Landscape Spoliation: Linking Latin America with the Mediterranean

A special issue of Arts (ISSN 2076-0752).

Deadline for manuscript submissions: 15 September 2024 | Viewed by 327

Special Issue Editor


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Guest Editor
Faculty of Humanities, Curtin University, Perth, WA 6102, Australia
Interests: architectural history and theory; sustainable luxury; landscape architecture; visual arts; philosophy of sloth; Mediterranean and Latin American modernism
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Special Issue Information

Dear Colleagues,

What lies at the bottom of the ocean between the American Mediterranean and African Mediterranean Seas? For instance, at the turn of the twentieth century, in Mexico City, a ship sailed some blocks of white marble from Massa Carrara, Italy, but they never arrived to be installed at Adamo Boari’s National Palace of Fine Arts. They were lost overboard and remain at the bottom of the ocean today. “Waves of Mediterranean have lapped at the development of modern architecture since the Enlightenment, reshaping its contours often as self-conscious initiatives to redefine or redirect prevailing styles, discourses, or practices” (Bergdoll in Lejeune and Sabatino, 2010: xv). Mediterranean and Latin American cultures and their built topographies have architectural spoils in common.

Through the so-called front line of climatic change and architecture, spoliation (or fragmentary architecture) in the landscape is not about identifying defects in the constructed landscape but the reconciliation of architecture with the damaged terrain. Spurred on by the need to house and insulate people, “landscape spoliation” (Condello, 2022), that is, the process of reconciling modern architecture and its past and present relations with new open-ended places, offers refugees a lifestyle worth living for, enabling urban resilience. How does landscape spoliation affect the design of Mediterranean architecture through its various places and vice versa? How has Latin American architecture and its transoceanic tides in two directions altered the Mediterranean landscape and its inhabitants?

This Special Issue provides a platform to question the overlapping themes of the environment, the transoceanic trade of building materials, architectural theories, and design strategies between Latin American and Mediterranean countries.

Dr. Annette Condello
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • productive reuse
  • botanical and cultural luxuriance
  • modern and contemporary architecture
  • environmental design
  • landscape architecture
  • urban resilience
  • lost buildings

Published Papers

This special issue is now open for submission.
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