Nationalism in Early Modern Literature

A special issue of Humanities (ISSN 2076-0787). This special issue belongs to the section "Literature in the Humanities".

Deadline for manuscript submissions: closed (15 November 2021) | Viewed by 12286

Special Issue Editor


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Guest Editor
School of Humanities, Bath Spa University, Bath BA2 9BN, UK
Interests: early modern literature; nationhood; memory; race
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Special Issue Information

Dear Colleagues,

In Nationalism: Five Roads to Modernity (1992), Liah Greenfeld famously and firmly locates the emergence of the modern idea of the nation in sixteenth-century England. Greenfeld’s claim that “by 1600, the existence in England of a national consciousness and identity, and as a result, of a new geo-political entity, a nation, was a fact” still holds sway.[1] This was a good year for studies of early modern nationalism: 1992 also witnessed the publication of Richard Helgerson’s magisterial Forms of Nationhood: The Elizabethan Writing of England. Historians and literary historians have, however, contested Greenfeld’s and Helgerson’s Gauntean neglect of the larger geopolitical context in which “this England” emerged and from which it was written. In a recent volume of essays on early modern nationalism and “Milton’s England”, dedicated to Helgerson, the richest readings are those that test the boundaries of “Milton’s England”. Writing in 1642, Milton describes “the British Ilands ” as “my world”, inviting us to situate his complicated republican- and Protestant-inflected nationalism within a wider British and Irish context.[2] Much is to be gained by reading Milton’s nationalism, his sense of himself as “John Milton, Englishman” in relation to Britain as well as Britishness, which, Thomas Corns notes, is both the precursor and successor to mid-seventeenth-century Englishness.[3]

Did an English monarch ever rule in the early modern period? Welsh blood ran in Tudor monarchs’ veins. In 1603, Scotland’s monarch succeeded Queen Elizabeth, and his son, in whose execution Milton had more than a hand, was born in Fife. To say that the Stewart accession to the English throne owed everything to James’s Anglo-Welsh great grandmother Margaret Tudor, a Queen of Scotland by way of marriage to King James IV, would not be inaccurate. King Henry VIII’s reign saw England emerge from Rome’s shadow as an independent nation. If this realm of England was an “empire”, it was an empire that included a politically incorporated Wales. Were the Welsh, then, not Henry’s countrymen, just as Fluellen is the King’s in Shakespeare’s Henry V? Although he claimed suzerainty over Scotland and altered his title from “Lord” to “King” of Ireland, Henry never fashioned his rule in explicitly British terms. Under the composite monarchy established by the Scottish Stewarts, however, a sense of Britishness, within court settings at least, competed with an entrenched and insular Englishness. Beyond Whitehall, this period witnessed the shaping and reshaping of collective identities in the form of oppositional, overlapping, intersecting English, Irish, Scottish and Welsh identities. A new geopolitical entity was indeed taking shape.

This volume takes a fresh approach to nationhood, national identity and nationalism in early modern literature by exploring these concepts within a wider British and Irish, archipelagic, indeed transatlantic, framework.

This Special Issue seeks contributions that address any aspect of this topic, including but not limited to the following:

  • Articulations of national consciousness in women’s writing in the early modern period;
  • Assertions and reimaginings of national identities within the context of Jacobean Union debate;
  • “Britons” abroad;
  • Intersecting confessional and national identities;
  • Irish, Welsh, Scottish dimensions in “English” history plays;
  • Knowledge communities and communal identities;
  • Nationhood, national identities and nationalism at the time of regnal transitions;
  • Representations of and attitudes to ancient Britons;
  • Republican and proto-republican nationalism;
  • Residual and emergent collective identities;
  • Social status and national identity;
  • Transnational literary and patronage networks.

[1] Liah Greenfeld, Nationalism: Five Roads to Modernity (Cambridge: Cambridge University Press, 1992), p. 30.

[2] John Milton, The Reason of Church-government Urg’d against Prelaty (London: 1642), p. 38.

[3] Thomas N. Corns, ‘Milton and the Limitations of Englishness’, in Early Modern Nationalism and Milton’s England, ed. by David Loewenstein and Paul Stevens (Toronto: University of Toronto Press, 2008), pp. 205-216.

