, you’re not out there to win at all costs…with horses, there’s always going to be ups and downs and there’s always going to be disappointments and there’s always going to be a horse going lame and whatever but if your mentality is, “It’s all about the partnership, it’s all about the training” …you can go out and compete and not have any other competitors, it doesn’t matter, what matters is umm trying to do your personal best.”
“The competitor in me would like…certain things in her physically…but I cannot ask for more as far as our partnership and relationship, I mean we have, that is nailed and umm it’s interesting because that is probably the thing that has made us so competitive, where I can go in the ring against very big, fancy flashy expensive horses…. but because we have that sort of harmony thing going for us…we look like one unified piece and we’re very accurate in the way we compete and that’s how I can beat those big horses and umm and so I would say you know that if I was just riding her and we didn’t have that, I probably wouldn’t be doing as well on a horse like her.”
“I wouldn’t be able to ride as well as I can now if I didn’t have Moss. He has made me what I am, ‘cos I’ve ridden lots and lots of different horses but nowhere near, made nowhere near the progress on all those horses that I’ve made in the short term with Moss.”
“I think if you have a really good partnership with your horse, it can like, help your performance in the competition but I also think, even if you don’t, you can still have a really good performance if you don’t have the partnership but if the horse does its job and you do your job.”
“A lot of times in the sport like I said I just get on a horse and go and try and build a rel[ationship]…those can’t be built in one day, they can’t, so it’s more like building an understanding. But you do see success in the way of…[rider’s name] on her horse [name]…she’s been riding that horse for a while so she has success in the way of, she knows her horse so well, she knows how fast she needs to go…I’ve seen people do really well on a horse they’ve never ridden before and that’s probably the really good work of the owner, whoever conditions the horses.”
“If you’ve got that confidence and something does go wrong in the test, the wheels don’t fall off, whereas if you’re not 100% umm in that relationship with each other and something goes wrong then immediately you’re at each other.”
“I often say to kids, “The horse has to do it because it wants to do it for you, not because it’s scared of what’s going to happen if it doesn’t do it.” That’s always been my way, I mean, that’s not everybody’s way, and certainly when you short-cut and you want results umm before the basics are really...before the basics are really instilled in the horse then the only way you can get them over the fence is just bashing them around and to me, if you have to bash your horse around a course, it shouldn’t be there, you know, some horses like to do it, and they want to do it for you, other horses really don’t have the talent for it, don’t have the ability for it, or are frightened, and if you bash them over a fence, it’s not fair.”
“I know there’s certainly a lot of people out there... say, [rider’s name], successful, and they run a million horses…the place is crazy. He’s very successful but he goes through a lotta horses, and he goes through them like a factory and umm I don’t want to be like that.”
“I do think a strong willed rider can, can dominate and and exude a performance out of an animal that maybe doesn’t have the best partnership yet or is developing or is not a partnership…a strong-willed rider can get that out.”
“There’s a lot of people that don’t really care what happens to the horse. I mean, I care that my horse doesn’t (pause) die afterwards, you know? Because of that, I’ll ride competitive, but to a point, I’ll umm, never push him too much over his limit where like, some of these people umm (pause) they, they literally ride the horse till he drops. They’ve got too much money, too much [many] horses, I mean, how do you compete against someone like that who doesn’t put the horse first? I’ll never be able to compete against them because I’m not willing to do that. I actually want to take my horse home afterwards.”
“I mean take the [group of riders]… they’ve got a partnership because they need the horse, but there’s no relationship, they don’t know the horses, they don’t train the horses, they only see the horse the first time at the competition, ride the horse till he drops, ride till he finishes, get off, go on. I mean that’s not a relationship.”
“I wouldn’t go fast if I didn’t feel the ground was right or I’d just do the dressage and showjumping and not run the cross-country and I used [to], frustrate the hell outta [name] (laughs) because in those days you had to go fast at every bunfight otherwise you just weren’t a bloke, you know, you weren’t good enough, you couldn’t make a team because you just weren’t tough enough.”
