Kinetic and Op Art

A special issue of Arts (ISSN 2076-0752). This special issue belongs to the section "Visual Arts".

Deadline for manuscript submissions: closed (15 June 2015)

Special Issue Information

Dear Colleagues

In the Fifties and Sixties of the last century, art under the label "kinetic" or "optical" kind of emerged and found a vast interest not only in artistic circles but also in a bigger public. Art came closer to the people, moving, motorized, electric driven sculptures, paintings, that would change their form, color and appearance, artworks, where people could interact with. Art had left its golden cage! Together with kinetic sculpture, forms like artistic action or happening were developed, and the use of everyday material became normal in the field of art.

It’s the idea of this special issue of Arts dedicated to kinetic and optical art to bring together different views on this vast field of artistic development, to assemble a collection of scholarly articles that will look on the field from different perspectives, bringing up historical, aesthetical, philosophical and any other question about kinetic and optical art.

Andres Pardey
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • kinetic art
  • op art
  • movement
  • nouveau réalisme
  • zero
  • nul

Published Papers (3 papers)

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Research

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331 KiB  
Article
Movement and Time in the Nexus between Technological Modes with Jean Tinguely’s Kineticism
by Christina Chau
Arts 2014, 3(4), 394-406; https://doi.org/10.3390/arts3040394 - 11 Dec 2014
Viewed by 6567
Abstract
This paper addresses auto-destructive artworks by Jean Tinguely, Homage to New York (1960) and Study for an End of the World No. 2 (1962), to explore a changing consciousness of time in a period of technological transition from modern industrial machines towards the [...] Read more.
This paper addresses auto-destructive artworks by Jean Tinguely, Homage to New York (1960) and Study for an End of the World No. 2 (1962), to explore a changing consciousness of time in a period of technological transition from modern industrial machines towards the domestication of televisual devices. One effect of these is works is a contribution to a turbulent consciousness of time by orchestrating new perceptions of temporality with mechanical and tele-communicational media. Tinguely’s kineticism is useful for articulating how different technologies can be used to rationalize time in different ways and highlight an incompatibility between the expression of time as an unfolding duration with mechanical media, and the temporal demands of televisual broadcast media. Full article
(This article belongs to the Special Issue Kinetic and Op Art)

Other

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947 KiB  
Creative
The Development of Public Art and its Future Passive, Active and Interactive Past, Present and Future
by Ralfonso Gschwend
Arts 2015, 4(3), 93-100; https://doi.org/10.3390/arts4030093 - 22 Jul 2015
Cited by 1 | Viewed by 16433
Abstract
Never in the history of mankind have fundamental relationships changed so dramatically fast and with such far reaching consequences as in our time—now. [...] Full article
(This article belongs to the Special Issue Kinetic and Op Art)
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533 KiB  
Essay
Swing Low, Sweet Chariot: Kinetic Sculpture and the Crisis of Western Technocentrism
by G. W. Smith
Arts 2015, 4(3), 75-92; https://doi.org/10.3390/arts4030075 - 07 Jul 2015
Cited by 4 | Viewed by 15024
Abstract
Beginning with the chariot as an ancient and pan-cultural example of the way in which art has humanized technology, this essay explores the limited role which modern art has thus far played in dealing with the current crisis of technocentrism. It does so [...] Read more.
Beginning with the chariot as an ancient and pan-cultural example of the way in which art has humanized technology, this essay explores the limited role which modern art has thus far played in dealing with the current crisis of technocentrism. It does so by bringing to bear on the subject a newly-promulgated theory of the development of modern art which focuses on the absence therein of an evolved kinetic sculpture. Full article
(This article belongs to the Special Issue Kinetic and Op Art)
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