Manuscripts ranging from 6,000 to 12,000 words should be submitted to Humanities Editorial Office. For Manuscript Submission Information, please see below.

Dr. Christopher Ivic
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

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Keywords

  • Britain
  • Britishness
  • Britons
  • early modern nationhood
  • early modern nationalism
  • England
  • Ireland
  • memory
  • national identity
  • republicanism
  • Scotland
  • Union
  • Wales

Published Papers (5 papers)

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Research

14 pages, 324 KiB  
Article
Winston Churchill’s Divi Britannici (1675) and Archipelagic Royalism
by Willy Maley and Richard Stacey
Humanities 2022, 11(5), 109; https://doi.org/10.3390/h11050109 - 1 Sep 2022
Viewed by 1686
Abstract
Divi Britannici (1675) is a major restoration history that deserves to be more widely known. The work’s author, Sir Winston Churchill (1620–1688), is certainly less well-known than his celebrated descendant of the same name. Seldom mentioned in discussions of seventeenth-century historiography, Divi Britannici [...] Read more.
Divi Britannici (1675) is a major restoration history that deserves to be more widely known. The work’s author, Sir Winston Churchill (1620–1688), is certainly less well-known than his celebrated descendant of the same name. Seldom mentioned in discussions of seventeenth-century historiography, Divi Britannici can be read alongside contemporary histories, including John Milton’s History of Britain (1670). If British historians have generally overlooked Divi Britannici then Churchill’s work did come to the notice of Michel Foucault, who recognized its arguments around conquest, rights and sovereignty as crucial to the development of political thought in the period. In this essay we excavate Churchill’s arguments, sift through the scattered critical legacy, and locate Divi Britannici both within the context of Restoration histories, with their warring interpretations of England and Britain’s past, and within a tradition of British historiography that associates monarchical rule with national stability. What scholars have missed, however, is the propensity of Churchill to align the restored Stuart monarchy with a form of ethnic co-operation between Scotland, Ireland and England, designed to counter the perceived divisions which were exacerbated by the policies of Cromwell and the parliamentarians. Full article
(This article belongs to the Special Issue Nationalism in Early Modern Literature)
13 pages, 279 KiB  
Article
Memory Traces in The Reign of King Edward III
by Jonathan Baldo
Humanities 2022, 11(3), 59; https://doi.org/10.3390/h11030059 - 25 Apr 2022
Viewed by 1749
Abstract
Indirectly addressing the authorship question in the anonymous The Reign of King Edward III, this paper focuses on a signature of Shakespeare’s treatment of English history, a concern with the political implications of remembering and forgetting. Multiple ironies attend the unstable relation of [...] Read more.
Indirectly addressing the authorship question in the anonymous The Reign of King Edward III, this paper focuses on a signature of Shakespeare’s treatment of English history, a concern with the political implications of remembering and forgetting. Multiple ironies attend the unstable relation of remembering and forgetting in the play. The opening of Edward III gives the impression that England’s forgetful enemies, Scotland and France, require schooling by a nation that appears to own memory. However, initial appearances prove to be deceiving, as three early Shakespearean scenes prominently feature lapses of English memory, causing the early alignment of England with faithful memory to slip away. There are traces of a distinctly Shakespearean approach to history—one that interrogates the mixed effects of historical memory itself and the values commonly assigned to remembering and forgetting—in The Reign of King Edward III. A consideration of the scenes that share the practice of Shakespeare’s histories—of not simply reviving the past but also reflecting on the motivations and conflicts associated with recollection—accords well with previous attributions of those scenes to Shakespeare on stylistic grounds. Full article
(This article belongs to the Special Issue Nationalism in Early Modern Literature)
25 pages, 401 KiB  
Article
Pietas in Patriam: Milton’s Classical Patriotism
by Paul Stevens
Humanities 2022, 11(2), 42; https://doi.org/10.3390/h11020042 - 15 Mar 2022
Viewed by 2580
Abstract