“…you tend to in those team situations, you don’t cry, you don’t, you can’t. You can’t be a female, you’ve gotta be a boy, “tough” and umm just play that kinda game.”
“The only downside to a partnership which to me isn’t a downside but maybe to somebody…that has a win-at-all-costs mentality, perhaps you know if you ride a horse like it is, like it is a winning machine, like it is just a, you know, a chattel, then maybe you can have the disregard that you need to beat a horse over a fence when it’s not right...that’s not me, you know, so maybe...if push comes to shove, in a situation like, I’m tough as anything and I’m tough as anything on myself, but there’s no way that I would make an animal do something that it would, that it would critically hurt it to do.”
“For me as an eventer, I have to have, I feel like I need to have probably, compared with my current showjumping experience…a deeper more meaningful, longer term relationship because there’s just a lot more stuff going down and I don’t know that that’s the same for all eventing riders you know, cos a lot of them can hop on and go, but for me personally, I need to have a really good relationship with my horse and I can communicate at various different levels with it.”
“William’s business operates differently from mine. I am reliant on owners keeping horses with me and, as I am completely driven to get to the top, my interest is in building up the partnerships. Buying and selling has never interested me. William would love to be the same, as he has the same ambitions, but showjumping is a completely different world from eventing. There’s so much more prize money and therefore the value of the horses is greater, so he can’t justify keeping many of the promising young horses he buys to produce. There’s a permanent cycle of change in his yard—which is why he-and many other British show jumpers—has not always enjoyed the success at top level that he deserves. In contrast, I had a collection of promising youngsters that I envisaged keeping for their whole careers” (p. 87).
“Dressage can definitely be covered up, manipulated, pretended to be doing umm umm you know, like Monty, like I pretended my way to tests to Four Star and got okay scores but it was just on the edge of me being a very good showman in the ring and creating something that wasn’t really there.”
“Going back to cross-country, sometimes it doesn’t look harmonious, sometimes if you’re getting the time, which you’ve got to go really fast to do, it looks a bit ugly, a bit wild and a bit rough and not very nice but sometimes that’s what you need to get the job done.”
“Successful doesn’t mean (pause) winning, you know what I mean? Successful means, you know, going out and scoring a percent better again in that test and you know that horse did the test before and didn’t grind his teeth, it’s a huge win on that horse, he went in there and his transitions down from walk he didn’t pigroot because he’s too high behind, he didn’t do it this time and just little things like that, I go, “Yep that was better, that was better” and that for me is successful for that horse.”
“He was trying so hard not to do the full-on blind bolt but I could feel, like where he would normally switch off completely and just go, I could feel that sense of “Oh God Mum, oh shit I’m scared, what am I supposed to be doing, I’m really scared, I want out of here but what do you want me to do?” like…you could really feel him trying to work that out and that’s really special. I think to have got to that stage, even with how fearful he still gets, to at least get to that stage is a huge leap for that horse.”
“At the time standing up there getting that silver medal I was going, “Where’s that feeling?” going, “It’s not here.” I’m going, “What’s going on?” You smile, you smile cos there’s lots (of) cameras, you smile and you’re going, “Why aren’t I feeling it, why aren’t I feeling the love?” you know and it was just, because I’d made mistakes and it ate at me, it really did. Not to the point where I was going to give up and I was crying but umm maybe if I had’ve cried about it, it would’ve been better.”
“Your hierarchies want to make everything better, but I got to the Olympics on that horse the way he was….but they wanted to make it all better and bigger and better and yeah, it was too much, shouldn’t have happened and then the horse started to go downhill from there and I started to lose confidence in them so you know, that was my worst, I mean I still got third or fourth and [country] still won the [competition name] so I mean, the placing actually doesn’t show the whole disappointment of it, but yeah.”