The subject of this essay is the relation between Milton’s classical patriotism and his English nationalism. It has two principal aims. First, it sets out to examine the degree to which the affective or emotional quality of Milton’s patriotism was shaped by the [...] Read more.
The subject of this essay is the relation between Milton’s classical patriotism and his English nationalism. It has two principal aims. First, it sets out to examine the degree to which the affective or emotional quality of Milton’s patriotism was shaped by the classics, especially Cicero and Virgil. For all the energy that has gone into studying Milton’s classical republicanism, there has been relatively little interest in that political movement’s central concern with patriotism: few, for instance, have shown much interest in David Norbrook’s acknowledgment that “English republicanism emerged in part as a vehicle for English nationalism.” And second, through this focus on the classical aspect of Milton’s patriotism, it argues that far from being neutralized or undercut, Milton’s nascent nationalism was actually enabled and intensified by his internationalism, an internationalism that is most graphically illustrated by his engagement with Italy and its role in recovering the classics. Full article
(This article belongs to the Special Issue Nationalism in Early Modern Literature)
16 pages, 294 KiB  
Article
Republican Reimaginings in Marlowe’s Edward II
by Christopher Ivic
Humanities 2022, 11(1), 23; https://doi.org/10.3390/h11010023 - 3 Feb 2022
Viewed by 2555
Abstract
This essay explores the intersection of republican and nationalist ideas in Marlowe’s Elizabethan history play Edward II. I read the play less in terms of recent dominant readings: that is, focussing on the same-sex relation between King Edward and his ‘minion’ Gaveston. [...] Read more.
This essay explores the intersection of republican and nationalist ideas in Marlowe’s Elizabethan history play Edward II. I read the play less in terms of recent dominant readings: that is, focussing on the same-sex relation between King Edward and his ‘minion’ Gaveston. Instead, I focus on the play’s critique of Edward’s authoritarian and arbitrary rule, a critique of monarchy informed by proto-republican ideology and a nascent nationalism. This essay also considers the play’s archipelagic angles within the context of the play’s initial inscription—Queen Elizabeth’s two-kingdom, three-nation rule—as well as its Jacobean publications. Full article
(This article belongs to the Special Issue Nationalism in Early Modern Literature)
13 pages, 309 KiB  
Article
Transatlantic Lifelines: Anne Bradstreet’s “Elegie upon That Honorable and Renowned Knight, Sir Philip Sidney
by Elizabeth Sauer
Humanities 2021, 10(4), 122; https://doi.org/10.3390/h10040122 - 30 Nov 2021
Viewed by 2349
Abstract
The legacy of Sir Philip Sidney, the distinguished Elizabethan courtier-poet, was the subject of numerous claims to memorialization. On 17 October 1586 Sidney died in battle at Arnhem in the United Netherlands. Less than a week later, his corpse was transported to Flushing, [...] Read more.
The legacy of Sir Philip Sidney, the distinguished Elizabethan courtier-poet, was the subject of numerous claims to memorialization. On 17 October 1586 Sidney died in battle at Arnhem in the United Netherlands. Less than a week later, his corpse was transported to Flushing, of which Sidney had been Governor, and in the following year Sidney’s body was “interr’d in stately Pauls”, as recorded by Anne Dudley Bradstreet—the first known poet of the British North American colonies. While Bradstreet is omitted from most early modern and contemporary literary accounts of Sidney’s legacy, this article demonstrates that Bradstreet’s commemoration of Sidney from across the Atlantic presents new insights into his afterlife and the female poet’s formulations of early modern nationhood. Bradstreet’s first formal poem, “An Elegie upon that Honorable and renowned Knight, Sir Philip Sidney” (comp. 1637–8), was a tribute to Sidney as well as to her own Anglo-American literary heritage and England’s rolls. Bradstreet exhibits her complex relationship to Sidney along the same lines that she reconceives her English identity. A comparison of the two published seventeenth-century editions of Bradstreet’s elegiac poem (1650, 1678) shows how she translates descent and lineage from kinship (and kingship) into poetic creation. In the process, Bradstreet takes her place not only as a “semi-Sidney”, as Josuah Sylvester characterized Sidney’s descendants, but also as a Sidneian Muse—in America. Full article
(This article belongs to the Special Issue Nationalism in Early Modern Literature)
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