“Everybody said, “Gosh I’m so sorry,” and I said, “I’m not, he was absolutely amazing, he did the best possible three phases he could do at the one time in our lives when we really needed to do that and five other people did it better.”
“It was just like, so in sync, it was so perfect, just everything happened right and I came in right on time on the clock and it was just...perfect. Umm smooth and rhythm, and just communication and (pause) such a buzz.”
“It was like, in a flow, everything just….ahh the both, the Special and the Kur, those both competitions in [city name] with him, that was like, you know, it was easy and it didn’t take any effort and we were one team. I didn’t even know there were people around, it was just him and me…you know, the feeling, it’s ahh once in a while you get a feeling and you think, “Ahh that was my best test,” but with him ahh you know it ahh all fell together, it was the two best tests and ahh Olympic medal and the whole atmosphere with it.”
“If you don’t have a relationship...I mean you can go in and do the movements but… I don’t really know that it can meld into something that’s beautiful where you’re both flowing together. …somebody can go out there and ride a technically correct performance and that’s not the same.”
3.2. Investing Emotionally: Managing (De)attachment to Horses
“Eventually, the competition was restarted…and I won my section…That must sound extraordinarily hard nosed to people outside the sport, but it doesn’t mean that none of us care what happened. It’s just that riders develop a way of dissociating themselves from such an incident, or else none of us would be able to carry on.”
“The horse that I’m riding here umm I don’t have him, I have to drive five hours to ride him, so I ride him several times a month. He belongs to a friend of mine who competes in the Grand Prix, she’s planning to do the Pan Am Games selection trials with him next year, and she’s very graciously lent him to me but in no way is he mine.”
“If you have a horse where you think “Yeah it’s a turn-over horse” quite often I don’t...I mean I don’t know, all my horses have names and nicknames, I’ll have a horse that I’ll have him training or to sell and I’ll just call it the brown horse, so you don’t have that investment in the emotional side of it, and you ride those horses quite clinically I guess, it’s all about producing a product quickly.”
4. Discussion
5. Conclusions
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Acknowledgments
Conflicts of Interest
References
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Participant Demographics | N | (%) |
---|---|---|
Gender | 36 | (100.0) |
Male | 5 | (86.1) |
Female | 31 | (13.9) |
Primary riding discipline | (100.0) | |
Dressage | 9 | (25.0) |
Eventing | 12 | (33.3) |
Showjumping | 1 | (2.8) |
Endurance | 3 | (8.3) |
Vaulting | 4 | (11.1) |
Para-equestrian | 7 | (19.4) |
Country of Origin | (100.0) | |
Australia | 16 | (44.4) |
United Kingdom | 2 | (5.6) |
United States of America | 6 | (16.7) |
Canada | 5 | (13.9) |
The Netherlands | 2 | (5.6) |
Germany | 1 | (2.8) |
South Africa | 2 | (5.6) |
New Zealand | 2 | (5.6) |
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Hogg, R.C.; Hodgins, G.A. Symbiosis or Sporting Tool? Competition and the Horse-Rider Relationship in Elite Equestrian Sports. Animals 2021, 11, 1352. https://doi.org/10.3390/ani11051352
Hogg RC, Hodgins GA. Symbiosis or Sporting Tool? Competition and the Horse-Rider Relationship in Elite Equestrian Sports. Animals. 2021; 11(5):1352. https://doi.org/10.3390/ani11051352
Chicago/Turabian StyleHogg, Rachel C., and Gene A. Hodgins. 2021. "Symbiosis or Sporting Tool? Competition and the Horse-Rider Relationship in Elite Equestrian Sports" Animals 11, no. 5: 1352. https://doi.org/10.3390/ani11051352
APA StyleHogg, R. C., & Hodgins, G. A. (2021). Symbiosis or Sporting Tool? Competition and the Horse-Rider Relationship in Elite Equestrian Sports. Animals, 11(5), 1352. https://doi.org/10.3390/ani11051352